Search results for ""doppelhouse press""

Charts Wittgenstein’s intellectual development, personal struggles, and movements from Vienna to Cambridge and Norway, and to the battlegrounds of WWI, where he completed what was destined to become the most influential philosophy book of the 20th century.Ludwig Wittgenstein’s way to the Tractatus Logico-Philosophicus, one of the ground-breaking works in the history of philosophy, can rightly be termed an Odyssey. Both in terms of his movements and his intellectual development in the course of writing it, the Tractatus incorporated an exciting, improbable journey. A compendium of scholars has come together at the 100th anniversary of the work’s first official publication in 1922 to detail the main stations in Wittgenstein’s life that would entirely transform philosophy. The years 1912 to 1922 are illuminated through photos, military maps, and letters against the backdrop of one of the most dramatic periods in world history.The complex theory of language developed by Wittgenstein In the Tractatus had an enormous influence not only on philosophy, but extended also to literature, music, film, painting, architecture, anthropology, and economics. Its uniqueness and rigor challenge our perceptions to this day.

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In this memoir, replete with Jewish humor and sardonic Russian irony, exiled Russian journalist and human rights advocate Arkady Polishchuk (b. 1930) colorfully narrates his evolution as a dissenter and his work on behalf of persecuted Christians in 1970s Soviet Russia. Told primarily through dialog, this thrilling account puts the reader in the middle of a critical time in history, when thousands of people who had been denied emigration drew international attention while suffering human rights abuses, staged show trials, forced labor, and constant surveillance. From 1950-1973, Polishchuk worked as a journalist for Russian state-run media and at Asia and Africa Today, where all of the foreign correspondents were KGB operatives using their cover jobs to meddle in international affairs. His close understanding of Russian propaganda, the use of "kompromat" against enemies and his knowledge of "pripiski" (defined as "positive distortions of achieved results and fake reports") makes this memoir especially eye-opening for American readers in today's political climate. Through the course of the narrative, we are along with Polishchuk as he covers an anti-Semitic show trial, writes samizdat (underground political self-publications), is arrested, followed and surveilled, collaborates with refuseniks and smuggles eyewitness testimony to the west. The absurdity of his experiences is reflected in his humor, which belies the anxieties of the life he lived.

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Lively, snapshot-like vignettes form an intimate, literary portrait of the infamously eccentric and influential modern architect Adolf Loos.Written by Loos’ third wife, the photographer Claire Beck (1904–1942), these often humorous, short episodes reveal Loos’ temperament and philosophy during the last years of his life (1928–1933). His irreverent personality and attitudes about post-Imperial Viennese society, the role of the craftsman, and the organic beauty of raw materials are brought to light. Included in The Private Adolf Loos are Claire's photographs of Loos, collected in museums, as well as informal snapshots of the two of them showing the whimsy and theatricality of this relationship between two artistic personalities—one as infamous as he was well-regarded, and one, a youthful accomplice and budding photographer who would also become Loos' intermediary, secretary and proxy. With this bricolage of short tales and its dark conclusion at the brink of death’s door, Claire shows herself to be one of Loos’ great champions and memorialists, despite his shortcoming and debilitations. This is not a book just about architecture, but rather a love story about the Modern revolution that provides a woman’s insight into one of its most radical personalities, set amid the fascinating cultural backdrop of 1920s and 1930s interwar Europe.

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Linked stories expose generational conflicts, broken relationships and Jewish insecurity post-Holocaust. Darkly humorous, absurd, sometimes tragic and erotic.‘Verklempt’, Yiddish slang, means ‘choked with emotion.’ In his latest collection of stories, internationally best-selling author Peter Sichrovsky aggressively dismantles post-Holocaust Jewish identity. These are love stories where love is a bitter pill, a joke, a missed chance at happiness, a secret, a ghost, or a longing to be with a person one cannot even remember. Sichrovsky writes without embellishment, spare outlines of characters that feel familiar, and infuses them with dark humor and tragedy. With characteristic inquisitiveness and provocation, Sichrovsky delivers a delightful collection that entertains and inspires us to tears, laughter, revelations.Stories, among others:In “Prague,” an adolescent Jewish boy struggles when his Communist parents renounce their affiliations upon Soviet invasion of Czechoslovakia — just as he is about to land a date at the local Communist club.“The Love Schnorrer” follows a hapless, depressed man leaving his wife and children to secretly emigrate with a Jewish partner, but he is deceived by this new woman, who he most thought he could trust.In “The Sirens” a young couple in Israel — he a native Brooklynite and she an Israeli-born doctor—struggle to keep their marriage and family together under Saddam Hussein’s latest rocket attack.“Berlin,” “Holiday,” and “Pig’s Blood” have an autobiographical aspect. Interviews, interrogations, and captive audiences all reveal aspects of the author’s curious career and iconoclastic personality.In “Clearance Sale” a Jewish man married to the wrong woman for years — she’s German, with Nazi-sympathizing parents — consummates a brief affair with his Jewish secretary on a teddy bear, but only by passing backward through his life to a point of self-annihilation.“The Aunt” is a raunchy romp through an old people’s home, where the protagonist’s Aunt Martha is forced to share a room with an old Nazi.“Coffin Birth” finds the wealthy businessman and Holocaust survivor Herr Bernstein only able to reconcile his seventieth birthday with the conception that he will have an heir — by any means necessary — when he learns his daughter is a lesbian.Somewhere in every story there is a real person. These stories are based on facts. But they are not documentations. They reflect hopes, fears and indifference. Every story is true, as true as a story can be.—Author’s Preface to the English Edition

