Search results for ""guernica editions""

The Black Death epidemic spawned Boccaccio's Decameron; the bubonic plague brought us A Journal of the Plague Year. Many other great literary works have centered around storytelling at the time of a pandemic. Of people quarantined in their homes in 1722, Daniel Defoe wrote: "It was generally in such houses that we heard the most dismal shrieks and outcries of the poor people, terrified and even frighted to death by the sight of the condition of their dearest relations, and by the terror of being imprisoned as they were."In March of 2020, a new virus in the shape of a crown forced Montrealers and people worldwide to be locked in their homes in fear of contagion. Social distancing, self-isolation, and quarantine became the new buzzwords dominating everyday vocabulary.In April, once this new reality set in, the Quebec Writers' Federation asked its members, "What’s the story of your day?” It initiated a project, Chronicling the Days, inviting writers to detail a typical day in their life. The aim was to provide writers with a forum to put their creative thoughts to paper to try to make sense of the surreal situation and find some connection with other writers. “Every story valid,” the guidelines stated. One hundred writers responded to the challenge.True to its slogan of “No Borders, No Limits,” Guernica Editions is collaborating with the Quebec Writers’ Federation to publish these essays in an anthology in the spring of 2021. These 100 essays are interspersed by six longer ones, also on the topic of the pandemic, but written for the QWF Writes series. Most submissions are by professional authors, members of the QWF; for some, however, this anthology represents their first time in print.Chronicling the Days—Dispatches from a Pandemic provides an intimate panorama of the early days and experiences of the coronavirus. Constituting a rich mosaic of different styles, forms, and voices, this anthology provides a moving account of the everyday life of Quebec writers in isolation, digging deeply into their souls and reaching out to others.

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From the author of the international bestseller The Quincunx When his nation is invaded and occupied by a brutal enemy, a man persuades his wife that they should give temporary shelter to a young girl who is at school with their daughter. He has no idea that the girl belongs to a community against whom the invader intends to commit genocide. Days stretch into weeks and then months while the enemy's pitiless hatred of the girl's community puts all of the family in danger. Nobody outside the family can be trusted with the dangerous secret and the threat from outside creates internal conflicts that put the family's unity at risk.

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Probing the question: "Are we ready to accept a human-ape hybrid in our midst?"What if humans were able to reproduce with other great apes? What would the hybrid offspring look like? Act like? Think like? And how would humans respond? Would such creatures be allowed to live among us? Or would they be put under a microscope in a zoo or research facility? Lucinda Gerson is an outspoken, free-spirited working-class single mother. Lively and unpredictable, she's the sort of person you might call "one of a kind." Her child Bonbon is quite literally one of a kind. When Lucinda spends the money she has inherited from an uncle on a trip to visit her anthropologist sister in the Congo, she comes back pregnant. Lucy and Bonbon is the story of mother and child, and of the controversy that swirls around them over the course of the child's first fourteen years. It is a story of freedom and captivity, of love and friendship, of borders and of border crossings, and of what it means to be a human animal.

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From old school dispensation to Zombie apocalypse: on change, loss and rapid transformations.The Narrow Cabinet is a book about change, loss and the struggle to understand what the hell is going on in a world experiencing such rapid transformations. The movement is from (a) an old dispensation of tough minded, rugged living and surviving troubled times through (b) a narcissistic sinkhole of complacency leading ultimately to (c) a zombie apocalypse. That is the general trajectory, but the work itself complicates the tropes. The old dispensation is by no means a paradise, nor is it dealt with nostalgically. The seeds of all the trouble are there from the start. But there is something admirable in the strength and fearless grit we find during that phase. In the sinkhole phase, the voice flits between depressive angst and lunatic outrage as oppressive forces exert ever more stubborn pressure. Here the speaker begins seeking the cause of the trouble that worsens until ultimately manifesting as zombie culture. With the outbreak of the zombie apocalypse, the terms of the illness become apparent.

