Search results for ""cork university press""

Joanne Hayes, at 24 years of age, concealed the birth and death of her baby in County Kerry, Ireland, in 1984. Subsequently she confessed to the murder, by stabbing, of another baby. All of the scientific evidence showed that she could not have had this second baby. The police nevertheless, insisted on charging her and, after the charges were dropped, continued to insist that she had given birth to twins conceived of two different men. A public tribunal of inquiry was called to examine the behaviour of the police and their handling of the case. The police, in defence of themselves and in justification of confessions" obtained, called a succession of male experts on the medical, social and moral roman catholic fibre of Joanne Hayes. Her married lover detailed the times, places and manner of her love making. Using the twins' theory as a springboard, the question was posed and debated: Did she love this man or what was he and other men prepared to do with her? After six months of daily discussion among the men, the judge declared 'There were times when we all believed she had twins'. The treatment of Joanne Hayes, who stood accused of no crime, was a model for Irish male attitudes to woman. She was caught up in a time of rapid social change between two Irelands, an earlier Ireland in which the Catholic Church had held a moral monopoly and a new liberal and secular Ireland.

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Newgrange is simply the best example of a passage tomb in Western Europe and its solstice phenomenon, in particular, has made it famous throughout the world. It is also conveniently located only an hour from Dublin. While it is the best-known ancient site in Ireland, many aspects of Newgrange are not clearly understood, other aspects are just taken for granted. As two archaeologists with a lifetime of experience in the Boyne Valley we shared with most visitors the same uncertainties about the tomb; why is there a three metre high quartz wall around its entrance, how does the roof box work, what was the inspiration for its art and architecture? We chose to write this book in order to present our own personal interpretation of an intricate and often hotly debated story.The book is arranged in such a way as to replicate a visit to the site. It pauses over points of art and construction that the visitor will not have had time to examine in detail on a conventional guided tour. "Newgrange" is the synthesis of years of excavation and research at home and abroad; from the detailed reports stemming from the excavations of M. J. O'Kelly to current international debate about its construction and reconstruction. This is the first book on Newgrange to draw on O'Kelly's private papers and to incorporate the results of more recent and as yet unpublished excavations. This book will clarify many complex issues that have been addressed in widely scatted fora, using original illustrations to assist the reader. It places the monument in its broader cultural context. Our search for the origins of Newgrange took us to Brittany, Iberia (Spain and Portugal), Malta, the Orkney Islands and Wales and has enriched our understanding of its place in European prehistory.

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Eoin MacNeill (1867-1945) was a founding figure in the Gaelic League, the Irish Volunteers, and the government of Ireland. As Professor of Early (including Mediaeval) History at University College Dublin was also one of the foremost Irish historians of his generation. As a professor, a politician, and the leader of a paramilitary organisation, MacNeill fused scholarship and activism into a complex life that both followed and led the course of Irish independence from gestation to maturation. MacNeill is arguably best known as the man who tried to stop the 1916 Rising. However, as this book shows, as a newspaper editor, a language teacher, a historian, a paramilitary leader, a parliamentarian, a convict, and a cabinet minister, he crafted both the ideas and institutions of his own time while revising scholarly understandings of the society and institutions of medieval Ireland through his teaching and writings. MacNeill was also a political theorist and even a propagandist who moulded the Irish-Ireland and Sinn Fein movements through his writings and his oratory. A supporter of the Anglo-Irish Treaty and the Free State's first minister for education, MacNeill lost his son Brian who was killed fighting on the anti-Treaty side of Ireland's Civil War. After independence, MacNeill was centrally involved in the attempt to redraw the Irish border in his role as the Free State's representative on the Irish Boundary Commission. Its collapse took MacNeill's political career down with it and he reverted to his passion for scholarship, drafted his memoirs, founded the Irish Manuscripts Commission, and delivered a landmark lecture tour in the United States. While he received adulation as a scholar in his last years, his contribution to politics and state formation was variously marginalised and maligned, a pattern that persisted in the decades after his death. This collection confronts the complexities and apparent contradictions of MacNeill's life, work, and ideas. It explores the ways in which MacNeill's activities and interests overlapped, his contribution to the Irish language and to Irish history, his evolving political outlook, and the contribution he made to the shaping of modern Ireland.

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We are in a crisis of care, one that needs an immediate response. This crisis is experienced in both our everyday lived experiences and in our interactions with the formal health and care systems.

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Ireland-Japan Connections and Crossings celebrates sixty-five years of Irish-Japanese diplomatic relations and its publication is one part of a number of commemorative events designed to cherish past and future relations between the two countries.The book is a celebration of each country and their influences on one another. It is impossible to document these in their entirety; and this is not the purpose of the book. The articles, stories and poems in this book are a selection from a very wide and deep source. Covering a broad spectrum, the contributions fall into a number of defined categories: diplomatic, economic, history and culture, education, memoir and poetry. We hope that the book will encourage and inspire readers to continue to read, enquire and travel into these unique, well-connected islands.