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"Intimate and scholarly...Patient readers will be rewarded. An encyclopedic and epistolary family history, a eulogy for pre-Reich Vienna and an ode to midcentury modernism." -- Kirkus Reviews "This jewel should not be called a book but a museum." -- Will Semler, author (Melbourne, Australia) "One of the more uplifting accounts of European emigre life that I have read in a long time...It will touch you to tears right away, regardless of how many accounts of similar fates you believe to have studied and understood...What a book!" -- Volker M. Welter, author and architectural historian "An invaluable addition to the literature on the birth of modern Aspen." --Stewart Oksenhorn, The Aspen Times Charles Paterson (born Karl Schanzer) was only nine years old when the Nazis invaded Austria and his father, Stefan, fled with his children to avoid persecution. To assure their continued safety, the children were baptized and adopted by the Paterson family in Australia while Stefan made a harrowing escape through occupied France. It would be eight years, after much sorrow and loss, before Charles and his sister would reunite with Stefan in the United States. After Charles and Stefan settle in Aspen, Colorado, amidst the snow-capped peaks that remind them of the Austrian Alps, Stefan becomes a high school teacher known for his humor and adventure stories while Charles teaches skiing, serves as a Frank Lloyd Wright apprentice, and then builds his thesis project, the The Boomerang ski lodge. Charles lives with Stefan at The Boomerang and, as Aspen grows into a world-class ski resort, spends fifty years welcoming thousands of people to the town with Austrian warmth and gemutlichkeit. Based on archival documents and letters, together with the authors' personal reflections, Escape Home is a family memoir and a meditation on the domestic qualities of architecture, where the bonds of culture and family prove to be the true foundation for rebuilding meaningful lives and finding both security and freedom.

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A conversation between an artist and a gardener in the California border-landscape about creation, change, and loss. An intertextual, fictionalized narrative weaves together several years of Mexican artist Erick Meyenberg’s observations, research, video recordings, and paintings based on logbooks kept by gardener Chris Shea. Meyenberg’s conversations with Shea about his ephemeral landscape infer the change and loss inherent in human life and propels the deep emotional intelligence of this bilingual book as it reflects on time, creation, and the inspiration of the natural world. Shea’s remarkable, nuanced, and delicate language for color is reflected in Meyenberg’s layered appreciation for the garden Shea tended until the end of his life. Eloisa Haudenschild, Director of inSite, commissioned Meyenberg’s project with Shea for haudenschildGarage in La Jolla, California, and enlisted curator Ruth Estévez, the text’s author. For more information about the project see the haudenschildGarage website or DoppelHouse.com. Note: This book has two parts, one in English, one in Spanish.

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Artist, critic and poet Eve Wood has a ribald sense of humor and for decades has had a distinctive presence in the Southern California art world. This is her first monograph, featuring a collection of off-beat, imaginative color studies populated with birds, animals and irreverent, sometimes naughty personae. Short, laugh-out-loud prose accompanies each of the portraits and vivid scenes. Her dog sleeps on a Ukranian-gold and blue rug; her raven vacuums the house; absurd characters from movies and art stand in for obnoxious or dreamy colors; and the birds – so many birds – sing of freedom.

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A deserted Paris house holds the mystery of a brilliant Viennese modernist who worked alongside Le Corbusier and Adolf Loos before vanishing.Wyeth takes readers on a deeply personal and revelatory journey. This research process, which readers experience vicariously, makes Wyeth’s prose exhilarating as tiny details become breakthroughs of grand proportions. […] For late architect and painter Jean Welz, designs should reflect one’s aesthetic and political commitments. This narrative will resonate with anyone interested in the politics of architecture, or the pursuit of knowledge at large.—Hyperallergic "BEST ART BOOKS OF 2022"Welz’s having been “lost” is indeed a travesty of architectural history to which the book serves as a welcome antidote.—Artforum A leading painter still highly regarded in South Africa, Jean Welz's prior architectural career has been virtually unknown until a string of discoveries unfolded for author and filmmaker Peter Wyeth, allowing him to narrate this amazing true tale of genius. Trained in ultra-sophisticated, but conservative Vienna, Welz was sent to Paris for the 1925 Art Deco exhibition by his influential employer, renowned architect Josef Hoffmann. There he met preeminent modern architects Le Corbusier and Adolf Loos. The latter employed him to assist in building a house for the founder of Dada, Tristan Tzara. They all mixed in avant-garde circles at the Dôme Café in Montparnasse along with Welz’s classmate from Vienna, later Chicago-based architect Gabriel Guevrekian; Welz’s future employer Raymond Fischer, whose archive was mostly destroyed by Nazis; and photographer André Kertész. Through Welz’s South African family archive, author Wyeth retrieves stories, letters, portfolios, and photographs generations after Welz’s death that unravel his heroic designs, his stunning built critique of Corbusier’s “Five Points of Architecture,” a gravestone for Marx’s daughter, and the many ways that Welz disappeared amongst his collaborators, intentionally and not. This account of why Jean Welz did not become a famous name in architecture takes us through his brother’s Nazi-art-dealings, illness, betrayal, emigration, and an uncompromising artist’s vision at the same time sifting through significant, literally-concrete evidence of Welz’s built projects and visionary designs.

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The abandoned daughter of Pablo Neruda speaks through “incandescent poetic prose full of magical realism, biographical details and psychological insight." Winner of the Fintro Prize for Literature Malva, a precocious eight-year-old ghost, is running amok in the afterlife with a cadre of other lost children. She searches for her father, the famous poet Pablo Neruda, and wants him to know the details of her small, but not insignificant life. Why did he abandon her, and her mother Maria? And what became of him? Who was he before he had a child? And what did she, his only child, mean to him? From her omniscient perspective, the once disabled and mute Malva now travels through the world and through time, seeing her father as a young boy, later as he courted her mother in Dutch-Indonesia, and how his political passions drove his life. She scrutinizes every moment, seeking to understand and resolve her loss. With the wisdom of a child, she picks up her father’s pen and conducts literary mischief, courting the great poets of our time and bringing her chosen ghostwriter, Hagar Peeters, news of her own father, who was a journalist in Chile during the coup and Neruda’s mysterious death.… Startling, profound, and graceful, Peeters brings to readers the world Malva could not describe in life, an extraordinary story of love that spans earth and heaven. Hagar Peeters (b. 1972), nominee for Dutch Poet Laureate, has won numerous prizes and published several volumes of poetry: Enough Poems Written About Love Today (1999), Suitcases of Sea Air (2003), Runner of Light (2008) and Maturity (2011). She spent ten years researching the life of Malva in The Netherlands and Chile. She lives in Amsterdam with her son.