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Fictional epic: three years in the life of Ray Archer.Archer portrays three years in the life of Ray Archer, a fictional Canadian actor/director dedicated to exploring performance styles with his diverse company. Following a Canada-wide tour of King Lear performed in mask, Archer takes his new epic history of Canada across the country and to Ireland, where a strange encounter changes his life in ways he could not imagine. Written in both modern and traditional poetic styles, Archer is Book Three of the epic trilogy On the River of Time, which examines three figures—one mythical (Odysseus), one historical (Edmund Spenser), and one fictional (Archer)—and the links between them across 3,000 years

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If small-town reporter Polly Stern has to cover one more manure runoff story, she's going to lose her already unmindful mind. Polly thought she'd end up as a serious photojournalist, traveling the world, meeting important people, and documenting significant environmental and social events. Life didn't turn out as expected. With her career at a standstill, her marriage over, her nest empty, her spiritual foundation precarious, and her family keeping a vital secret from her, Polly is desperate for answers. And change. She sets out on an unintended journey, stumbling upon story after story that for some reason—coincidence, fate?—all occurred in 1937. Polly's path leads her to: a troubled teen on a stone bridge high in the Green Mountains of Vermont, a political refugee on a kosher farm carved out of the Dominican Republic jungle, a tribal chief near a remote hut in uncharted Papua New Guinea, a volunteer soldier in a foggy olive grove in Spain, an artistic Italian savant in a tenement on the Lower East Side of Manhattan, and to a Tibetan boy and his snow-white mastiff as they begin their trek across the Himalayas. As the lines blur between reality and fantasy, between truth and fiction, between present and past, Polly writes about these inspiring characters, and others, in nine short stories—all set in 1937—embedded throughout the novel. Her compelling international literary voyage reveals clues that allow Polly to uncover the truth about her own history, opening a new path for understanding, forgiveness, and love.

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In Kissing a Tree Surgeon, worlds traverse the Israeli-Palestinian conflict in New Jersey. Southern women get kidnapped by North Koreans. A Dutch girl solicits money on OKCupid. A young woman meets Golda Meir on an Upper East Side bus in New York City. A character believes he's the biological son of Frank Sinatra. Zionist-Hasidic lesbians protest anti-Semitism at a women's Catholic college. A stalking moviegoer takes her dead grandmother to a Bertolucci film. A daughter meets her father's mistress at his grave. An employee is banned from calling her boss in the office. An adult woman visits the radio store in Lakewood, New Jersey, of the boy who didn't invite her to his bar mitzvah.

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Two unrelated, aspiring writers, born on the same day in the same year to parents with the same first names, grow up together and eventually gain national prominence as authors. As the years pass, the complex sexual identities of Miller Sark and Hal Pierce undermine their intense private relationship, inflicting damage that cannot be undone by the distinction of their fiction and poetry. Inspired by the lives and works of American literary giants Ernest Hemingway and Hart Crane, This Cleaving and This Burning reveals the passion and purpose behind masks of public reputation and creative expression.

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This is a flip book with two novels: A Place In The Dark braids history, fiction and politics. It is set in Utica with substantial passages of painful, site-specific memories of the characters of both the Vietnam war and the American engagement in Iraq. These memories are carried by a Vietnamese immigrant woman living in Utica, who suffered in Saigon, an American Marine and Italian-American Utican who committed an atrocity during the siege of Khe Sanh, and an Iraqi who administered torture and worked as translator and interpreter in Baghdad on America's behalf. The central character is an ex-private investigator, of Utica, who is an Italian-American, beset by his long-standing guilt for his deferment from the draft during the Vietnam era and now suffering from serious heart disease. The Glamour of Evil deals with how, some males, especially literary/intellectual types, are drawn to violent men in organized crime. How they secretly desire intimacy with such people whom they find charismatic, powerful and uniquely free inside a world where the freedom of the individual is in much doubt. The novel features a legendary American Mafioso--who loved modern fiction and French existentialism--Crazy Joey Gallo and his dark world. This is combined with a whodunit involving Eliot Conte's daughter, a crisis that a connected man of literary flair promises to resolve for Conte--for an unusual price.

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The past infuses the present in the poems gathered in this collection. Painting a transformative Southeast wind helps restore a culture to a decimated people. Everyday events trigger a yearning for love from those already departed. A goldfish experiences poetry for the first time, again. An arduous trek through the Peruvian mountains leads to a stone that stops the sun. By turns ironic, comic, imagistic, experimental, these poems ask what?s next, and how we get there.

