Search results for ""crocker art museum""

The Crocker Art Museum has one of the finest and earliest German drawings collections in the United States. Featuring artists such as Johann Wolfgang Baumgartner, Anton Raphael Mengs and Johann Heinrich Wilhelm Tischbein, The Splendor of Germany examines the major developments in German draughtsmanship over the course of the eighteenth century. Published to coincide with the collection’s 150th anniversary. In the 21st century, the collecting and study of 18th-century German drawings has become a major focus for American museums. One of the finest collections of them, however, has been in California for 150 years. The superb drawings at the Crocker Art Museum, from a Baroque altarpiece design by Johann Georg Bergmüller to a Neoclassical mythology by Johann Heinrich Wilhelm Tischbein, provide a panorama of German draughtsmen and draughtsmanship throughout the century. Many of the drawings are remarkable for their modernity. A self-portrait by Johann Gottlieb Prestel bypasses convention to achieve a direct, unmediated likeness. Well-placed slashes with brush and black ink define the features below his peruke outlined in black chalk. Other drawings encapsulate specific developments and styles, such as Johann Wolfgang Baumgartner’s Lazarus and the Rich Man, which shows the florid dynamism of the Augsburg Rococo. A full range of eighteenth-century German artists are represented here, from the satirizing moralists Johann Elias Ridinger and Daniel Chodowiecki to the Classicist and friend of the art theorist Johann Joachim Winkelmann, Anton Raphael Mengs. Landscape artists are especially well represented, such as the key figure Johann Georg Wille, printmaker to the French king Louis XV, and generations of artists he taught and influenced all the way to the early Romantic landscapists. The exhibition and catalogue gather together a variety of dynamic and sensitive portraits, charming scenes of daily life, and often humorous moralizing subjects, as well as narratives, both religious and mythological, from the late Baroque to Neoclassicism. In the realm of landscape, the depth of the collection allows the exhibition to trace schools and influences—in addition to Wille’s mentioned above—even in families such as that of Prestel, whose wife and daughter were both landscapists. It also allows it to demonstrate the great variety of works by single artists such as Christoph Nathe, represented by four landscapes in four different genres including a splendid scene near Görlitz. Some artists, in fact, work in several genres as in the case of Johann Christian Klengel, whose works include the scene of a family by candlelight, a farmstead landscape, and a sketchbook that he carried through the countryside to record picturesque views. This is a rare opportunity for the public and for drawings enthusiasts. Two-thirds of the drawings in the exhibition have not been shown before; most of the exceptions have not been seen since 1989. Because of the drawings’ 150-year history of limited exposure, the state of preservation of the collection is exceptional, as is the condition of the new acquisitions included in the exhibition.

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Full Spectrum: Paintings by Raimonds Staprans is the most extensive survey of the figures, landscapes and still lifes of Latvian-American painter Raimonds Staprans (born 1926). Published by the Crocker Art Museum in Sacramento, the book accompanies the museum’s exhibition of the same name. Elegant design and superb reproductions reveal Staprans as a master of composition, color and existential nuance. Essayists include Scott A. Shields, Crocker Art Museum Associate Director and Chief Curator; Paul J. Karlstrom, art historian and former West Coast regional director of the Smithsonian Archives of American Art; David Pagel, art critic for the Los Angeles Times and Professor of Art Theory and History at Claremont Graduate University; Nancy Princenthal, author and former senior editor at Art in America; Ed Schad, Associate Curator at The Broad; and John Yau, art critic and poet.

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The Kathmandu Valley is the most populated region of Nepal, and the Newar, probable descendants of the Kirati who settled in the Valley in the first millennium BCE, have for centuries created the art featured in Celestial Realms. In additin to Hindu and Buddhist sculpture and paintings, tribal works from the middle hill region are also included, providing a contrast with Newar production.

