Search results for ""fairleigh dickinson university press""
Fairleigh Dickinson University Press Higher Education as a Bridge to the Future: Proceedings of the 50th Anniversary Meeting of the International Association of University Presidents, with Reflections on the Future of Higher Education by Dr. J. Michael Adams
This volume assembles the papers, presentations, and speeches from the 50th Anniversary Meeting of the International Association of University Presidents (IAUP) held in Oxfordshire in 2015. This book is a companion volume to the proceedings of the 1965 inaugural meeting of IAUP, also published by Fairleigh Dickinson University Press. The highlight of the 50th Anniversary Meeting was an academic conference at Oxford University on the theme of “Higher Education in 2065.” Participants were called upon to look ahead to the next fifty years of global higher education, drawing from their academic fields, as well as their leadership experience within and beyond higher education. The resulting collection includes discussions of current trends that will impact the future of universities, as well as discussions of specific challenges likely to face higher education institutions, both generally and in particular regions. Some contributors outline steps that higher education institutions and/or policymakers should adopt today to prepare for those challenges, while others imagine the university of the future. Edited by IAUP secretary-general emeritus Jason Scorza, this book is dedicated to the memory of J. Michael Adams, who served both as president of Fairleigh Dickinson University and president of IAUP, and includes some of his final writings on the topic of the future of global higher education. Founded in 1965, IAUP is the world’s largest association of university chief executives from higher education institutions. Membership is limited to individuals who serve or have served as presidents, rectors, or vice-chancellors at accredited colleges or universities.
£76.50
Fairleigh Dickinson University Press Marginal to Mainstream: French Modernism Between the Wars
Marginal to Mainstream traces the near-miraculous progress of modern art in France in the first half of the twentieth century. Before World War One, it was a marginal phenomenon, largely absent from the museums, and bought and sold by a handful of second-string dealers; by the early 1950s it had been canonized as the representative form of the epoch. The triumph of modernism, and the simultaneous establishment of Paris as the crucible of modern art, were not the products of a coherent policy but of a stumbling and spasmodic process. France was the leading democratic nation in Europe, and it wanted its art to reinforce its prestige on the international stage, but no-one could agree how best to achieve this. The author shows how, amidst the policy squabbles and in-fighting of representative government, France fumbled its way towards an art of democracy, and in the process helped canonize modern art as the house style of democratic capitalism.
£92.00
Fairleigh Dickinson University Press Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn
Gendered Frames, Embodied Cameras: Varda, Akerman, Cabrera, Calle, and Maïwenn is the first book to link these five filmmakers together through an analysis of the relationship between filming one’s own body and the creative body. Through engaged artistic practices, these female filmmakers turn the camera to their bodies as a way to show the process of artistic creation and to produce themselves as filmmakers and artists in their work from 1987–2009. By making visible their bodies, they offer a wider range of representation of women in French film. Through avant-garde form, in which tangible corporeal elements are made image, they transform representational content and produce new cinematic bodies with the power to influence signifying practices in contemporary French culture. By rendering visible their artistic practice and praxis and their camera in their work—reflexive practices that also unite these filmmakers—these women also visually claim the role of filmmaker and creative subject. Thus they establish their authority in a film industry in which women’s participation and recognition of their achievements have historically been lower than that of their male counterparts.
£88.00
Fairleigh Dickinson University Press Lady in the Labyrinth: Milton's Comus as Initiation
Modern literary scholarship has traced the ways in which a distinctly modern sense of selfhood and subjectivity, and of the individualist liberal society in which such a self takes shape, emerges from the drama and poetry of the early seventeenth century. John Milton, writer of the greatest long poem in English, Paradise Lost, takes up the challenge of modern character and social formation from Shakespeare and Donne and their contemporaries. He begins this task in his own early maturity, some thirty years before the publication of his great epic, with A Maske Presented at Ludlow Castle,I>, more commonly known as Comus. There has not been a major book-length study of Milton's Maske in the past twenty years, so Lady in the Labyrinth fills a major gap in Milton and Renaissance criticism. It comprehensively surveys, evaluates, and integrates recent and traditional criticism of Comus in the context of Milton's other work, while developing new directions for study, focusing anthropological and psychological analysis on the poem's characters and mythological dimensions. Parallels between the ritual elements of the Maske and the rites of passage of non-European cultures will widen the horizons of both canonically based and multiculturally engaged scholars and writers. The book's study of Milton's identification with his female hero, and his advocacy of womens ethical, sexual, and political autonomy, gives a jolt to ongoing debates about Milton and feminism. The first of Milton's heroes of Christian Liberty, the fifteen-year-old Lady who performs in his Maske, is also the first of his characters to act out this transformation of human identity. Lady in the Labyrinth treats Comus, first performed in 1634, as a rite of passage for its Lady, and for the emerging culture whose hopes are invested in her. Displaying in song, argument and dance such character qualities as inferiority, self-consciousness, flexibility, and independence, the Lady gives vital form to
£97.00
Fairleigh Dickinson University Press Waiting for the End: Gender and Editing in the Contemporary Novel
Waiting for the End examines two dozen contemporary novels as demonstrations of the continuing concern with the gender of ending in narrative. Traditional concepts of the role of ending came under question in the later twentieth century, as feminists began to argue that the structure of "rising action" and "climax" was patently masculinist. The effort to theorize alternatives to that structure was echoed by contemporary novelists, male as well as female, who sought to complicate conventional notions of ending. Often those complications of ending(s) have spoken to a growing awareness that ending in narrative is artificial and that plot structure and ending need to make gestures toward the reader's sense that while narrative may end, what narrative attempts to represent will always evade the artifice of fiction.
£88.00
Fairleigh Dickinson University Press More Than Meets the Eye: Hans Christian Andersen and Nineteenth Century American Criticism
Americans and other English speakers have long associated the name of Hans Christian Andersen exclusively with fairy tales for children. Danes and other Scandinavians, however, have preserved an awareness that the fairy tales are but part of an extensive and respectable lifework that embraces several other literary forms. Moreover, they have never lost sight of the fact that the fairy tales themselves address adults no less than children. Significantly, many of Andersens coevals in the U.S. knew of his broader literary activity and the sophistication of his fairy tales. Major authors and critics commented on his various works in leading magazines and books, establishing a noteworthy corpus of criticism. One of them, Horace E. Scudder, wrote a seminal essay that surpassed virtually all contemporary writing on him in any language. The basic purpose of this study, the first of its kind, is to trace the course of American Andersen criticism over the second half of the nineteenth century and to view it in several American contexts. The introduction sets the parameters of the study, interalia posing a number of questions that serve as guidelines for reading. For instance, how does the (in part) retrospective criticism of the early 1870s compare with that of the later 1840s? To what extent did Americans view Andersen as a writer for adults as well as for children? Chapter 1 presents a statistical overview of American Andersen criticism, seeking to show which works were reviewed when and how often as well as in which magazines and with what frequency. The chapter also highlights works that were not reviewed, suggesting the possible impact on Americans' view of Andersen.
