Search results for ""cornell university press""

A history of the first 150 years of Cornell University Press.

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This landmark study, first published by Cornell University Press in 1966, shows how Hitler's elite army grew from a praetorian guard of barely 28,000 men at the beginning of the Second World War to a combat-hardened army of more than 500,000 in 1945. George H. Stein examines in detail the structure and organization of the Waffen SS and describes the rigid personnel selection and intensive physical, military, and ideological training that helped to create the tough and dedicated cadre around which the larger force of the later war years was built.

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Since 1919, New York History has been the foremost scholarly journal on the Empire State's past. Now under the leadership of the Cornell University Press, and working closely with staff from the New York State Museum, New York History's mission is unifying the diverse field of New York State history and meeting the needs of a growing historical community that includes scholars, public historians, museum professionals, local government historians, and all those seeking an in-depth look at the Empire State's history. The journal promotes and interprets the state's history through the publication of historical research and case studies dealing with New York State, as well as its relationship to national and international events. New York History, published twice a year, presents articles dealing with every aspect of New York State history, as well as reviews of books, exhibitions, and media projects with a New York focus.

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Organizations, institutions, and individuals get stuck in spite of their innovative ideas and ambitious agendas. Never has the timing been better for a book that cuts through the theoretical jargon and delineates the exact political and managerial skills leaders need to move agendas forward. Whether you're a team leader trying to lead change and innovation in a large corporation, an entrepreneur trying to gain support, a politician trying to expand your coalition, or an individual trying to advance your career and build networks, The Agenda Mover will give you the political and managerial leadership skills necessary to achieve results. Based on the premise that leadership competencies and skills can be learned, The Agenda Mover is the inaugural volume of the practitioner-oriented Pragmatic Leadership Series published in association with Cornell University Press. Each volume emphasizes specific skills of execution that leaders at all levels need to master. Visit pragmaticleadershipseries.com to learn more about the series.

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Urban Environmental Education Review explores how environmental education can contribute to urban sustainability. Urban environmental education includes any practices that create learning opportunities to foster individual and community well-being and environmental quality in cities. It fosters novel educational approaches and helps debunk common assumptions that cities are ecologically barren and that city people don't care for, or need, urban nature or a healthy environment. Topics in Urban Environmental Education Review range from the urban context to theoretical underpinnings, educational settings, participants, and educational approaches in urban environmental education. Chapters integrate research and practice to help aspiring and practicing environmental educators, urban planners, and other environmental leaders achieve their goals in terms of education, youth and community development, and environmental quality in cities. The ten-essay series Urban EE Essays, excerpted from Urban Environmental Education Review, may be found here: naaee.org/eepro/resources/urban-ee-essays. These essays explore various perspectives on urban environmental education and may be reprinted/reproduced only with permission from Cornell University Press.

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Inspired by the reading and writing habits of citizens leading up to the French Revolution, The Writing Public is a compelling addition to the long-running debate about the link between the Enlightenment and the political struggle that followed. Elizabeth Andrews Bond scoured France's local newspapers spanning the two decades prior to the Revolution as well as its first three years, shining a light on the letters to the editor. A form of early social media, these letters constituted a lively and ongoing conversation among readers. Bond takes us beyond the glamorous salons of the intelligentsia into the everyday worlds of the craftsmen, clergy, farmers, and women who composed these letters. As a result, we get a fascinating glimpse into who participated in public discourse, what they most wanted to discuss, and how they shaped a climate of opinion. The Writing Public offers a novel examination of how French citizens used the information press to form norms of civic discourse and shape the experience of revolution. The result is a nuanced analysis of knowledge production during the Enlightenment. Thanks to generous funding from The Ohio State University Libraries and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access (OA) volumes, available on the Cornell University Press website and other Open Access repositories.

