Search results for ""david patterson""

This extraordinary book is based on more than fifty diaries of Jewish Holocaust victims of all ages, written while the events described were actually taking place. Many of the writers did not survive. Patterson’s book is unique not only in the number of diaries and original texts it examines but also in the questions it raises and in the approach it takes from within Jewish traditions and contexts. Patterson has organized his book around a series of themes that lead to a deeper understanding of the meaning of these works for both their writers and their readers, affirming the Holocaust diary as a form of spiritual resistance. Throughout, he draws upon his impressive knowledge of Jewish texts, ancient and modern—Torah, Talmud, Midrash, Zohar, the medieval commentators, the Hasidic masters, and modern Jewish philosophers and thinkers. In Along the Edge of Annihilation David Patterson illuminates the spiritual and physical devastation experienced by the Jews of Europe during the Holocaust, and shows how they chose life and the spirit of life in the midst of the Inferno.

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More than fifty years after it ended, the Holocaust continues to leave survivors and their descendants, as well as historians, philosophers, and theologians, searching for words to convey the enormity of that event. Efforts to express its realities and its impact on successive generations often stretch language to the breaking point--or to the point of silence. Words whose meaning was contested before the Holocaust prove even more fragile in its wake. David Patterson and John K. Roth identify three such "after-words": forgiveness, reconciliation, and justice. These words, though forever altered by the Holocaust, are still spoken and heard. But how should the concepts they represent be understood? How can their integrity be restored within the framework of current philosophical and, especially, religious traditions? Writing in a format that creates the feel of dialogue, the nine contributors to After-Words tackle these and other difficult questions about the nature of memory and forgiveness after the Holocaust to encourage others to participate in similar inter- and intrafaith inquiries. The contributors to After-Words are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry Knight, the symposium’s Holocaust and genocide scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

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More than fifty years after it ended, the Holocaust continues to leave survivors and their descendants, as well as historians, philosophers, and theologians, searching for words to convey the enormity of that event. Efforts to express its realities and its impact on successive generations often stretch language to the breaking point--or to the point of silence. Words whose meaning was contested before the Holocaust prove even more fragile in its wake. David Patterson and John K. Roth identify three such "after-words": forgiveness, reconciliation, and justice. These words, though forever altered by the Holocaust, are still spoken and heard. But how should the concepts they represent be understood? How can their integrity be restored within the framework of current philosophical and, especially, religious traditions? Writing in a format that creates the feel of dialogue, the nine contributors to After-Words tackle these and other difficult questions about the nature of memory and forgiveness after the Holocaust to encourage others to participate in similar inter- and intrafaith inquiries. The contributors to After-Words are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry Knight, the symposium’s Holocaust and genocide scholars--a group that is interfaith, international, interdisciplinary, and intergenerational--meet biennially in Oxfordshire, England.

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Sixty years after it ended, the Holocaust continues to leave survivors and their descendants, as well as historians, philosophers, and theologians, pondering the enormity of that event. This book explores how inquiry about the Holocaust challenges understanding, especially its religious and ethical dimensions. Debates about God's relationship to evil are ancient, but the Holocaust complicated them in ways never before imagined. Its massive destruction left Jews and Christians searching among the ashes to determine what, if anything, could repair the damage done to tradition and to theology. Since the end of the Holocaust, Jews and Christians have increasingly sought to know how or even whether theological analysis and reflection can aid in comprehending its aftermath. Specifically, Jews and Christians, individually and collectively, find themselves more and more in the position of needing either to rethink theodicy -- typically understood as the vindication of divine justice in the face of evil -- or to abolish the concept altogether. Writing in a format that creates the feel of dialogue, the contributors to Fire in the Ashes confront these and other difficult questions about God and evil after the Holocaust. This book -- created out of shared concerns and a desire to investigate differences and disagreements between religious traditions and philosophical perspectives -- represents an effort to advance meaningful conversation between Jews and Christians and to encourage others to participate in similar inter- and intrafaith inquiries. The contributors to Fire in the Ashes are members of the Pastora Goldner Holocaust Symposium. Led since its founding in 1996 by Leonard Grob and Henry F. Knight, the symposium's Holocaust and genocide scholars -- a group that is interfaith, international, interdisciplinary, and intergenerational -- meet biennially in Oxfordshire, England.

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Peter Howson has established a formidable reputation as one of his generation's leading figurative painters. Many of his paintings derive inspiration from the streets of Glasgow, where he was brought up. He is renowned for his penetrating insight into the human condition, and his heroic portrayals of the mighty and the lowly.His experiences of abuse - whether self-inflicted and substance-related or the traumatic events of his childhood - have moulded his view of the world and afforded him an affinity with those individuals who are classed as somehow 'on the edge'. His ability to speak to those on the margins is proof of his enduring skill at capturing the maverick, the excessive and the non-conformist.In 1992 he was commissioned by the Imperial War Museum to record the conflict in the former Yugoslavia. He was appointed official British war artist for Bosnia in 1993 and in 1996 was awarded Doctor of Letters at The University of Strathclyde. His work is in numerous international private and public collections.This publication is the first major statement about Howson’s work for almost twenty years and accompanies a major retrospective at Edinburgh City Art Centre. It illustrates his consummate skill in a range of media and documents his religious work as well as his graphic responses to recent global events.