£83.00
Fairleigh Dickinson University Press The Purple Island and Anatomy in Early Seventeenth-Century Literature, Philosophy, and Theology
This book sets out to reconstruct and analyze the rationality of Phineas Fletchers use of figurality in The Purple Island (1633) a poetic allegory of human anatomy. To this end, textual analyses of The Purple Island lead via bibliographical, biographical, conceptual, formal, and linguistic connections to other works of literature, natural philosophy and theology, and to anatomical demonstrations.
£138.00
Fairleigh Dickinson University Press Light Beyond All Shadow: Religious Experience in Tolkien's Work
What forms can religious experience take in a world without cult or creed? Organized religion is notably absent from J. R. R. Tolkien's Secondary Universe of elves, dwarves, men and hobbits despite the author's own deep Catholic faith. Tolkien stated that his goal was 'sub-creating' a universe whose natural form of religion would not directly contradict Catholic theology. Essays in Light Beyond All Shadows examine the full sweep of Tolkien's legendarium, not only The Lord of the Rings but also The Hobbit, The Silmarillion and The History of Middle-Earth series plus Peter Jackson's film trilogy. Contributions to Light Beyond All Shadows probe both the mind of the maker and the world he made to uncover some of his fictional strategies, such as communicating through imagery. They suggest that Tolkien's Catholic imagination was shaped by the visual appeal of his church's worship and iconography. They seek other influences in St. Ignatius Loyola's meditation technique and St. Philip Neri's 'Mediterranean' style of Catholicism. They propose that Tolkien communicates his story through Biblical typology familiar in the Middle Ages as well as mythic imagery with both Christian and pagan resonances. They defend his 'comedy of grace' from charges of occultism and Manichaean dualism. They analyze Tolkien's Christian friends the Inklings as a supportive literary community. They show that within Tolkien's world, Nature is the Creator's first book of revelation. Like its earlier companion volume, The Ring and the Cross, edited by Paul E. Kerry, scholarship gathered in Light Beyond All Shadows aids appreciation of what is real, meaningful, and truthful in Tolkien's work.
£82.00
Fairleigh Dickinson University Press Looters, Photographers, and Thieves: Aspects of Italian Photographic Culture in the Nineteenth and Twentieth Centuries
Working toward an analysis of the influence of photography on the construction of an Italian "type" to serve the mandates of the new nation in the 1860s, this book engages the work of writers and photographers who have addressed or participated in this venture. From Giovanni Verga and Italo Calvino's writings to the conceptual visual philosophy of Tommaso Campanella and Luigi Ghirri's photography. From the Arcadic gaze of Baron von Gloeden to Tina Modotti's revolutionary vision, the works analyzed in this book have all contributed in shaping our contemporary visual vocabulary. And, while Italy is at the center of my considerations, the ideas that populate this work are in many ways globally applicable and relevant. Looters, Photographers, and Thieves seeks to contribute to the fascinating discourse on the photographic image and its specific uses in the representation of racial, ethnic and gender difference, and suggest how the isolation of images according to the dictates of power relations might influence and condition ways of seeing. Finally, this book is meant as a locus where the images produced in the shaping of notions of citizenship and cultural relevance in nineteenth and twentieth century Italy might reveal the processes of the imaginary. As such, the arguments and images in each chapter thread through each other to propose ways by which to approach disparate subjects and forms in order to envision photographers themselves as seers rather than gazers.
£77.00
Fairleigh Dickinson University Press Grazia Deledda's Eternal Adolescent: The Pathology of Arrested Maturation
Deledda, the Nobel Prize winner of 1926, a century ago identified a psychosociological pathology: the arrested maturation of her male characters. Throughout her prose, truncated maturity functions as a psychological undertow, sucking down its suffers and the women who love them into the depths of fictive drama. Concomittantly she dissects male-female relationships within the framing leitmotiv of prolonged male adolescence, undergirded by a woman's boundless tolerance for male narcissitic despair. Deledda's literary strategy subverts conventional expectations in surprising ways, as she exposes the inner workings of a patronistic wolrd where her women can finally wield a fragment of power.
£74.00
Fairleigh Dickinson University Press New Versions of Pastoral: Post-Romantic, Modern, and Contemporary Responses to the Tradition
Bringing together both established and emerging scholars of the long nineteenth century, literary modernism, landscape and hemispheric studies, and contemporary fiction, New Versions of Pastoral offers a historically wide-ranging account of the Bucolic tradition, tracing the formal diversity of pastoral writing up to the present day. Dividing its analytic focus between periods, the volume contextualizes a wide range of exemplary practitioners, genres, and movements: contributors attend to early modernism's vacillation between critiquing and aestheticizing the rise of primitivist nostalgia; the ambiguous mythologization of the English estate by the twentieth-century manor house novel; and the post-national revisiting of the countryside and its sovereign status in contemporary imaginings of regional life.