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Considered the most authoritative single-volume reference work on Islam in the contemporary world, the German-language Der Islam in der Gegenwart, currently in its fifth edition, offers a wealth of authoritative information on the religious, political, social, and cultural life of Islamic nations and of Islamic immigrant communities elsewhere. Now, Cornell University Press is making this invaluable resource accessible to English-language readers. More current than the latest German edition on which it is based, Islam in the World Today covers a comprehensive array of topics in concise essays by some of the world's leading experts on Islam, including: • the history of Islam from the earliest years through the twentieth century, with particular attention to Sunni and Shi'i Islam and Islamic revival movements during the last three centuries; • data on the advance of Islam along with current population statistics; • Muslim ideas on modern economics, on social order, and on attempts to modernize Islamic law (shari'a) and apply it in contemporary Muslim societies; • Islam in diaspora, especially the situation in Europe and America; • secularism, democracy, and human rights; and • women in Islam Twenty-four essays are each devoted to a specific Muslim country or a country with significant Muslim minorities, spanning Asia, Africa, the Middle East, and the former Soviet Union. Additional essays illuminate Islamic culture, exploring local traditions; the languages and dialects of Muslim peoples; and art, architecture, and literature. Detailed bibliographies and indexes ensure the book's usefulness as a reference work.

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The Devil, Satan, Lucifer, Mephistopheles - throughout history the Prince of Darkness, the Western world's most powerful symbol of evil, has taken many names and shapes. Jeffrey Burton Russell here chronicles the remarkable story of the Devil from antiquity to the present. While recounting how past generations have personified evil, he deepens our understanding of the ways in which people have dealt with the enduring problem of radical evil.After a compelling essay on the nature of evil, Russell uncovers the origins of the concept of the Devil in various early cultures and then traces its evolution in Western thought from the time of the ancient Hebrews through the first centuries of the Christian era. Next he turns to the medieval view of the Devil, focusing on images found in folklore, scholastic thought, art, literature, mysticism, and witchcraft. Finally, he follows the Devil into our own era, where he draws on examples from theology, philosophy, art, literature, and popular culture to describe the great changes in this traditional notion of evil brought about by the intellectual and cultural developments of modern times.Is the Devil an outmoded superstition, as most educated people today believe? Or do the horrors of the twentieth century and the specter of nuclear war make all too clear the continuing need for some vital symbol of radical evil? A single-volume distillation of Russell's epic tetralogy on the nature and personifcation of evil from ancient times to the present (published by Cornell University Press between 1977 and 1986), The Prince of Darkness invites readers to confront these and other critical questions as they explore the past faces of that figure who has been called the second most famous personage in Christianity.

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The Plastic Turn offers a novel way of looking at plastic as the defining material of our age and at the plasticity of plastic as an innovative means of understanding the arts and literature. Ranjan Ghosh terms this approach the material-aesthetic and, through this concept, traces the emergence and development of plastic polymers along the same historical trajectory as literary modernism. Plastic''s growth as a product in the culture industry, its formation through multiple application and chemical syntheses, and its circulation via oceanic movements, Ghosh argues, correspond with, and offers novel insights into, developments in modernist literature and critical theory.Through innovative readings of canonical modernist texts, analyses of art works, and accounts of plastic''s devastating environmental impact, The Plastic Turn proposes plastic''s unique properties and destructive ubiquity as a theory machine to explain literature and life in t

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In Policing China, Suzanne E. Scoggins delves into the paradox of China''s self-projection of a strong security state while having a weak police bureaucracy. Assessing the problems of resources, enforcement, and oversight that beset the police, outside of cracking down on political protests, Scoggins finds that the central government and the Ministry of Public Security have prioritized stability maintenance (weiwen) to the detriment of nearly every aspect of policing. The result, she argues, is a hollowed out and ineffective police force that struggles to deal with everyday crime.Using interviews with police officers up and down the hierarchy, as well as station data, news reports, and social media postings, Scoggins probes the challenges faced by ground-level officers and their superiors at the Ministry of Public Security as they attempt to do their jobs in the face of funding limitations, reform challenges, and structural issues. Policing Chin

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Echoes of Desire variously invokes and interrogates a number of historicist and feminist premises about Tudor and Stuart literature by examining the connections between the anti-Petrarchan tradition and mainstream Petrarchan poetry. It also addresses some of the broader implications of contemporary critical methodologies. Heather Dubrow offers an alternative to the two predominant models used in previous treatments of Petrarchism: the all-powerful poet and silenced mistress on the one hand and the poet as subservient patron on the other.

