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A new collection that is a testament to the power of poetry as a vehicle for introspection, social commentary, and artistic expression. With its evocative verses and resonant themes, American Equations in Black Classical Music invites readers on a transformative journey through the melodic landscapes of jazz, the analytical realms of economics, the intricacies of American life. While making room for the speculative, to allow one''s imagination to begin to continue to draw from past lessons/innovations to hack future portals for these traditions to breathe new lives. A poet known for her work as MoorMother, Ayewa poems hold that same power. In the poetic tradition of jazz & protest poetry of the 60''s and 70''s, Ayewa continues to question systems and make connections between the historical and the present. In the tradition of her artistic group Black Quantum Futurism, Ayewa''s poems speak to the communal survival mechanisms and temporal technologies that Black musicians and artistic co

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Selected by Nobel Laureate Louise Glück as Winner of the inaugural Changes Book Prize, Rachel Mannheimer's debut, Earth Room, is a dazzling book-length narrative poem that explores with tenderness how art and love intersect to make one's life. Transporting the reader across decades and from the Moon to Mars by way of Alaska, Berlin, and the Hudson Valley, Earth Room considers a lineage of sculpture, performance, and land artfrom Robert Smithson to Pina Bauschwith observations shaped by gender and environment, history and portents of apocalypse. With an urgent, direct, and unmistakably powerful voice, Mannheimer tests the line between nature and culture, ordinary life and performance.A work of sly wit and bracing sincerity, Earth Room is an original, unsparing book that Louise Glück calls a lesson in how to make something of where we find ourselves.RACHEL MANNHEIMER was born and raised in Anchorage, Alaska, and lives in New Haven, Connecticut, where she works as a literary scout and as

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''This volume is a graphically improved re-edition and re-invention of a book that first appeared in 1999. The classic Corio portraits have been swapped in a few places, but the line-up of brilliance they represent is unchanged, as is the text itself, apart from a little polish here and there. All quotes are taken from either the lifetime of original interviews I have conducted as a music journalist, first published in the mid-1970s British rock press, or from the many months of interviews I conducted specifically for The Black Chord, unless otherwise noted. My choice of additional subjects was dictated by David''s magnificent portrait gallery. I wanted to, if not directly quote, at least contextualize every artist. In the intervening decades, many have left us. Some shine even more brightly. Regarding others whose luster has been tarnished by scandal, it may be a poignant surprise to recall how they were viewed before the sad, sordid truth came out. Like my dear friend and colleague D

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The eagerly anticipated new volume of poetry by acclaimed author and artist John Tottenham. Tottenham''s previous collections - The Hate Poems; Antiepithalamia & Other Poems of Regret and Resentment; The Inertia Variations (a multi-media interpretation of which was released by Matt Johnson, otherwise known as The The, in 2017) - established him as this day''s leading contemporary poet maudit. Fresh Failure features a deepening and broadening of Tottenham''s trademark Magical Cynicism and Magnanimous Misanthropy. With hilariously ruthless ruminations on the artistic ego and the romantic id, Tottenham gives voice to the kind of thoughts most people prefer not to express but will automatically relate to and be entertained by. It''s the kind of poetry that is accessible to people who don''t read poetry (i.e., everybody). Fresh Failure is ultimately a Triumph of Failure, and proves, as Jean-Luc Godard said, that poetry really is ''a game of loser take all.''

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