Search results for ""common notions""

In recent years, urban uprisings, insurrections, riots, and occupations have been an expression of the rage and desperation of our time. So too have they expressed the joy of reclaiming collective life and a different way of composing a common world. At the root of these rebellious moments lies thresholds—the spaces to be crossed from cities of domination and exploitation to a common world of liberation.Towards the City of Thresholds is a pioneering and ingenious study of these new forms of socialization and uses of space—self-managed and communal—that passionately reveals cities as the sites of manifest social antagonism as well as spatialities of emancipation. Activist and architect Stavros Stavrides describes the powerful reinvention of politics and social relations stirring everywhere in our urban world and analyzes the theoretical underpinnings present in these metropolitan spaces and how they might be bridged to expand the commo

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How do we move from defensive tactics that respond to the latest stages of capitalist urbanization, to transformative, strategic revolts, attacking the root causes and putting into practice alternative forms of urban life? One proposal for such a revolutionary alternative to capital’s organization of our lived environment has been the commons, wherein inhabitants communally control the multi-faceted conditions that make up their daily reproduction.As a district behind the train station in the post-socialist city of Vilnius Lithuania faces gentrification, an autonomous community center there has sought to use commoning to resist. Taken up in the former state-socialist Eastern Block, commoning practices are embraced as a method for criticizing the vicious wave of enclosures that began after the fall of state-socialism while at the same time not relying on the heavily stigmatized politics of state-socialism.Emerging from a process of thinking together, The Commonist Horizon features five interventions by movement thinkers. Beginning in the post-Soviet city of Vilnius, the dialogical process stretches outward to two other formerly state-socialist countries, and then beyond. Speaking from their experiences in social movement formations, the authors take up the lived experience of building what might be called urban commons, offering insights on the conceptual and political potentials and limitations of this terminology and associated practices.

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A collection of powerful BIPOC voices who offer a range of anticolonial, Indigenous, and Black Radical traditions to think with.We must, as For Antifascist Futures urges, take antifascism as a major imperative of movements for social change. But we must not limit our analysis or historical understanding of the rise of the right-wing authoritarianism in our times by rooting it in mid-twentieth century Europe.For Antifascist Futures: Against the Violence of Imperial Crisis takes seriously what is new in this moment of politics, exploring what the analytic of fascism offers for understanding the twenty-first century authoritarian convergence by centering the material and speculative labor of antifascist and antiracist social movement coalitions. By focusing on the long history of BIPOC antifascist resistance that has been overlooked in both recent conversations about racial justice as well as antifascist resistance, the essays, interviews, and documents included here make clear how racialized and colonized peoples have been at the forefront of theorizing and dismantling fascism, white supremacy, and other modes of authoritarian rule. By linking a deep engagement, both scholarly and practical, of racial justice movements with an antifascist frame, and a global analysis of capitalism the contributors have assembled a powerful toolbox for our struggles. The editors, widely recognized ethnic and American studies scholars, offer a groundbreaking collection with contributions from Johanna Fernandez, Manu Karuka, Charisse Burden-Stelly, Zoé Samudzi, and Macarena Gomez-Barris, among others.

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“How can we get free? How can we free ourselves, our communities, our environments, our society? And what will this freedom look like? While the present moment holds incredible possibilities to organize for our collective liberation, there are powerful forces readily willing and able to summons all available weapons of repression to contain and suppress revolutionary movements.... “The question of freedom is central to all revolutionary movements. It is at the root of everyday struggles against white supremacist colonialism, heteropatriarchy, capitalism, the authoritarian state, and every other form of systemic oppression. But we have to ask, again, what will freedom look like? Often, the realities we each face constrain the ways we can answer this question, so we ask it in pieces: How do we provide for each other? How do we protect, nurture, care, love, and create? How do we liberate ourselves from the hardships of enclosure, exploitation, and dependency that are imposed on our minds, bodies, communities, and environments? How do we free our sense of freedom, so it is not a set of individual and extractive privileges, but is instead the grounding for a communal form of abundance?” By laying bare the mechanisms of capitalism, imperialism, settler colonialism, climate catastrophe, heteropatriarchy, white supremacy, exploitation and dispossesion, and a range of other oppressive structures and countering them with a historical account of revolutionary movements from around the world, Organizing for Autonomy offers a brazen and determined articulation of a world that centers community, love, and justice. With an unparalleled breadth and by synthesizing innumerable sources of revolutionary thought and history, CounterPower presents the result of years of inquiry, struggle, and resistance. Bold, fearless, and radically original, Organizing for Autonomy imagines a decolonized, communist, alternative world order that is free from oppressive structures, state violence, and racial capitalism and helps us to get there.