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K. B. E. E. Eimeleus was ahead of his time with his advocacy of ski training in the Russian armed forces. Employing terminology never before used in Russian to describe movements with which few were familiar, Skis in the Art of War gives a breakdown of the latest techniques at the time from Scandinavia and Finland. Eimeleus''s work is an early and brilliant example of knowledge transfer from Scandinavia to Russia within the context of sport.Nearly three decades after he published his book, the Finnish army, employing many of the ideas first proposed by Eimeleus, used mobile ski troops to hold the Soviet Union at bay during the Winter War of 193940, and in response, the Soviet government organized a massive ski mobilization effort prior to the German invasion in 1941. The Soviet counteroffensive against Nazi Germany during the winter of 194142 owed much of its success to the Red Army ski battalions that had formed as a result of the ski mobilization. In this luci

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The book, Objects of War, illuminates the ways in which people have used things to grapple with the social, cultural, and psychological upheavals wrought by war and forced displacement.? Utah Public RadioHistorians have become increasingly interested in material culture as both a category of analysis and as a teaching tool. And yet the profession tends to be suspicious of things; words are its stock-in-trade. What new insights can historians gain about the past by thinking about things? A central object (and consequence) of modern warfare is the radical destruction and transformation of the material world. And yet we know little about the role of material culture in the history of war and forced displacement: objects carried in flight; objects stolen on battlefields; objects expropriated, reappropriated, and remembered.Objects of War illuminates the ways in which people have used things to grapple with the social, cultural, and p

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Andrew Ford here addresses, in a manner both engaging and richly informed, the perennial questions of what poetry is, how it came to be, and what it is for. Focusing on the critical moment in Western literature when the heroic tales of the Greek oral tradition began to be preserved in writing, he examines these questions in the light of Homeric poetry. Through fresh readings of the Iliad and the Odyssey, and referring to other early epics as well, Ford deepens our understanding of what poetry was at a time before written texts, before a developed sense of authorship, and before the existence of institutionalized criticism.Placing what is known about Homer''s art in the wider context of Homer''s world, Ford traces the effects of the oral tradition upon the development of the epic and addresses such issues as the sources of the poet''s inspiration and the generic constraints upon epic composition. After exploring Homer''s poetic vocabulary and his fictional and my

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Set in the aftermath of China''s entry into the World Trade Organization, Disaggregating China, Inc. questions the extent to which the liberal internationalist promise of membership has been fulfilled in China. Yeling Tan unpacks the policies that various Chinese government actors adopted in response to WTO rules and shows that rather than disciplining the state, WTO entry provoked a divergence of policy responses across different parts of the complex party-state. Tan argues that these responses draw from three competing strategies of economic governance: market-substituting (directive), market-shaping (developmental), and market-enhancing (regulatory). She uses innovative web-scraping techniques to assemble an original dataset of over 43,000 Chinese industry regulations, identifying policies associated with each strategy. Combining textual analysis with industry data, in-depth case studies, and field interviews with industry representatives and go

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Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism is a multifaceted account of the engagement between religion and the secular in Russia's Christian, Jewish, and atheist traditions. Ana Siljak brings together an interdisciplinary group of leading scholars to present unique perspectives on the secularization dynamic in Russia and the Soviet Union, telling stories about theologians, sects, churches, poets, and artists. From the Jewish Christian priest Alexander Men, to the cross-dressing poet Zinaida Gippius, to the Soviet promoter of Yiddish theater Solomon Mikhoels, Religion and Secular Modernity in Russian Christianity, Judaism, and Atheism gives a voice to a variety of actors who have grappled with the possibilities of faith and unbelief in an industrialized, modern, and seemingly secular world. Now more than ever, as one narrative of Russia's religious history dominates official Russian accounts, alternative perspectives of the relationship between Russian

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Tamizdat offers a new perspective on the history of the Cold War by exploring the story of the contraband manuscripts sent from the USSR to the West. A word that means publishing over there, tamizdat manuscripts were rejected, censored, or never submitted for publication in the Soviet Union and were smuggled through various channels and printed outside the country, with or without their authors' knowledge. Yasha Klots demonstrates how tamizdat contributed to the formation of the twentieth-century Russian literary canon: the majority of contemporary Russian classics first appeared abroad long before they saw publication in Russia. Examining narratives of Stalinism and the Gulag, Klots focuses on contraband manuscripts in the 1960s and 70s, from Khrushchev's Thaw to Stagnation under Brezhnev. Klots revisits the traditional notion of late Soviet culture as a binary opposition between the underground and official state publishing. He shows that even as tamizdat represented an alternative