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The Great Famine is possibly the most pivotal event/experience in modern Irish history. Its global reach and implications cannot be underestimated. In terms of mortality, it is now widely accepted that over a million people perished between the years 1845-1852 and at least one million and a quarter fled the country, the great majority to North America, some to Australia and a significant minority ((0.3 million) to British cities. Ireland had been afflicted by famine before the events of the 1840s; however the Great Famine is marked by both its absolute scale and its longevity. It is also better remembered because it was the most recent and best documented famine. This atlas comprising over fifty individual chapters and case studies will provide readers with a broad range of perspectives and relevant insights into this tragic event. The atlas begins by acknowledging the impossibility of adequately representing the Great Famine or any major world famine. Yet by exploring a number of themes from a reconstruction of pre-Famine Ireland onwards to an exploration of present-day modes of remembering; by the use of over 150 highly original computer generated parish maps of population decline, social transformation and other key themes between the census years 1841 and 1851: and through the use of poetry, contemporary paintings and accounts, illustrations and modern photography, what this atlas seeks to a achieve is a greater understanding of the event and its impact and legacy. This atlas seeks to try and bear witness to the thousands and thousands of people who died and are buried in mass Famine pits or in fields and ditches, with little or nothing to remind us of their going. The centrality of the Famine workhouse as a place of destitution is also examined in depth. Likewise the atlas seeks to represent and understand the conditions and experiences of the many thousands who emigrated from Ireland in those desperate years. Included are case studies of famine emigrants in cities such as Liverpool, Glasgow, New York and Toronto. A central concern of the atlas is to seek to understand why a famine of this scale should occur in a nineteenth-century European country, albeit a country which was subject to imperial rule. In addition, it seeks to reveal in detail the working-out and varying consequences of the Famine across the island. To this end, apart from presenting an overall island-wide picture, Famine experiences and patterns will be presented separately for the four provinces. These provincial explorations will be accompanied by intimate case studies of conditions in particular localities across the provinces. The atlas also seeks to situate the Great Irish Famine in the context of a number of world famines. To achieve these goals and understandings, the atlas includes contributions from a wide range of scholars who are experts in their fields - from the arts, folklore, geography, history, archaeology, Irish and English languages and literatures.

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This book explores the rich seam in Finnegans Wake of references to Ulster, to its geography, myth and history: a subject which has received relatively little attention in Joyce studies. Joyce portrays Ulster as sharing a complex relationship with the rest of Ireland, one which combines difference with inclusion. He makes many references in the Wake to the historical factors, from the sixteenth-century plantations to the Anglo-Irish War, which contributed to the gradual estrangement of the province (at least its majority population) from the rest of Ireland. Joyce wrote Finnegans Wake between 1923 and 1939. He was, therefore, ideally placed to interrogate the trauma of partition and the growing pains of the Irish Free State and Northern Ireland. He sketches these historical moments and times satirically, and with disappointment and heartfelt regret. A century after partition, borders are again prominent physical and symbolic markers of difference, of exclusion of the outsider, not just in Ireland and Britain, but across the world. Joyce's satirical assault on intolerance, national and global, is as pertinent today as it was when he embarked on Finnegans Wake a century ago.

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Rewriting Our Stories: Education, empowerment and well-being harnesses the therapeutic power of storytelling to convert feelings of fear and powerlessness into affirmative life narratives. Rather than seeing fear as an outcome, we can view it as a feeling in the moment largely governed by narratives. Many of our fears are stories we tell ourselves, even if they are largely fictional and rooted in sociocultural belief systems. The result is that we often feel helpless in the face of those fears. This transformational book considers a potent antidote: by recognising our recurring negative stories, we can rewrite and transform them to achieve greater empowerment and well-being in our lives. Storytelling is an antidote to fear. Throughout human existence, no matter where our place of origin or when in history, storytelling shapes our societies, influencing personal, sociocultural, educational, and public discourses that impact how we live. Creating and communicating the language of stories - to ourselves and others - enhances our innate voices and can empower us to engage in greater empathy, compassion, and possibility. Intended for educators, leaders, therapists, mental health professionals, change management, or youth organisations, as well as the general public, Derek Gladwin offers practical and positive tools for everyone to re-author their lives.

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The Coastal Atlas of Ireland is a celebration of Ireland's coastal and marine spaces. Drawing on written contributions from over 100 authors from across the island of Ireland and beyond, the Atlas takes an explicitly all-island approach; though the work has a much wider relevance and potential reader interest. It is organised into six sections, comprising a total of 33 chapters, that take the reader from the distant geological past, by way of the prehistoric era and a focus on the island's physical environments, through time and the human colonisation of Ireland, to the complex cultural and economic landscapes of the near past and the present day. It concludes with an assessment of the importance of coastal and marine environments in understanding the island's past, appreciating the present, and contemplating future opportunities and challenges. Although not claiming to be encyclopaedic, when read in its entirety the Atlas will provide readers with a fascinating and comprehensive excursion through time and space along Ireland's coastline. The Atlas is equally suited to being read in progression or, if preferred, can be dipped into and navigated according to the specific interests of the reader. Within each chapter, in addition to the core text, a series of featured subjects and case studies provide greater-depth explorations of particular topics or examples related to the central theme. In addition, the maps, photos and other illustrations that accompany the text have been provided with self-contained captions that may also be browsed before a more immersive reading is undertaken. Ireland has often emerged as a global leader in its many engagements with the sea, including in marine and coastal science, the pursuit of a 'blue' (and green) economy, the championing of conservation goals, and in the development of sustainable marine renewable-energy resources. In the middle of the current "UN Decade for Ocean Science"(UNESCO), the Atlas celebrates these achievements, while pointing the way for future research and explorations that build on these foundations. The complex of physical and human themes developed in this Atlas has international relevance for coastal communities worldwide, and especially those located in mid-latitudes. Nowhere else in the world has such an all-embracing and multifaceted exploration of a nation's, or an island's, coast been undertaken.

