Search results for ""philip wilson publishers ltd""
Philip Wilson Publishers Ltd Frans Hals: The Male Portrait
This is the first book to concentrate on Dutch Golden Age painter Frans Hals’s highly innovative approach to male portraiture. Frans Hals is one of the greatest portrait painters of all time and, together with Rembrandt, is one of the most eminent seventeenth-century Dutch artists. Published to coincide with the Wallace Collection’s exhibition of the same name, Frans Hals: The Male Portrait explores the artist’s highly innovative approach to male portraiture, from the beginning of his career in the 1610s until the end of his life in 1666. Through pose, expression and virtuosic painterly technique, Hals revolutionised the male portrait into something entirely new and fresh, capturing and revealing his sitters’ characters like no one else before him. This book includes the first in-depth study of Hals’s great masterpiece, The Laughing Cavalier, from 1624. The extravagantly dressed young man, confidently posed with his left arm akimbo in the extreme foreground of the picture and seemingly penetrating into the viewer’s space, has been charming audiences for over a century. Richly illustrated, Frans Hals: The Male Portrait situates The Laughing Cavalier within the artist’s larger oeuvre and demonstrates how, at a relatively early point in his career, Hals was able to achieve this great masterpiece.
£20.00
Philip Wilson Publishers Ltd Executions: 700 Years of Public Punishment in London
A fascinating record of how London and Londoners were shaped by nearly 700 years of public executions. More frequent in London than in any other city or town in Britain, these morbid spectacles often attracted tens of thousands of onlookers at locations across the capital and were a major part of Londoners' lives for centuries. From Smithfield to Kennington, Tyburn to Newgate Prison, public executions became embedded in London’s landscape and people’s lives. Even today, hints of this dark chapter in London’s history can still be seen across the city. Featuring the lives and legacies of those who died or who witnessed public executions first hand from 1196 to 1868, this book tells the rarely told and often tragic human stories behind these events. It includes a range of fascinating objects, paintings and documents, many from the Museum of London’s collections, such as the vest said to have been worn by King Charles I when he was executed, portraits of ‘celebrity criminals’, and last letters of the condemned. From the sites of execution to the thriving ‘gallows’ economy, the book reveals the role that Londoners played as both spectators and participants in this most public demonstration of state power over the life and death of its citizens.
£16.99
Philip Wilson Publishers Ltd The Art of Tapestry
Extensively illustrated, this is the first accessible publication on the history of tapestry in over two decades. Woven with dazzling images from history, mythology and the natural world, and breath-taking in their craftsmanship, tapestries were among the most valuable and high-status works of art available in Europe from the medieval period to the end of the eighteenth century. Over 600 historic examples hang in National Trust properties in England and Wales – the largest collection in the UK. This beautifully illustrated study by tapestry expert Helen Wyld, in association with the National Trust, offers new insights into these works, from the complex themes embedded in their imagery, to long-forgotten practices of sacred significance and ritual use. The range of historical, mythological and pastoral themes that recur across the centuries is explored, while the importance of the ‘revival’ of tapestry from the late nineteenth century is considered in detail for the first time. Although focussed on the National Trust’s collection, this book offers a fresh perspective on the history of tapestry across Europe. Both the tapestry specialist and the keen art-history enthusiast can find a wealth of information here about woven wall hangings and furnishings, including methods of production, purchase and distribution, evolving techniques and technologies, the changing trends of subject matter across time, and how tapestries have been collected, used and displayed in British country houses across the centuries.
£40.50
Philip Wilson Publishers Ltd Fashion City: How Jewish Londoners shaped global style
Discover the extraordinary stories of the Jewish people who designed, made and sold fashion in twentieth-century London, revealing their vital role in making it an iconic fashion city. While Jewish people have long been associated with making clothes, the full extent of the contributions they made to London’s growing reputation as a global fashion capital and the democratisation of fashion through the development of ready-to-wear clothes in the twentieth century have been widely forgotten. Spanning all sectors of the fashion industry – from homeworking to haute couture – the book draws stories from generations of Jewish Londoners and is richly illustrated with images from across the city and the Museum of London’s collections. Fashion City takes you on a journey across London, from the busy clothing factories of the East End to the swinging boutiques of Carnaby Street and the manicured squares of Mayfair. Along the way it introduces you to the intriguing stories of the key figures behind London fashion, such as Frederick Starke, a boy from the East End whose ability to tell a creative story changed the way the world saw British ready-to-wear fashion; Otto Lucas, a gay Jewish German hat maker who became the most financially successful milliner in the world; Mr Fish, the rule-defying tailor who dressed Mick Jagger and Muhammed Ali; and Netty Spiegel, who escaped the Nazis on the Kindertransport and became a London wedding dress designer of choice under her ‘Neymar’ label. Bringing together a wealth of new research and presenting a novel perspective of London fashion, this book gives a voice to the city’s overlooked and often forgotten Jewish fashion makers.