£88.00
Fairleigh Dickinson University Press Representing Diana, Princess of Wales: Cultural Memory and Fairy Tales Revisited
In this well-illustrated text, Dr. Denney asserts that the artists who image Diana, Princess of Wales, have framed her according to a cultural memory based on traditions of royal portraiture and according to twentieth-century reassertions (that is, reframings) of the debate over feminism and femininity in visual culture. Art historians and literary critics have examined the visual culture of Queen Victoria, Queen Elizabeth I, Queen Elizabeth II, and more recently, images of women in the court of Charles II, but no one has addressed, as the author does here, the impact of imaging Diana, Princess of Wales, at a time in British culture when feminism and femininity collide. Dr. Denney critiques art historical traditions of portraiture in order to argue that a princess must perform a constructed role of femininity, one that corresponds to Victorian codes of royal protocol, visual practice, and behavior. The book encompasses themes of marriage, motherhood, philanthropy, royal dress, and autobiography. Through an examination of nineteenth- and twentieth-century paintings, photographs, engravings, and popular illustrations, the study engages a comparative visual dialogue on the imaging of royal women. Looking particularly at the nineteenth-century Princess of Wales, Alexandra (born Princess Alexandra of Denmark), the author reveals the persistence of a cultural memory in terms of the proper roles and behaviors of a princess from the nineteenth century to the twentieth century. By looking at portraits of Diana, Princess of Wales, in conjunction with past royal portraits, the study determines that she, like Princess Alexandra before her, is conscious of tradition and employs it as a matter of survival. The book's methods in this regard include an exploration of royal portrait traditions, gender studies, popular journalism, theories on feminist biography and autobiography, as well as costume theory and history to contextualize the representation of Diana, Princess of Wales. How does one address the insistence on
£74.00
Fairleigh Dickinson University Press Salman Rushdie: A Postmodern Reading of His Major Works
This is a close textual analysis of Rushdie’s five major novels: Midnight’s Children, Shame, The Satanic Verses, Haroun and the Sea of Stories, and The Moor’s Last Sigh. Rushdie recognizes that practicing identity politics leads to nativism and nationalism, categories he rejects because they merely invert the colonizer/colonized binary, leaving violent hierarchies intact. His impulse is to deconstruct the colonizer/colonized binary and in doing so to clear a `new’ postmodern space. This text employs post-structuralist/ postmodern theory not only to address the issues of representation that Rushdie raises in his major political novels, but also to facilitate a discussion of the manner in which he pushes the boundaries of the modern novel.
£68.00
Fairleigh Dickinson University Press The Stronger Sex: The Fictional Women of Lawrence Durrell
The Stronger Sex, a study of the women in the fiction of Lawrence Durrell, argues that Lawrence Durrell envisioned a new woman, self-confident, free of male domination, and able to serve, direct, and protect her dependent man. Durrell's modern twentieth- /twenty-first-century woman is the center of what Durrell envisions as the new "couple"-woman dependent upon man for completion and man dependent upon the centrality of woman for the essential wisdom and direction and meaning in his life. Far from being a mere follower of D. H. Lawrence, as many have claimed, Durrell came to insist that man must first cede to woman both the personal and social power and freedom which he has throughout history denied her. Only in this way, suggests Durrell, can modern man both find himself and save himself and so discover and fulfill his own being. Thus, all of Durrell's women are the saviors of the lost men who must come to them for human completion. From the women of the early works, such as Panic Spring, The Pied Piper of Lovers, The Black Book, and The Dark Labyrinth, to the Justines, Melissas and Cleas of the Alexandria Quartet, the Benedictas and Iolanthes of The Revolt of Aphrodite, the Constances and Livias of The Avignon Quintet, and Cunegonde of Caesar's Vast Ghost-all of Durrell's lost and ever inadequate men must ultimately find themselves and the meaning of their lives in the women who complete them. Then, paradoxically, and only then, can these same men provide the security, direction, and protection for which their women so desperately search. Thus, in the "couple" both man and woman are completed in their mutual dependence and final self-discovery. The study refers often to the works of previous biographers of Lawrence Durrell: Ian MacNiven, Richard Pine, and Gordon Bowker.
£77.00
Fairleigh Dickinson University Press Kenya's Independence Constitution: Constitution-Making and End of Empire
Kenya's Independence Constitution: Constitution-Making and End of Empire is a narrative of the evolution of the constitution that was put into effect as Kenya's history as a colonial possession came to an end. It details the attempts of the colony's political elite and the British Colonial Office to find a constitutional means to move Kenya to the status of independent state. As this process moved forward, political ethnicity assumed central significance. This produced an environment in which demands for a federal constitution, popularly termed majimbo, came to dominate constitutional discourse. Deep disagreement among Kenya's political elite over this issue marked the remainder of the colonial period. That elite, now represented by the Kenya African National Union (KANU) and the Kenya African Democratic Union (KADU), advocated different constitutional paths to independence. KADU's demands for a majimbo constitution dominated discourse during 1962 and early 1963, but deep disagreement characterized the constitutional negotiations. This resulted in a constitution for self-government (introduced on June 1, 1963) that was regional in character but fell short of a federal system. Almost as soon as it came into existence, this constitution faced pressure for substantial change from KANU, the party that won the 1963 general election. As a result, the British government was forced to make alterations in what became the independence constitution. The latter proved a prelude to the destruction of majimbo a year later. Kenya's Independence Constitution provides the first in-depth description of the final stage of colonial Kenya's constitutional evolution. This book not only provides a detailed account of the process of constitution-making, including definitive treatments of the final two constitutional conferences of 1962 and 1963. Utilizing British and Kenya cabinet papers and secret intelligence reports never featured in earlier accounts, the narrative also destroys many of the myt
£97.00
Fairleigh Dickinson University Press Literary Form, Philosophical Content
This is a wide-ranging anthology that examines, in chronological order, several genres that have been prominent in the history of Western philosophy. The programmatic introduction outlines the diverse range of genres used by philosophers (dialogue, commentary, biography, etc.) and explains how genre-based exegesis can enrich our analysis and interpretation of philosophical texts. The remaining essays examine individual texts from this perspective.
£88.00
Fairleigh Dickinson University Press Hitler in the Movies: Finding Der Führer on Film
In Hitler in the Movies: Finding Der Führer on Film, a Shakespearean and a sociologist explore the fascination our popular culture has with Adolf Hitler. What made him … Hitler? Do our explanations tell us more about the perceiver than the actual historical figure? We ask such question by viewing the Hitler character in the movies. How have directors, actors, film critics, and audiences accounted for this monster in a medium that reflects public tastes and opinions? The book first looks at comedic films, such as Chaplain’s The Great Dictator or Ernst Lubitsch’s To Be or Not to Be (1942), along with the Mel Brooks’s 1983 version. Then, there is the Hitler of fantasy, from trash films like The Saved Hitler’s Brain to a serious work like The Boys from Brazil where Hitler is cloned. Psychological portraits include Anthony Hopkins’s The Bunker, the surreal The Empty Mirror, and Max, a portrait of Hitler in his days in Vienna as a would-be artist. Documentaries and docudramas range from Leni Reinfenstahl’s iconic The Triumph of the Will or The Hidden Führer, to the controversial Hitler: A Film from Germany and Quentin Tarantino’s fanciful Inglourious Basterds. Hitler in the Movies also considers the ways Der Führer remains today, as a ghostly presence, if not an actual character. Why is he still with us in everything from political smears to video games to merchandise? In trying to explain this and the man himself, what might we learn about ourselves and our society?
