Search results for ""ibidem-Verlag""

There is much that ordinary Ukrainians do not know about Jews and that ordinary Jews do not know about Ukrainians. As a result, those Jews and Ukrainians who may care about their respective ancestral heritages usually view each other through distorted stereotypes, misperceptions, and biases. This book sheds new light on highly controversial moments of Ukrainian-Jewish relations and argues that the historical experience in Ukraine not only divided ethnic Ukrainians and Jews but also brought them together. The story of Jews and Ukrainians is presented in an impartial manner through twelve thematic chapters. Among the themes discussed are geography, history, economic life, traditional culture, religion, language and publications, literature and theater, architecture and art, music, the diaspora, and contemporary Ukraine. The book's easy-to-read narrative is enhanced by 335 full-color illustrations, 29 maps, and several text inserts that explain specific phenomena or address controversial

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In contemporary armies, violence among soldiers seems to be a universal phenomenon found in both professional and drafted armies. However, the comparison of violent practices in various armies around the world allows us to identify specific features linked to those countries' sociological, political or anthropological contexts. Hazing, for example, seems to be more violent in the armies of transitional societies (Russia, Eastern Europe, Latin America), where social tensions encountered by citizens in their daily lives are carried over to, and sometimes intensified in, the military. The comparison of Russian dedovshchina with the situation in other countries makes it possible to identify universal, transitional and national characteristics of military violence. Contents: Konstantin Bannikov on the consequences of the spread throughout society of archaic violence produced by the Russian army; Anna Colin Lebedev on the perception of military violence in Russian society; Anton Oleynik on informal relationships among prisoners and conscripts; Kirill Podrabinek on the reasons of the prevalence of dedovshchina in the post-Soviet context; Igor Obraztsov on the historical roots of dedovshchina; Vadim Mikhailin on the role of language in the military milieu; Julie Elkner on the Committee of Soldiers' Mothers; Bakit Katchekeyev on hazing in the Kyrgyz army; Irakli Sesiashvili on hazing in the Georgian army; Hana Cervinkova on hazing in the Czech army; James Wither on bullying in the British army; Eduardo Paes-Machado & Carlos Linhares de Albuquerque on hazing in the Brazilian police; Joris Van Bladel on dedovshchina and the all-volunteer force.

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"James Joyce and the Mythology of Modernism" examines anew how myth exists in Joyce's fiction. Using Joyce's idiosyncratic appropriation of the myths of Catholicism, this study explores how the rejected religion still acts as a foundational aesthetic for a new mythology of the Modern age starting with "A Portrait of the Artist as a Young Man" and maturing within "Ulysses". Like the mythopoets before him-Homer, Dante, Milton, Blake-Joyce consciously sets out to encapsulate his vision of a splintered and rapidly changing reality into a new aesthetic which alone is capable of successfully rendering the fullness of life in a meaningful way. Already reeling from the humanistic implications of an impersonal Newtonian universe, the Modern world now faced an Einsteinian one, a re-evaluation which includes Stephen's awakening from the "nightmare" of history, a re-definition of deity, and Bloom's urban identity. Written with both the experienced Joycean and the beginner in mind, this book tells how the Joycean myth is our own conception of the human being, and our place in the universe becomes (re)defined as definitively Modernist, yet still, through Molly Bloom's final affirmation, profoundly human.

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The war in Ukraine is putting Germany's political and economic actions to the test. For decades, Ukraine, the second-largest state in Europe, was overlooked and Russia was courted. With fatal consequences. Germany has failed, as Sabine Adler states, an expert on Eastern Europe. Her analysis focuses not only on Ukraine and the current war, but above all on Germanyʼs role-in economic, political, and media terms-in relation to the country invaded by Russia. As a long-standing and clear-sighted observer, she gives a critical assessment: Political omissions, lobbyism, double standards, and a mendacious pacifism were dominant for long periods. Time for the West to learn from the bad example of Germany and to follow a sensible policy!