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This is a ground-breaking book on Irish diplomatic relations with Argentina/Latin America from the nineteenth to the twenty first century. Written in an accessible style, the contents will appeal to both a specialist academic and general readership. The volume enhances our understanding of the contribution Irish immigrants like the journalist and author William Bulfin made to their new home in Argentina. The role of Irish Catholic missionaries, which the author refers to as 'Irish soft power,' is also a major theme in the book. Based on original research in public and private archives in Europe, the U.S.A. and Latin America, he reveals for the first time the active role played by Irish Argentines in the struggle for Irish independence and the campaign waged over 25 years for establishment of diplomatic relations between the two countries. The continued presence of Irish diplomats in Buenos Aires since 1948 provide eyewitness accounts of the rise and fall of Juan Domingo Peron in 1955, his chaotic return in 1973, the sinister and dark days of the military dictatorship between 1976 and 1983 which ended in its collapse following the decisive military defeat in the Falklands/Malvinas war. This book sheds light on the complex challenges the Catholic Church and other faiths confronted during that dictatorship which used kidnapping, torture and murder to silence the thousands of Argentine citizens who regime considered to be enemies of the state. The author presents three interlocking case studies to illustrate the resistance to the terror by (1) the worker priest Patrick Rice, (2) the Irish Vatican diplomat, Kevin Mullen and(3) the Irish diplomats, Justin Harman and Ambassador Wilfred Lennon. Rice was kidnapped in October 1976, tortured and held without charge for three months before being deported. He credits his survival to the swift action of two Irish diplomats, Harman and Lennon. This volume also details the making of Irish foreign policy during the Falklands/Malvinas crisis, and traces the role played by Irish Argentines in lobbying the Irish government to change its position. Here he examines the interplay between divergent perspectives in the policy-making process and the uncharacteristically volatile shifts in that policy in early May 1982, triggering a major deterioration in Anglo-Irish relations a loss of status in the EEC. Keogh concludes on a hopeful note with the restoration of democracy in Argentina in 1983 and the expansion of the Irish diplomatic service in Latin America with the opening of embassies in Mexico, Brazil, Chile and Colombia.

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Dublin's Natural History Museum is a uniquely preserved sliver of the past, an intact example of a nineteenth-century natural science collection. While its polished cases and stuffed animals show us what the museum looked like in its heyday, this book is the first detailed exploration of its early history, showing how and why it came into being, and what it meant in nineteenth-century Irish culture. From its earliest days as a small collection at the Royal Dublin Society to the gala inauguration of its new home on Merrion Square in 1857, everyone had an idea about what it was for, and how natural science would benefit Ireland. It was the first public museum in Ireland, a project of the RDS that was supported by central government as an educational venue, and was frequented by ordinary citizens and visitors as well as leading lights of natural science. Its history offers a view of science in Ireland showing that the museum was built over time by donations from citizens and scientific amateurs as well as professionals, and that Irish men of science shaped new knowledge from the raw material in the collections. Far from the aura of genteel nostalgia that continues to attract visitors today, the Natural History Museum of the nineteenth century was an active scientific institution with strong connections to the wider sphere of European science, and shows how participation in natural science was a form cultural activity for the people who engaged with the museum.

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Cooking in Cafe Paradiso, the internationally-renowned restaurant in Cork , Ireland Denis Cotter has gained a reputation for innovation in his approach to food and for the quality and personal style of his menus. Paradiso Seasons represents Denis Cotter's personal journal through the eternally shifting seasons, focussing on his favourite vegetables at their prime moment and, from them, creating sumptuous and thoughtful recipes. Featuring over 140 original recipes, prefaced by informative and witty introductions, Paradiso Seasons offers a practical and inspirational approach to cooking and eating seasonal food (the section on 'outdoor cooking' will be a godsend to anyone who wants to cook vegetables creatively during the summer 'barbeque' season!).

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The book analyses the relationship between crime and conflict in Northern Ireland since the establishment of the Northern Irish state in 1921. Despite the vast research literature that focuses on Northern Ireland's political divisions and the violence of the 'Troubles', the relationship between these issues and crime has received much less attention.