£70.20
Fairleigh Dickinson University Press Rabbit (Un)Redeemed: The Drama of Belief in John UpdikeOs Fiction
Rabbit (Un)Redeemed: The Drama of Belief in John Updikes Fiction offers a selective reading of this prolific authors oeuvre, concentrating on Updikes career-spanning reoccupation with issues of faith and doubt. In Baileys reading, at the heart of Updike's work is the tension between affirming the continuance of the 'heady wine of religious consolation' and the deepening anxiety that the best that humanity can hope for is 'the bleak fare of more endurance.' Focusing on a trio of Olinger stories, the Rabbit Angstrom tetralogy, In the beauty of the Lilies, and Rabbit Remembered, Bailey locates the dialectical situation at the center of Updike's literary career in his conflicted sense of himself as a Christian novelist and Howellsian realist. Bailey's thematically centered study reveals a substantial stylistic component in Updike's dilemma of belief; therefore, a significant objective of this study involves illuminating the author's conflict between creating an eschatologically inspired mimesis reflective of a 'knowing eye' behind appearances of reality, or settling for a historically based realism that, in Howellsian fashion, can do nothing more spiritually meaningful than to record (and thus literally preserve) that which is an will one day be no more. Rabbit Angstrom is Updike's most significant fictional creation, Bailey contends, because his impulses toward religious skepticism are so inadequately possessed of the intellectual and literary buffers that provide Updike and some of his other protagonists with temporary forms of solace or compensation. Rabbit's deepening skepticism that 'goodness lies inside, there is nothing outside' finds it corollary in the evolution delineated in Updike's work, transforming it from the 'song of joy' in affirmation of creation the 'The Blessed Man of Boston' narrator David Kern invokes, to the chronological reconstruction of history as attempted compensation for a relinquished belief in times spiritual significance in In the Beauty of th
£80.10
Fairleigh Dickinson University Press Shakespeare and the Cleopatra/Caesar Intertext: Sequel, Conflation, Remake
Is William Shakespeare's Antony and Cleopatra a sequel to the earlier Julius Caesar? If this question raises issues of authorship and reception, it also interrogates the construction of dramatic sequels: how does a playtext ultimately become the follow-up of another text? This book explores how dramatic works written before and after Shakespeare's time have encouraged us to view Shakespeare's Julius Caesar and Antony and Cleopatra as strongly interconnected plays, encouraging their sequelization in the theater and paving the way toward the filmic conflations of the twentieth century. Blending theories of literary and filmic intertextuality with issues of race and gender, and written by an author trained both in early modern and film studies, this book can easily find its place in any syllabus in Shakespeare or in media studies, as well as in a wide range of cultural and literary courses.
£82.00
Fairleigh Dickinson University Press Francis Rawdon-Hastings Marguess of Hastings: Soldier, Peer of the Realm, Governor-General of India
Considering the importance of Francis Rawdon-Hastings, 1st Marquess of Hastings and 2nd Earl of Moira, it is surprising that no full-length biography has been written about him. The only significant studies of his career have been analysis of his role as governor-general of India in the early nineteenth century. Paul David Nelson's study rectifies this situation by providing a well-crafted scholarly analysis of the life of Lord Hastings. He covers in depth all aspects of the man's multifaceted career as a professional soldier, peer in the House of Lords, and governor-general of India. He also provides a character study of this intelligent, affable man, pointing out his strengths as a father, husband, and friend. In the process, Nelson does not lose sight of Hastings's personal ineptitude. He shows how the marquess ran up debts of nearly 1,000,000 by the time of his death and left his family almost penniless. The most important role that Hastings played was as a soldier in the British army. He was a young officer during the American war, fighting at Bunker Hill in 1775 as a lieutenant in the grenadier company of the 5th Regiment. Distinguishing himself, he was promoted captain and appointed aide-de-camp to General Henry Clinton. He went on to lead the Volunteers of Ireland, serve as adjutant general under Clinton, and to command an independent army in South Carolina in 1780-81. As governor-general of India from 1813 to 1823, he successfully led campaigns against the Nepalese, Pindaris, and Marathas. Hastings's second most important role was as an administrator in India. Although supported by able civilian subordinates, he sometimes made poor choices in his own appointments and became mired in the cloudy dealings of the Palmer Company. He was not guilty of any chicanery, but his reputation was marred by his defense of some questionable company activities. Hastings's third role was as a politician in the House of Lords. Here he was least successful, partly because he was not ruthless enough to rise to the
£82.00
Fairleigh Dickinson University Press The Imperial Executive in America: Sir Edmund Andros, 1637-1714
Edmund Andros, a soldier, administrator, courtier, and diplomat, served a succession of Stuart monarchs in the Old and New Worlds. This study differs from most past assessments that portray him in a negative light; instead it concentrates on his role in protecting and defending EnglandOs New World colonies as governor of New York, the Dominion of New England, and Virginia.
£84.60
Fairleigh Dickinson University Press Social Networking: Redefining Communication in the Digital Age
Social Networking: Redefining Communication in the Digital Age fulfills a pressing demand in social network literature by bringing together international experts from the fields of communication, new media technologies, marketing and advertising, public relations and journalism, business, and education. In this volume contributors traces online social networking practices across national borders, cultural confines, and geographic limits. The book delves into the socioeconomic, political, cultural, and professional dimensions of social networking around the globe, and explores the similarities, distinctions, and specific characteristics of social media networks in diverse settings. The chapters offer an important contribution to the scholarly research on the uses and applications of online social networking around the world and pertain to a broad range of academic fields. Overall, the volume addresses a subject matter of keen interest to academics and practitioners alike and provides a much-needed forum for sharing innovative research practices and exchanging new ideas.
£39.00
Fairleigh Dickinson University Press Julia Augusta Webster: Victorian Aesthetisim and the Woman Writer
This book treats the literary work of Julia Augusta Webster within the context of Websters participation in nineteenth century British aestheticism. Websters personal life, her experience as a member of the Suffrage Society and her tenure on the London School Board, as well as her position as poetry reviewer for the Athenaeum and participation in the salon society of the 1880s, inform her later work, but her earliest poetry and fiction also reflect the beginnings of the aestheticist perspective on the transience and impermanence of life. This book makes use of extensive archival materials to provide context for a study of Websters literary work, beginning with her first volume of poetry Blanche Lisle and concluding with her posthumously published Mother and Daughter sonnets. In tracing the trajectory of Websters development as an aestheticist poet, Patricia Rigg extends Webster scholarship into areas of the writers work not previously explored.