£18.00
Philip Wilson Publishers Ltd Watches: A Complete History of the Technical and Decorative Development of the Watch
The long-awaited reprint of an important illustrated reference work on the general history of the watch from 1500 to 1980. When Watches was first published in 1965 it quickly gained for itself a reputation as the foremost general history of the subject and, following the expanded edition in 1979 which covered recent years past 1830, this has remained unchallenged in horological history. In this long-awaited reprinted edition, collectors and horological students can again make use of the reference illustrations and history in this work as approached by the leading horology historians and clockmakers of the twentieth century. Clutton and Daniels write expertly on the vast history of watches, through the changing tastes and styles of collectors and makers, as well as imparting their own knowledge on various technical aspects within the watches. The expansive historical section encompasses both decorative and mechanical aspects of mid-sixteenth to late twentieth century watches, including those by George Daniels himself, detailing the rich history behind more modern designs and fascinations. These later years include a variety of semi-experimental escapements, as well as covering the development of the precision watch and work leading to it by Ferdinand Berthoud and Pierre Le Roy, discussed alongside John Arnold in England, to satisfy the technical-minded collector. Horology and collecting have grown with the changing technologies, and watches continue to be produced to an exceptional technological standard. Precision watches from the 1730-1930 period are covered in detail, as well as high standard Swiss and American watches of the last hundred years; these highly complicated watches benefit greatly from having both colour and mono illustrations to clarify the details. For a truly comprehensive understanding of escapements, photographs of these have been included alongside a critical approach to this essential mechanism. Since its first publication, Watches has provided an essential work of reference and history behind some of the most renowned minds and creations. Now reprinted for a new generation of collectors and students, and featuring over 600 illustrations, the technical and decorative elements of historical watches can be studied and enjoyed once more.
£85.50
Philip Wilson Publishers Ltd Inspiring Walt Disney: The Animation of French Decorative Arts at the Wallace Collection
Accompanying an exhibition at the Wallace Collection, Inspiring Walt Disney explores the influences of the art and architecture of France on Walt Disney and his studio artists, highlighting in particular the Disney classics of hand-drawn animation, Cinderella (1950) and Beauty and the Beast (1991). Pairing preparatory material from these films – including concept art for talking furniture and fairy-tale castles – with masterpieces from the eighteenth century reveals hidden sources of inspiration and allows us to appreciate the extraordinary talents behind Disney animated films and French decorative arts. Just as the dynamic, twisting movements of the Rococo sought to breathe life into what was essentially inanimate – silver, porcelain, furniture – so too did Disney animators seek to create the illusion of movement, action and emotion. Illustrated with innovative works by artists such as Mary Blair, Hans Bacher and Peter J. Hall, and the animated and anthropomorphic furniture, Sèvres porcelain and gilt bronze of rococo designers, the catalogue explores the shared creative roots of these two seemingly disparate artistic realms and looks to revitalise the feelings of excitement, awe and marvel, which both eighteenth-century craftsmen and Disney animators sought to spark in their audiences.
£15.99
Philip Wilson Publishers Ltd Ravilious
This beautifully illustrated book is the first full-length critical study to focus on the watercolours of multitalented British artist and designer Eric Ravilious (1903–1942). Adopting the wide-ranging approach familiar to readers of his previous books on the artist, author James Russell explores the evolution of a remarkable talent. An introductory section offers an intimate portrait of Ravilious, an artist for whom personal relationships, particularly with women, were paramount. It goes on to describe the extraordinary achievements of an all-too-brief career, drawing on new research to seek out artistic influences and examine Ravilious’s relationships with fellow-artists, as well as the development of his mark making. There follows the most comprehensive display of Ravilious watercolours yet assembled. Some have never been published, while others are familiar and well loved. Many are explored in short accompanying essays, some with full-bleed images that show details of paintings at full size. These texts are designed to entertain and enlighten, looking at composition, technique, influence and inspiration, or discussing the significance of particular subjects and the people behind the scenes. This is the definitive guide to the luminous, evocative and timeless watercolours of Eric Ravilious, an artist now regarded as one of the finest of the twentieth century.
£22.50
Philip Wilson Publishers Ltd Feast & Fast: The Art of Food in Europe, 1500-1800
The UK Winner of the Entertaining category of the Gourmand World Cookbook Awards 2020, Feast and Fast explores our evolving relationship with food with treasures from the Fitzwilliam Museum. Food defines us as individuals, communities, and nations — we are what we eat and, equally, what we don’t eat. When, where, why, how and with whom we eat are crucial to our identity. This title presents novel approaches to understanding the history and culture of food and eating in early modern Europe. This richly illustrated book will showcase hidden and newly-conserved treasures from the Fitzwilliam Museum and other collections in and around Cambridge. It will tease out many contemporary and controversial issues — such as the origins of food and food security, overconsumption in times of austerity, and our relationship with animals and nature – through short research-led entries by some of the world’s leading cultural and food historians. This book explores food-related objects, images, and texts from the past in innovative ways and encourages us to rethink our evolving relationship with food.