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Contents: HISTORICAL OBSERVATIONS; Chapter One: Desperate Pleas: Excerpts from the Nordwind Correspondence of the Boston Committee for Refugees, Nicholas J. Meyerhofer; Chapter Two: Victims and Perpetrators in the Yugoslav Genocide, 1941-1945: Some Preliminary Observations, Damir Mirkovic; Chapter Three: THe Nazi Attack on the Polish Nation: Towards a New Understanding, John T. Pawlikowski; Chapter Four: The Contribution of British-Israelism to Antisemitism with Conservative Protestantism, Richard V. Pierard; PHILOSOPHICAL REFLECTIONS; Chapter FIve: Insiders and Outsiders: For Whom Do We Toil?, Zev Garber; Chapter Six: Responding Without Transcendental Warrants, James R. Watson; THE ARTS; Chapter Seven: Art, Music and the Holocaust, Ben Arnold; Chapter Eight: Christianity, Tragedy and Holocaust Literature, Michael R. Steele; EDUCATION; Chapter Nine: Some Implications of the Wannsee Conference for the Essence of Higher Education, David Patterson; CHURCH STRUGGLE; Chapter Ten: The German Church Struggle and the Oxford Conference, Kenneth C. Barnes; Chapter Eleven: Problems of Protestant Cooperation: the Church World Service, the World Council of Churches and Post-War Relief in Germany, Haim Genizi; Chapter Twelve: Kairos Again? The Church Struggle: Their Contribution to the Ordination of Women, Theodore N. Thomas; JEWISH-CHRISTIAN RELATIONS; Chapter Fourteen: Yom HaShoah for Jews and Christians, Steven M. Bob; Chapter Fifteen: The Shoah-Israel Link: Christian Theology Facing Up to the Post-Shoah Era, James F. Moore; SURVIVOR TESTIMONY; Chapter Sixteen: Sinai or Cyanide? Late Twentieth Century Reflections on a Post-Shoah Jewish Theology by the Child of a Survivor, Steven L. Jacobs; Chapter Seventeen: Hiding During and After the War: The Fate of Children Who Survived the Holocaust, Robert Krell; Chapter Seventeen: Lea Fleischmann's Gas: Tagebucheiner Bedrohung: Germany and the Gulf War, Susan Lee Pentlin; A NEW BEGINNING; Chapter Nineteen: The Burden of the Holocaust, 1945-1992: Horror, Mourning, Attemp

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In the Footsteps of OrpheusThe Life and Times of Miklós RadnótiZsuzsanna OzsváthA powerful account of the life, art, and tragic death of a 20th-century Hungarian Jewish poet."Zsuzsanna Ozsváth bring[s] forth Radnóti's life, his thought, and his passion with a depth of insight that is rare in a scholar. Brilliant, penetrating, and passionate, Ozsváth's book sets a new standard of excellence in Holocaust studies. It is a must for anyone who would approach the dark flame that burns at the core of the Event." —David Patterson, University of Memphis Miklós Radnóti, a young Hungarian Jewish poet, was shot by Hungarian soldiers guarding him while on a forced march from Yugoslavia back to Hungary during the final days of World War II. When his body was discovered and exhumed nearly two years later, a small book of poems was found in his coat pocket. These poems, together with the rest of Radnóti's work, solidified his reputation as one of Hungary's greatest poets. Radnóti shared the experience of many Jewish artists and intellectuals in Central Europe during the early part of the 20th century, but his poetry brings out a particular and personal view of the Holocaust in Hungary. His work plays a unique role in the history of Central European culture as some of the most beautiful poems ever written in Hungarian, as a voice against the rise of totalitarianism, and as testimony to the destruction of Europe's Jews. Zsuzsanna Ozsváth places Radnóti within the context of the political and intellectual history of interwar Hungary, situating him as an artist who is both a Jew and a Hungarian patriot. Her sensitive translations from the Hungarian lend poignancy to this tragic and forcefully told story. This account of Radnóti's life and work explores the sources of the poet's inspiration and imagery and restores it to its extreme times and places.Zsuzsanna Ozsváth is Professor of Literature and the History of Ideas at the University of Texas at Dallas, where she is also Director of the Holocaust Studies Program. She is coeditor and cotranslator (with Frederick Turner) of Foamy Sky: The Major Poems of Miklós Radnóti and Attila Jozsef's The Iron-Blue Vault: Selected Poetry.Jewish Literature and Culture—Alvin H. Rosenfeld, editorContentsMyth and ConsciousnessPoetic Images: Socialist Art and Political CommitmentThe Pull of Contraries: Making of the PastVisions of Destruction, Lyrics of ResistanceIn Extremis: 1944

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