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The Irish Football Association (IFA) was founded in Belfast in 1880. It was the governing body for soccer for the whole of the island of Ireland. Soccer in Ireland was united for over forty years. It was, though, an uneasy alliance. Many in the south believed that the governing body was heavily biased towards Ulster. Most internationals were played in Belfast, most players selected were from the North-East. With the country moving politically towards partition, soccer in Ireland was arguably affected more by the political environment than any other sport. As tensions rose between unionist and nationalist communities, soccer, with strong support bases in both communities, became embroiled in the conflict, playing host to many ugly sectarian incidents. Divisions in the sport reached a climax after the First World War, culminating in the split of 1921 when Leinster seceded from the IFA and formed the Football Association of Ireland (FAI). Making use of extensive primary sources from the IFA, FAI, the English FA and the Leinster Football Association as well as contemporary newspaper sources, The Irish Soccer Split details the events and causes that led to the split in soccer in Ireland. It compares soccer to other sports that remained or became united after partition. The Irish Soccer Split recounts the early years of the FAI and its attempts to gain international recognition. Many efforts were made to heal the division throughout the 1920s and the early 1930s. Efforts were renewed during the Troubles in the 1970s and 1980s to bring about an all-Ireland international team. Some came very close, all ultimately failed, leaving soccer in Ireland today, as it is politically, divided North and South.

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This powerful analysis of the 'wise women healer' from the oral traditions of Ireland's rural communities, is unique in its depth and perspective. Stories, told and retold, embedded in the texture of culture and community, collected and studied for many decades, are here translated and made available to the general reader for the first time. The figure of the 'wise woman', the 'hag', the Cailleach, or the 'Red Woman' are part of an oral tradition which has its roots in pre-Christian Ireland. In the hands of Gearoid O Crualaich, these figures are subtly explored to reveal how they offered a complex understanding of the world, of human psychology and its predicaments. The thematic structure of the book brings to the fore universal themes such as death, marriage, childbirth and healing, and invites the reader to see the contemporary relevance of the stories for themselves.

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The collection of 28 Ogam stones at UCC represents the largest collection of Ogam inscriptions on open display in Ireland. In this guide Damian McManus places the stones in their literary, linguistic and archaeological context, and discusses the origins of Ogam, its distribution, execution and significance. The origins of the UCC collection are discussed, the provenance of each stone outlined and each inscription is described and carefully considered. The last detailed study of this collection, The Ogham Stones, University College, Cork by Rev. Patrick Power was published in 1932. Damian McManus now presents a new reading of the inscriptions in light of the research conducted in the intervening years. The Ogam Stones at University College Cork will be an invaluable guide for students, scholars and all those interested in Irish heritage.

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This title contains new introduction by Dr. Eilis Ward, National University of Ireland Galway. 'Mentally well, but unclaimed' - this sums up the horrendous situation in which Hanna Greally found herself for the best part of twenty years. She saw what she anticipated was a short rest in the Big House, St. Loman's psychiatric hospital in Mullingar stretch and stretch as it became clear to her that none of her relatives surviving after her mother's unexpected death had any intention of applying for her release.In those days, there was no way out for an unclaimed patient. She knew herself to be unwanted, fully conscious of her position and acutely observant of her surroundings, in an atmosphere calculated to bring about steady degradation of her personality. She survived this Kaf ka-esque situation, emotionally and physically whole, and when a more enlightened system was introduced regained her freedom through a rehabilitation institute in 1962. Here is a remarkable story, told with reticence and naturalness which makes it all the more moving.

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This book focuses on the teaching of English in post-primary classrooms. Each chapter approaches an element of the teaching of English from theoretical and practical perspectives where the reader gets an opportunity to reflect upon practice through theoretically-informed lenses.The book assists teachers in knitting together theory and practice in the English classroom. Many of the books available to teachers of English either provide a list of useful strategies or else they provide rich theoretical underpinnings to the pedagogy of English. We bring these worlds together in one volume that will act as a guide to practicing teachers of English throughout the continuum of teacher education, from initial teacher education, through induction, whilst also serving as a resource to maturing professionals in the classroom.

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In 1989 Edna Longley remarked that if Catholics were born Irish, Protestants had to 'work their passage to Irishness'. With eighteen essays by scholars with individual perspectives on Irish Protestant history, this book explores a number of those passages. Some were dead ends. Some led nowhere in particular. But others allowed southern Irish Protestants - those living in the Irish Free State and Republic - to make meaningful journeys through their own sense of Irishness. Through the lives and work, rest and play of Protestant participants in the new Ireland - sportsmen, academics, students, working class Protestants, revolutionaries, rural women, landlords, clerics - these essays offer refreshing interpretations as to what it meant to be Protestant and Irish in the changed political dispensation after Irish independence in 1922. While acknowledging that Protestant reactions were complex, ranging from 'keeping the head down' in a ghetto, through a sort of low-level loyalism, to out-and-out active republicanism, this book takes a fresh look at the positive contribution that many Protestants made to an Ireland that was their home and where they wanted to live. It wasn't always easy, and the very Catholic ethos of the State was often jarring and uncomfortable - but by and large Protestants reached an equitable accommodation with independent Ireland. The proof of that lies in a continued community vibrancy - in Bishop Hodges of Limerick's words in 1944, more than ever able 'to express a method of living valuable to the State'.