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The oral history of a renowned Czech writer, whose optimism and faith in people survived grueling experiences under authoritarian regimes. Heda Margolius Kovály (1919-2010) was a renowned Czech writer and translator born to Jewish parents. Her bestselling memoir, Under a Cruel Star: A Life in Prague, 1941-1968 has been translated into more than a dozen languages. Her crime novel Innocence; or, Murder on Steep Street—based on her own experiences living under Stalinist oppression—was named an NPR Best Book in 2015.In the tradition of Studs Terkel, Hitler, Stalin and I is based on interviews between Kovály and award-winning filmmaker Helena Treštíková. In it, Kovály recounts her family history in Czechoslovakia, starving in the deprivations of Lodz Ghetto, how she miraculously left Auschwitz, fled from a death march, failed to find sanctuary amongst former friends in Prague as a concentration camp escapee, and participated in the liberation of Prague. Later under Communist rule, she suffered extreme social isolation as a pariah after her first husband Rudolf Margolius was unjustly accused in the infamous Slánsky Trial and executed for treason. Remarkably, Kovály, exiled in the United States after the Warsaw Pact invasion in 1968, only had love for her country and continued to believe in its people. She returned to Prague in 1996.Heda had an enormous talent for expressing herself. She spoke with precision and was descriptive and witty in places. I admired her attitude and composure, even after she had such extremely difficult experiences. Nazism and Communism afflicted Heda's life directly with maximum intensity. Nevertheless, she remained an optimist.Helena Treštíková has made over fifty documentary films. Hitler, Stalin and I has garnered several awards in the Czech Republic and Japan.

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A collaboration in abstract painting and poetry.Over the early days of the Covid-19 pandemic, a poet/curator and a painter correspond in their own mediums, developing a conversation across space and time during lockdown. Part monograph, part poetry collection, Letters Apart presents unusual events of language and a progression of abstracted imagery. In this beautiful and intimate book, personal memories, early Expressionism, lightness and darkness, fear and flights of fancy coexist.

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“The story of the legendary martial arts fighter and kickboxer Oum Ry is by turns pulse-pounding, disturbing, and powerful. His is an astonishing life told beautifully by his daughter Zochada Tat and Addi Somekh. The book will grip you from its first pages and not let you go."—Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America and Can’t Stop Won’t Stop: A History of the Hip-Hop GenerationOum Ry (b.1944) is a former international champion kickboxer who first brought the Cambodian martial art Pradal Serey to the United States. When his family of silver engravers couldn't afford his food or schooling, he lived with monks until seeking out Pradal Serey masters, soon becoming national champion at 23 years old and one of the most famous fighters in the region. For 15 years, he toured Southeast Asia, and without ever suffering a knock-out, won more than 250 fights. After a young man’s dream-life of stardom, parties, and girls, his new wife gave birth to a child in 1975, two months before the Khmer Rouge entered Phnom Penh and threw the country into the chaos of civil war, where starvation, disease, and mass executions were common.Oum Ry survived the genocide though much of his family perished. He was saved many times from death in Cambodia due to fame, talent, and his resilience, but suffered a life-threatening attack during Southern California’s epic gang violence of the 1990s. Earlier, as a refugee with his young family in Chicago, Oum Ry learned English while working cleaning hotels. But within a few years, he had an investor in Long Beach, California and opened one of the first kickboxing gyms in the United States.This is Oum Ry's life story, which is propelled by his highly anticipated return to Cambodia in February 2022 to reunite with family and to pass on Pradal Serey traditions to the next generation.

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"A touching, contemplative chronicle of loss and self-discovery."– Publishers WeeklyFrom the acclaimed biographer of Norway’s most treasured cultural icons, Henrik Ibsen and Edvard Munch, comes a story of a migrant family in search of roots and for each other. Ivo de Figueiredo’s lyrical and imagistic memoir navigates a difficult search for the origins of his estranged father, which opens a door to a family history spanning four continents, five centuries and the rise and fall of two empires. At the age of 45, Figueiredo traces his father’s family in the diaspora. Having emigrated from the Portuguese colony of Goa on the west coast of India to British East Africa, and later to the West, his father’s ancestors were Indians with European ways and values—trusted servants of the imperial powers. But in postcolonial times they became homeless, redundant, caught between the age of empires and the age of nations. With lush descriptions and forthcoming honesty, A Stranger at My Table tells the story of a family unwittingly tied to two European empires, who paid the price for their downfall, weathering revolution and many forms of prejudice. The author’s trove of often-strange photographs, letters and recordings as well as his eye for the smallest details and double-meanings lead the reader down a mysterious path as his search for his family’s heritage results in a surprising reunification with his father and reconciliation with his past. Praise for Henrik Ibsen. The Man and the Mask, 2019 Ivo de Figueiredo’s work marks the high point in the long line of biographies of Ibsen that have been published since 1888. – Dagbladet This Ibsen-biography shares the quality of its subject: It is unsurpassable. […] Anybody with the slightest interest in literature should indulge in a meeting with the most important Norwegian contribution to world literature: The works of Henrik Ibsen. Outside of the plays themselves, there is no better place to start than Ivo de Figueiredo’s two books, “The Man” (2006) and “The Mask” (2007). – Klassekampen A jubilant outcry … it is this literary composition that makes Ivo de Figueiredo revise our understanding of Ibsen. – Dag Solstad Praise for Sleeping Sinner, The Køber Case. A true story of spiritualism, love and a possible murder, 2010 The book is so well written that I almost forgot that it was a book. It resembles a film or a court case. Figueiredo’s trick is to focus on the unsolved parts of the case […] Figueiredo deserves gratitude and admiration.– Aftenposten Wonderfully fascinating reading. Exciting like a crime novel, but from real life.– Varden Electrifyingly well written. The historian and writer, Ivo de Figueiredo, stylistically just gets better and better […] It is like a thriller you cannot put down.– VG+

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A surprising and revealing memoir populated with art historians, art influencers, and the former lover and lifelong friend of Marcel Duchamp, Beatrice Wood. Francis M. Naumann, a distinguished expert on Dada and Marcel Duchamp reflects upon his mentors, including Leo Steinberg, John Rewald, and perhaps his greatest influence: Beatrice Wood, a renowned ceramic artist and one of the most prominent participants in New York Dada. Wood set Naumann upon a course of original research that would define him, but also provided a moral platform for what an art historian could be. Artwork by Kathleen Gilje; French flaps.