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Projects can go over budget, exceed deadlines, or deliver restricted features and quality. This can result in economic damage for companies and their clients.The difficulties arise at source. Established metrics and management methods slow projects down by creating conflicts in operations and decision-making.A radically new approach is needed; one that features⁊ simple, constraint-oriented management,⁊ clear, robust priorities,⁊ company-wide rather than locally focused optimization,⁊ a focus on speed, on ProjectsFlow.Discover how you can:⁊ complete more projects with the same amount of resources,⁊ reliably deliver all projects to specs,⁊ significantly shorten project lead times.This book is of invaluable help in applying Eliyahu Goldratt's Theory of Constraints.

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We all philosophize at times. What do we do when we philosophize? We think in a rather concentrated, deep sort of way. In so doing, we do not call ourselves Philosophers; it would be rather pretentious of us if we did. Philosophers are those-generally in university departments of Philosophy-who think, and ask questions, about what reality is made of, what we know, and how we should behave. Philosophers are not fools; but after two and a half thousand years, they have not come up with agreed answers to their questions that are any more useful, or certain, than thinkers who do not call themselves Philosophers. Many of those who do are still caught up in the thought-forms of theology; all are in pursuit of a lost cause except those who write what might be written by thinkers in other domains. Is it not time to admit that there is nothing very special about Philosophy?

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This volume delves into a key part of the comprehensive Russian administrative and territorial reform of the 2000s-the merger of six previously separate ethno-national regions into larger constituent entities of the Russian Federation. It deals with the accession of the Komi-Permyak, Taymyr Dolgano-Nenets, Evenk, Agin-Buryat, and Koryak Autonomous Okrugs to the Perm, Krasnoyarsk, Zabaykalsky, and Kamchatka Krais, and of the Ust-Orda Buryat Autonomous Okrug to the Irkutsk Oblast. In both management practice and mass media, the largely similar unifications were treated as unrelated initiatives emerging from inside the regions. The center did initially not offer a common institutional model of integration. The regions had to come up with individual formulas dealing with the merged districts. After the reform had slowed down, it turned out that the annexed territories had only in name obtained special statuses which are not backed by administrative or financial resources. The book addresses specialists in the fields of Russian studies, comparative federalism, and ethnic politics. It makes an especially important reading because it describes and thoroughly analyzes the unique deautonomization case in an ethnic federation. Additional contributors to this volume are Maria Tislenko, Emma Bibina, and Rostislav Shilovsky (all MGIMO University).

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Framed by complexity-thinking, this book uses the prism of security sector reform (SSR) to trace the co-evolution of the Western Balkans as part of the EU/Europe security community and the European Union (EU) as a security actor. It aims to analyse the suitability and adaptability of EU security governance to a VUCA world, i.e. a world of increasing vulnerability, uncertainty, complexity, and ambiguity-the world of transformative change. It takes a detailed view on the transformation of regional and state security in the Western Balkans and the EU's role in the process between 1991, the year that marked the flare-up of violence and large-scale conflict, and 2013, when the first state of the region joined the EU.

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Although there is widespread belief that some artists attract the attention of muses more than others, this topic has, so far, not been taken up seriously in art history or sociology of culture. In his fascinating book, Vjeran Katunarić starts out by presenting many artworks, from literature and visual arts to performing arts and architecture, as examples that demonstrate the transcendental potential of art. The key concept explaining this capability concerns the crossing of three time frames, i.e. past, present, and future in the historical present.An inspirational source for such an approach is to be found in the aesthetic sociology and philosophy of Georg Simmel and in the philosophical hermeneutics of history by Walter Benjamin.The selected artworks and periods, respectively, span from early Renaissance and the beginning of the Industrial Revolution to postmodernity and neoliberalism – with a glimpse to a possible future as the opening of the cosmic era of humanity that is anticipated in early vanguard and some contemporary paintings.