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The Iveragh Peninsula, often referred to as the 'Ring of Kerry', is one of Ireland's most dramatic and beautiful landscapes. This cultural atlas, comprising over fifty individual chapters and case studies, provides the reader with a broad range of perspectives on the peninsula and the human interactions with it since prehistoric times to the present day. Although not a conventional atlas, it contains many historic and newly commissioned maps. It also combines many different approaches towards understanding the distinctive character - both physical and human - of this unique landscape.The opening chapters explore the physical and environmental setting of the peninsula. Subsequent chapters deal with its development over the millennia and the influences that have shaped it. All aspects of Iveragh's past and present are considered, using the evidence of disciplines such as archaeology, art-history, cartography, folklore, geography, geology, history, mythology and zoology. The range of topics that arise from this approach is tremendously wide, and occasionally surprising.Given its status as a peninsula projecting into the Atlantic, the history and culture of the Iveragh Peninsula have been moulded by external influences as well as by regional and national ones. Its story is multi-layered, involving the imprint of mythological as well as historic settlers and invaders. The peninsula has witnessed significant periods of transition, perhaps none more so than in the present era. This book seeks to deepen and illuminate our understanding of its landscape, history and heritage.

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David Jameson's The Tilson Case: Church and State in 1950s' Ireland tells the story of one the most extraordinary causes celebre of twentieth-century Ireland, which followed the marriage of Ernest Tilson, a Protestant, to Mary Barnes, a Catholic, in Dublin in 1941. Since this was a mixed marriage and the couple wished to be married in a Catholic church, both were obliged to sign a pledge agreeing to raise any children of the marriage as Catholics. Nine years later, Ernest reneged on that promise when he removed three of his four sons to the Protestant-run Birds' Nest orphanage in Dun Laoghaire, County Dublin, intending to educate them as Protestants. To recover her sons, Mary took a case to the High Court and won; her husband appealed this ruling in the Supreme Court and lost. Widely reported in newspapers in Ireland, Britain and the United States, this bitterly contested dispute pitted the Catholic and Protestant churches against each other and polarised Ireland along confessional lines.

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Sexual/Liberation addresses the paradoxes of sexual freedom in contemporary neoliberal Ireland. It invites readers to imagine a revolutionary form of sexual liberation beyond the present objective of achieving equality within a grossly unequal social order. Centrally, the book offers a critical meditation on images of gay men circulating in post-marriage equality Irish culture. Such images tell us little about the actual lives of gay men but offer us considerable insight into the political imaginary - the values, norms, anxieties and contradictions - of the society in which those images circulate. The images of gay men, male bodies and male intimacy discussed are drawn from varied sources: Leo Varadkar's media profile; digital portraits curated by men engaged in sex work; Irish Queer Archives; media, scholarly and artistic commemorations of Declan Flynn and Roger Casement; Joe Caslin's murals. Taking inspiration from the ideas of Wendy Brown, Judith Butler and Herbert Marcuse, Sexual/Liberation encourages us to re-think the political as sexual - to reflect on how our political perspectives are shaped by desires, needs, vulnerabilities and hopes. Above all, this book challenges us to move beyond a politics of identities and injuries and strive instead for a politics universal and radically humanist in its imaginative scope, anti-capitalist and revolutionary in its objectives.

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This is book is a history of the birds of County Cork from the earliest times to the present. It provides a comprehensive account of the ecology of all species known to have occurred in the county, with an emphasis on distribution, population change and migration. There has been no tradition in Ireland for the publication of county avifaunas, as has been the case in the UK for over 200 years; while this is not the first such book for Ireland, no previous publication treats each species in such depth. This sets it apart as unique in an Irish context. The publication of this book is timely. Bird populations across Ireland are undergoing change at a rate never previously experienced. On the one hand there are major conservation efforts to restore 'lost' species, such as the two eagle species and the Red Kite; on the other climate change is driving unprecedented declines in many bird populations while also allowing colonisation by new breeding species. The Birds of County Cork contains introductory chapters on the Cork environment, a history of ornithology and ornithologists within the county, an account of research and monitoring and a summary of recent changes in population status. However the bulk of the book is taken up with a Systematic List of the 427 bird species on the county list. There are also several detailed appendices including a list of place names which will enable the reader to locate any place mentioned in the text. Maps show the main sites within the county, both coastal and inland, as well as geology and land use. The book is generously illustrated with graphs, tables, photographs and paintings. This milestone publication will be an essential reference for students of ornithology, conservation agencies, planners, environmental consultants, farmers, industrialists and the growing band of citizen scientists at a time of considerable change

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There was no native tradition of theatre in Irish. Thus, language revivalists were forced to develop the genre ex nihilo if there was to be a Gaelic drama that was not entirely made up of translations. The earliest efforts to do so at the beginning of the 20th century were predictably clumsy at best, and truly dreadful at worst. Yet by the 1950s, a handful of Gaelic playwrights were producing plays in Irish worthy of comparison not only with those by their Irish contemporaries working in English but also with drama being produced elsewhere in Europe as well as in North America. Obviously, Gaelic drama transitioned with surprising speed from what one early critic called 'the Ralph Royster Doyster Stage' to this new level of sophistication. This book argues that this transition was facilitated by the achievements of a handful of playwrights - Piaras Beaslai, Gearoid O Lochlainn, Leon O Broin, Seamus de Bhilmot, and Walter Macken - who between 1910 and 1950 wrote worthwhile new plays that dealt with subjects and themes of contemporary interest to Irish-speaking audiences, in the process challenging their fellow dramatists, introducing Gaelic actors to new developments and styles in world theatre, and educating Gaelic audiences to demand more from theatre in Irish than a night out or a chance to demonstrate their loyalty to the revivalist cause. This book, which discusses in some detail all of the extant plays by these five transitional playwrights, fills a gap in our knowledge of theatre in Irish (and indeed of theatre in Ireland in general), in the process providing clearer context for the appreciation of the work of their successors, playwrights who continue to produce first-rate work in Irish right to the present day.