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A damning inquiry of French-Nazi collaboration by an investigative journalist who survived the largest roundup of Jews in France.

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A two-volume book in which Maurice Rajsfus, a French activist and former investigative journalist for Le Monde, shares his research and personal recollections in order to shed new light on France's role in the Holocaust. In the first volume, "Operation Yellow Star," Rajsfus meticulously analyzes archival documents, demonstrating the extent of police collaboration with the Vichy regime and how it facilitated the persecution, deportation, and ultimately the death of hundreds of thousands of Jews. Examining long-unseen arrest records and transcripts, Rajsfus seeks to understand how and why many average French citizens resisted Nazi occupation while others were willingly complicit. In the second book, "Black Thursday," Rajsfus recounts his own experiences of July 16, 1942, when he and his family were arrested as part of the Vel' d'Hiv roundup, the largest ever in France, of 13,000 Jews. While most of those detained during the two-day sweep eventually died in Auschwitz, the author survived and has spent the rest of his life grappling with his country's betrayal. Together, the two volumes by Rajsfus offer a damning expose of the bureaucracy of genocide, laying bare how cultural bias, political self-interest, and the influence of right-wing media led to the implementation of the Yellow Star as a segregationist device and determined France's culpability in the Holocaust. Maurice Rajsfus is the author of thirty books and from 1994--2012 he created and circulated "Que fait la police," a "Cop Watch" bulletin detailing human rights abuses. He lives in Paris with his wife, sons and grandchildren.

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This hybrid book examines the art and politics of “The Nude” in various cultural contexts, featuring books of canonical western art pirated and either digitally- or hand-censored in Iran by anonymous government workers. Author Glenn Harcourt uses several case studies brought to the fore by American painter Pamela Joseph in her recent “Censored” series. Harcourt’s rigorous, culturally-measured and art historical approach complements Joseph’s appropriation of these censored images as feminist critique. Harcourt argues that her work serves as a window toward larger questions in art. These include an examination of the evolution of abstraction; the role of women in western society, as seen through the history of painting the body; the effects of western art on cultures outside the west (sometimes referred to in Iran as “west-toxication”); and how artists in non-western countries, specifically those in Iran living under rules of censorship that specifically prohibit representation of the body, engage with the history of western art found in the censored books. Harcourt’s discussion of Iranian contemporary artists focuses on censorship tropes in portraiture, including works by Aydin Aghdashloo, Gohar Dashti, Katayoun Karami, Daryoush Qarezad, Manijeh Sehhi, Newsha Tavakolian, and others. Issues of privacy and security prevent some Iranian artist insiders from being named, but studio images as well as recipes for removal of the censored marks along with testimony from artists who are now living outside Iran provide reference for many English-speaking readers who don’t otherwise have knowledge of the country’s strict policies. Image reproductions ranging from the pages of the censored books themselves, to Joseph’s paintings, to artwork by contemporary Iranian artists, make the book visually intriguing, timely, and visually fascinating reading.

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"A valuable fine-grained portrait...The English translation of her book is fluent and accurate, conveying well the tone of Claire Loos' original (which, in turn, to some extent mimics Loos' own writing style). Richly informative." --Christopher Long, West 86th: A Journal of Decorative Arts, Design History, and Material Culture "Claire Beck Loos, a gifted photographer and writer, ...reveals much about her ex-husband's mercurial persona in a series of conversationally-toned vignettes ...Claire died tragically at 38, at the Riga concentration camp; her memoir thus becomes a haunting tribute not only to Loos's talents, but to her own.." --Judy Pollan, Modernism Magazine "Her artist's way of encapsulating the essential about Loos in a mixture of camera-sharp observations is mitigated by an affectionate regard for the brilliant, but deeply flawed man that he was. The book is hugely perceptive and beautifully written." --Dr. Irena Murray, Former Director of the British Architectural Library at the Royal Institute of British Architects (RIBA), London "Claire [Beck Loos]'s book reveals a sharp eye for capturing personality, story and zeitgeist." --Stewart Oksenhorn, Arts Editor, Aspen Times "A highly personable and ultimately a sorrowful book about Loos in his declining years ...provides a host of important insights into the man, his intellectual circle, and most importantly his approach to the practice of architecture. The memoir is skillfully and lucidly framed by introductory essays and an Afterword." --Dr. Harry Mallgrave, Professor of Architecture, Illinois Institute of Technology, Chicago "[In] short tales of an afternoon or a conversation ...you get a very clear sense of who Loos was as a person, or at least how Claire remembers him: an eccentric who flits between intense joy and fury, generous to a fault, unafraid to disagree intensely with a client, full of quips and contradictory ways of seeing the world. It is indeed a personal portrait, and a surprising, quite wonderful little book." --Nicole Stock, Urbis architecture magazine, New Zealand "In razor-sharp anecdotes, some a paragraph, some several pages, Claire writes in the present tense. The result is altogether Loosian: timeless, with as little ornament, but as much empathy, as any protege could deliver. Here, theory in the flesh walks in." --Barbara Lamprecht, author of Neutra: Complete Works in a book review for the Society of Architectural Historians Adolf Loos--A Private Portrait is an unusual, literary biography featuring lively, often humorous, "snapshots" of Viennese-Czechoslovak architect Adolf Loos. An intimate collection of vignettes reveal Loos' personality, temperament and philosophy during the last years of his life (1929-1933) and the ways in which he helped shape Modern architecture. This translation, by Constance C. Pontasch and Nicholas Saunders, is the first English edition, the book having enjoyed several reprints in German. The author, Claire Beck Loos, was a photographer and Adolf Loos' last wife. She was born in 1904 in Czechoslovakia; her family were Jewish industrialists and important early clients of Loos, commissioning several apartments in Pilsen and works by the architect's friend Oskar Kokoschka. In addition to being a biography of her husband, Adolf Loos--A Private Portrait also serves as a self-portrait of Claire, a vibrant young artist who died a tragic and untimely death at Riga, a Nazi concentration camp, in 1942. The book includes supplemental texts by Claire's niece Janet Beck Wilson, biographical materials and previously unpublished artistic photographs by the author.