£22.50
Philip Wilson Publishers Ltd Thomas Lawrence: Coming of Age
This survey of Lawrence’s first twenty-five years tells the story of an exceptional artist growing up at the end of the century as Britain created its own unique artistic voice. Like his Renaissance predecessors Raphael, Michelangelo and Dürer, the young Thomas Lawrence (1769-1830) was considered to be a boy genius. He first came to public attention when he was cited in a scientific paper on ‘early genius in children’; shortly afterwards his family moved to Bath where the eleven-year-old was kept busy making likenesses of the spa town’s fashionable visitors. By 1790, Lawrence's spectacular portraits were the most applauded works in the Royal Academy’s annual exhibition, which opened days before his twenty-first birthday. The book considers the young artist’s self-image as a prodigy, the impact of Bath’s rich cultural life on his formation, the rapid development of his painting technique following his move to London, and his use of celebrity, print media and the Royal Academy to grow his reputation. Particular attention is given to Lawrence’s perceptive depictions of old age and bold celebrations of youthful energy. His portraits from this time present a fascinating glimpse of British high society at the turn of a memorable century: they include celebrities such as the Duchess of Devonshire, Emma Hamilton and actresses Sarah Siddons and Elizabeth Farren, as well as political leaders, members of the Bluestocking circle and the Royal Family. The book accompanied a major exhibition at the Holburne Museum in Bath and includes previously unpublished works as well as some of Lawrence’s most brilliant masterpieces.
£18.99
Philip Wilson Publishers Ltd Chinese Wallpaper in Britain and Ireland
Chinese wallpaper has been an important element of western interior decoration for three hundred years. As trade between Europe and China flourished in the seventeenth century, Europeans developed a strong taste for Chinese art and design. The stunningly beautiful wall coverings now known as `Chinese wallpaper’ were developed by Chinese painting workshops in response to western demand. In spite of their spectacular beauty, Chinese wallpapers have not been studied in any depth until relatively recently. This book provides an overview of some of the most significant Chinese wallpapers surviving in the British Isles. Sumptuously illustrated, it shows how these wallpapers became a staple ingredient of high-end interiors while always retaining a touch of the exotic.
£22.50
Philip Wilson Publishers Ltd The Life and Work of Thomas Chippendale Junior
A beautifully illustrated catalogue bringing cabinet-maker Thomas Chippendale Junior out of the shadow of his father. The Chippendale cabinet-making firm, founded by Thomas Chippendale Senior in about 1750, became famous partly through the successful publication of The Gentleman and Cabinet-Maker's Director (1754, re-published 1755 and 1762), but also through the fine furniture supplied to a number of illustrious clients. Chippendale Senior ran the workshop for just over twenty years and his eldest son, Thomas Chippendale Junior, continued the business for over forty years; the first two decades in partnership with Thomas Haig. Chippendale Senior's work has been well-documented but Chippendale Junior's work has never, until now, been thoroughly researched. The Life and Work of Thomas Chippendale Junior repairs this omission. His patrons included members of the Royal Family, aristocrats, landed gentry and antiquarians; he was adept at satisfying their demands, whether they required lavish gilt or simpler, often mahogany, pieces. Where family archives and original settings survive, as at Harewood House, Paxton House and Stourhead, they reveal the variety and quality of Chippendale's output. An analysis of client's invoices, even when the furniture can no longer be traced, for the first time provides a colourful view of what customers chose and what prices they paid.
£58.50
Philip Wilson Publishers Ltd Masterpieces in Miniature: Engraved Gems from Prehistory to the Present
Exhibiting the mastery of the gem-engraver from prehistory to the present, Masterpieces in Miniature offers a survey of the finest products of the gems craft over millennia. The creation of miniature intaglios - or incised carvings - which could be impressed on clay or wax was one of the earliest crafts of civilisation. To this the Greeks added relief cameos, while comparable skills were lavished on the decoration of metal finger rings. These artefacts record subjects of significance for their period and place but are also the direct expression of an artist's skills and imagination. Engraved gems were collected first by the ancient Romans and then throughout the Renaissance were a source for knowledge of `classical' subjects and styles, when they were copied - from Michelangelo to Rubens - by the foremost artists of the day. There was a strong revival of the craft in the Neo-classical period of the sixteenth and seventeenth centuries, when European collectors - many undertaking their Grand Tour of the continent - made new collections, several of which form the basis for those held in major museums today. The gemstones explored and illustrated here are from a distinguished collection made in the earlier twentieth century by a notable connoisseur of ancient art. Many originate from named older European collections and were previously unknown to scholars and collectors. The authors offer a balanced selection of earlier eastern and Greek stones, alongside others from the Neo-classical era, that will delight all lovers of antiquity and art.