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Frontline voices from the worldwide movement to decolonize climate change and revitalize a dying planet.With a deep, anticolonial and antiracist critique and analysis of what “conservation” currently is, Decolonize Conservation presents an alternative vision–one already working–of the most effective and just way to fight against biodiversity loss and climate change. Through the voices of largely silenced or invisibilized Indigenous Peoples and local communities, the devastating consequences of making 30 percent of the globe “Protected Areas,” and other so-called “Nature-Based Solutions” are made clear.Evidence proves indigenous people understand and manage their environment better than anyone else. Eighty percent of the Earth’s biodiversity is in tribal territories and when indigenous peoples have secure rights over their land, they achieve at least equal if not better conservation results at a fraction of the cost of conventional conservation programs. But in Africa and Asia, governments and NGOs are stealing vast areas of land from tribal peoples and local communities under the false claim that this is necessary for conservation.As the editors write, “This is colonialism pure and simple: powerful global interests are shamelessly taking land and resources from vulnerable people while claiming they are doing it for the good of humanity.”The powerful collection of voices from the groundbreaking “Our Land, Our Nature” congress takes us to the heart of the climate justice movement and the struggle for life and land across the globe. With Indigenous Peoples and their rights at its center, the book exposes the brutal and deadly reality of colonial and racist conservation for people around the world, while revealing the problems of current climate policy approaches that do nothing to tackle the real causes of environmental destruction.

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By the middle of the twenty-first century, war, famine, economic collapse, and climate catastrophe had toppled the world's governments. In the 2050s, the insurrections reached the nerve center of global capitalism—New York City. This book, a collection of interviews with the people who made the revolution, was published to mark the twentieth anniversary of the New York Commune, a radically new social order forged in the ashes of capitalist collapse.Here is the insurrection in the words of the people who made it, a cast as diverse as the city itself. Nurses, sex workers, antifascist militants, and survivors of all stripes recall the collapse of life as they knew it and the emergence of a collective alternative. Their stories, delivered in deeply human fashion, together outline how ordinary people's efforts to survive in the face of crisis contain the seeds of a new world.

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Abolition can be a spiritual practice, a spiritual journey, and a spiritual commitment. What does abolition mean and how can we get there as a collective and improvisational project?To posit the spirituality of abolition, is to consider the ways historical and contemporary movements against slavery, prisons, the wage system, animal and earth exploitation, racialized, gendered, and sexualized violence, and the death penalty necessitate epistemologies that have been foreclosed through violent force by Western thought of philosophical and theological kinds. It is also to claim that the material conditions that will produce abolition are necessarily Black, Indigenous, queer and trans, feminist, and also about disabled and other non-conforming bodies in force and verve.Abolition and Spirituality asks what can prison abolition teach us about spiritual practice, spiritual journey, spiritual commitment? And, what can these things underscore about the struggle for abolition as a desired manifestation of material change in worlds we inhabit currently? Collecting writings, poetry, and art from thinkers, organizers, and incarcerated people the editors trace the importance of faith and spirit in our ongoing struggle towards abolitionist horizons.

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Work is a joke. Laughing at it is political.Humor, Groucho Marx asserted, is “reason gone mad.” For Walter Benjamin, laughter was “the most revolutionary emotion.” In a moment when great numbers of people are reevaluating their commitment to the hellscape we call “work,” what does it mean to take comedy seriously—and to turn it against work?Both philosophically brilliant and deeply personal, Comedy Against Work demonstrates how laughing about work can puncture the pretensions of tyrannical bosses while uniting us around a commitment to radically new ways of making the world together. At the same time, Lane-McKinley exposes a war at the heart of contemporary comedy between those who see comedy as a weapon for punching down and those whose laughter points to social transformation. From stand-up to sitcoms, podcasts to late night, comedy reveals our longing to subvert power, escape the prison of work, and envision the joys of a liberated world.