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A longtime journalist and politician, Sichrovsky writes with a crisp prose that makes his everyday characters real, with a touch of humor and subtle points about what being Jewish means today. This is a strong collection...The pieces here are memorable and diverse, making Verklempt an excellent English-language introduction to the author's fiction. --Foreword Reviews Moving and engaging...[Sichrovsky] set[s] up ...intriguing narratives and metaphors. --Asymptote Journal A touching, thoughtful, and powerful read; Sichrovsky's insights into people's secrets, regrets, and consciences are artfully divulged. Verklempt certainly lives up to its title. --Jewish Book World John Howard's translation is clear, clean, and straightforward. His word choices are simple and direct, resisting the temptation for sentimentality that such subject matter holds. I was especially impressed by the way he conveyed the different patterns of speech that characterize people of different ages and geographical descents. There is no confusing his elderly Austrian aunt with his Brooklynite Jewish mother. --Yardenne Greenspan, Asymptote Journal Intense existential stories with uplifting conclusions about people, torn by past conflicts and histories, who are coming to terms with the flow of everyday life through fulfillment of their desires. --Ivan Margolius, author of Reflections of Prague: Journeys Through the 20th Century Somewhere in every story there is a real person. These stories are based on facts. But they are not documentations. They reflect hopes, fears and indifference. Every story is true, as true as a story can be. --Author's Preface to the English Edition 'Verklempt', Yiddish slang, means 'choked with emotion.' In his latest collection of stories, internationally best-selling author Peter Sichrovsky aggressively dismantles post-Holocaust Jewish identity. These are love stories where love is a bitter pill, a joke, a missed chance at happiness, a secret, a ghost, or a longing to be with a person one cannot even remember. Sichrovsky writes without embellishment, spare outlines of characters that feel familiar, and infuses them with dark humor and tragedy. With characteristic inquisitiveness and provocation, Sichrovsky delivers a delightful collection that entertains and inspires us to tears, laughter, revelations. Foreword by award-winning playwright Ari Roth. Stories, among others: In "Prague," an adolescent Jewish boy struggles when his Communist parents renounce their affiliations upon Soviet invasion of Czechoslovakia -- just as he is about to land a date at the local Communist club. "The Love Schnorrer" follows a hapless, depressed man leaving his wife and children to secretly emigrate with a Jewish partner, but he is deceived by this new woman, who he most thought he could trust. In "The Sirens" a young couple in Israel -- he a native Brooklynite and she an Israeli-born doctor--struggle to keep their marriage and family together under Saddam Hussein's latest rocket attack. "Berlin," "Holiday," and "Pig's Blood" have an autobiographical aspect. Interviews, interrogations, and captive audiences all reveal aspects of the author's curious career and iconoclastic personality. But Sichrovsky's stories are clearly fictional and, in some cases, are entirely ridiculous. In "Clearance Sale" a Jewish man married to the wrong woman for years -- she's German, with Nazi-sympathizing parents -- consummates a brief affair with his Jewish secretary on a teddy bear, but only by passing backward through his life to a point of self-annihilation. "The Aunt" is a raunchy romp through an old people's home, where the protagonist's Aunt Martha is forced to share a room with an old Nazi. "Coffin Birth" finds the wealthy businessman and Holocaust survivor Herr Bernstein only able to reconcile his seventieth birthday with the conception that he will have an heir -- by any means necessary -- when he learns his daughter is a lesbian.

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Insightful essays and rarely-seen images tracing, from birth to maturation, several generations of Hungarian modernism, from the avant-garde to neo-avant-garde. This wide-ranging collection by Eva Forgacs, a leading scholar of Modernism, corrects long-standing misconceptions about Hungarian art while examining the social milieu and work of dozens of important Hungarian artists, including Laszlo Moholy-Nagy and Lajos Kassak. This book paints a fascinating image of twentieth-century Budapest as a microcosm of the social and political turmoil raging across twentieth-century Europe. Eva Forgacs is a brilliant guide to the history of modern and contemporary art in Hungary. These essays--whether appraising the achievements of Modern Movement heroes like Laszlo Moholy-Nagy or excavating the overlooked practices of neo-avant-garde artists of the 1970s and 1980s--combine deep understanding of modern art with a critical perspective on the many myths which have been attached to it. Hungarian modernism now seems far more vivid. --David Crowley, Royal College of Art The leading English-speaking expert on Hungarian art from the avant-garde of the pre-World War I years to the present, Forgacs is as astute in confronting Hungarian politics and the nation's cultural development as she is at elucidating the nature of the artworks themselves. A dazzling intellectual performance. -- Marjorie Perloff, author of Wittgenstein's Ladder and The Vienna Paradox Eva Forgacs has a remarkable ability to condense her cosmopolitan breadth of scholarship into admirably coherent, easily comprehensible writing...We come away with the feeling that our time has been well spent indeed. Her publications exemplify art history at its best. --Hattula Moholy-Nagy Forgacs' essays are shafts of light illuminating a complex terrain which is not only located at the center of Europe but, given the seismic political shifts that have occurred there, central to the history that defined the 20th century. --J. Hoberman, author of The Red Atlantis: Communist Culture in the Absence of Communism A pioneering intellectual survey of Hungarian art in the long twentieth century. Populated by extraordinary figures such as Bela Balazs, whose dream of a great new Hungarian culture amounted to the founding of a new "religion of art," this authoritative book repositions cultural giants such as Laszlo Moholy-Nagy, Lajos Kassak, and Gyorgy Lukacs within a series of fascinating interpersonal, philosophical and political fields. Forgacs also entices readers to engage with a host of less well known artists and forgotten initiatives: the European School; the transcendentalist revivers of Malevich; the exponents of the postmodern 'new sensibility' of the 1980s; the post-socialist post-constructivists of the 1990s. She challenges canons and attacks key questions head on, provocatively exploring, among other things, whether or not "democracy grows under pressure." The culmination of decades of sustained research, this erudite publication is an immensely precious resource and a vital contribution to the further exploration of the rich intertextual fabric of European art as a whole. -- Klara Kemp-Welch, Courtauld Institute of Art