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Dervish at the Crossroads isn't a music guide so much as an autobiographical exploration of the experience of music from 2000 to 2020, with commentary on what makes the experience of music during these two decades radically different from all that came before. As the title of the book implies, due to the unique conditions of our time we can no longer think of ourselves as points on a series of evolutions; we're now much more present to all of music, from the beginning of written and recorded music, all of which turns around us like spokes on a wheel. This grants us a unique vantage point from which to appreciate music in itself. The book alternates text with a comics and infographics detailing the history of the author's discoveries as a music journalist during this time, along with personal experiences and ruminations and interviews.

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Dori's narrative is a heart-touching and zany blend of actual events in the life of a young Boxer. With edgy charm, she takes us on a romp through her world in such a way we can't help but reconsider our lives. Through her we get a dog's-eye view on human exploitation of animals. This unique approach is hauntingly effective.

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This rich volume begins with a very good-humoured memoir, "Alice Munro: Not Bad Short Story Writer"; by Munro's renowned Canadian publisher, Douglas Gibson, followed by powerful autobiographical pieces by fiction writer Jack Hodgins, playwright Judith Thompson, poet John B. Lee, poet-playwright-teacher James Reaney, and local historian Reg Thompson. Overall, the twenty contributions to Alice Munro Country, including a previously unpublished interview with Munro by J.R. (Tim) Struthers and a superb essay by George Elliott Clarke on Munro's Lives of Girls and Women, take a cultural or historical or personal approach, while also providing judicious readings of the subtle literary dimensions of key Munro works.

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Elizabeth Macaluso's first volume of poetry, The Lighthouse, engages with the Italian American experience; it also explores gender, sexuality, and what it means to be a woman from Long Island. Macaluso captures the experiences of ethnic American women in this lyrical collection. She meditates on history, memory, war, and faith, all subjects germane to contemporary American and global cultures.

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Winner of the Fred Cogswell Award for Excellence in PoetryThey were shot, transported, deported. They were hanged, or they hanged themselves. They starved, or their hearts suddenly failed, or drugs or cancer consumed them. Others lived into their nineties, one even to 103. Nicola Vulpe's Insult to the Brain transports us from the gas-seeped muck of the Somme, to a tiny apartment in Buenos Aires, to an undisclosed prison yard in Iran, and a hundred times and places in between, to join some of the last century's finest poets in their final moments: horrific, tragic, ordinary, silly, absurd. Whether it is with the minimalist Gare de Rouen, 1916, dedicated to Émile Verhaeren, who was accidently dropped under a train by an adoring crowd, the lament The Poet Descends, Willing the Stairs, for Forough Farrokhzad, who swerved her car into a wall to avoid a school bus, or the openly political Death and His Kin, for Tal Almallouhi, who disappeared into a Syrian prison and may or may not be dead, Vulpe writes unblinkingly with clarity, kindness--even humour-- of our common fate, and brings us closer to the fragile core of our humanity.

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The adventure of discovering, then diving into the world of that esoteric and fascinating French "literary club", the Oulipo -- and the perils of trying to reconfigure the world's most famous monologue while abiding by their fiendishly challenging rules.

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In Rivers Applaud Forever, Raymond Filip, the craftsman and musician, showcases his spoken-word texts that perform on a silent page, as well as his say then play recitals on stage. This collection features free verse and end rhymes; satire and nature studies; a concrete poem and a proem; a linked sequence of narratives, and a long bird call to the uncaptured. Filip's peace process comes to terms with his birth and disfigurement in a displaced persons camp after World War II; the unspeakable abuses of growing up with domestic violence and a broken home in the riverside slums of Montréal; his adventures as part of the resistance movement that led to Lithuanian independence; the ups and downs of a mixed marriage to a Filipina; his battle with cancer; the journey of faith and global identity; and the joys of defying his age through his first love: sports.

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This story – part memoir, part historical fiction – spans a period of one hundred years, from 1914 to 2014, with the main emphasis being on the years of the two World Wars. It concentrates on the lives of real people –the author's parents, the author, a young pilot from New Jersey in WW1, and others – as well as some fictional characters, who all lived through one or both of the wars and were profoundly affected personally by them. Arise the Dead I focuses on World War I where the author's dad took part in the Battle of Loos (September 1915) and where he was wounded.

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A Japanese detective agency in Midwest America; a sex triangle with the vampish Angela at its apex, and love-sick Pohl and lust-warped Burnett at the receiving ends; a Fat Man devouring a huge luncheon amidst the splendors of his garden; and has-been vixen Violet seeking justice and revenge. Just some of the elements of No. 22 Pleasure City, a novel that ranges in flavor between Japanese manga, pulp fiction and tongue-in-cheek pornography. The novel is a story of betrayal, obsession, rejection, friendship, and--ultimately--redemption.