£36.00
Philip Wilson Publishers Ltd David Milne: Modern Painting
This beautifully illustrated book documents the life and work of one of Canada's greatest modern painters. David Milne's (1882-1953), vast body of work shows him to be an artist of true originality and vision. Like the members of the Group of Seven, Milne primarily chose landscape as his subject matter. However, his true subject was the process of perception and representation, reducing his painting to its essentials and infusing it with his own distinctive modern sensibility. Drawing on paintings in Canadian public and private collections and on photographs and on Milne's own writings, the book presents an account of one man's spiritual and emotional voyage into modernity - from the bustling sidewalks of New York to the war-torn landscapes of northern France as an official war artist and back again to the woods, lakes, fields and skies of north-eastern USA and Canada. Pivoting on Milne's war art, the aftermath of which he recorded to sensitively and which brought a heightened sense of formal discipline to his work, the book follows the change in Milne's approach from the Post-Impressionist style of his New York years, with its vivid colours dynamic brushstrokes, to the more distilled visual language of his later work. With more than one hundred works in oil and watercolour, never-before-published photographs and drawings by the artist, this book provides unique and personal insights into this innovative artist and an appreciation of one of Canada's most sophisticated modern painters.
£22.50
Philip Wilson Publishers Ltd Vincent Van Gogh: The Years in France: Complete Paintings 1886-1890
The Years in France is a wealth of new information of crucial importance to collectors, dealers, art historians and public institutions, while providing an extraordinary visual record of the most creative and productive period of Van Gogh's career. Vincent van Gogh's tumultuous final years were the climax of his career as a colourist. In France he reached a sustained height of expression and created a prodigious quantity of work, the importance of which is incontestable. In the landscapes, portraits and still lifes from this period, the intensity and singularity of vision finds its apotheosis. Presented here is a comprehensive illustrated catalogue of Van Gogh's paintings executed between 1886 and 1890 in Paris, Arles, Saint-Remy and Auvers-sur-Oise. Each of some 580 works from that time is reproduced in full colour and appears in related scale to its original size. All known provenance is given. For the first time the paintings recorded in early documents like the Andries Bonger Inventory List of 1890 and the 1905 Amsterdam Exhibition are fully identified. This book promises to be one of the most significant and enduring contributions to the understanding of this artist.
£58.50
Philip Wilson Publishers Ltd William Blakes Universe
A beautifully illustrated book that explores William Blake''s relationship with Europe against a backdrop of political turmoil.Responding to revolution and war in Europe, enslavement and exploitation in European colonies, and repression and reaction at home in Britain, William Blake (17571827) produced an astonishing body of work that combined criticism of the contemporary world with a vision for universal redemption. Blake has always been seen as a distinctly English figure but, in reality, his art at all periods of his career is profoundly involved with Europe, as a source of his images and as a vision of the past, present and future of humanity. This richly illustrated book, published alongside an exhibition at the Fitzwilliam Museum, explores the vital ingredients of Blake''s work and draws parallels with the ambitions of his artist contemporaries in Europe, most notably the German artist Philipp Otto Runge. In doing so the editors and contributors show th
£31.50
Philip Wilson Publishers Ltd The Art of Breguet
The Art of Breguet is the complete, illustrated history of the work of Abraham Louis Breguet by the late George Daniels, who has provided a detailed study of Breguet’s horological philosophy that explains so many of the misunderstood aspects of his work. During the five hundred years that horology has been accepted as a separate art only a dozen or so men have made a positive contribution to its progress. Included in this little group of masters is the illustrious name of Abraham Louis Breguet (1747–1823), the arch-mécanicien in an age of mechanics. His contribution was as brilliant as it was original and, during a period when horological fashion was the slave of science, he lifted the watchmaker’s art to a new dimension of visual and technical excellence. In doing so, he radically changed the whole concept of horology and transformed it into an art form that won him the adulation of Europe. The unceasing search for perfection in the performance of his products led Breguet to the invention of mechanical principles that even today, are used in the design of the watch. His influence on the appearance and style of the watch was dramatic and his most complicated examples maintained the slim, elegant appearance that was to revolutionise watchmaking. Breguet’s extraordinary ability in all branches of horology achieved for him the reputation of a genius, the patronage of kings and – rarest of all – the respect of the horological world. His products have never lost favour and many, in constant use, have been handed down through generations to their present owners. The passing of the years, with their many changes of fashion, have not diminished the beauty of the proportions and appearance of Breguet’s work. Daniels describes in detail the complexity of Breguet’s art and, by so doing, supplants the mystique that has surrounded it with a clearer understanding of its function. Over one hundred line drawings illustrate the progress of technical development and each is accompanied by an analysis of the mechanism and its intended purpose. The history of the development of the internal and external appearance of the vast range of Breguet’s products is illustrated in a separate section, arranged in the order of manufacture to reveal the pattern of change in appearance. Each item is accompanied by a description of its external characteristics, mechanism, period of manufacture and, where possible, the date of sale. This reprinted edition, with a foreword by Emmanuel Breguet, has been long awaited and is addressed equally to the student and to the collector of Breguet’s work.
