Search results for ""modern books""

Maja Pitamic has over twenty years' experience of teaching young children and holds a degree in Art History and Montessori Teacher Training. She is the author of the forthcoming titles I Can Do It and Play and Learn, both Montessori activity books for pre-school children.

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Renaissance readers perceived the print book as both a thing and a medium - a thing that could be broken or reassembled, and a visual medium that had the power to reflect, transform, or deceive. At the same historical moment that print books remediated the visual and material structures of manuscript and oral rhetoric, the relationship between vision and perception was fundamentally called into question. Investigating this crisis of perception, Pauline Reid argues that the visual crisis that suffuses early modern English thought also imbricates sixteenth- and seventeenth-century print materials. These vision troubles in turn influenced how early modern books and readers interacted. Platonic, Aristotelian, and empirical models of sight vied with one another in a culture where vision had a tenuous relationship to external reality. Through situating early modern books’ design elements, such as woodcuts, engravings, page borders, and layouts, as important rhetorical components of the text, Reading by Design articulates how the early modern book responded to epistemological crises of perception and competing theories of sight.

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''The best book on football I have ever read'' Daniel Finkelstein''Fascinating and educational. An enjoyable and informative read'' Sir Kenny Dalglish''Deserves a place among the great modern books on football'' Sam Wallace, chief football writer, Telegraph______________________________The insider account of the data revolution that has swept through the modern football world written by one of its key architects, Ian Graham.Between 2012 and 2023, Ian Graham worked as Liverpool FC''s Director of Research. His tenure coincided with the club's greatest period of success since the 1980s, including winning the Premier League in 2020 Liverpool's first league title after an agonising three decades.Here for the first time, Graham reveals the fascinating data that informed some of the club's most pivotal moments of the past decade, from the appointment of Jurgen Klopp as manager in 2015 to the signing of M

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Following the success of the established titles in this popular series, Sketching from the Imagination: Storytelling brings to life the characters, worlds, and tales of traditional stories and modern tales alike. 50 professional storybook artists from around the globe take inspiration from folklore and fairytales, myths and legends, and modern books and novels. Many of these artists create their own narratives, exploring their storytelling skills through an extraordinary talent for transforming words into compelling visual concepts. Children eagerly turn the pages of illustrated storybooks – some of those illustrations would be enchanting and dream-like, others were menacing and ugly (but no less intriguing). Those images often linger into adulthood, when graphic novels and illustrated books take over to feed our adult curiosity and child-like sense of adventure. Each artist not only shares several pages of their original art, but also the story behind it – the narrative of the art itself, and their fascinating account of the artistic process. From traditional children’s characters to the fantastical, surreal, and terrifying worlds, every genre imaginable is covered. Whether you’re a beginner or experienced artist, no matter what your style and medium, this book will have you telling tales in no time.

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The first dictionary of medieval terms intended for the non-specialist with an interest in the medieval world. An interest in the middle ages often brings the non-specialist reader up short against a word or term which is not understood or only imperfectly understood. This dictionary is intended to put an end to all that: it has been designed to be of real help to general readers and specialists alike. The dictionary contains some 3,400 terms as headwords, ranging from the legal and ecclesiastic to the more prosaic words of daily life. Latin was the language of the church, law and government, and many Latin terms illustrated here are frequently found in modern books of history of the period; similarly, the precise meaning of Old English and Middle English terms may elude today's reader: this dictionary endeavours to provide clarity. In addition to definition, etymologies of many words are given, in the belief that knowing the origin and evolution of a word gives a better understanding. There are also examples of medieval terms and phrases still in use today, a further aid to clarifying meaning. CHRISTOPHER COREDON has also compiled the Dictionary of Cybernyms. Dr ANN WILLIAMS, historical consultant on the project, was until her retirement Senior Lecturer in medieval history at the Polytechnic of North London.

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For Rebecca Bushnell, English gardening books tell a fascinating tale of the human love for plants and our will to make them do as we wish. These books powerfully evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill's The Gardeners Labyrinth or Hugh Platt's Floraes Paradise, mix magical practices with mundane recipes even when the authors insist that they rely completely on their own experience in these matters. Like early modern "books of secrets," early gardening manuals often promise the reader power to alter the essential properties of plants: to make the gillyflower double, to change the lily's hue, or to grow a cherry without a stone. Green Desire describes the innovative design of the old manuals, examining how writers and printers marketed them as fiction as well as practical advice for aspiring gardeners. Along with this attention to the delights of reading, it analyzes the strange dignity and pleasure of garden labor and the division of men's and women's roles in creating garden art. The book ends by recounting the heated debate over how much people could do to create marvels in their own gardens. For writers and readers alike, these green desires inspired dreams of power and self-improvement, fantasies of beauty achieved without work, and hopes for order in an unpredictable world—not so different from the dreams of gardeners today.