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In Fate's Instruments, picking up the story from where Paul's brother Jay left it in No Safeguards, Paul, an aspiring writer, marries Carlos, with whom he lived in Guatemala, and brings him to Montreal. Things go wrong from the beginning, and they break up. Then fate, in the form of a brain tumour, strikes Paul. He receives support from Jay, Lionel (himself a brain tumour survivor), friends, and the enigmatic Professor Bram. But it is Paul's exploration of his Vincentian childhood and new-found love that restores his equilibrium.

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Taking place during World War II, Somewhere in the Stars is the story of three young men from San Francisco -- Nick Spataro, his cousin Paolo, and friend Nathan Fein -- and their adventures as members of an American tank battalion chasing the Germans up the Italian peninsula, while Nick's Sicilian dad is interned as an "enemy alien" back in the USA. Despite encountering prejudice both at home and during their tank training, the three show uncanny skill in outmaneuvering and destroying German tanks, until their own tank is blown up. Tragic events both on and off the battlefield, bravery, guilt in the loss of friends, romance, trauma, feelings of regret, daring rescues and eventual re-union with loved ones make for a powerful and explosive mix.

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In 1941, 12-year-old Rivka Rosenfeld lives in the Warsaw Ghetto with her grandfather and two sisters in a synagogue because housing is scarce. When German soldiers slash her grandfather's beard, Rivka is compelled to write in between the pages of a library book by Hans Christian Andersen. Dr. Emanuel Ringelblum, founder of the Underground Archive--a compilation of Warsaw Ghetto experiences, asks her to contribute her stories to the archives and Rivka agrees, imagining her words rising up from the ground on wings of their own.

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The unsolved murder of Fred Morelli, in Utica, New York, in 1947, comes to the fore more than 60 years later when 15-year-old Angel, hacker extraordinaire, has his guitar smashed by Victor Bocca, one of the original suspects in the murder. Angel hacks files that may point not only to Bocca's involvement but also that of the mob. From there, mayhem breaks loose as assassins descend on Utica to silence Angel. In the midst of it is Angel's adoptive father, Eliot Conte, who, along with his close friend Police Chief Antonio Robinson, must try to unravel the mystery of what is going on before more killings take place, including that of Angel himself.

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This book of essays examines the fictional work of Nino Ricci from a variety of critical perspectives. These perspectives include ideas about literature, culture, identity, politics, and society in terms of Canada and the modern world. Each contributor examines a specific novel or several novels, focusing on the prevailing themes and literary elements used by Nino Ricci to construct his work of fiction. This critical study allows the reader to enhance one's understanding of Nino Ricci's particular style and vision. It also provides an understanding of Nino Ricci's valuable contribution to contemporary Canadian fiction and world literature. The contributors in this book are: William Anselmi, Howard A. Doughty, Brian L. Flack, Lise Hogan, Marino Tuzi, and Jim Zucchero.

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Blood of My Blood eaves together the history, sociology and psychology of first, second, and third-generation Italian Americans. Its data is presented with scholarly precision; yet the author's personalized style, which he peppers with autobiographical tidbits, makes it immensely readable. Unlike most books written by academics, this one compels the reader to feel as well as to know.

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A sometimes satirical reflection on hope in a time of hopelessness, the poems in I Dreamed I Was an Afterthought use stubborn humour to grapple with the anxiety of moving forward during late capitalism. While many of the poems are set in Newfoundland, the book also echoes the universal experience of loss, leaving, returns, and never being able to return. The first section of the manuscript, titled Some Disasters, introduces real and imagined catastrophes. The St. Lawrence tidal wave, the history of resettlement, and the Muskrat Falls debacle stand next to poems that live in an imagined future where the capelin refuse to roll and snow refuses to fall. The second section is titled I dreamed I was an afterthought. Here, the eclectic poems turn to a more personal perspective of place, my struggles with mental illness, and a feminist exploration of familial relationships. In Of No Returns, movement through time and space is tinged with the same lurking fear of irreversibility, a fear which