£85.50
Philip Wilson Publishers Ltd Cutting Edge: Modernist British Printmaking
A vividly illustrated catalogue of linocuts by the Modern British printmakers of the Grosvenor School of Art. The Grosvenor School of Modern Art was founded by the influential teacher, painter and wood-engraver Iain McNab in 1925. Situated in London’s Pimlico district, the school played a key role in the story of modern British printmaking between the World Wars. The Grosvenor School artists received critical acclaim in their time that continued until the late 1930s under the influence of Claude Flight who pioneered a revolutionary method of making the simple linocut to dynamic and colourful effect. Cyril Power, a lecturer in architecture at the school, and Sybil Andrews, the School Secretary, were two of Flight’s star students. Whilst incorporating the avant-garde values of Cubism, Futurism and Vorticism, the Grosvenor School printmakers brought their own unique interpretation of the contemporary world to the medium of linocut in images that are strikingly familiar to this day. They are included in the print collections of the world’s major museums, including the British Museum, the MoMA in New York and the Australian National Gallery. Cutting Edge, which accompanied an exhibition at Dulwich Picture Gallery, illustrates over 120 linocuts, drawings and posters by Grosvenor School artists; its thematic layout focuses on the key components which made up their dynamic and rhythmic visual imagery. For the first time, three Australian printmakers, Dorrit Black, Ethel Spowers and Eveline Syme - who played a major part in the Grosvenor School story - are included in a major museum exhibition outside of Australia.
£22.50
Philip Wilson Publishers Ltd Designers and Jewellery 1850-1940: Jewellery and Metalwork from the Fitzwilliam Museum
A glittering display of the Fitzwilliam Museum’s finest pieces of jewellery and metalwork. The Fitzwilliam Museum, University of Cambridge, holds stunning examples of jewellery and metalwork from the late nineteenth and early twentieth centuries. This exceptional period of design covers the neo-Gothic and historicist designs of the mid- to late nineteenth century, the groundbreaking work of British Arts and Crafts designers, sinuous curves influenced by the European Art Nouveau movement and the structural modernity of the 1930s. The collection contains jewellery by some of the finest historicist designers, including the Castellani and Giuliano families and John Brogden, as well as a spectacular decanter by William Burges. There are important pieces of jewellery and silver by the most famous of Arts and Crafts designers, including C.R. Ashbee, Henry Wilson, Gilbert Marks and John Paul Cooper. Unique pieces designed by the artist Charles Ricketts hold a special place in the history of queer art in Britain, having been designed for his friends Katherine Bradley and Edith Cooper, a couple known collectively as Michael Field. Modernist silver is represented by leaders of the field Omar Ramsden and H.G. Murphy. This beautifully illustrated volume reproduces 70 of the Museum’s most important pieces from this period, many previously unpublished, with comparative illustrations of some of the original designs. Importantly, the book is arranged chronologically by designer and includes biographies, a description of their work and how it changed over time, as well as commentary about the specific works in the Museum’s collection. The book brings together for the first time the Fitzwilliam’s exceptionally fine holdings of jewellery and metalwork from this highly popular and fruitful period of design.
£18.00
Philip Wilson Publishers Ltd Michelangelo: Sculptor in Bronze
The first comprehensive interdisciplinary account of Michelangelo’s work as a sculptor in bronze. This book is the outcome of extensive original research undertaken over several years by academics at the University of Cambridge together with a team of international experts, directed by Dr Victoria Avery, a leading authority on the history, art and technology of bronze casting in Renaissance Italy. The catalyst for this innovative project was the attribution to Michelangelo of the Rothschild bronzes – two extraordinary bronze groups of nude men on fantastical panthers – prior to their display at the Fitzwilliam Museum in 2015. First proposed by the distinguished Michelangelo scholar Professor Paul Joannides and validated by the wide-ranging research published here, the attribution to Michelangelo has now gained widespread acceptance. As part of this pioneering project, Professor Peter Abrahams, the eminent clinical anatomist specialising in dissection, has carried out the first ever in-depth scientific analysis of the anatomy of Michelangelo’s nude figures. Abrahams’ findings have uncovered hitherto unrecognised features of Michelangelo’s unparalleled mastery of the structure and workings of the human body that give the gesture and the motion of his figures their unique expressive force. Enigmatic and visually-striking masterpieces, the Rothschild bronzes are the focus of this multi-authored, interdisciplinary volume that contains ground-breaking contributions by leading experts in the fields of art history, anatomy, conservation science, bronze casting and the history of collecting.