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This monograph provides a detailed yet concise narrative of the history of the ethnic Germans in the Russian Empire and USSR. It starts with the settlement in the Russian Empire by German colonists in the Volga, Black Sea, and other regions in 1764, tracing their development and Tsarist state policies towards them up until 1917. After the Bolshevik Revolution, Soviet policy towards its ethnic Germans varied. It shifted from a generally favorable policy in the 1920s to a much more oppressive one in the 1930s, i.e. already before the Soviet-German war.J. Otto Pohl traces the development of Soviet repression of ethnic Germans. In particular, he focuses on the years 1941 to 1955 during which this oppression reached its peak. These years became known as "the Years of Great Silence" ("die Jahre des grossen Schweigens"). In fact, until the era of glasnost (transparency) and perestroika (rebuilding) in the late 1980s, the events that defined these years for the Soviet Germans could not be legally researched, written about, or even publicly spoken about, within the USSR.

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Rural women have not had a formative role in the public histories of Central Eastern Europe. Izabella Agárdi aims to correct that by concentrating on their life stories and their connections to general histories. She investigates how Hungarian-speaking, ordinary women in rural contexts born in the 1920s and 1930s remember and talk about the twentieth century they have experienced, and how, through their stories, they articulate historical change and construct themselves as historical subjects. In her analysis, Izabella Agárdi traces the interactions between micro- and macro- narratives as well as the specific tools women of this generation appropriate to talk about personal memories of their often traumatic past. From these stories, a particular mnemonic community emerges, one that speaks from a highly precarious position 'on the verge of history'. It is up to future generations whether these women's experiences will be remembered or forgotten.

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Society is characterized by a constant flow of multimodal products, which increasingly blur the lines between screen and reality, and audiovisual translation allows overcoming geographical and linguistic frontiers between small realities across the planet. However, research has long struggled to adapt its methodologies to effectively analyze such phenomena, and even more to scale its results through larger corpus analyses.Dora Renna proposes a pioneering framework, informed by the latest trends in audiovisual translation and multimodality and fit to achieve the complex task of operatively including multimodality in a rigorous corpus analysis of source and target versions of films characterized by language variation as a key element of character design.While language is at the core of her analysis, its role in the broader audiovisual context is explored thanks to a solid network of relations that shed light on linguistic and translational choices as well as on their implications. Framework and methodology are explained in detail and thoroughly applied to the case study to show how this perspective contributes to move a step forward in corpus-based audiovisual translation studies. The results obtained are unexpected and urge readers to overcome old attitudes towards audiovisual translation and multimodal corpora.

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75 years after the United States dropped the world's first atomic bombs on the Japanese cities of Hiroshima and Nagasaki, a group of international scholars offers new perspectives on this event and the history, development, and portrayal of the utilization of atomic energy: in military and civilian industries, civil nuclear power, literature and film, and the contemporary world. What lessons have we learned since the end of the Second World War? Can we avoid disasters such as Chernobyl and Fukushima? Have we learned to live with man-made nuclear power in the 21st century?

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This multi-authored monograph consists of the sections: Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution, The Euromaidans Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?, Exposing the Fault Lines beneath the Kremlins Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem, Lasha Tumbai, or Russia, Goodbye? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground, and (Post-)Soviet Rock Soundtracks the Donbas Conflict.

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Ukraines 20132014 Revolution of Dignity also became known as The Euromaidan, which literally means European Square and refers to the countrys Association Agreement with the European Union. Viktor Yanukovychs postponement of the signing of this large treaty preparing Ukraine for a future EU membership application triggered the initial protests leading to the upheaval. Since then, much of Western attention to Ukrainian domestic affairs has focused on reform policies and political conflicts related to the countrys Europeanization, i.e. its adoption of EU standards and legislation. In contrast, a parallel major transformation with little relation to Ukraines EU-association process -- a multidimensional local governance and territorial reform -- has been receiving less Western journalistic and scholarly attention. That is in spite of the fact that the gradual decentralisation process that Ukraines first post-Euromaidan government started in April 2014 is an exceptionally far-ranging and already advanced reform project. It redefines not only Ukrainian center-periphery interactions, but also state-society as well as government-citizen relations. This collected volume presents five narrowly focused research papers by Max Bader (Leiden University), Igor Dunayev (Kharkiv Regional Institute of Public Administration), Melanie Mierzejewski-Voznyak (Prague Institute of International Relations), Maryna Rabinovych (Mechnikov University of Odessa), and Oleksii Sydorchuk (Ilko Kucheriv Democratic Initiatives Foundation, Kyiv). It is the first book-size English scholarly publication on Ukraines decentralization, focusing on specific problems as well as repercussions of this multifaceted process and covering issues ranging from fiscal governance to party politics. It illustrates the depth and multifariousness of the impact of Ukraines ongoing local governance reform.