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Love Is A Place But You Cannot Live There is divided into 7 sections. The first 5 sections focalize particular geographical regions: Southern Ontario in "The Southern Ontario Gothic Tour," North York in "The Northern Edge of Everything," New York in "Cynic's Guidebook," New Brunswick in "Vanishing Beach," and Antarctica in "Signs in the Southern Hemisphere." Though each section tells a story of people moving through these places, the poems ultimately subvert the expected conventions of travel narrative, directing critical attention to the personae and roles of travellers and to the systems of power at work in each locale. This is a book deeply concerned with psychogeography, the ways that individuals and environments mutually shape one another. Psychgeography comes to the fore particularly in the final two sections of the book, "Animals in Strange Houses" and "Genius Loci." In "Animals in Strange Houses," animals, both human and not, must literally and figuratively reconstruct homes after being displaced by urbanization and ecological destruction. In the final section, "Genius Loci," poems function as both portraits and place studies and reveal the deep intimacy between examinations of persons and places.

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In experimental lit veteran Brian Dedora's third novel, prose fragments and narrative threads come in and out of focus as, on a winter's night, a reveller in an upscale Toronto restaurant begins the most dangerous of things: a journey into memory. Is he a narcissist or is he among the wounded? What is it to be gay in a small desert town and in the heart of a sprawling city? The Apple in the Orchard navigates the truths and half-truths of a traveller, a loner plunging through city streets and into the woods, a Canadian wrapped in the myths of the North and tangled in the snare-traps of the urban. As this layered, undulating novel explores class tensions, a family in disintegration, and how the effects of sexual abuse wind through generations, and while cameos by voyageurs, cowboys, Black Robe, and Grey Owl flicker to life and vanish again, the tragic story of the unnamed Her emerges in verbal snapshots.

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Lexi, sixty-three and recently widowed, is facing the inevitable vicissitudes of life. After passing through a phase of numb immobility, Lexi makes a half-hearted attempt to meet some older men, but the experiences are disappointing. Undaunted, Lexi begins to accept the idea of being alone. Then circumstances disrupt her quiet routine – in the form of two house guests. In the physics of relationships, Lexi observes that nature abhors a vacuum. But she wonders if she herself has manipulated her circumstances to fill that vacuum. Eventually, Lexi encourages both house guests to move on. Ironically, her unselfish kindness leaves her once again alone. Through some strange physics of attraction and repulsion, however, her ex-husband reappears. Is he a changed man … or just acting like one? In the end, Lexi learns how to come to terms with her solitude, to resist entropy, and to fill the "vacuum" in her own way.

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Dead Voices is a collection of stories that are both seriously realistic and comically whimsical. They have everything from superheroes who get sick on words, to the appearance of dead playwrights, to the visit of saints and sinners from the past, to a hot stove discussion on hockey and love. They?re about the modern mind-set and its technological marvels and the older attention to character and virtue.

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Poor Russell Dean, golden boy of American advertising. His meticulously crafted career has brought him wealth, fame, an idyllic lifestyle and a beautiful wife. But now his wife is divorcing him, he's surrounded by fools and Russell is in a tailspin. A golf vacation to a remote Ontario resort town is exactly what he needs to skate through a rare rough patch. Or not. Mysterious natural forces far beyond his control and the eclectic characters he meets -- including three skilled, powerful women and a mirthful Ojibwe fishing guide -- have decidedly different plans. Welcome to the Canadian wilderness, Mr. Dean. Welcome to Kamini: Danger, Suspense, Mysticism, Romance and Live Bait.

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Celebrating the joys of pop music and the musicians who live to play it; while taking an insider's look at what the digital age has done to the artist, the business and the sound.The golden days of MaryAnne's singing career, of sold-out concert halls and hit records have given way to shabby rooms and paltry CD sales, battered by YouTube and streaming. But, MaryAnne, nearing 60, refuses to retire. When her party-animal single daughter becomes pregnant, MaryAnne rebels against becoming a grandmother and putting her dwindling career aside to help her daughter raise an infant. It's left to her live-in lover to try and sew the family back together while MaryAnne clutches her six-string for dear life.

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Two men, no longer young, and friends from childhood, fly to NYC—each with a secret purpose unknown to the other. They arrive just as COVID-19 explodes across the city's 5 boroughs. One of the men (white) has come to Manhattan to confront a theater producer who has made a coercive offer to his wife. The other man (black, former All-American football star) plans to confront and take revenge on his white girlfriend from college days—who left him for a white man. As they pursue their goals they are caught up in the hunt for America's most famous criminal. The black man, seeking revenge, makes a surprising turn. The white man, who has taken his confrontation with the theater producer to criminal length, may never leave Manhattan to return to his family. Manhattan Meltdown introduces a series of inter-connected characters who, ever as their lives are impacted by lethal disease, must continue to struggle with more conventional personal crises: uterine cancer, imperiled romantic relationships, and the deteriorations of advancing old age.