£67.50
Philip Wilson Publishers Ltd Winifred Nicholson: Liberation of Colour
Liberation of Colour explores the whole career of Winifred Nicholson with a special emphasis on her theories of colour. Throughout her life, Winifred Nicholson was interested in prisms and rainbows. When she was given some prisms by a physicist friend in the mid-1970s, her painting took on a new direction. Looking through a prism, she saw objects with a rim of prismatic colour. She explored and developed these ideas, often painting pictures that verged on the abstract. Using specific paintings to examine her ideas and writings about colour, the book includes her late 'prismatic' pictures which have never been properly explained. These pictures were a culmination of her life's search to find "form's secret and rhythmic law". She painted them in Greece in 1979, at her home in Cumbria, and during her last painting trip to the Island of Eigg in the Hebrides in 1980, where she had an inspired period of painting and made some of her best-loved pictures. Published on the occasion of the exhibition Liberation of Colour at the Middlesbrough Institute of Modern Art, the book illustrates many previously unseen paintings from private collections, as well as some of Nicholson's best known works. It also draws on new research, including previously unseen archival material.
£18.00
Philip Wilson Publishers Ltd Vanessa Bell
A stunning display of the vibrant and wide-ranging talent of Vanessa Bell in the first catalogue devoted to the artist. Vanessa Bell (1879–1961) has been known as the still, quiet centre around which the Bloomsbury Group revolved,. She was renowned for her beauty, her complex romantic entanglements and, later, her domestic gravitas – and as the sister of Virginia Woolf. But Bell was also one of the most advanced British artists of her time, with her own distinctive vision, boldly interpreting new ideas about art which were brewing in France and beyond. This publication beautifully showcases Bell’s pioneering oil paintings, photographs, ceramics, fabrics, decorative screens and works on paper in a revelatory affirmation of her vibrant and wide-ranging talent. Including more than 180 colour plates, Vanessa Bell is a definitive record of Bell’s accomplishments. The book is enhanced with photography of Charleston, the Sussex farmhouse that she occupied with creative flair alongside Duncan Grant and the rest of her unconventional family. With sections devoted to portraiture, landscape, still life, design, domestic scenes and female subjects, the book gathers together a rich chorus of voices – from renowned Bloomsbury scholars to emerging experts – delivering a fresh view of an intrepid modern artist seen clearly on her own terms at last.
£22.50
Philip Wilson Publishers Ltd The Beverley Collection of Gems at Alnwick Castle
The Beverley Gem Collection at Alnwick Castle is one of the most distinguished in Great Britain still in private hands. Alnwick Castle, ancestral seat of the Earls of Northumberland - and the House of Percy - was built as a border fortress against the Scots in the twelfth century, if not earlier. Substantially enlarged in the fourteenth and fifteenth centuries, and remaining in Percy family hands to this day, it stands now as a prime example of robust stone defensive architecture. Much visited and admired for its impressive exterior, this dramatic stronghold and stately home is the setting for this collection. The Beverley Collection reflects the longstanding interest of the English nobility in both accumulating and commissioning gemstones. The Collection was begun by the First Duchess of Northumberland in the early eighteenth century; but the greater part of it was made later in the century by Algernon Percy, First Earl of Beverley, during a tour of Europe while in the company of his mentor, Louis Dutens. Their success in France and Italy was such that it incited the jealousy of the Empress Catherine of Russia, herself a passionate collector. The range of objects - cameos, intaglios and finger rings of the highest quality - is considerable: Greek, Roman and Etruscan, as well as a notable assemblage of neoclassical signed gems by British artists. One jewel clearly provided inspiration for Michelangelo's painting of Adam on the Sistine Chapel ceiling. The Collection has been little known, except by connoisseurs, but this volume brings to the attention of a broader audience many of the finest products of one of the oldest arts of the western world.