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Learn the fundamentals of version control through step-by-step tutorials that will teach you the ins-and-outs of Git. This book is your complete guide to how Git and GitHub work in a professional team environment. Divided into three parts – Version Control, Project Management and Teamwork – this book reveals what waits for you in the real world and how to resolve the problems you may run into. Once past the basics of Git, you'll see how to manage a software project, and finally how to utilize Git and GithHub to work effectively as a team. You'll examine how to plan, follow and execute a project with GitHub, and then apply those concepts to real-world situations. Workaround the pitfalls that most programmers fall into when driving a project with Git by using proven tactics to avoid them. You will also be taught the easiest and quickest ways to resolve merge conflicts. A lot of modern books on Git don’t go into depth about non-technical topics. Beginning Git and GitHub will help you cover all the bases right at the start of your career.What You'll Learn Review basic and advanced concepts of Git Apply Project Management skills using GitHub Solve conflicts or, ideally, avoid them altogether Use advanced concepts for a more boosted workflow Who This book Is For New developers, developers that have never worked in a team environment before, developers with basic knowledge of Git or GitHub, or anyone who works with text documents.

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The essays here engage with the ways in which the Anglo-Saxons and their literature have been received, confronted, and re-envisioned in the modern imagination. An excellent collection... breaks new ground in many areas. Should make a substantial impact on the discussion of the contemporary influence of Anglo-Saxon Culture. Conor McCarthy, author of Seamus Heaney and the Medieval Imagination Britain's pre-Conquest past and its culture continues to fascinate modern writers and artists. From Henry Sweet's Anglo-Saxon Reader to Seamus Heaney's Beowulf, and from high modernism to themusclebound heroes of comic book and Hollywood, Anglo-Saxon England has been a powerful and often unexpected source of inspiration, antagonism, and reflection. The essays here engage with the ways in which the Anglo-Saxons and their literature have been received, confronted, and re-envisioned in the modern imagination. They offer fresh insights on established figures, such as W.H. Auden, J.R.R. Tolkien, and David Jones, and on contemporary writers such asGeoffrey Hill, Peter Reading, P.D. James, and Heaney. They explore the interaction between text, image and landscape in medieval and modern books, the recasting of mythic figures such as Wayland Smith, and the metamorphosis of Beowulf into Grendel - as a novel and as grand opera. The early medieval emerges not simply as a site of nostalgia or anxiety in modern revisions, but instead provides a vital arena for creativity, pleasure, and artistic experiment. Contributors: Bernard O'Donoghue, Chris Jones, Mark Atherton, Maria Artamonova, Anna Johnson, Clare A. Lees, Sian Echard, Catherine A.M. Clarke, Maria Sachiko Cecire, Allen J. Frantzen, John Halbrooks, Hannah J. Crawforth, Joshua Davies, Rebecca Anne Barr

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This classic is the benchmark against which all modern books about Nietzsche are measured. When Walter Kaufmann wrote it in the immediate aftermath of World War II, most scholars outside Germany viewed Nietzsche as part madman, part proto-Nazi, and almost wholly unphilosophical. Kaufmann rehabilitated Nietzsche nearly single-handedly, presenting his works as one of the great achievements of Western philosophy. Responding to the powerful myths and countermyths that had sprung up around Nietzsche, Kaufmann offered a patient, evenhanded account of his life and works, and of the uses and abuses to which subsequent generations had put his ideas. Without ignoring or downplaying the ugliness of many of Nietzsche's proclamations, he set them in the context of his work as a whole and of the counterexamples yielded by a responsible reading of his books. More positively, he presented Nietzsche's ideas about power as one of the great accomplishments of modern philosophy, arguing that his conception of the "will to power" was not a crude apology for ruthless self-assertion but must be linked to Nietzsche's equally profound ideas about sublimation. He also presented Nietzsche as a pioneer of modern psychology and argued that a key to understanding his overall philosophy is to see it as a reaction against Christianity. Many scholars in the past half century have taken issue with some of Kaufmann's interpretations, but the book ranks as one of the most influential accounts ever written of any major Western thinker. Featuring a new foreword by Alexander Nehamas, this Princeton Classics edition of Nietzsche introduces a new generation of readers to one the most influential accounts ever written of any major Western thinker.