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The obese' female body has often been portrayed as the other' to the slender body. However, this process of othering', or viewing as different, has created a repressive discourse, where excess' has increasingly come to be studied as a physical abnormality' or a signifier of a personality defect' in contemporary Western society. This book engages with the multifarious re-imaginings of the excessive' embodiment in contemporary women's writing, drawing specifically on the construction of this form of embodiment in the works of Fay Weldon, Jeanette Winterson, Margaret Atwood, Claude Tardat, and Judith Moore, whose texts offer a distinct literary response to the rigidly homogeneous and limiting representations of fatness, while prompting heterogeneous approaches to reading the excessive' female embodiment.

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The third volume of Aspects of the Orange Revolution complements the essays of the first two collections providing further historical background on, and analytical insight into, the events at Kyiv in late 2004. Its seven contributions by both established and younger specialists range from electoral statistics to musicology, and deal with, among other issues, such questions as: Why had blatant election fraud not generated mass protest before 2004, but, in that year, did? How was Viktor Yushchenko able to collect enough votes to defeat the establishment candidate Viktor Yanukovych, and become the new President of a socially, geographically and culturally divided country? How was it possible to prevent large-scale violence, and which role did the judiciary play during the quasi-revolutionary events in autumn-winter 2004? What legal foundations and court decisions made the repetition of the second round of the presidential elections possible? Which campaign instruments, and political 'technologies' were applied by various domestic and foreign actors to activate the Ukrainian population? How did the internet and music become factors in the emergence of mass protests involving hundreds of thousands of people? To which degree and how did external influences affect the Orange Revolution? Erik S Herron, Paul E Johnson, Dominique Arel, Ivan Katchanovski, Ralph S Clem, Peter R Craumer, Hartmut Rank, Stephan Heidenhain, Adriana Helbig and Andrew Wilson present a multifarious panorama of the origins and dynamics of the processes that changed the nature of political and civic life during and between the three rounds of Ukraine's fateful 2004 presidential elections.

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The fourth volume of Aspects of the Orange Revolution continues the previous volume's discussion on the impact of foreign actors on Ukrainian politics. It provides both scholarly analyses and first-hand accounts. The collection not only investigates, but also gives voice to, some of those involved in the events of 2004. While most of the volume's contributors have an academic background, some of them report here from the perspective of official election or informal participant observers of the three rounds of the Ukrainian presidential elections. Part One juxtaposes some contrasting views on how far Russia's and the West's various interests, activities and tools influencing the Orange Revolution were comparable to each other, and adequate given the circumstances. Part Two presents individual reports by a number of international election observers who were following the campaign and voting in various parts of Ukraine in 2004. Part Three presents three additional on-the-ground observations focusing solely on the notorious electoral district No. 100 of Kirovohrad Oblast. The contributions by Andreas Umland, Iris Kempe, Iryna Solonenko, Vladimir Frolov, Valentin Yakushik, Matthias Brucker, Jake Rudnitsky, Rory Finnin, Adriana Helbig, Paul Terdal, Tatiana Terdal, Peter Wittschorek, Hans-Jörg Schmedes, Adrianna Melnyk, Ingmar Bredies, Oxana Shevel and Volodymyr Bilyk add a number of novel points of view to those presented in the previous volumes. These partly contradictory and emotional texts as well as a number of photographs document the tense atmosphere and confrontational climate within which Ukraine's second phase of post-Soviet democratisation started in 2004.