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The book argues that trade unionism must break into the new worlds of work by radically transforming contemporary trade union structures and culture which renders the movement largely alien to younger workers employed in the gig and digital economies.

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In the early part of the seventeenth-century, along the southwest coast of Ireland, piracy was a way of life. Following the outlawing of privateering in 1603 by the new king of England, disenfranchised like-minded men of the sea, many former privateers, naval sailors, ordinary seamen and traditional plunderers moved their base of operations to Ireland and formed an alliance. Within the context of the Munster Plantation, many of the pirates came to settle, some bringing families, and these men and their activities not alone influenced the socio-economic and geo-political landscape of Ireland at that time but challenged European maritime power centres, while forging links across the North Atlantic that touched the Mediterranean, Northwest Africa and the New World.Tracing the origins of this maritime plunder from the 1570s until its heyday in the opening decades of the 1600s, The Alliance of Pirates analyses the nature and extent of this predation and looks at its impact and influence in Ireland and across the Atlantic. Operating during a period of emerging global maritime empires, when nations across Europe were vying for supremacy of the seas, the pirates built their own highly lucrative and powerful piratical state. Drawing on extensive primary and secondary historical sources Connie Kelleher explores who these pirates were, their main theatre of operations and the characters that aided and abetted them. Archaeological evidence uniquely supports the investigation and provides a tangible cultural link through time to the pirates, their cohorts and their bases.

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The Irish composer, Ina Boyle (1889-1967), was born in Enniskerry, Co. Wicklow, where she enjoyed a sheltered childhood as a member of an Anglo-Irish family with roots in the medical, military and diplomatic professions. Her first music teacher was her clergyman father, who made violins for a hobby. She started to compose from an early age and soon found a passion for music that lasted a lifetime, spanning two world wars, the 1916 rebellion, the war of independence, the civil war and the economic war.Ina Boyle studied privately in Dublin with C.H. Kitson and Percy Buck, she had her first success in 1919 when her orchestral rhapsody, `The magic harp', which was selected for publication by the prestigious Carnegie United Kingdom Trust and was performed by the London Symphony Orchestra, conducted by Adrian Boult. From 1923, realising the need to expand her musical horizons, she visited London for composition lessons with Ralph Vaughan Williams whenever family duties allowed, until her travels were curtailed by the outbreak of the Second World War. Vaughan Williams thought highly of her works but, despite her best efforts to promote them, few were performed in public. During the 1940s some of her orchestral music was broadcast on Radio Eireann in a series of programmes on Irish composers. After the death of her father in 1951, she was again free to travel to London while devoting the rest of her life to composition. As one of twentieth-century Ireland's most prolific composers and the first Irishwoman to undertake a symphony, a concerto and a ballet, this first book on the life and music of Ina Boyle is long overdue.

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Situating Walter Macken in the literary and cultural contexts of his time, this collection of essays provides introductions to the different aspects of the author's multifaceted oeuvre, sets out to explain his enormous success on the stage and as a writer of fiction, and comments on how Macken contributed to shaping an image of the young Republic of Ireland for his national and international audience. Drawing on a variety of theoretical approaches from historical criticism, to narrative theory and gender studies, the overview articles as well as the in-depth analyses and interpretations assembled in this volume address issues that are of particular relevance to Irish literary and cultural studies today. They shed light on the historicity of some and the topicality of other aspects of Macken's ideas about community life, the promises and pitfalls of 20th- century capitalism, sex, gender and sexuality (with a special emphasis on Macken's construction of masculinity), generational conflicts, emigration and questions of ethnicity. They also evaluate Macken's 'sensational' realist aesthetics and their ideological implications. In an interview with the editors, Macken's sons share personal memories revolving around issues such as their father's writing routines in the family home in Oughterard or the author's marriage to Peggy Macken.