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When I Remember I See Red: American Indian Art and Activism in California features contemporary art by First Californians and other American Indian artists with strong ties to the state. Spanning the past five decades, the exhibition includes more than sixty-five works in various media, from painting, sculpture, prints, and photography, to installation and video. More than forty artists are represented, among them pioneers such as Rick Bartow, George Blake, Dalbert Castro, Frank Day, Harry Fonseca, Frank LaPena, Jean LaMarr, James Luna, Karen Noble, Fritz Scholder, Brian Tripp, and Franklin Tuttle, as well as emerging and mid-career artists. Taking cues from their forebears, members of the younger generation often combine art and activism, embracing issues of identity, politics, and injustice to produce innovative—and frequently enlightening—work. The exhibition, along with the accompanying catalogue, transcends borders, with some California artists working outside the state, and several artists of non-California tribes living and creating within its boundaries. Diverse cultural influences coupled with the extraordinary dissemination of images made possible by technology have led to new forms of expression, making When I Remember I See Red a richly layered experience. Published in association with the Crocker Art Museum Exhibition dates: Crocker Art Museum, Sacramento: October 20, 2019–January 26, 2020 Institute of American Indian Arts, Museum of Contemporary Native Arts, Santa Fe: August 14, 2020–January 3, 2021 Autry Museum of the American West, Los Angeles: July 18, 2021–February 27, 2022

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For three decades, nationally renowned ceramist Anne Hirondelle has pushed the boundaries of traditional pottery, producing beautiful works that appear warmly alive and visually engaging. From her early majestic urns to her architectural impulse for sedate forms to her bright ropes of clay coiling to the sky, she keeps exploring new possibilities without rejecting the traditions of her chosen material.Hirondelle's Port Townsend, Washington, studio is the nexus of her creative and imaginative life. The works she has produced in that space have been exhibited in numerous one-person shows throughout the United States. Among the many museums whose collections include her work are the Crocker Art Museum; Fine Arts Museums of San Francisco; Museum of Arts and Design, New York; Tacoma Art Museum; and the White House Collection housed at the William J. Clinton Library in Little Rock, Arkansas.A Thomas T. Wilson Book

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In reaction to the widespread pursuit of Abstract Expressionism in the late 1940s and early 1950s, Paul Wonner and William “Theophilus” Brown were among the artists in the San Francisco Bay Area who began to re-engage with the visible world, applying the gestural style of action painting to depictions of people, landscapes, and still lifes. Together, the couple aligned themselves with this new direction and became leading practitioners of the style known today as Bay Area Figuration. Over time, both artists’ works became less gestural and more overtly representational. Brown became known for his psychologically evocative landscapes with classic bathers, as well as for his lonely urban scenes. Wonner received greatest acclaim for his “baroque” still lifes laden with everyday objects, animals, and flowers. Published to accompany the most comprehensive exhibition of the artists’ work ever mounted, this exquisite publication offers an in-depth study of these trailblazing artists. Exhibition at the Crocker Art Museum, Sacramento, CA (30 April-27 August 2023) travels to the Laguna Art Museum, Laguna Beach, CA (14 October 2023-7 Jan 2024); and the Dixon Gallery and Gardens, Memphis, TN (28 January-30 March 2024).

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The first book to honor the contributions, presence, and experiences of Black artists who are part of the contemporary clay community! Readers will gain a deeper knowledge of 38 of today's top African American artists in clay, the earlier Black artists who paved their paths, and how their work fits into the 21st-century conversation. donald a clark and Chotsani Elaine Dean begin by grounding us in history and context taking us from the colonial era of South Carolina to the Harlem Renaissance to today! Exhibit will travel to multiple museums beginning in Fall 2022: Crocker Art Museum (Sacramento, CA), Northern Clay Center (Minneapolis, MN), and several more. Authors are highly respected in the ceramic art field Reflects a diverse group: these makers range from new to the medium to more experienced and produce everything from tableware to sculpture. The book features an introduction and an interview with each artist plus more than 300 stunning photos of their work. Sharing their insights in compelling interviews, today’s Black ceramists demonstrate a diversity of studio practices and ways of using clay. Contemporary Black American Ceramic Artists is long overdue!

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A lively and multi-faceted account of Evelyn and William De Morgan, exploring a unique artistic partnership that spanned several cultural circles including the Pre-Raphaelites and Arts and Crafts movement With a partnership spanning two centuries, the Pre-Raphaelite painter Evelyn (1855–1919) and Arts and Crafts potter and author William De Morgan (1839–1917) influenced several significant art movements in nineteenth-century Britain. Despite this, their impact has been relatively overlooked in comparison with their better-known contemporaries. Evelyn & William De Morgan is the first major publication devoted to the work of either artist and their unique relationship. It draws out each artist’s individuality while providing a comprehensive view of the expanded cultural milieu in which they functioned, not least with regard to new attitudes towards Victorian marriage as a working partnership. The fully illustrated publication features numerous contributions which explore the reach of the De Morgans’ partnership, their political and spiritual interests, and their immersion within several influential cultural circles of the day, including Pre-Raphaelite, Arts and Crafts, and Aesthetic Movement groups. The book presents a lively and multifaceted account of the De Morgans and their creative partnership. Published in association with Delaware Art MuseumExhibition Schedule:Delaware Art Museum, Wilmington October 22, 2022–January 29, 2023Crocker Art Museum, Sacramento, CA September 17, 2023– January 7, 2024Museum of Fine Arts, St. Petersburg, FL January 27, 2024–May 2024