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In Ukraine's presidential elections of 2004, the establishment candidate Viktor Yanukovych had the advantages of a solid regional base, access to administrative resources, dominance in the media, help by Russian spin-doctors, and support of Moscow. Yet the winner was the pro-Western challenger, Viktor Yushchenko. How did Ukrainian voters break through the barrage of propaganda so as to deliver their ultimate verdict? Was the divide between Eastern and Western Ukraine fact or PR fiction? In this volume, scholars from two continents examine various aspects of the elections that turned into the Orange Revolution" focusing on electoral campaigns and attempts to manipulate results. Following the editor's scene-setting chapter which looks at the electoral laws and their consequences in the previous decade's elections, presidential and parliamentary, the contributors take up specific features of the 2004 contest. The critical part played by a single independent television channel is analysed by Marta Dyczok. Ilya Khineyko reviews the coverage of the elections in the Russian press, favourable to Yanukovych and always looking for parallels between Russia and Ukraine as well as keeping in mind Moscow's interests. The myths and stereotypes of the campaign are taken up in two contributions by Lyudmyla Pavlyuk and Olena Yatsunska. Clearly, constructed images often overshadowed real issues. Valerii Polkonsky's essay exposes the linguistic innovations of the campaign, including the irony and humour unleashed by such incidents as the "egg attack" on Yanukovych. In Kerstin Zimmer's final paper, the machine politics, administrative resources and fraud which had worked so well in Donets'k are shown to have been less than successful on the national level for reasons of scale and impersonality.

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This revised and expanded volume examines the intersections of aesthetics and morality and asks what Decadence means to art and society at various moments in British literature. As time passes, the definition of what it takes to be D/decadent changes. The decline from a higher standard, social malaise, aesthetic ennui -- all these ideas presume certain facts about the past, the present, and the linear nature of time itself. To reject the past as a given, and to relish the subtleties of present nuance, is the beginning of Decadence. The conflict underlying the contributions to this collection is that of society's moral contempt vis-á-vis the focus on the fleeting present on part of the purportedly decadent artists; who in turn thought the truly decadent to be the stranglehold society maintained on individual interpretation and the interpretation of oneself.

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The study of migration in political science, and particularly in international relations, has tended to focus on the study of immigration. However, sending states are increasingly institutionalizing their policies and programs to include emigrants living outside the national territory. In her monograph, Isabel Rosales Sandoval focuses on the factors that influence the implementation of the policies that sending states have adopted to reach out to their citizens abroad. Specifically, she investigates why and how sending states implement transnational emigrant policies. Her comparative study of three Central American sending states -- El Salvador, Guatemala, and Honduras -- identifies four policy categories that these states have developed: 1) recognizing the emigrant community through the creation of institutions; 2) cultivating loyalties in the emigrant community through symbolic policies; 3) extending emigrant rights; and 4) extracting resources by incorporating migrants into the national economy. However, the motivation for the policies does not exactly correspond to the assumptions and typologies of existing theories on the subject, which tend to focus on international factors. The argument the author presents is that the characteristics of these three cases are better explained by domestic political factors. These are: 1) the importance of the size and potential impact of the emigrant communities; 2) party system competitiveness; and 3) the sending states institutional capacity to implement policies.

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This book explores the relationship between history, legitimacy, and violence in the building and breaking of nations and states on the territory of contemporary Ukraine during the Second World War and in its aftermath. At its center are various institutions of the Soviet state. Other states and rival political movements also enter the picture insofar as their acitivities influenced Soviet policies. Methodologically, the study shifts attention from a limited body of normative texts and their creators within the Soviet political and cultural elite to a wider array of practices, organizations, and players engaged in power struggles and production of knowledge about the past in different social domains. Specifically, it brings into focus groups not normally thought of as participants in the production of Soviet memory discourse, notably NKVD officers, Soviet archivists, Ukrainian nationalists, Nazi collaborators, and former partisans in the German-occupied territories. The book not only demonstrates the complexity of nation-shaping processes, but also restores agency to some seemingly powerless actors.