£93.00
Fairleigh Dickinson University Press Economic Assistance and the Northern Ireland Conflict: Building the Peace Dividend
This study explores images of economic assistance to explain the importance of tailoring such assistance to the distinctive social needs of the targeted communities, and how third parties must consider and include local perspectives in their attempts to build a lasting peace. The book makes an important contribution to our understanding of how economic assistance impacts a divided society with a history of protracted violence. The stories reflect the importance of community development and cross-community contact through joint economic, peace and justice, and social development projects. Byrne's research brings to light a vision of how the impact and delivery of IFI and EU Peace I aid is assisting in building the peace dividend in Northern Ireland. One of the key unanswered questions related to economic aid and preventing future violence is what is the significance and importance of external economic aid in building the peace after violence. By examining the respondents' political imagery, this project significantly expands existing work on economic aid and peace building in other societies coming out of violence. Northern Ireland's changing social-economic and political context reflects the fact that economic aid and sustainable economic development is a cornerstone of the peace-building process.
£77.00
Fairleigh Dickinson University Press Huck Finn in Italian, Pinocchio in English: Theory and Praxis of Literary Translation
This book represents an investigation into one of the basic issues in the study of translation: how do we reconcile theory and practice? The main focus, in the form of close readings and think-aloud protocols in chapters 2 and 3, is on translations of two classic texts: Mark Twain's 'The Adventures of Huckleberry Finn' and Carlo Collodi's 'Le avventure di Pinocchio'. The first and last chapters respectively seek to show what translation theory is and what translation practice is. Indeed, 'Theory and Hubris', chapter 1, provides a synthesis of the development of the interdiscipline of Translation Studies, with some consideration also given to the hermeneutical questions that inevitably arise when dealing with the interpretation of language.
£77.00
Fairleigh Dickinson University Press More Precious than Gold: The Story of the Peruvian Guano Trade
A few short years after Peru had declared its independence from Spain, the attention of some people in Lima began to focus on a potential source of untold wealth that was to prove more precious than gold. This was guano, which, in its greatest concentration, was found on the diminutive Chincha Islands that lie just off the Peruvian coast, some seventy miles south of Callao. This book covers the story of this international guano trade. It outlines the fate of the unfortunates recruited to cut and load the guano. It also gives full details of the hardships endured by mariners employed in this trade. The story of those who grew rich on the proceeds of this trade is also outlined. Importantly, it explains just how the Peruvian government mismanaged the trade, to the extent that Peru became burdened with debts, rather than prospering on the proceeds of their vast new guano-based income.
£93.00
Fairleigh Dickinson University Press The Letters of William Carlos Williams to Edgar Irving Williams, 1902–1912
This book recovers the earliest epistolary activity of one of America's most innovative and influential modernist poets. From 1902 to 1912, William Carlos Williams wrote more than 300 letters to his younger brother Edgar, an accomplished architect with whom Williams shared the desire to become 'a great artist'. This collection of 200 letters sheds new light on the aesthetic thoughts and practices with which Williams was engaged for a full decade before his unique voice emerged in the forerunner to 'Paterson', 'The Wanderer' (1914). Providing a comprehensive introduction, exhaustive annotation, images of poetry and artwork, and hundreds of letters never before seen by scholars, this critical edition provides substantially new material on Williams and will be an important addition to the study of early American modernism.
£97.00
Fairleigh Dickinson University Press Selfish Gifts: The Politics of Exchange and English Courtly Literarture, 1580-1628
Engaging with a wide range of texts on gift-theory, extending from Senecas De Beneficiis to Derridas Given Time, Selfish Gifts examines the importance of gift ethics and the rhetoric of honorable giving to the literature of late Elizabeth and early Stuart England. It demonstrates that the ideal of the freely given and disinterested gift shaped the language of early modern clientage, along with literary representations of patrons and patronage systems during this period. Selfish Gifts examines how early modern clients moved quickly and strategically to assimilate the language of competition and equality, characteristic of an emerging market economy, within their existing discourses of gift exchange, in order to maximize the rewards they might induce from an increasingly diverse group of patrons. To give is to exercise power and thus, as numerous modern gift-theorists and anthropologists elucidate, the gift is implicitly self-interested even as it derives value from appearing altruistic; nowhere is this paradox more significant than in a patronage economy such as that which shaped literary production in early modern England. In pursuing that paradox and its implications, Selfish Gifts highlights crucial connections and cultural tensions between political and sexual giving, between 'giving' truth and flattery, between the sovereignty and subjection of gift donor/recipient, and between strategic and so-called 'sacrificial' giving. Those tensions are examined in the context of the latter years of Elizabeth Is rule, through the contrasting reign of James I and up to the early Caroline period. Selfish Gifts demonstrates the prominence of the gift ideal in Renaissance England and suggests the disturbing social and political consequences for those who give contrary to that ideal by bestowing self-interested gifts, by refusing to give, or by giving egotistically. The book establishes the centrality of gift theory to the discourses of patronage, friendship, and sovereignty, sugg
£101.24
Fairleigh Dickinson University Press The Plays and Poems of William Heminge
This is the first edition of the complete works of William Heminge (1602-c.1653), son of Shakespeare's colleague and first co-editor, John Heminge. It contains a biography, critical old-spelling texts of his two surviving plays, The Jewes Tragedy and The Fatal Contract, and the small group of poems assigned to him in contemporary manuscripts. Heminge's tragedies in particular reveal him to be an innovative writer deserving far greater critical attention than he has previously received. He is both the first dramatist in English to see the theatrical potential of Josephus's account of 'the Fall of the Temple', and the first to challenge the conventions of revenge drama by presenting a fully autonomous female avenger on the English stage. The introductions to the plays offer an investigation of Heminge's historical sources and theatrical techniques. His literary and theatrical debts to Shakespeare are investigated, together with the stage history and afterlife of the plays and the provenance of the poems' manuscripts. In the case of The Jewes Tragedy, three early modern analogues ot the narrative of the siege of Jerusalem are discussed along with the contemporary context of Roman dramas and representations of Jews on the English stage. The Fatal Contract depicts the first female revenge protagonist in English drama, and is examined in the tradition of revenge tragedy, with special reference to portrayals of cross-dressed women, Africans, and eunuchs. All copies of the first quartos of the plays available in the United Kingdom have been examined and collated, together with those in the Huntington Library. The transmission of the texts is discussed, with contextual evidence for the dates of the plays. The relationship of the variant text, The Eunuch (1687), to both The Fatal Contract and Elkanah Settle's adaptation, Love and Revenge (1675) is examined. One poem, 'A Contemplation over the Dukes Grave,' has never been previously printed. A case for the attribution to
£101.70
Fairleigh Dickinson University Press New Perspectives on Ben Jonson
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£74.00
Fairleigh Dickinson University Press An American Art Colony
An American Art Colony demonstrates the social dimension of American art in the 20th century, paying special attention to the role of fellow artists, nonartists and the historical context of art production. The book treats the art colony, not as a static addendum to an artist’s profile, but rather an essential ingredient in artistic life. The art colony here becomes an historical entity that changes over time and influences the kind of art that ensues. It is a special methodology of the study that collective features of three generation of artists help clarify how artists engage their audiences. Since many of these artists worked within the cultural confines of metropolitan New York and its magazine industry, they cultivated subjects that were recognizable by ordinary citizens. Early on, they drew from the emergent suburban life of their neighbors for their artistic themes. Gradually these contexts become more formally institutionalized and their subjects gravitated away from themes of ordinary life to themes more exotic, expressionistic and fanciful. A key methodology for this study consisted of an analysis of collective biographies of 170 participating artists. The theme of modern art explains here how abstraction was suborned to public images, widening the very meaning of the term modern.