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The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States. Published in association with the Dixon Gallery and GardensExhibition Schedule:Dixon Gallery and Gardens, Memphis (October 22, 2023–January 14, 2024) Crocker Art Museum, Sacramento (February 4–May 19, 2024)

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Chiura Obata (1885-1975) was one of the most significant Japanese American artists working on the West Coast in the last century. Born in Okayama, Japan, Obata emigrated to the United States in 1903 and embarked on a seven-decade career that saw the enactment of anti-immigration laws and the mass incarceration of Japanese Americans during World War II. But Obata emerged as a leading figure in the Northern California artistic communities, serving not only as an influential art professor at UC Berkeley for nearly twenty years, but also as a founding director of art schools in the internment camps. With a prodigious and expansive oeuvre, Obata's seemingly effortless mastery of, and productive engagement with, diverse techniques, styles, and traditions defy the dichotomous categorizations of American/European and Japanese/Asian art. His faith in the power of art, his devotion to preserving the myriad grandeur of what he called "Great Nature," and his compelling personal story as an immigrant and an American are all as relevant to our contemporary moment as ever. This catalogue is the first book surveying Chiura Obata's rich and varied body of work that include over 100 beautiful images, many of which have never been published. It also showcases a selection of Obata's writings and a rare 1965 interview with the artist. The scholarly essays by ShiPu Wang and the other contributors illuminate the intense and productive cross-cultural negotiations that Obata's life and work exemplify, in the context of both American modernism and the early twentieth-century U.S. racio-ethnic relations-a still-understudied area in American art historical scholarship. Published in association with the Art, Design and Architecture Museum, UC Santa Barbara. Exhibition dates: Art, Design and Architecture Museum, UC Santa Barbara: January 13-April 29, 2018 Utah Museum of Fine Arts, Salt Lake City: May 25-September 2, 2018 Okayama Prefectural Museum of Art, Okayama, Japan: January 18-March 10, 2019 Crocker Art Museum, Sacramento: June 23-September 29, 2019

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A sweeping look at the ways American artists have viewed themselves, their peers, and their painted worlds over two centuries This stunning book provides an unprecedented glimpse into the past two centuries of American art, tracing artistic tradition and innovation at the National Academy of Design from its 19th-century founding to the present. The nation’s oldest artist honorary society has maintained a unique collecting principle: each member gives a self-portrait (or, until 1994, a portrait by a contemporary Academician) as well as an example of their work. By presenting artists’ portraits in tandem with their self-selected representative works, this book offers a unique opportunity to explore how American artists have viewed both themselves and the worlds they depicted. The diverse selection of artists whose work is showcased here includes Frederic Edwin Church, Eastman Johnson, Winslow Homer, John Singer Sargent, Thomas Eakins, Cecilia Beaux, Isabel Bishop, Andrew Wyeth, Charles White, Wayne Thiebaud, Louisa Matthíasdóttir, David Diao, Jaune Quick-to-See Smith, and Peter Saul. Essays by a stellar roster of distinguished historians and art historians, curators, artists, and architects delve into single artworks or pairs of paintings, while others explore themes such the representation of landscapes and the figurative tradition in American art. Additionally, 17 current Academicians—visual artists and architects including Walter Chatham, Catherine Opie and Fred Wilson—contribute personal responses to individual artworks.Distributed for the American Federation of ArtsExhibition Schedule:Dayton Art Institute, Dayton, OH (02/20/19–06/02/19)New Britain Museum of American Art, CT (11/07/19–02/02/20)Society of the Four Arts, Palm Beach, FL (02/22/20–04/26/20) The Dixon Gallery and Gardens, Memphis, TN (07/02/20–09/27/20)New Mexico Museum of Art, Santa Fe (10/22/20–01/17/21)Figge Art Museum, Davenport, IA (02/20/21–05/09/21)Crocker Art Museum, Sacramento, CA (06/06/21–09/12/21)

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