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The anthropologist Jonah Lipton was in Freetown, Sierra Leone, when the largest Ebola outbreak in history hit. In the Time of Ebola is his account of the epidemic, centering on the residents of a neighborhood swept up in the emergency.Lipton follows the lives of young men and women over a period of seven years, revealing what the epidemic looked like on the ground. He explores its causes, impacts, and legacies in a place where crisis might be considered the norm, not the exception. The emergency was disruptive and challenging, not least due to the short-term international response. Yet for many youths Ebola was a time of unusual clarity on the ambiguities around care, work, and coming of age experienced in a context of vast economic and social inequalities. Lipton shows how residents of this historically cosmopolitan West African city drew on centuries-old frameworks for managing foreign intervention. In the Time of Ebola questions dominant

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In the late nineteenth century, as much of the world adopted some variant of the gold standard, China remained the most populous country still using silver. Yet China had no unified national currency; there was not one monetary standard but many. Silver coins circulated alongside chunks of silver and every transaction became an "encounter of wits." China and the End of Global Silver, 1873–1937 focuses on how officials, policy makers, bankers, merchants, academics, and journalists in China and around the world answered a simple question: how should China change its monetary system? Far from a narrow, technical issue, Chinese monetary reform is a dramatic story full of political revolutions, economic depressions, chance, and contingency. As different governments in China attempted to create a unified monetary standard in the late nineteenth and early twentieth century, the United States, England, and Japan tried to shape the direction of Chinese monetary reform for their own benefit. Austin Dean argues convincingly that the Silver Era in world history ended owing to the interaction of imperial competition in East Asia and the state-building projects of different governments in China. When the Nationalist government of China went off the silver standard in 1935, it marked a key moment not just in Chinese history but in world history.

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Taste, perhaps the most intimate of the five senses, has traditionally been considered beneath the concern of philosophy, too bound to the body, too personal and idiosyncratic. Yet, in addition to providing physical pleasure, eating and drinking bear symbolic and aesthetic value in human experience, and they continually inspire writers and artists.In Making Sense of Taste, Carolyn Korsmeyer explains how taste came to occupy so low a place in the hierarchy of senses and why it is deserving of greater philosophical respect and attention. Korsmeyer begins with the Greek thinkers who classified taste as an inferior, bodily sense; she then traces the parallels between notions of aesthetic and gustatory taste that were explored in the formation of modern aesthetic theories. She presents scientific views of how taste actually works and identifies multiple components of taste experiences.Turning to taste's objects—food and drink—she looks at the different meanings they convey in art and literature as well as in ordinary human life and proposes an approach to the aesthetic value of taste that recognizes the representational and expressive roles of food. Korsmeyer's consideration of art encompasses works that employ food in contexts sacred and profane, that seek to whet the appetite and to keep it at bay; her selection of literary vignettes ranges from narratives of macabre devouring to stories of communities forged by shared eating.

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This is the only compact, portable, and user-friendly field guide the novice or experienced birder needs to identify birds in the field in the diverse habitats found in Costa Rica. It features descriptions and illustrations of all 903 species definitely known from Costa Rica, including pelagics and species regular to Cocos Island. Fifty-six of these species are placed in a "Rarities" section that includes accidentals, rarer pelagics, and species that have not been reported in more than twenty years. The detailed full-color illustrations show identifying features—including plumage differences among males, females, and juveniles—and views of birds in flight wherever pertinent. Robert Dean has supplied more than 360 new illustrations, including sixty-four species that are illustrated for the first time in this edition. These include recent additions to the country list, pelagic species, Cocos Island species, and all accidentals recorded from the Costa Rican mainland. Range maps and nomenclature have been updated for this edition, which also has a new user-friendly organizational scheme and an alphabetical quick-find index of groups on the inside back cover.