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SPECIAL SECTION: ISSUES IN THE HISTORY AND MEMORY OF THE OUN V YULIYA YURCHUK, ANDREAS UMLAND: Introduction: New Studies on the Record and Remembrance of the OUN(b) in World War II OLEKSANDR MELNYK: Ukrainian Nationalism, Soviet Power, and Legitimacy Contests in the Kyiv Region, 194144: Actors, Issues, and Interpretations PER A. RUDLING: Managing Memory in Post-Soviet Ukraine: From Scientific Marx-ism-Leninism to the Ukrainian Institute of National Memory, 19912019 A DEBATE ON USTASHISM, GENERIC FASCISM, AND THE OUN II Featuring contributions by OMER BARTOV, JOHN-PAUL HIMKA, SERHIY KVIT, OLEKSANDR PAHIRIA, ANDREAS UMLAND, YULIYA YURCHUK ARTICLES MISCHA GABOWITSCH: What Has Happened to Soviet War Memorials since 1989/91? An Overview IGOR ILJUSHIN: A Strong History for a Strong Nation: A Review Essay on Roman Ponomarenkos SS Galician Volunteer Regiments (194344) REVIEWS TATIANA KLEPIKOVA on Emily Channell-Justice; IVAN KURILLA on Mark Edele; ANASTASIA MITROFANOVA on Fabrizio Fenghi; THIJS KORSTEN on Krista A. Goff; ADRIEN NONJON on Robert Horvath; ROBERT F. BAUMANN on Shoshana Keller; ELISE WESTIN on Oksana Kis; STANISLAV PANIN on Keith A. Livers; MICHEL ANDERLINI on Erica Marat; JUHO KORHONEN on Aliide Naylor; NICK BAIGENT on Maya K. Peterson; AIJAN SHARSHENOVA on Peter Rollberg and Marlene Laruelle; KACPER WAŃCZYK on Adnan Vanatsever; A. K. MAGOMEDOV and A. I. EMELIANOV on Evgenii Vittenberg.

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Ukraine is again-since its annexation of Crimea in February 2014 and the ongoing war in the Donbass-the stage of the largest crisis in Europe since the end of the Cold War. When it comes to understanding the resolution and prevention of complex hybrid conflicts, theories in international relations are trapped in their state-centered perspectives. Meanwhile, the role of the individual actor, alone or organized, often remains underestimated as political and moral agent. In this book, Marc Raphael Dietrich sheds light on a critical yet politically practicable notion of cosmopolitanism which centers on the individual and is framed by a set of universal principles, thus providing valuable alternative insights on the Crimea and Donbas conflict.

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The recent history of post-Soviet societies is heavily shaped by the successor nations' efforts to geopolitically re-identify themselves and to reify certain majorities in them. As a result of these fascinating processes, various new ideologies have appeared. Some are specific to the post-Soviet space while others are comparable to ideational processes in other parts of the world. In this collected volume, an international group of contributors delves deeper into recent theoretical constructions of various post-Soviet majorities, the ideologies that justify them, and some respectively formulated policy prescriptions. The first part analyzes post-Soviet state-builders' fixation on certain constructed majorities as well as on these imagined communities' symbolic self-identifications, in- or outward othering, and national languages. The second part deals specifically with post-Soviet ideas of sovereigntism and the way they define majorities as well as imply changes in internal and external policies and legal systems. These processes are analyzed in comparison to similar phenomena in Western societies. The book's contributors include (in the order of their appearance): Natalia Kudriavtseva, Petra Colmorgen, Nadiia Koval, Ivan Gomza, Augusto Dala Costa, Roman Horbyk, Yana Prymachenko, Yuliya Yurchuk, Oleksandr Fisun, Nataliya Vinnykova, Ruslan Zaporozhchenko, Mikhail Minakov, Gulnara Shaikhutdinova, and Yurii Mielkov.

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