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An exquisitely illustrated, one-of-a-kind celebration of the hidden beauty of nature and the ingenuity of birdsSusan Ogilvy started painting bird nests almost by accident. One day, while tidying up her garden after a storm, she found a chaffinch nest - a strange, sodden lump on the grass under a fir tree. She carried it inside and placed it on a newspaper; over the next few hours, as the water drained out of it, the sodden lump blossomed into a mossy jewel. She was amazed, and dropped everything to make a painting of the nest at exact life size.This was the start of an obsession; Ogilvy has since painted more than fifty bird nests from life, each time marvelling at its ingenious construction. Every species of bird has its own vernacular, but sources its materials - most commonly twigs, roots, grasses, reeds, leaves, moss, lichen, hair, feathers and cobwebs, less usually, mattress stuffing and string - according to local availability. Ogilvy would, of course, never disturb nesting birds; instead she relies upon serendipity, which is why all her nests have either been abandoned after fulfilling their purpose, or displaced by strong winds.Although Nests showcases the specimens she has found near her homes in Somerset and on the Isle of Arran, its subject matter is by no means only British, since these same birds can be found all over Europe, Scandinavia and as far afield as Russia, Turkey and North Africa. This wondrous book is all the more special for its rarity. Few modern books exist specifically on the subject of bird nests; the most recent among the author's reference works was published in 1932. Exquisitely designed and packaged, Nests will be an essential addition to the libraries of all nature lovers.

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'Restlessly curious, insightful, and quirky, David Damrosch is the perfect guide to a round-the-world adventure in reading' Stephen GreenblattA transporting and illuminating voyage around the globe, told through eighty classic and modern books'It is always a pleasure to talk about books with David Damrosch, who has read all of them, and he is so eloquent and understanding about them all' Orhan PamukInspired by Jules Verne's hero Phileas Fogg, David Damrosch, chair of Harvard's Department of Comparative Literature and founder of Harvard's Institute for World Literature, set out to counter a pandemic's restrictions on travel by exploring eighty exceptional books from around the globe. Following a literary itinerary from London to Venice, Tehran and points beyond, and via authors from Woolf and Dante to Nobel prizewinners Orhan Pamuk, Wole Soyinka, Mo Yan and Olga Tokarczuk, he explores how these works have shaped our idea of the world, and the ways the world bleeds into literature.To chart the expansive landscape of world literature today, Damrosch explores how writers live in two very different worlds: the world of their personal experience, and the world of books that have enabled great writers to give shape and meaning to their lives. In his literary cartography, Damrosch includes compelling contemporary works as well as perennial classics, hard-bitten crime fiction as well as haunting works of fantasy, and the formative tales that introduce us as children to the world we're entering. Taken together, these eighty titles offer us fresh perspective on perennial problems, from the social consequences of epidemics to the rising inequality that Thomas More designed Utopia to combat and the patriarchal structures within and against which many of these books' heroines have to struggle, from the work of Murasaki Shikibu a millennium ago to that of Margaret Atwood today.Around the World in 80 Books is a global invitation to look beyond ourselves and our surroundings, and to see our world and its literature in new ways.

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WAR MAKES MONSTERS OF EVERYONE.Foolish Cur, once named Wen Alder, finds that his allies in the rebellion might cross any line if it means freedom from the Empire. But he can't overcome a foe as strong as Emperor Tenet alone.REBELLION HAS UNINTENDED CONSEQUENCES.Koro Ha, Foolish Cur's former tutor, discovers the Empire is not so forgiving of those who raise a traitor. And their suspicion may cost him and his people more than he can imagine.THE GODS ARE LURKING IN THE SHADOWS.As war against the Empire rages, Foolish Cur knows there is a greater threat. The emperor plans his own coup against the gods, and they will wreak destruction if he tries. To stop him, Foolish Cur might have to risk everything - and resort to ancient magics that could tear the world apart.This is perfect for fans of Robin Hobb and Shelley Parker-Chan.Readers can't get enough of The Garden of Empire:'This book is a complete package of beautiful prose, well written characters, well explained magic with good battle scenes and immersive world-building' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'A gripping, riveting, highly entertaining, well plotted, and well told story. A page turner that kept me hooked. A story which is epic and intimate and the same time. Loved it, loved it, loved it' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'The plot was amazing. It kept me engaging and there was not even a small moment throughout the book when I didn't enjoy it. It had a huge twist in the story that I didn't see coming. The themes of rebellion, war and its consequences, leadership, betrayals, family, friendship, duties, power are employed very well' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'We are treated to rich characterization, vivid description, a believable lush world, amazing magic, and wrenching moral conflicts' Goodreads review, ⭐ ⭐ ⭐ ⭐ ⭐'A thrilling sequel to The Hand of the Sun King. The magic system is still one of the most unique I've read' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'Magic in this series feels like a magic of an old style. While I love some of the more mechanistic descriptions of magic in some modern books, I love the way magic is more of an art than a science' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐'This focus on wider, ancient powers is elegant and vividly described, the increasing complexity was cleverly integrated and really opens the plot up to something that I think, come the third book, could be utterly shattering' Goodreads reviewer, ⭐ ⭐ ⭐ ⭐ ⭐

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