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When we finally arrived at my brother's house in the United States, I thought about how far I was from home in Mexico. I looked back, saw the sun setting, and thought about my father and what he might be doing. I thought, 'Why did I come so far, and how am I going to return?' Before I left my father asked me why I wanted to leave. He said he thought we would never see each other again. My brother told him not to worry and that he would return me in a year.... He was right, because we never did.—Irma Luna recalls her experience of migration, from Communities without Borders In his stunning work of photojournalism and oral history, David Bacon documents the new reality of migrant experience: the creation of transnational communities. Today's indigenous migrants don't simply move from one point to another but create new communities all along the northern road from Guatemala through Mexico into the United States, connected by common culture and history. Drawing on his experience as a photographer and a journalist and also as a former labor organizer, Bacon portrays the lives of the people who migrate between Guatemala and Mexico and the United States. He takes us inside these communities and illuminates the ties that bind them together, the influence of their working conditions on their families and health, and their struggle for better lives. Bacon portrays in photographs and their own words Mixtec and Triqui migrants in Oaxaca, Baja California, and California; Guatemalan migrants in Huehuetenango and Nebraska; miners and indigenous communities in Sonora and Arizona; and veterans of the bracero program of the 1940s and 1950s. Bacon's interviews with this first wave of guest workers are especially relevant in light of the current political focus on guest-worker programs as a model for reforming immigration, an approach with which Bacon strongly disagrees. Throughout Communities without Borders, Bacon emphasizes the social movements migrants organize to improve their own working conditions and the well-being of their enclaves. U.S. border policy treats undocumented immigrants as an aggregation of individuals, ignoring the social pressures that force whole communities to move and the networks of families and hometowns that sustain them on their journeys. Communities without Borders makes an urgent appeal for understanding the human reality that should inform our national debate over immigration.

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"This book is... a romantic history of romantic collecting. It takes seriously, and by necessity shares, the tendency of romantic histories to dwell upon their own fragmentariness, on the impossibility of capturing an intact history.... It traces the particular ways in which objects stepped into the lives of romantic collectors, and also the ways in which the objects moved on."—from the IntroductionIn the late eighteenth and early nineteenth centuries, the activity of collecting became democratized and popularized, allowing all kinds of people to become caught up in the collecting obsessions of the period: birds, books, Napoleonic relics, botanical specimens, Egyptiana, and fossils. Judith Pascoe invites readers to contemplate the ongoing allure of romantic collections. Pascoe maintains that romanticism as a literary movement played a crucial supporting role in varied attempts by collectors of this era to fashion identities for themselves through collecting. She links the collecting craze during the period with the subsequent fetishization of romantic poets and their possessions, revealing the extent to which an ongoing fascination with material objects—with Keats's hair and Shelley's guitar, for example—helped to produce an enduring image of these poets as spiritual emissaries of a less materialistic age. In language both witty and idiosyncratic, Pascoe makes the case that the romantic period stands out as a distinct moment in collecting history, a transition between the flourishing of the Renaissance wonder cabinet and the rise of the Victorian museum.

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A representative sampling of the short fiction produced by a single generation of Thai writers during the "American Era" in Thailand, the two decades from the mid-1950s to the mid-1970s, when US involvement in politics and the economy ignited rapid social change and awakened a group of thoughtful new authors.

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Having been marginalized from the literature-proper sphere of Confucian elite culture, the novel began to transform significantly at turn of the twentieth century in Korea. Selected novels in transformation that Jooyeon Rhee investigates in this book include both translated and creative historical novels, domestic novels, and crime novels, all of which were produced under the spell of civilization and enlightenment. Rhee places the transformation of the novel in the complex nexus of civilization discourses, transnational literary forces, and modern print media to show how they became a driving force behind the development of modern Korean literature. Gender is an analytical category central to this book since it became an important epistemological ground on which to define the Korean nation and modernity in literature at the time, and because the novel was one of the most effective technologies that mediated and populated knowledge about gender roles and relations. The masculine norms and principles articulated in novels, Rhee argues, are indicative of writers' and translators' negotiation with political and cultural forces of the time; their observations of the ambiguity of modernity manifest in the figure of mobile, motivated, and forward-looking woman and immobile, emotional, and suppressed men.