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This is the first English translation of an important 17th century contention between two Irish clerics. The detail uncovered reveals much about Gaelic Irish culture and society at this turbulent period in Irish history. The two clerics, Antonius Bruodinus and Thomas Carve, present an image of Ireland that was split between native Gaelic and Old English culture and the influence of these two cultures on competing views about Ireland's past. The seventeenth century was a period of turmoil and upheaval in Ireland. The politics of religious identity were visceral, giving rise to controversies and bitter clashes. In 1671 the Irish Franciscan, Antonius Bruodinus (Antoin Mac Bruideadha; b. 1625, Clare - 7 May 1680 ?Prague), a former pupil of Luke Wadding in Rome, published Anatomicum Examen Enchiridii Apologetici, refuting the slanderous statements made by Fr Thomas Carve ('Carew', b. Tipperary, 1590; d.c. 1672), from a family of Old-English allegiance whose other work contains much of value on the Thirty Years War, he having been chaplain to Irish regiments in Europe. The intense exchange of views went to the core of many of the vexed controversies regarding identity, authority and legitimacy which characterised the debates of the time. This is the first time that one of the main works has been translated into English and treated to a detailed examination. In Culture, Contention and Identity in seventeenth century Ireland, the editors provide a helpful apparatus to guide the modern reader through a myriad of arguments and retorts by the two protagonists, which reveal much information about life and politics in seventeenth-century Ireland. The book, which provides a critical edition of the text with facing translation, sheds new light on the viewpoints of Gaelic-Irish and Old-English alike, as well as the impact of the Cromwellian invasion on the country. In translating this heated exchange between the two clerics we come closer to grasping some of the pressing issues troubling Ireland's population at the time. Much new detail can be harvested concerning the activities of learned Gaelic families, Irish marriage customs, place names and much else besides in seventeenth-century Ireland. The writings of these two clerics also provide a fascinating portrait of Irish clerics and their emigre networks at a time when the two traditions, which each claimed to represent - Gaelic-Irish and Old-English - were being supplanted by a different elite in Ireland, the New English.

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This volume takes inspiration from Professor Catherine Shannon's scholarship on Modern Irish and Irish American history and her advocacy for peace in Northern Ireland and features original research by distinguished scholars and social-justice activists on both sides of the Atlantic. The essays illuminate the historical relationship between Ireland and North America over past centuries. They offer new readings of the transatlantic crosscurrents that shape our understanding of Irish emigration and North American settlement, and constructions of ethnic Irish identities. This collection brings together respected Irish, British, American, and Canadian historians, literary scholars, and social-justice activists to address the following thematic approaches to the Irish and Irish American historical experience: Famine impact and legacy; Boston Irish political culture; Irish Revolution-era nationalist activism; Northern Ireland conflict. Considered from a range of historical, literary, political, and cultural perspectives, the essays collected here examine crucial forces connecting the ancestral home and the adopted homeland over centuries of Irish migration and North American settlement. They revise traditional depictions of ethnic Irishness in explorations of the Famine's consequence, ethnic Irish prominence in Boston, the 1916-era watershed, and Northern Ireland's troubled political and cultural landscape--lenses that expose crucial historical navigations across the Irish Atlantic. These new readings of the evolution of the ethnic identity collectively generate a major contribution to modern Irish and Irish American historical scholarship.

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People living in Ireland do not expect to encounter a tornado. But, why not? They have been part of the Irish climate and have tracked across the land for hundreds of years. Indeed, during the last three decades they have visited every county in Ireland. This book traces how for centuries there was not the vocabulary to record them in a way we would recognise them today. In retrieving these records new insights emerge into both the written historical record and phrases used in our contemporary accounts. It introduces those conditions in Ireland favourable for tornadoes and waterspouts. Being localised phenomena they are ill suited for capture by the meteorological network, which was designed for quite different purposes. Instead, building a database for recent years has been achieved from reports by numerous weather enthusiasts, followed by site investigations to confirm and characterise them. Many such case studies are presented from all over Ireland. Today, increasing attention is being placed upon severe weather events and their impacts. A chronology for recent decades shows that tornadoes in Ireland occur every year and may occur in any season, but no one year is typical. In addition, the vulnerability of people, built structures and aspects of the environment are explored. Potentially, they are vulnerable at any time of year and anywhere in Ireland. Finally, international comparisons show that the experience in Ireland is not so dissimilar to elsewhere. In particular, comparisons are made with data for the USA and the rest of Europe.

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The book narrates the story of three generations of the Wise family as they became Cork-based merchant princes. It is also the story of their North Mall distillery, the then largest in Cork city, which even rivalled the great distilling houses of Dublin.

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"Cornucopia at Home" contains a selection of the most popular and enduring recipes from the Cornucopia Vegetarian Wholefood Restaurant in Dublin. The restaurant is a household name amongst vegetarians, health food enthusiasts and foodies in Dublin, as it has been serving fresh, wholesome, home-style fare for over 20 years. The lavishly designed and illustrated book is divided into six sections which are soups, salads, main courses, desserts, breads and seasonal menus. All the recipes are based on regular Cornucopia offerings, simply reduced in a step by step guide to suit domestic purposes.This book will start by an introduction by Deidre McCafferty which outlines the philosophy that has been her guiding light over the years of running the restaurant. There will be a section that introduces the Cornucopia at Home chef to some of the more basic elements of the Cornucopia kitchen both ingredients and utensils. Each section will include an introduction, followed by tips and explanations, the recipes come next. This book contains delicious and satisfying recipes with consideration for the following dietary requirements: Vegan; gluten-free; yeast-free, dairy-free; egg-free; nut allergy; and, sugar free. Each chapter contains a variety of recipes suitable for each diet, clearly marked by symbols on each page. "Cornucopia at Home" is for people who like vegetarian food, who like wholefood, who like comforting food, who like health food and who like to cook everything from scratch.