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What to do when your fictional sleuth refuses to die? A detective writer's attempts at writing his masterpiece. A very successful detective fiction writer, Leo Basilius, decides to bring his popular crime series to a close and take a sabbatical on the Greek island of Nysa where, as a young man, he wrote his first books - poetry and short stories. He returns there intending to write his master piece. The one he knows he has in him. Surrounded by his wife and new island friends, he settles in to write. But unexpectedly his main character, Detective-Sargeant Vass Levonian, appears demanding that Basilius resurrect him. The hauntings multiply and inspiration doesn't come. Leo Basilius wants to find fulfilment as a writer. But can he? Is it too late? Can you leave a mark? And what should that mark be? What do we leave behind? What is our legacy? And … Is there still time to do something about it?

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Longlisted for the Magpie Award for PoetryInspired by contemporary English language haiku, accomplished poet, Jude Neale, explores ordinary objects through both poetry and photography in her new collection, Inside the Pearl. These photos and haiku-like poems capture moments and memories – recording and archiving, the history and treasures of Joy Kogawa House in Vancouver, Canada. The images range from colourful household items to grainy, black and white snapshots of times past, reminders of a most difficult period in Japanese Canadian history that still resonate today.

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This book contains selections from Gianna Patriarca's previously published poetry books, as well as a number of new poems. It is a collection written by a woman in a time when the support and the encouragement was as limited as visibility. In many ways it is a collection of verses written as an act of survival and acknowledgement of existence.

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Winner of the 2020 Guernica Prize for Literary FictionWhen the lies of thirteen-year-old Ellie Turner cause a black man's lynching in 1930s Florida, her younger sister Mavis begins to question the family's long-held beliefs about race. At the same time, the novel focuses on the courageous story of Sliver, a black midwife whose love for her grandson forces her to flee to Washington DC with the child, and Mavis, in tow. As the novel progresses through the decades, the lives of the three women merge and troubling family secrets are revealed.The Shade Tree is a dramatic exploration of racial injustice and conflict set against the backdrop of some of America's most turbulent historical events. The lives of two white sisters and a black midwife are inextricably linked through a series of haunting tragedies, and the characters must make difficult, life-changing decisions about where their loyalties lie: with their biological families or with a greater moral cause. From a Florida orange grove to the seat of power in Washington, DC, during the height of the civil rights movement, The Shade Tree tells a sweeping yet intimate story of racial discrimination and the human hunger for justice.

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Most Anticipated Fall Fiction from 49th ShelfYour basic damsel-in-distress gig sounds perfect to private investigator Ashley Smeeton, who's got her own personal and professional struggles in Montreal. Against the backdrop of the winter Carnaval, the job first takes her to Paris where she's drawn into an unsettling world of mirages and masks, not to mention the murderous Bortnik brothers. When she returns to Montreal, a city rife with its own unreasonable facsimiles, the case incomprehensibly picks up again. Convinced she's being played, Ashley embarks on an even more dangerous journey into duplicity. In a world of masks behind masks, it's hard to say where the truth lies.

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Over the years Anna Yin has had the honour to translate more than 50 poets' works. With more and more people growing interested in translation and bilingual poetry, it is time to publish these translations in book form. I hope this serves as a good resource, and will further stimulate wider and stronger interest and conversation for cross-cultural exchange. As Maya Angelou said: "I long, as does every human being, to be at home wherever I find myself." I hope this contribution will open more of these homes.

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Higher Teaching is divided into two sections: "Practice," which addresses what to teach when you get your first course outline, how to choose strategies and plan lessons, and how to manage your classroom so it is a safe and positive place in which students learn. There are chapters on instructional media, teaching online assessment and evaluation, dealing with difficult students and academic integrity issues, and how to improve your teaching. The second part "Theory and Background," focuses on the theories that inform current higher education teaching and curriculum, adult education, and a very useful chapter of advice extracted from experienced teachers responding to the question, "What's the advice you would give to a brand new teacher?" Also useful to a new teacher are the glossary of academic jargon and a lesson plan template.