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The national protests sparked by the murder of George Floyd in the summer of 2020, made clear what many already knew to be true: policing—in all its iterations—must be abolished. The nationwide uprisings saw the burning of the third precinct in Minneapolis, the creation of autonomous zones in Seattle, and the toppling of statues and memorials to white supremacists, colonizers, and confederates. How We Stay Free chronicles the protests in the city of Philadelphia and the Black organizers that led, sustained, and nurtured the movement for abolition. In the midst of a global pandemic, Philadelphians took to the streets establishing mutual aid campaigns, jail support networks, bail funds, and housing encampments for their community, removing the statue of Frank Rizzo, the former mayor and face of racist policing, called for the release of all political prisoners including Mumia Abu-Jamal, and protested, marched, and agitated in all corners of the city. From Philadelphia, which dating back at least to W.E.B. DuBois has served as a vista to understand Black life in the US, How We Stay Free collects and presents reflections and testimonies, prose and poetry from those on the frontlines to take stock of where the movement started, where it stands, and where we go from here. How We Stay Free is both a celebration of the organizing that sustained the uprising and a powerful call-to-action—demanding all of us to take to the streets, organize our communities, and revolt for the creation of new, better, and freer worlds.

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The political response to the COVID-19 pandemic and the pressures on the global capitalist economies has, once again, imposed the priority of markets over life. Add to this the climate crisis and, undoubtedly, the task of sustaining life continues to be privatized, made invisible, and feminized. We must ask: what does a dignified life look like, especially one that transforms the gendered labor divisions and a racialized, exploitative feminized care economy that falls mainly on the shoulders of women—from the household to the wider effects of the capitalist economy on social reproduction. At the same time, these questions are intimately connected with considerations of our environment. The Feminist Subversion of the Economy makes the conection between patriarchy, capitalism, and ecological crisis—and rallies women, the LGBTQ+ community, and movements worldwide to center gender and social reproduction in a vision for a just ecology and economy. Public intellectual, academic, and activist Amaia Pérez Orozco offers a vision beyond the myths of development (unlimited growth), wealth (accumulation of capital), and work (limited to waged labor) and, at the same time, accounts for the tasks, networks, and economic subjects that, materially and daily, guarantee that life keeps going. Newly translated and updated in collaboration with Liz Mason-Desse, who has won a PEN translation award for her work on feminist economics, The Feminist Subversion of the Economy shows the urgent need to radically and democratically discuss what we mean by a dignified life and how we can organize to sustain life collectively.

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Feminicide and Global Accumulation brings us to the frontlines of an international movement of Black, Indigenous, popular, and mestiza women’s organizations fighting against violence—interpersonal, state sanctioned, and economic—that is both endemic to the global economy and the contemporary devalued status of racialized women, trans, and gender non-conforming communities in the Global South. These struggles against racism, capitalism, and patriarchy show how crucially linked the land, water, and other resource extraction projects that criss-cross the planet are to devaluing labor and nature and how central Black and Indigeneous women and trans leadership is to its resistance. The book is based on the first ever International Forum on Feminicide among ethnicized and racialized groups—which brought together activists and researchers from Colombia, Guatemala, Italy, Brazil, Iran, Guinea Bissau, Bolivia, Canada, the U.S., Ecuador, Spain, Mexico, among other countries in the world to represent different social movements and share concrete stories, memories, experiences and knowledge of their struggles against racism, capitalism and patriarchy. Feminicide and Global Accumulation reflects, in a collective fabric, the communitarian and enraged struggles of women, trans, and gender non-conforming communities who commit themselves to the transformation of their communities by directly challenging the murder and assassination of women and violence in all its forms.

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In Stepford Daughters, Johanna Isaacson explores an emerging wave of horror films that get why class horror and gender horror must be understood together. In doing so, Isaacson makes the case that this often-maligned genre is in fact a place where oppressed people can understand, navigate and confront an increasingly ugly and horrifying world. Films like Hereditary and The Babadook show women coming apart at the seams as the promises of both the family and waged work fail them. In Get Out, we see how poor women and women of color perform the invisible labor that holds up our society, experiencing domestic work as a kind of possession. In “coming of rage” films such as Assassination Nation and Teeth, we see the ways social reproduction leads to a futureless horizon. Robbed of their dreams but not their power to resist, these heroines emerge as the monsters and avengers we need.