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A cultural history of writer and literary critic Hayashi Fusaō's (1903–1975) tenkō experience, Stories from the Samurai Fringe examines Hayashi's tenkō (ideological conversion) through a close reading of his proletarian short stories. Tracing Hayashi's move from "romanticizing" to "defining" to "remembering" the proletarian literature movement and its participants in his proletarian fiction, this study argues for a far more personal and political rationale for Hayashi's subsequent turn to ultranationalism. Stories from the Samurai Fringe concludes with a consideration of Hayashi's tenkō experience, first, within the historiographical context of the early Showa years (1926–1937), and then within the trans-war setting of Hayashi's reemergence as a proponent of wartime nationalism.

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How can capitalists' motivations during a Communist revolution be reliably documented and fully understood? Up to now, the answer to this question has generally eluded scholars who, for lack of nonofficial sources, have fallen back on Communist governments' official explanations. But the essays in this volume confirm that, at least in the case of the Communist revolution in China, it is finally possible to make new and fresh interpretations. By focusing closely on individuals and probing deeply into their thinking and experience, the authors of these essays have discovered a wide range of reasons for why Chinese capitalists did or did not choose to live and work under communism. The contributors to this volume have all concentrated on the dilemma for capitalists in China's Communist revolution. But their approach to their subject through archival research and rigorous analysis may also serve as a guide for future thinking about a variety of other historical figures. This approach is well worth adopting to explain how any members of society (not only capitalists) have resolved comparable dilemmas in all revolutions—the ones in China, Russia, Vietnam, Cuba, or anywhere else.

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Having been marginalized from the literature-proper sphere of Confucian elite culture, the novel began to transform significantly at turn of the twentieth century in Korea. Selected novels in transformation that Jooyeon Rhee investigates in this book include both translated and creative historical novels, domestic novels, and crime novels, all of which were produced under the spell of civilization and enlightenment. Rhee places the transformation of the novel in the complex nexus of civilization discourses, transnational literary forces, and modern print media to show how they became a driving force behind the development of modern Korean literature. Gender is an analytical category central to this book since it became an important epistemological ground on which to define the Korean nation and modernity in literature at the time, and because the novel was one of the most effective technologies that mediated and populated knowledge about gender roles and relations. The masculine norms and principles articulated in novels, Rhee argues, are indicative of writers' and translators' negotiation with political and cultural forces of the time; their observations of the ambiguity of modernity manifest in the figure of mobile, motivated, and forward-looking woman and immobile, emotional, and suppressed men.

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In Mao Zedong's words, 1956 was a year of "big events," both at home and abroad. The "secret speech" delivered by Soviet leader Nikita Khrushchev to the Communist Party of the Soviet Union's Twentieth Congress had, according to Mao, "opened the lid" on the repressiveness of the postwar Soviet-style regimes, thereby "making a mess" by inspiring a wave of de-Stalinization that culminated in the massive demonstrations in Poland and Hungary. The Hungarian events, in particular, were more complicated than either a populist anti-socialist protest or a form of anti-Soviet agitation, and the Chinese leaders exerted great effort in trying to apply the lessons of Hungary to both international affairs and their own domestic situation. In the first systematic study of its kind, this volume makes sense of the inner connection between China's political and diplomatic involvement in the Hungarian crisis and the influence this crisis had on a series of mysterious policy shifts from late 1956 to 1957. Identifying the formative role that the 1956 Crisis in Hungary played in the evolution of Chinese policy, Zhu Dandan examines Chairman Mao's changing perception of the 1956 events, which eventually set China on the course of the Great Leap Forward and the break with the Soviet Union and the European Communist bloc.

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This book features complete annotated translations of Narushima Ryuhoku's two most widely read and influential texts, both of which showcase the innovative and experimental use of Chinese-language discourse taking place in Japan during the nineteenth century. Focused on one of the capital city's celebrated geisha districts, the satirical New Chronicles of Yanagibashi serves as both a documentary record of changing customs during the tumultuous 1850s–70s and an amusingly nuanced social critique. Banned multiple times, the work nevertheless became a favorite of the Meiji reading public. This text is paired with Diary of a Journey to the West, Ryuhoku's travelogue from his world tour of 1872–1873.