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The first publication to catalog the complete works of architect and arts advocate Alfred Preis, a Viennese modernist who fled Nazi-occupied Austria and transformed regional Hawaiian architecture, with his best-known project being the USS Arizona Memorial at Pearl Harbor. Architect, planner, and arts advocate Alfred Preis (1911–1994) dedicated his many creative talents to his beloved, adopted home, Hawai‘i. Born to a Jewish family, raised, and educated in Vienna, Preis became an exile after escaping from Nazi-occupied Austria in 1939 and briefly being interned as an “enemy alien” when the United States entered World War II. Preis emerged as one of Hawai‘i’s leading modern architects in the 1950s and 1960s. His celebrated architectural career spanned twenty-three years. In this time, he designed almost one hundred and eighty completed projects ranging from residences, schools, commercial buildings, and public parks. His new, regionalist vision for architecture and planning were specific to the Hawaiian context, its people, its tropical climate, and its stunning landscape. Preis’s crowning achievement was his design for the famed USS Arizona Memorial at Pearl Harbor in 1962. This is the first publication to examine Alfred Preis’s body of work in architecture, which spans from 1939 to 1963, including not only several acclaimed public projects but also illustrating the transition from a European modern language into a regional modernism, unifying both cultures in distinct and pioneering ways. In later years through his legislative work, Alfred Preis became a visionary advocate and leader for the public arts, creating the first 1% law in the United States, which stipulated that 1% of all public building construction be used for the purchase of public art.

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“The story of the legendary martial arts fighter and kickboxer Oum Ry is by turns pulse-pounding, disturbing, and powerful. His is an astonishing life told beautifully by his daughter Zochada Tat and Addi Somekh. The book will grip you from its first pages and not let you go."—Jeff Chang, author of Water Mirror Echo: Bruce Lee and the Making of Asian America and Can’t Stop Won’t Stop: A History of the Hip-Hop GenerationOum Ry (b.1944) is a former international champion kickboxer who first brought the Cambodian martial art Pradal Serey to the United States. When his family of silver engravers couldn't afford his food or schooling, he lived with monks until seeking out Pradal Serey masters, soon becoming national champion at 23 years old and one of the most famous fighters in the region. For 15 years, he toured Southeast Asia, and without ever suffering a knock-out, won more than 250 fights. After a young man’s dream-life of stardom, parties, and girls, his new wife gave birth to a child in 1975, two months before the Khmer Rouge entered Phnom Penh and threw the country into the chaos of civil war, where starvation, disease, and mass executions were common.Oum Ry survived the genocide though much of his family perished. He was saved many times from death in Cambodia due to fame, talent, and his resilience, but suffered a life-threatening attack during Southern California’s epic gang violence of the 1990s. Earlier, as a refugee with his young family in Chicago, Oum Ry learned English while working cleaning hotels. But within a few years, he had an investor in Long Beach, California and opened one of the first kickboxing gyms in the United States.This is Oum Ry's life story, which is propelled by his highly anticipated return to Cambodia in February 2022 to reunite with family and to pass on Pradal Serey traditions to the next generation.

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The Great War drama by Viennese satirist Karl Kraus, restaged by Sengl in "stunning display" of taxidermied rat-actors, with commentary. When the age died by its own hand, that hand was Karl Kraus’. – Bertolt Brecht PUBLISHERS WEEKLY – TOP 10 IN ART, ARCHITECTURE & PHOTOGRAPHY, Fall 2018 With critical success over the past four years, artist Deborah Sengl (b. 1974) has exhibited taxidermied rats, drawings and paintings in order to restage Karl Kraus’ nearly-unperformable play The Last Days of Mankind (Die Letzten Tage der Menschheit, 1915–22). Featuring Sengl’s entire installation, the DoppelHouse Press edition also includes essays that examine her ambitious dramaturgy, which condenses Kraus’ ten-to-fifteen hour drama into an abridged reading of its themes: human barbarism, the role of journalism in war, the sway of popular opinion and the absurdities of nationalism. Select translations of Kraus’ original provide a window to see his other “war” — a war on the misuses of language itself. Published in conjunction with the centenary anniversary of the Armistice, which ended The Great War but bred another soon to come, this edition of The Last Days of Mankind offers an agit-prop protest crossing the boundaries of art and spanning the knowledge of the century that has passed since Kraus penned his play. Deborah Sengl offers her stylistic model for envisioning human folly through animal actors, who become more than human, while confronting a violence particular to humankind, laced with selfishness and greed. Contributors include modernist poetry scholar Marjorie Perloff (The Edge of Irony, University of Chicago Press 2015); arts writer Matthias Goldmann; Paul Reitter (editor/contributor to Jonathan Franzen’s The Kraus Project, Harper, 2013); and Associate Professor of German, Anna Souchuk.