£85.00
Fairleigh Dickinson University Press Light Beyond All Shadow: Religious Experience in Tolkien's Work
What forms can religious experience take in a world without cult or creed? Organized religion is notably absent from J. R. R. Tolkien's Secondary Universe of elves, dwarves, men and hobbits despite the author's own deep Catholic faith. Tolkien stated that his goal was 'sub-creating' a universe whose natural form of religion would not directly contradict Catholic theology. Essays in Light Beyond All Shadows examine the full sweep of Tolkien's legendarium, not only The Lord of the Rings but also The Hobbit, The Silmarillion and The History of Middle-Earth series plus Peter Jackson's film trilogy. Contributions to Light Beyond All Shadows probe both the mind of the maker and the world he made to uncover some of his fictional strategies, such as communicating through imagery. They suggest that Tolkien's Catholic imagination was shaped by the visual appeal of his church's worship and iconography. They seek other influences in St. Ignatius Loyola's meditation technique and St. Philip Neri's 'Mediterranean' style of Catholicism. They propose that Tolkien communicates his story through Biblical typology familiar in the Middle Ages as well as mythic imagery with both Christian and pagan resonances. They defend his 'comedy of grace' from charges of occultism and Manichaean dualism. They analyze Tolkien's Christian friends the Inklings as a supportive literary community. They show that within Tolkien's world, Nature is the Creator's first book of revelation. Like its earlier companion volume, The Ring and the Cross, edited by Paul E. Kerry, scholarship gathered in Light Beyond All Shadows aids appreciation of what is real, meaningful, and truthful in Tolkien's work.
£42.00
Fairleigh Dickinson University Press Metatheater and Modernity: Baroque and Neobaroque
Metatheater and Modernity: Baroque and Neobaroque is the first work to link the study of metatheater with the concepts of baroque and neobaroque. Arguing that the onset of European modernity in the early seventeenth century and both the modernist and the postmodernist periods of the twentieth century witnessed a flourishing of the phenomenon of theater that reflects on itself as theater, the author reexamines the concepts of metatheater, baroque, and neobaroque through a pairing and close analysis of seventeenth and twentieth century plays. The comparisons include Jean Rotrou’s The True Saint Genesius with Jean-Paul Sartre’s Kean and Jean Genet’s The Blacks; Pierre Corneille’s L’Illusion comique with Tony Kushner’s The Illusion; Gian Lorenzo Bernini’s The Impresario with Luigi Pirandello’s theater-in-theater trilogy; Shakespeare’s Hamlet with Pirandello’s Henry IV and Tom Stoppard’s Rosencrantz and Guildenstern are Dead; Molière’s Impromptu de Versailles with “impromptus” by Jean Cocteau, Jean Giraudoux, and Eugène Ionesco. Metatheater and Modernity also examines the role of technology in the creating and breaking of illusions in both centuries. In contrast to previous work on metatheater, it emphasizes the metatheatrical role of comedy. Metatheater, the author concludes, is both performance and performative: it accomplishes a perceptual transformation in its audience both by defending theater and exposing the illusory quality of the world outside.
£43.00
Fairleigh Dickinson University Press Louis Trezevant Wigfall: The Disintegration of the Union and Collapse of the Confederacy
Louis Trezevant Wigfall was a violent, mercurial man. He participated in multiple duels, wounding one opponent and killing another. In an outburst on the floor of the U.S. Senate, Wigfall called upon a Brutus to assassinate Texas governor Sam Houston. During the bombardment of Fort Sumter in 1861, Wigfall rowed out to the fort and arranged its surrender. While still in the U.S. Senate, Wigfall committed treason by operating a station to recruit soldiers for the Confederacy by supplying arms to seceded states and by forwarding information on Union decisions and movements. Wigfall’s oratorical skills convinced Southern ruling classes there was nothing to fear by seceding. He assured them that the North would not fight, that they could not blockade southern ports, that Europe needed Southern cotton, and that England would aid the Confederacy. Wigfall was able to convince Southern states to secede. In this succinct biography of Wigfall, Edward S. Cooper discusses how this violent and mercurial man contributed to the disintegration of the Union and why he was a primary factor in the collapse of the Confederacy.
£77.00
Fairleigh Dickinson University Press Exile in the Maghreb: Jews under Islam, Sources and Documents, 997–1912
The Exile in the Maghreb entails the first attempt at describing the historical reality of the legal and social condition of the Jews in the Muslim countries of North Africa (principally Algeria and Morocco) over a thousand year period from the Middle Ages (997 C.E.) to the French colonization (1830 Algeria/1912 Morocco.). The Exile is not a formal history but a chronological anthology of documents drawn from literary (section A) and archival sources (section B), many of which are published for the first time. In section A, Arabic and Hebrew chronicles, Muslim legal, and theological texts are followed by the accounts culled from European travelers—captives, diplomats, doctors, clerics, and adventurers. Each document is introduced and annotated in such a way as to bring out its importance. The second section (B) reflects the diplomatic activity deployed by humanitarian organizations in favour of North African Jewry. Spanning the 19th and early 20th centuries, these are mainly drawn from the archives of the Alliance Israélite Universelle (Paris) and the Anglo-Jewish Association (London). The documents are richly elucidated with illustrations taken from the international press. The book presents a new and illuminating insight into the status of Jews under the Crescent. The Jews of North Africa were the only minority under Islam, in this region and their history reflects Judaism's exclusive encounter with Islam.