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Collected here are translations into English of six classic stories from colonial Korea (1910-1945) as well as the time of liberation (1945-1948). Each piece takes a different perspective on a defining process in Korean history—the colonization and modernization under Japanese rule. The volume demonstrates the rich variety of registers, settings, styles, and thematic concerns that characterized the literary production of early modern Korea.The editor's introduction places the collection in the context of modern Korean literary history, and short biographies precede each story. In its judicious selection of classic texts, On the Eve of the Uprising and Other Stories from Colonial Korea offers an unprecedented opportunity to explore the intellectual complexity and artistic richness of colonial Korean literature.

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A Moment's Grace presents short stories that depict the core of Korea's modernization, from Liberation in 1945 to the Seoul Olympics in 1988. The stories here provide a view of the process through the eyes of ordinary people as they were affected by the historical and social forces that formed modern Korea. A separate background chapter affords a description of these forces with the intention of providing the reader with a better understanding of both the stories and the culture that produced them.

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The Heian court of the late ninth and early tenth centuries represents one of the most innovative and influential periods in the history of Japanese poetry. It witnessed the creation of entirely new forms of verse in poetry matches, screen poems, and officially sponsored anthologies, none of which had a precedent in earlier times. At the apex of these phenomena lay compilation of the Kokin wakashu (Collection of Poems Ancient and Modern), whose status as the first imperial anthology of native poetry would make it integral to Japanese court culture for centuries afterward. Despite the enormous historical significance of these new forms of poetry and the marked interest displayed by powerful individuals in patronizing them, however, little sustained attention has been paid to the ties between the practices of producing and performing verse and processes of economic, ideological, political, and social change in this period. This book is intended to address such issues through an investigation of the ways in which different members of the court community deployed poems in the pursuit of power.

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This volume is organized to roughly follow the order of events presented in the Kakuichi-bon variant of the Heike. Essays and translations focus on a series of major events from the Heike: Kiyomori's rise (the Giō cycle of plays); Yoshinaka's push to the capital; the flight of the Heike and the battle of Ichi-no-tani; and the aftermath of the war. Each event features a series of one to three plays preceded by essays.

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By studying law implementation in different areas and at different levels, contributors from various disciplines give a nuanced picture of law implementation in China, showing that it is rare to find examples of complete success or failure. Instead, making law work in actual practice, and in any society, is a matter of degree. The study is multidisciplinary in character and builds on insights from both sociology of law and political science.

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The stories collected here illuminate two recent phenomena in China. The first migration—the "up to the mountains, down to the villages" movement of the late 1960s to 1970s, where approximately twelve to fourteen million educated urban youth left the cities to work on farms, and the large voluntary migration since the 1990s of tens of millions of peasants into the cities.

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This anthology focuses on autobiographical works by Wang Anyi, the most prolific and critically acclaimed woman writer in contemporary China, highlighting a personal and emotional dimension of her writing that is essential to a deeper understanding of her creativity and productivity. The three pieces selected for this volume—"A Woman Writer's Sense of Self," "Utopian Verses," and "Years of Sadness"—explore some of the most fundamental and complex issues concerning Wang's identity as a woman and as a writer in early post-socialist China, the creative and emotional challenges she faced during her sojourn in the United States in the early 1980s, and her memories of adolescent years, a period of obsession, uncertainty, and loneliness during the Cultural Revolution.

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Are walls remnants of ancient and medieval societies, destined to become anachronistic in modern and post-modern times? Or will they persist, shaping as well as adjusting to new conditions? Do walls necessarily constrain and even isolate those who live within them, or can they act as a medium of support and communication for people on both sides? This volume addresses these questions. Authors from six disciplines—history, art, law, medicine, communication, and film—provide multiple perspectives on various kinds of walls: material ones around and within states, cities, and towns, as well as virtual ones regulating the administration of justice, the flow of pathogens, and the transmission of information.

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The Heian court of the late ninth and early tenth centuries represents one of the most innovative and influential periods in the history of Japanese poetry. It witnessed the creation of entirely new forms of verse in poetry matches, screen poems, and officially sponsored anthologies, none of which had a precedent in earlier times. At the apex of these phenomena lay compilation of the Kokin wakashu (Collection of Poems Ancient and Modern), whose status as the first imperial anthology of native poetry would make it integral to Japanese court culture for centuries afterward. Despite the enormous historical significance of these new forms of poetry and the marked interest displayed by powerful individuals in patronizing them, however, little sustained attention has been paid to the ties between the practices of producing and performing verse and processes of economic, ideological, political, and social change in this period. This book is intended to address such issues through an investigation of the ways in which different members of the court community deployed poems in the pursuit of power.