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Less than an hour after Millington receives his permanent resident visa, he wonders if his husband Jay would now end their marriage. And Jay has multiple reasons to. Millington is an ex-Methodist minister, who once believed he could be celibate. When he fled Caribbean Methodism and came to Montreal, he thought he'd resolved the issues that made him leave, but he comes to understand that psychological trauma, childhood conditioning, parental and community expectations and his own need for community and family valorization are not easily exorcised. The third installment in the No Safeguards quartet of novels.

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Winner of BEST CRIME NOVELLA at The Crime Writers of Canada Awards of Excellence 2022Set in Toronto 1970, just as the FLQ crisis emerges to shake an innocent country, eleven year old Johnny Wong uncovers an underbelly to his tight, downtown neighbourhood. He shares a room with his Chinese immigrant mother in an enclave with American draft dodgers and new Canadians. He is befriended by Rollie, one of the draft dodgers who takes on a fatherly and writing mentor role. Johnny's mother is threatened by the "children's warfare society." A neighbour is found murdered. He suspects the feline loving Catwoman next door and tries to break into her house. Ultimately he is betrayed but he must act to save his family. He discovers a distant kinship with Jean, the son of one of the hostages kidnapped by the FLQ who have sent Canada into a crisis. As his world spins out of control, his only solace are letters to Dave Keon, who "as Captain of the Toronto Maple Leafs, can be trusted."

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"Two friends two friends, how close could they get without being one man … one in love with a ghost, the other … longed for the son who'd more than likely already become a ghost.” RubÉn Arenal, nicknamed Rocket by his close friends and family, and Ernesto Cisneros are longtime friends, as close as brothers, living in Mexico's northern state of Chihuahua.  RubÉn is a potter who lives alone in his studio apartment. Ernesto is married to Guadalupe and they have one son, Coyuco, who is training to be a teacher. Out of these bald facts spins magic. RubÉn falls in love with an eerily lifelike mannequin in a shop window, widely rumored to be more flesh and bone than mere artifice and modelled on a local beauty nicknamed La Pascualita, who died young many decades ago. RubÉn trails after her ghost while Ernesto leaves their hometown to go in search of his son, kidnapped and disappeared by the police while out on a student protest with forty-two of his comrades from the Ayotzinapa Rural Teachers' College.

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Canticles is a lyric-styled epic. Clarke's visions of canonical and apocryphal scriptures are black in ink, but lightning in illumination. Testament II issues re-readings, revisions, rewrites of scriptures crucial to the emergent (Anglophone) African Diaspora in the Americas. Canticles II (MMXIX) and Canticles II (MMXX) follow Testament I (also issued in two parts) whose subject is History, principally, of slavery and imperialism and liberation and independence. Canticles II is properly irreverent where necessary, but never blasphemous. It is scripture become what it always is, really, anyway: Poetry.

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A precocious boy and his harried father are making a movie from scratch, using only materials in the backyard--or entertaining the possibilities. Their discussion expands to an examination of various cosmogonies and cosmologies, rational and borderline-psychotic, and gradually becomes a duel to the death

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What if the lady -- Jane Austen’s contemporary --who conceived the world's most intriguing modern monster (Doc Frankenstein’s creature) -- was also a proto-suffragette, precursor-feminist, and, simultaneously, much to her chagrin, wedded to a narcissist poet, whose liberalism urged on his libertinism? How would such a woman think? What would she say about her majuscule Romantic dilemma and miniscule romantic predicament? Such are the questions that Chad Norman pursues in his act (and art) of sympathetic re-animation: Squall: Poems in the Voice of Mary Shelley.

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An act of introspection, a lifting of the curtain, a gnaw at the jugular, a wisp of the jocular, all this and more in Earl Fowler's reverent and irreverent exposition of the pain and joy of an aged woman from India plopped into a nursing home on the West Coast. Beyond a culture clash, it is a cultural explosion for Mummy, who finds most things and people repugnant, especially the author, The Printer, while she lusts for A&W chicken strips. Fowler's poetic prose is an uber mash of cultural references, from James Joyce to Glen Campbell, Hollywood to Bollywood, Rabindranath Tagore to Sylvia Plath. A 21st century coat of many colours, these snapshots of immigration, aging, loneliness and loss are salted with irony and Fowler's unique humour. A tale ingeniously told.

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