£36.00
Philip Wilson Publishers Ltd Watchmaking
Many years after its first publication, the best-selling Watchmaking continues to inspire and encourage the art of watchmaking, especially among new generations of enthusiasts. As a supreme master of his art, George Daniels' advice is constantly sought by both students and watch repairers, his understanding of the problems that can beset the would-be watchmaker, especially in an age of mass production, and his expert knowledge of the history of watchmaking being second to none. Here, the making of the precision timekeeper is described step by step and illustrated at each stage with line drawings and brief explanatory captions. The text is easy to follow and care has been taken to avoid complicated technical descriptions. As Daniels is particularly interested in the development of the escapement - many are described in this book, several of his own design - the reader is encouraged to explore this aspect of watchmaking in even greater detail. This classic handbook still remains indispensable to generations of watchmakers and repairers, and also provides a fascinating insight to the enthusiast and watch-collector who, until its publication, had rarely been able to admire the superb craftsmanship of a fine watch without understanding how it works.
£63.00
Philip Wilson Publishers Ltd All in Good Time: Reflections of a Watchmaker
The remarkable story of George Daniels, the master craftsman who was born into poverty but raised himself to become the greatest watchmaker of the twentieth century. George Daniels (1926-2011) stands alone in modern times as the inventor of the revolutionary co-axial escapement, the first substantial advance in portable mechanical timekeeping over the lever escapement, which has dominated ever since its invention in 1759. Daniels's love of mechanics embraced not only the minute, however - he was also a passionate collector and driver of historic motorcars. This revised and expanded edition of his autobiography also contains a new section that illustrates and discusses over thirty of the pocket and wrist-watches Daniels himself made over the years. Witness here the triumph of intelligence, ingenuity, matchless skill and singularity of purpose over the most unpromising of beginnings.
£31.50
Philip Wilson Publishers Ltd Black Atlantic: Power, People, Resistance
An important illustrated history of the relationship between Cambridge and the Black Atlantic. Between 1400 and 1900, European powers, not least Britain, colonised the Americas and transported over 12.5 million people from sub-Saharan Africa as slaves. The contested space, formed by the interactions of multiple people and cultures, both Black and white, we now call the Black Atlantic. Cambridge and Cambridgeshire played a key role in this international narrative – a story of commerce, profit and colonialism, of opinion-forming, and of struggle. Through the lens of historic artworks, artefacts and natural history specimens, this book and the exhibition it accompanies analyse the rise and growth of enslavement, the profits made by Dutch and British traders and plantation-owners, the power of images, the knowledge produced by enslaved people, histories of resistance movements and the consequences of these events today. Works by contemporary makers challenge long-held assumptions, address erasures, and create alternative narratives of repair, freedom and justice.
£22.50
Philip Wilson Publishers Ltd Rubens: The Two Great Landscapes
A handsomely illustrated monograph that examines in depth Rubens’s two greatest landscape paintings: A View of Het Steen in the Early Morning and The Rainbow Landscape. Painted as pendants, the pair of paintings have been in London since 1803. This book presents an updated and almost complete history of the provenance of the two works, describing their passage through eminent collections from the time of Rubens’s death until they reached their respective collections. Separated by less than a mile, the former eventually entered the collection of the National Gallery and the latter the Wallace Collection. The book puts the creation of these two landscapes into the full context of Rubens’s later life and his semi-retirement. It demonstrates how they are the zenith of his achievements as a landscape painter and explores how he drew skilfully on Flemish influences, including Bruegel, in creating two highly original compositions. Written to engage and appeal to the non-specialist reader and academic alike, the book makes an important contribution to scholarship in the field, including original technical research and new photography that show how these complex compositions evolved iteratively as the panels onto which they were painted were expanded.
£18.00
Philip Wilson Publishers Ltd Forgotten Masters: Indian Painting for the East India Company
Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, Forgotten Masters celebrates the work of a series of extraordinary Indian artists. As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Each had their own style, tastes and agency, and all of them worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.
£31.50
Philip Wilson Publishers Ltd Borrowed Landscapes: China and Japan in the Historic Houses and Gardens of Britain and Ireland
A beautifully illustrated exploration of the impact of Chinese and Japanese material culture on the historic houses and gardens of Britain and Ireland. The art and ornament of China and Japan have had a deep impact in the British Isles. From the seventeenth century onwards, the design and decoration of interiors and gardens in Britain and Ireland was profoundly influenced by the importation of Chinese and Japanese luxury goods, while domestic designers and artisans created their own fanciful interpretations of ‘oriental’ art. Those hybrid styles and tastes have traditionally been known as chinoiserie and japonisme, but they can also be seen as elements of the wider and still very relevant phenomenon of orientalism, or the way the West sees the East. Illustrated with a wealth of new photography and published in association with the National Trust, Borrowed Landscapes is an engaging survey of orientalism in the Trust's historic houses and gardens across England, Wales and Northern Ireland. Drawing on new research, Emile de Bruijn demonstrates how elements of Chinese and Japanese culture were simultaneously desired and misunderstood, dismembered and treasured, idealised and caricatured.