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Hailed in the Irish Times as a 'great Irish novelist', Neil Jordan is, in the words of Fintan O'Toole, 'a peculiarly emblematic figure of cultural change'. Yet, extraordinarily, such critical acclaim has come about without detailed scholarly engagement with Jordan's most sustained interrogation of Ireland and notions of Irishness: his fiction. Neil Jordan: Works for the Page fills this gap in contemporary Irish literary criticism, and, while Jordan's filmmaking is often discussed, the focus here is on his published work: his early volume of short fiction, his many novels, and several of his uncollected stories. The result is a work which will enhance understanding of contemporary Irish cultural studies while also suggesting future directions for the criticism of other artists operating in multiple creative disciplines. The significance of this book lies in its discussion of what kind of artist Neil Jordan really is, which is not necessarily the kind of artist that Irish Studies currently perceives him to be. He is neither just an Oscar-winning filmmaker nor a European novelist of the first rank, he is both, and the comprehensive introduction to the literary author provided by Neil Jordan: Works for the Page has been carefully structured to appeal to those familiar with only the filmmaker. This engaging study examines how, in a forty-year writing career, Jordan has engaged with and expanded upon many core concerns of Irish literature: the struggle to define oneself against the weight of history, both political and artistic; the quest to understand the nation's violent efforts to transcend and process its colonial past.

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The series, and inaugural volume, uniquely celebrates what is by now a substantial corpus of academic work on a field of practice that has been thriving for several decades -- in spite of the many challenges that music educators in Ireland continue to face. Its various chapters engage with arts and education policies, with international developments and comparative educational systems and, crucially, with the concerns of teachers, students, musicians, schools, higher education institutions, music development agencies and broader communities of practice.

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This compendium gathers together his published work and films produced over the last forty years. This material is refashioned for a contemporary readership and supplemented with a number of original essays that enable the reader to cross-reference the critical and creative themes covered in his oeuvre

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It is the Georgian heritage that most strongly defines Ireland's capital city. However, Diarmuid O Grada now shows us a Dublin quite unlike that depicted in the conventional histories of grand red-brick squares and elegant drawing rooms. Phenomenal population growth was forced on a place where local government, the workshops and the streets themselves had changed little since medieval times. In the course of the century the number of Dubliners trebled and the city was quite unprepared for the urgent challenge of feeding and housing so many people. In addition, Dublin's role as the bastion of an English colony was transformed into that of the Irish capital. This book explains how Dublin's adjustment to the new reality gave rise to widespread civil unrest and how the official reaction to the turmoil took on aspects of a crusade. Most of these responses failed and, in reality, there were periods when the city was running out of control. Diarmuid O Grada draws on a wide range of sources, including newspapers and parish records that had previously been neglected. His own career as a town planner has given him an understanding of urban impacts in terms of time and space.Georgian Dublin explains the processes at work and sets them within the wider context, comparing Dublin's successes and failures with events in other European cities.

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John Ford’s The Quiet Man (1952) is the most popular cinematic representation of Ireland, and one of Hollywood's classic romantic comedies. For some viewers and critics the film is a powerful evocation of romantic Ireland and the search for home. This book contains new and original information and photographs about the film The Quiet Man. Des MacHale has found a range of unexpected new information about the film. The book opens with the letters of John Ford’s secretary, Meta Sterne, giving authentic information and commentary about what went on behind the scenes on location in Ireland. There were many rumours of a sequel to The Quiet Man but they never came off. However, a belated sequel Only the Lonely starring Maureen O’Hara was produced in 1991 and it is described and analysed. The emergence of the screenplay of The Quiet Man is a long and complicated saga. The book examines the initial rejected screenplay by the Welsh novelist Richard Llewellyn which contained much of the inspiration for the final cut of the movie. The memoirs of Maureen Coyne—Cashman, who lives in Brooklyn, New York, are published here for the first time. She is one of the few surviving bit players and she describes her experiences on set with Wayne, O’Hara, and Ford. The real-life incidents on which the ecumenical scenes in the film are based are discussed. The final part of the book covers more recent events including the Quiet Man conference held in Galway in 2004 and the opening of Pat Cohan’s bar in 2008 which featured in the film as a real bar. The book also contains dozens of previously unseen stills from the movie and many unseen photographs of locations and personalities.

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This book is the first national history of the building of some of Ireland's most important historic public buildings. Focusing on the former assize courthouses and county gaols, it tells a political history of how they were built, who paid for them, and the effects they had on urban development in Ireland. Using extensive archival sources, it delves in unprecedented detail into the politics and personalities of county grand jurors, Protestant landed society, government prison inspectors, charities, architects, and engineers, who together oversaw a wave of courthouse and prison construction in Ireland in an era of turbulent domestic and international change. It investigates the extent to which these buildings can be seen as the legacy of the British or imperial state, especially after the Act of Union, and thus contributes to ongoing debates within post-colonial studies regarding the built environment. Richly illustrated with over 300 historic drawings, photographs and maps, this book analyses how and why these historic buildings came to exist. It discusses crime, violence and political and agrarian unrest in Ireland during the years when Protestant elites commissioned such extensive new public architecture. The book will be of interest to academic and popular audiences curious to learn more about Irish politics, culture, society and especially its rich architectural heritage.

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