£65.00
Fairleigh Dickinson University Press Caribbean Ghostwriting
Caribbean Ghostwriting addresses a question central to the fields of postcolonial, feminist, and African diasporic studies:how are we to know the colonial past when the lives of colonized and enslaved people were largely written out of history? Caribbean authors Michelle Cliff, Maryse Conde, and Dionne Brand address the silences and gaps of historiography by fleshing out overlooked historical figures in literary form. These authors do not simply reconstruct lost lives, but rather they foreground the tension between the real, material traces of peoples lives and the fact of their erasure. In novels that are at once historical, biographical, and artistic, they portray real but sparsely documented and therefore haunting histories through a strategy identifiable as ghostwriting. Erica L. Johnson defines ghostwriting as an important genre of Caribbean literature through which authors literally ghostwrite stories for lost historical figures even while they poetically preserve the unspeakable nature of the archival lacunae their novels engage.
£72.00
Fairleigh Dickinson University Press Victorian Empiricism
Empiricism, one of Raymond Williams's keywords, circulates in much contemporary thought and criticism solely as a term of censure, a synonym for spurious objectivity or positivism. Yet rarely, if ever, has it had this philosophical implication. Dr. Johnson, it should be recalled, kicked the stone precisely to expose empiricism's baroque falsifications of common sense. In an effort to restore historical depth to this term, this book examines epistemology in the narrative prose of five writers, John Rushkin, Alexander Bain, G. H. Lewes, Herbert Spencer, and George Eliot, developing the view that the flourishing of nineteenth-century scientific culture occured at a time when empiricism itself was critically dismantling any such naive representationalism.
£82.00
Fairleigh Dickinson University Press Postmortem Postmodernists: The Afterlife of the Author in Recent Narrative
This book scrutinizes the genre of the author-as-character with respect to three broad issues–authorship, the posthumous, and cultural revisionism–that arise in reading such works from a contemporary perspective. Late twentieth-century fiction 'postmodernizes' romantic and modern authors not only to understand them better, but also to understand itself in relation to a past (literary tradition, aesthetic paradigms, cultural formations, etc.) that has not really passed. Penelope Fitzgerald's 'The Blue Flower', Peter Ackroyd's 'The Last Testament of Oscar Wilde and Chatterton', Peter Carey's 'Jack Maggs', Michael Cunningham's 'The Hours', Colm Toibin's 'The Master', and Geoff Dyer's 'Out of Sheer Rage: Wrestling with D. H. Lawrence - 'the mighty dead' (Harold Bloom) are brought back to life, reanimated and bodied forth in new textual bodies that project a postmodern understanding of the author as a historically and culturally contingent subjectivity constructed along the lines of gender, sexual orientation, class, and nationality.
£93.00
Fairleigh Dickinson University Press Taft, Roosevelt and the Limits of Friendship
This is a study of the changing relationship between two of the most important political figures of the first decades of the twentieth century. The author contrasts their backgrounds and training, their mind-sets, and their understanding of the power of the president to understand how they came to a parting of the ways.
£68.00
Fairleigh Dickinson University Press This Is England: British Film and the People's War, 1939-1945
This study analyzes British wartime cinema, offering extended examination of a wide selection of feature films and documentaries made in Britain between 1939 and 1946, and using textual analyses of these films to explore the historical, social, and cultural context of social class in Britain within the overall situation of `total war’ and its concomitant propaganda imperative of `The People’s War.’ Includes 20 photos.
£87.30
Fairleigh Dickinson University Press Tiresian Poetics: Modernism, Sexuality, Voice, 1888-2001
Blind seer, articulate dead, and mythic transsexual, the figure of Tiresias has always represented a liminal identity and forms of knowledge associated with the crossing of epistemological and ontological boundaries. In twentieth-century literature, the boundaries crossed and embodied by Tiresias are primarily sexual, and the liminal and usually prophetic knowledge associated with Tiresias is based in sexual difference and sexual pleasure. Indeed, in literature of the twentieth century, Tiresias has.com e to function as a cultural shorthand for queer sexualties. This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian and modernist writers re-imagined Ovid's tale of sex change and sexual judgment, they also created a poetics that grounded artistic or performance power in figures of sexual difference- most often a feminized, often homosexual male body, which this study links to the developing discourses of homosexuality and sexual identity. This study reconstructs the cultural history of this transsexual figure through readings of work by late Victorian and modernist writers Edith Cooper and Katharine Bradley, who collaborated using the pen name 'Michael Field', and whose work may inaugurate the shift in Tiresian mythographies; T.S. Eliot, whose poem The Waste Land includes arguably the most well-known uses of Tiresias in modern English Literature; Djuna Barnes, whose queer Irish-American Tiresias provides an insistent voice of sexual and social marginalization; and Irish poet Austin Clarke who set out to revise Eliot's use of Tiresias but ended up narrating a myth of sexual panic. The book also examines work by writers whose use of Tiresian figures consistently linked sexual differences, especially homosexuality, to forms of performative, poetic, and aesthetic power. If The Waste Land established Tiresias as a figure of modernist textual and sexual ambiguity, this book displaces that canonically central representation into a more complex tra
£104.00
Fairleigh Dickinson University Press Frank O'Hara and the Poetics of Saying 'I'
While recent works of criticism on Frank O'Hara have focused on the technical similarities between his poetry and painting, or between his use of language and poststructuralism, Frank O'Hara and the Poetics of Saying 'I' argues that what is most significant in O'Hara's work is not such much his "borrowing" from painters or his proto-Derridean use of language, but his preoccupation with self exploration and the temporal effects of his work as artifacts. Following Pasternak's understanding of artistic inspiration as an act of love for the material world, O'Hara explores moments of experience in an effort to both complicate and enrich our experience of the material world. On the one hand, in poems such as Second Avenue, for example, O'Hara works to "muddy" language through which experience is, in part, mediated with the use of parataxis, allusions, and absurd metaphors and similes. On the other, in his "I do this I do that" poems, he names the events of his lunch hour in an effort, among other things, to experience time as a moment of fullness rather than as a moment of loss. The book argues, furthermore, that O'Hara's view of the self as both an expression of the creative force at work in the world and as the temporal aggregate of finite experiences, places him between so-called "Romantic" and "postmodern" theories of the lyric. While it is often argued that O'Hara is a forerunner of a new, critically informed, "materialist" poetics, this study concludes that O'Hara's work is somewhat less radical in its understanding of poetic meaning than is often claimed. Moreover, while O'Hara is preoccupied with his experience in his poems, the book argues that he espouses, in some respects, a rather traditional view of love. In addition to being a metaphor for the creative act, love, for O'Hara, is the chance coming together of two entities. Yet, one of the ironies of this is that while love is, for O'Hara, a feeling that is the result of movement, or the unexpected coming together of two otherwise separ
£77.00
Fairleigh Dickinson University Press The Carlyle Encyclopedia
The Carlyle Encyclopedia is the new standard, single-volume reference work on Thomas and Jane Welsh Carlyle. It offers concise, detailed accounts of central issues related to the Carlyles’ lives and writings, and provides bibliographic citations that direct the reader’s attention to a wide range of additional sources.