£31.50
Philip Wilson Publishers Ltd Kate Nicholson
A sequel to Winifred Nicholson: Liberation of Colour, this book is the first monograph on this highly talented artist who deserves to be better known. This book explores the career of the St Ives artist Kate Nicholson, daughter of Ben and Winifred Nicholson. The contents range from her early landscapes, to the still lifes painted in Cumberland and St Ives, the abstracts – many of them inspired by her travels in Greece – to the late works made on the Isle of Eigg in the Hebrides. Also examined is her artistic relationship with her mother, with whom she painted side-by-side in Cumberland and Scotland, and on their many Greek travels. It discusses her creative relationship with her father with whom she lived in St Ives in the mid-1950s for two years, as well as her friendship with many of the St Ives artists and her role in the Penwith Society. Published to accompany the exhibition Kate Nicholson at Falmouth Art Gallery, this book illustrates many works from both public and private collections. It draws on ground-breaking new research, together with the author’s experience of travelling with Nicholson on painting trips.
£18.00
Philip Wilson Publishers Ltd Fringe, Frog and Tassel: The Art of the Trimmings-Maker in Interior Decoration
Lavishly illustrated with new photography, Fringe, Frog and Tassel is the first survey of the history, design and use of trimmings in the historic interiors of Britain and Ireland. Trimmings are often overlooked as mere details of a furnished interior. However, in the past they were seen as vital and costly elements in the decoration of a room. They were used not only on curtains and beds but also on wall hangings, upholstered seat furniture and cushions, providing a visual feast for the eye with their colour and intricate detail. Sometimes more expensive than the rich fabrics they enhanced, trimmings are often the only surviving evidence of a lost decorative scheme, reapplied to replacement textiles or found as fragments in the attic. This book, the first of its kind, traces their history in Britain and Ireland from 1320 to 1970, examining the design and usage of tassels, fringe, braid (woven lace), gimp and cord and their dependence on French fashion. The substantial text links surviving items in historic houses and museums to written evidence, paintings, drawings and other primary sources to provide a firm framework for dating pieces of less-certain provenance. The importance of the ‘laceman’, the maker of these trimmings, is also examined within an economic and social context, together with the relationship to the upholsterer and interior decorator in the creation of a fashionable room.
£45.00
Philip Wilson Publishers Ltd Mary Seton Watts and the Compton Pottery
This comprehensive book is both a biographical exploration of the early life of Mary Seton Watts and a survey of the pottery she designed. Mary Seton Watt's (1849-1938) roots in Scotland, her artistic career and her marriage to the Victorian artist George Frederic Watts all influenced the design of the Grade 1 listed Cemetery Chapel at Compton. It also influenced the art potteries which she then set up, both in Compton (The Potters' Arts Guild) and in her home village near Inverness. The pottery at Compton was in business for more than fifty years, making terracotta garden ware, memorials and small decorative pieces. It remained open even through two World Wars and a trade depression. This highly illustrated publication showcases the beautiful and individual pieces of pottery. It is a fitting tribute to the ability of Mary Watts to coordinate both people and resources.
£31.50
Philip Wilson Publishers Ltd Eric Ravilious: Imagined Realities
A collection of illustrations showcasing many previously unpublished paintings of the artist Eric Ravilious. Eric Ravilious (1903-1942) is now firmly one of the most popular artists of his period. He was a painter of watercolours and murals, a book illustrator in wood engraving and lithography, and a designer of transfer-ware pottery. He applied a dry and precise style of working to imaginative and romantic subject matter from the world around him and from his imaginative transformations of the art and imagery of the past. From 1940, he was an Official War Artist, painting memorable pictures of ships, aircraft and coastal defences before his tragic death in a flying accident off Iceland. This book includes illustrations of many previously unpublished paintings, including a number from private collections, as well as surveying his other artistic activities. The text also draws on many letters and other documents, again previously unpublished, and is the most comprehensive account of Ravilious' career ever published. It positions the artist in relation to the English art of his time, and more recent critical and cultural issues. The book accompanied a centenary exhibition at the Imperial War Museum, London.
£22.50
Philip Wilson Publishers Ltd The Practical Watch Escapement
The Practical Watch Escapement explains the action of the escapement in terms accessible to both expert and layman. One of George Daniels' central contributions to horology is his co-axial escapement. Having observed that the dominant lever escapement begins to change its rate after a year or two - a disturbance caused by the sliding action of the impulse elements of the escapement - Daniels set about developing a mechanism that avoided this problem. The result of his efforts was the co-axial escapement, a mechanism in which he sought to combine the strengths and eliminate the deficiencies of existing watch escapements, the lever escapement foremost among them. First devised in 1977, today it remains largely the same as fitted in watches of Daniels' own manufacture, as well as those of several wrist-watch manufacturers. The text is accompanied by a series of detailed line drawings.
£27.00