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In one of the more remarkable public events of the Tokugawa world, the shogun responded to a deepening crisis in 1840s by sponsoring a huge, "once-in-a-generation" noh performance—the largest performance ever held. This is the first Western language book on Edo period noh and its use by the shogun, an essential addition to the scholarship in Japanese theater and the cultural history of early modern Japan.

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These poems by "the happiest man in the world" are full of light though written in dark times. Ch'ōn had the art of seeing the beauty of life beyond all the pain, and of putting it into the music of words. Recently, many young Koreans have discovered in these poems and in the poet's life the innocence and honesty they look for in vain in modern society. His poverty and his body broken by torture never made Ch'ōn bitter or angry; his poems are hymns of joy at the marvels of nature and the simple pleasures of life. His greatest poem sees death, not as the end but as a journey "back to heaven" where he plans to tell the angels how beautiful life in this world can be.

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The Yugyō-ha achieved success by basing its religious authority on a combination of Pure Land mysticism and the practices of fundraising hijiri. Between 1300 and 1700, the Pure Land Buddhist religious order known as the Ippen school Yugyō-ha (later the Jishu) established itself as the leading representative of nembutsu propagation in Japan. The theme of the order's history is the development of religious authority as a result of the struggle to normalize relations among the official head, sometimes obstreperous religious, and often interfering (usually warrior) lay patrons. This study demonstrates the value of the articulation in organizational studies of Weber's concept of charisma as a successful social relationship as well as that of a chosen career determined by culture and tradition. Indeed, the success of the Yugyō-ha was due to its ability to seize on the advantages of combining the principles and practices of two existing traditions, Pure Land mysticism and the fundraising hijiri movement.

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Winner of the 2022 Phillis Wheatley Book Award, Historical-Academic NonfictionIn Chained to History, Steven J. Brady centers slavery in America''s preCivil War foreign relations. From the aftermath of the American Revolution, Brady examines how slavery influenced military, economic, and moral diplomatic challenges. He demonstrates how slavery intertwined with America''s foreign policy, affecting trade, extradition treaties, and military alliances.Brady highlights the constraints on American policymakers, who, despite an international shift toward abolition, were limited by the proslavery interests of the Democratic Party. As global powers abolished slavery, the American stance became increasingly untenable.From the Age of Revolutions through the Civil War, slavery consistently shaped US relations with the Atlantic World and beyond. Chained to History explores this crucial issue comprehensively, revealing how the practice of hum

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In Bounded Wilderness, Kathryn Jasper focuses on the innovations undertaken at the hermitage of Fonte Avellana in central Italy during the eleventh century by its prior, Peter Damian (d. 1072). The congregation of Fonte Avellana experimented with reforming practices that led to new ways of managing property and relations among clergy, nobles, and the laity.Jasper charts how Damian''s notion of monastic reform took advantage of the surrounding topography and geography to amplify the sensory aspects of ascetic experiences. By focusing on monastic landscapes and land ownership, Jasper demonstrates that reform extended beyond abstract ideas. Rather, reform circulated locally through monastic networks and addressed practical concerns such as property boundaries and rights over water, orchards, pastures, and mills. Putting new sources, both documentary and archaeological, into conversation with monastic charters and Damian''s letters, Bounded Wilderne

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Through the prism of the first comprehensive account of RT, the Kremlin''s primary tool of foreign propaganda, Russia, Disinformation and the Liberal Order sheds new light on the provenance and nature of disinformation''s threat to democracy. Interrogating the communications strategies pursued by authoritarian states and grassroots populist movements, the book reveals the interlinked nature of today''s global media-politics pathologies.Stephen Hutchings, Vera Tolz, Precious Chatterje-Doody, Rhys Crilley, and Marie Gillespie provide a systematic investigation into RT''s history, institutional culture, and journalistic ethos; its activities across multiple languages and media platforms; its audience-targeting strategies and audiences'' engagements with it; and its response to the war in Ukraine and associated bans on the network. The authors'' analysis challenges commonplace notions of disinformation as something that Russia brings to the West, where

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