£103.50
Fairleigh Dickinson University Press Great War Modernism: Artistic Response in the Context of War, 1914-1918
New Modernist Studies, while reviving and revitalizing modernist studies through lively, scholarly debate about historicity, aesthetics, politics, and genres, is struggling with important questions concerning the delineation that makes discussion fruitful and possible. This volume aims to explore and clarify the position of the so-called ‘core’ of literary modernism in its seminal engagement with the Great War. In studying the years of the Great War, we find ourselves once more studying ‘the giants,’ about whom there is so much more to say, as well as adding hitherto marginalized writers – and a few visual artists – to the canon. The contention here is that these war years were seminal to the development of a distinguishable literary practice which is called ‘modernism,’ but perhaps could be further delineated as ‘Great War modernism,’ a practice whose aesthetic merits can be addressed through formal analysis. This collection of essays offers new insight into canonical British/American/European modernism of the Great War period using the critical tools of contemporary, expansionist modernist studies. By focusing on war, and on the experience of the soldier and of those dealing with issues of war and survival, these studies link the unique forms of expression found in modernism with the fragmented, violent, and traumatic experience of the time.
£74.70
Fairleigh Dickinson University Press Studies in Victorian and Modern Literature: A Tribute to John Sutherland
This book is both a celebration of the life and career of the eminent literary scholar, critic, and journalist John Sutherland and an extension of Sutherland’s work in various fields, including nineteenth- and twentieth-century Anglo-American literature, the publishing industry, and its impact upon creativity and literary puzzles. With contributions from over twenty-five distinguished critics, literary journalists and scholars, this book goes beyond merely describing Sutherland’s work. The essayists pay homage to Sutherland while also staking their own critical/scholarly claims. From investigating the publishing dimension, Victorians major and minor, the complexities of Dickens and George Eliot, the “archeology” of Pride and Prejudice to examining the implications of Shakespearean souvenirs, literary puzzles, and Non-Victorians, the essays offer fresh dimensions to Sutherland’s rich career as a professor, critic, and journalist.
£83.70
Fairleigh Dickinson University Press Luso-Brazilian Encounters of the Sixteenth Century: A Styles of Thinking Approach
As it happens with other early-Modern corpora, the descriptive texts from 16th-century encounters of the Portuguese colonizers in Brazil are well-known for their strangeness. In them we find references to entities like monsters and demons, bizarre descriptions, and odd classification systems of plants and animals. For the most part, these elements are dismissed as mere eccentricities by modern scholars studying these texts. Instead, this book takes these elements seriously. They are focused on and tackled with a theoretical tool_styles of thinking_not yet used in Luso-Brazilian studies, and coming from another field of inquiry: philosophy and history of science. By doing so the book aims to unveil epistemological and ontological issues in which colonial and post-colonial studies are entangled, and which have a relevance that goes beyond debates concerning, for instance, the formation of Brazil's cultural identity. This book contributes to Luso-Brazilian studies, science studies, and the history of the early-modern period. The notion of 'styles of thinking' as presented and used in it benefitted from the many discussions about philosophy and history of science that emerged since the 1980s, with authors such as Ian Hacking, Lorraine Daston, and Peter Galison, who have already done much reassessing critically what is best in the work of previous authors such as Paul Feyerabend, Thomas Kuhn, and Michel Foucault. This book considers that the well-known puzzling passages of the corpus of the Portuguese have a fictional and figurative character that acquires full intelligibility in view of literary and mystical traditions typical of the late Renaissance, and influential over the Portuguese. Nature is understood as emerging from an excessive source which permanently overflows it and which is impossible to refer and depict literally. The book points to the fact that such an idea would connect the Portuguese with other peculiar pre-Modern and post-Modern authors with similar ontological insights: from the neo-Platonists to Boccaccio, Nietzsche, and more recently, Derrida.
£64.80
Fairleigh Dickinson University Press Japanese Classical Theater in Films
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Fairleigh Dickinson University Press Disenthralling Ourselves: Rhetoric of Revenge and Reconciliation in Contemporary Israel
Disenthralling Ourselves portrays contemporary Israel in a process of transition. Jewish-Israeli and Palestinian-Israeli communities share a nation-state divided by the separate truths of its conflicting fundamental narratives. This book considers ways of converting those separate and antagonistic narratives from fuel for conflict to seeds of change. Its purpose is to undo the convenient coherence of collective memory and master narratives through fostering a capacious moral imagination able to apprehend diverse, even contentious, stories and truths. Contemporary Israel functions as a case study in an in-depth and interdisciplinary exploration of conflict resolution, viewing Jewish-Israeli and Palestinian-Israeli documentary film, poetry, fiction, essays, memoir, peace initiatives, and other elements of collective narrative-building through a prism of three analogously themed Shakespearean plays. This comparative methodology is integrated with theoretical perspectives on reconciliation, resilience, critical reflection, and peace education in presenting concrete alternatives to the convenient comforts of the inimical master narratives that perpetuate what can now be seen as a hundred-year war. The readings offered in this book generate perspectives that can be adopted and adapted in relation to each other in the process of moving from a single static narrative of incessant warfare. The first section, 'Seeing in the Dark,' considers rhetoric and identity formation of cultures in transition. Its first half focuses on revenge cultures and reads Shakespeare's Merchant of Venice and Juliano Mer Khamis's documentary 'Arna's Children' in a fictive and documentary pairing of people stripped of all but revenge. Its second half considers rhetoric and Israeli identities in transition through the prism of Hamlet. Three genre-challenging authors represent Jewish-Israeli and Palestinian-Israeli narrative identity formation; Yaron Ezrahi, Emile Habiby,and Anton Shammas reflect a hybridity that emphasi
£77.00