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Prokop’s meticulous history restores Jacques and Jacqueline Groag to their rightful places in the pantheon of Viennese Modernists. Prokop explores their individual careers in Vienna and Czechoslovakia, their early collaborations in the 1930s, their lives as Jewish émigrés, and the couple’s unique contributions in Britain for postwar exhibitions, monuments, furniture and textile design, even a dress for future-queen Elizabeth II. Full color edition, supported by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

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An amazing game of mirrors. […] Original and promising. —LE MONDE2014 Anton Wachter Prize for Best First NovelGolden Book Owl Reader's Choice AwardOpzij Feminist Literature Prize2014 Lucy B. & C.W. van der Hoogt Prize.MEET MINNIE PANIS, a young and talented conceptual artist navigating love affairs, her unexpected success in the art world, and her relationship with an emotionally distant mother. After surviving a near-death experience falling through the ice during her ultimate artwork, Minnie begins to uncover the truth behind her premature birth with the help of the doctor who saves her life—as it turns out—twice. Entering into his clinic, whose motto is All the fish needs is to get lost in the water, Minnie arrives at the border of life’s ebb, where meaningful art and revelations occur. An intimate, often humorous exploration of the intertwining cycles of death, rebirth and coincidence, The Consequences is a Bildungsroman that echoes far beyond the last page. Niña Weijers’ remarkable, inventive novel depicts a contemporary conceptual artist at the height of her fame, whose blasé art project has unintended consequences. Weijers invokes Kurt Vonnegut in the course of the narrative, and this novel shares Vonnegut’s sense of how things can be simultaneously real and absurd. Movies and books notoriously fail to capture the social and spiritual atmosphere of the contemporary art world, but Weijers nails it. Her book is beautifully written, surprising and often profound. —CHRIS KRAUS

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A micro-history of anti-Semitism, xenophobia, police brutality, and terror.

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"Erich Hackl's subjects are all actual events, fates and biographies. Often with considerable research and effort, he digs deep into the histories of people whose destiny very often have to do with Nazism and / or with Judaism. In his new collection of short [non-fiction] stories Three tearless histories, two of which are already published in Austria in newspapers and anthologies, Hackl tells of Jewish people and their destinies. [...] These stories get under one's skin." - Winfried Stanzick, Top Ten Review for Bucher.de, July 9, 2015 "Highly recommended, ...a haunting book." - Samuel Moser Neue Zurcher Zeitung, September 13, 2014 "The books of Erich Hackl have now been translated into 25 languages. As a chronicler, he reminds us of the fate of people who were arrested for racial reasons or because of their political convictions, tortured and murdered. Hackl reconstructs the biographies of those who have been erased from history. [...] He takes care to strive for historical accuracy." - Michael Opitz, Deutschlandradio Kultur With characteristic literary reflection, the latest book by award-winning Austrian author Erich Hackl humanizes three great, but little known, historical tragedies. "Tschofenig: The Name Behind the Street" recounts the improbable wedding of resistance fighter Gisela Tschofenig (1917-1945) while she was a prisoner in Dachau; "The Photographer of Auschwitz" offers a fragmented biography of Wilhelm Brasse (1917-2012), who photographed Auschwitz inmates and saved evidence of Mengele's terrible crimes; and "The Klagsbrunn Family" traces the multi-generational story of the Klagsbrunns who, fearing the rise of Nazism in Vienna, fled to Brazil where their grandson was arrested and tortured under that country's fascist dictatorship.

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"From his early enthusiasm for American jazz in Berlin cabarets to his membership of Terezin's celebrated Ghetto Swingers and surviving Auschwitz through his music, to post-war appearances with the likes of Dizzy Gillespie, jazz remains a constant in a remarkable life story. [...] Illustrated by a fascinating range of photographs." -- The Jazz Rag (UK) "It is rare and beautiful that someone can play with such sadness--and with such musical humor." -- Abendzeitung Munchen (Germany) "The recently published, never-before translated book by "Coco" Schumann traces his journey from Berlin's pre-war nightlife to a band in Auschwitz and back to Berlin -- and doesn't miss a beat. [...] Look for this unusual book." -- Israel National News "An interesting and enlightening read. The passion and the clarity with which Schumann recalls his past experiences, playing with some of the greats, surviving World War II, his internment, are all very evident. I felt like I was listening to the gregarious great-uncle with stories almost too good to be true, other than the fact that they really are. This book very much feels like a conversation carried on between Schumann and anyone passionate about music." -- Reading for Sanity (USA) "A spirited and colorful story about the art of humor, as well as the power of hope in circumstances where there is no hope. Even in the Auschwitz death camp music gave Schumann hope, and he gave it to others in the message of his music." -- Satakunnan Kansa (Finland) "Why should you read this book? Coco Schumann takes you on a trip through his life and the history that surrounded it. This book not only gives a new perspective on World War Two, but provides a closer look at the jazz scene of the twentieth century as well. Schumann grabs your interest and lets you witness his beautiful, humorous and shocking experiences from up close." -- BLVD (The Netherlands) Coco Schumann's career as a jazz and swing musician spans more than seventy years and is replete with honors. But for decades Schumann bore his wartime experiences as a Holocaust survivor in silence, with only the pleasure of composing music and performing for live audiences to ease the burden of his most haunting memories. In his memoir, Schumann recounts the vibrant underground club scenes of Berlin in the years surrounding World War II as well as providing backstage glimpses into Berlin's famous nightlife, where he shared the stage with such jazz notables as Helmut Zacharias, Tullio Mobiglia, Toots Thielemans, and American visitors like Louis Armstrong, Dizzy Gillespie and Ella Fitzgerald. At the same time, The Ghetto Swinger offers Schumann's harrowing testimony from 1943-1945 about daily life inside Theresienstadt (Terezin) and Auschwitz, and provides readers with the important perspective of a Jewish Holocaust survivor who remained in Germany after the war. In his home country, Schumann is a celebrated personality. But until now, his life story hasn't been accessible to English-speaking audiences. Featuring rare photographs and an Afterword by Weimar- and Nazi-era culture scholar Michael H. Kater, The Ghetto Swinger is an engrossing historical document as much as it is a heartwarming memoir.

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Jazz in Nazi-era and postwar Germany, as lived by a Jewish prodigy who survived the horrors of Theresienstadt and Auschwitz. "Coco, it's not important what you play. It's important how you play it," said Louis Armstrong to jazz and swing guitarist Coco Schumann during a break between sessions. Recalling this episode Schumann reminds readers that even in the midst of real-world nightmares, music is alive and musicians experience this essential freedom and hope, which they can, in turn, give to their audiences. Throughout his remarkable life, Coco Schumann (b. 1924) would accumulate accolades, including the Order of Merit from the Federal Republic of Germany in 1989 and the prestigious Ehrenpreise Lifetime Achievement Award in 2015, and play with jazz greats Toots Thielemans, Dizzy Gillespie, Louis Armstrong, Ella Fitzgerald, and others. But few knew he relied on composing music and performing for live audiences to ease the burden of his wartime memories. After forty years of silence Schumann's memoir opened a rare window into the previously unknown life of one of Germany's most renowned musicians, who was a member of the vibrant and illegal Berlin club scene, a part of the cultural revival of postwar Berlin, and a survivor of Theresienstadt (Terezin) and the horrors of Auschwitz. Shortlisted for the 2017 A.R.S.C. Awards for Excellence in Historical Research in Jazz. Includes over 50 historical documents and rare photographs.

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A second-generation Holocaust survivor weaves together fragments of her family’s history and witness testimony in narrative and collage, using her art as transformation and remembrance. "Chocolates from Tangier is a bold and innovative ensemble piece that comes straight from the heart. With illustrations by way of words, letters, poems and her own impressive images, artist Jana Zimmer brings her parents’ Holocaust story to life in a moving and meaningful way. Beautiful."—Wendy Holden, author of Born Survivors: Three Young Mothers and Their Extraordinary Story of Courage, Defiance, and Hope“Never, never, never ask Daddy about her.” For fifty years, Jana Zimmer obeyed her mother’s directive, until her mother died, leaving behind a trove of family photos and documents, mostly in Czech, with just a few cryptic notes as explanation, for her only child to knit the family’s past together. Late in her own life, Zimmer became a visual artist. The words and images in this book convey her journey to understand her parents and their experiences in the Holocaust, filtered through her own discoveries decades after returning to her birthplace, Prague, and to Terezín, where her family was first interned. Exhibitions of Zimmer’s artwork in 2007, both in Prague and at the Terezín Ghetto Museum, were mainly inspired by her half-sister, Ritta, who perished in Auschwitz before Zimmer was born, and by her father’s grief over that loss. Ritta’s drawings made in Terezín, now in the Prague Jewish Museum’s collection of children’s artwork from the ghetto, populate Zimmer’s book as well as spare photographs and mementos that reflect Zimmer’s internal world — that of a “Holocaust replacement child.”In 2015, an exhibition in Germany allowed Zimmer to explore her relationship to her mother’s experiences as survivor of Terezín, Auschwitz, and Mauthausen, and as a Jewish slave laborer in a Nazi aircraft factory in Freiberg, Saxony, in 1944. In both exhibits, and now, in putting together the visual story, their life stories, and her text, Zimmer’s task has been the seemingly impossible — to remember where she had never been, for her parents, who had wanted only to forget, and to find her place between them.The world attacks us directly, tears us apart through the experience of the most incredible events, and assembles and reassembles us again. Collage is the most appropriate medium to illustrate this reality. —J. Kolář (Czech, 1914–2002)

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An illustrated survey of artist hoaxes, including impersonations, fabula, cryptoscience, and forgeries, researched and written by an expert “fictive-art” practitioner. In her groundbreaking book, internationally recognized multimedia artist and writer Antoinette LaFarge reflects on the most urgent question of today: where does truth lie, and how is it verified? Encouraging readers to critically question the role art plays in shaping reality, Sting in the Tale: Art, Hoax, and Provocation defines a new genre of art that fabricates evidence to support a central fiction. Interweaving contemporary "fictive art" practice with a lineage of hoaxes and impostures dating from the 17th century, LaFarge offers the first comprehensive survey of this practice. The shift from the early information age to our "infocalypse" era of rampant misinformation has made fictive art an especially radical form as it straddles the lines between fact, fiction, and wild imagination. Artists deploy a wide range of practices to substantiate their fictions, manufacturing artefacts, altering photographs, and posing as experts from many different fields. A fictive-art practitioner herself, LaFarge explores and underscores the myriad ways art can ground or destabilize one's lived reality, forcing us to question our subjective experience and our understanding of what counts as evidence. Many examples of these curious and sometimes notorious fabrications are included - from nonexistent artists and peculiar museums to cryptoscientific objects like fake skeletons and staged archaeological evidence. From the intriguing Cottingley fairy photographs "captured" in 1917 by teenage sisters, to the Museum of Jurassic Technology; from the work of artists like Iris Häussler, Joan Fontcuberta, and Eva and Franco Mattes to the enigmatic encyclopedia known as the Codex Seraphinianus, fictive art continues to reframe assumptions made by its contemporaneous culture. With all the attendant consequences of mistrust, outrage, and rejection, fictive art practitioners both past and present play upon the fragile trust that establishes societies, underlining the crucial roles played by perception and doubt.

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A daughter breaks the family silence about her mother’s schizophrenia, reframing hospitalizations, paranoia, illness, and caregiving through a feminist lens. Claire Phillips’ elegantly written and unflinching memoir about her mother, an Oxford-trained lawyer diagnosed in mid-life with paranoid schizophrenia, challenges current conceptions about mental illness, relapse and recovery, as well as difficulties caring for an aging parent with a chronic disease. Told in fragments, the work also becomes a startling reflection on the evolution of feminism as seen through mother-daughter relationships. Only with her mother’s final relapse at age 73 did the author begin to tell this story, first in Black Clock magazine, an essay for which she received a Pushcart nomination and notable mention in The Best American Essays 2015.

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