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In the 1960s and ’70s—when Toni Cade Bambara, Samuel Delany, David Henderson, June Jordan, Audre Lorde, Guillermo Morales, Adrienne Rich, and Assata Shakur all studied and taught at CUNY—New York City’s classrooms and streets radiated as epicenters of Black, Puerto Rican, queer, and women’s liberation.Conor Tomás Reed is part of the next generation of an insurgent CUNY movement nourished by these legacies. Highlighting the decolonial feminist metamorphosis that transformed our educational landscape, New York Liberation School explores how study and movement coalesced across classrooms and neighborhoods. Reed’s immersive and wide-ranging narrative brings us into the archives and up close to the stories of its participants in order to reactivate these vibrant struggles. The result is a radiant reclamation of collective history that charts a vision for liberating education and society today.

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Take care of yourself. How many times a week do we hear or say these words? If we all took the time to care for ourselves, how much stronger will we be? More importantly how much stronger will our communities be? In Take Care of Your Self, Iraqi artist and curator Sundus Abdul Hadi turns a critical and inventive eye on the notion of self-care, rejecting the idea that self-care means buying stuff and recasting it as a collective practice rooted in the liberation struggles of the oppressed. Throughout, Abdul Hadi explores the role of art in fostering healing for those affected by racism, war, and displacement, weaving in the artwork of twenty-seven artists of color from diverse backgrounds to identify the points where these struggles intersect. In centering the voices of those often relegated to the margins of the art world and emphasizing the imperative to create safe spaces for artists of color to explore their complicated reactions to oppression, Abdul Hadi casts self-care as a political act rooted in the impulse toward self-determination, empowerment, and healing that animates the work of artists of color across the world.

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Even though I did not commit the offences for which I am accused, I am not innocent. I committed the one offense that includes all others. I am an anarchist. In the class war, I chose the side of the excluded and the underprivileged, the prosecuted and the accursed, the poor, the weak, and the oppressed.Writings from a Greek Prison is a literary work of biting realism. Tasos Theofilou gives testimony on the brutality of prison life, and its centrality in contemporary capitalism, through a blur of memoir, social commentary, free verse, and a glossary of the idiom used by inmates in Greek prisons.A political prisoner in Greece from 2012 to 2017, Theofilou’s work centers on exposing the conditions of widespread exploitation and social struggle that persist in Greece as a result of the debt crisis—in prisons as well as in mainstream society.

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Grupo de Arte Callejero: Thought, Practices, and Actions tells the profound story of social militancy, popular rebellion, and art in the tumultuous decades of Argentina’s recent past—and foretells the subversive arts of rebellion for an unwritten future. For the artist collective Grupo de Arte Callejero (Group of Street Artists), there is no separation between social art and social movements. Militancy and art unite in the anonymous, collective, everyday spaces and rhythms of life.For over two decades, Grupo de Arte Callejero has participated in the wave of denunciations of genocide and disappearances during the military junta, the social rebellions of the 2001 financial crisis, neoliberal austerity plans, teachers’ strikes, and Indigenous protests. A critical reflection and collection of their work, Thought, Practices and Actions offers profound insight into what was done and what remains to be done in the social fields of art and revoluti

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In the Name of the People is an analysis and reflection on the global populist surge, written from the local forms it takes in the places we inhabit: the United States, Catalonia, France, Italy, Japan, Korea, Lebanon, Mexico, Quebec, Russia, and Ukraine. The upheaval and polarizations caused by populist policies around the world indicates above all the urgency to develop a series of planetary revolutionary interpretations, and to make the necessary connections in order to understand and act in the world.The ghost of the People has returned to the world stage, claiming to be the only force capable of correcting or taking charge of the excesses of the time. The relationship between the collapse of certain orders, the multiplication of civil wars, and the incessant appeal to the People is clear: as the liberal mode of governance experiences a global legitimation crisis, different forms of right and left populism gain strength within the fractures of eve

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New Bones Abolition addresses “those of us broken enough to grow new bones” in order to stabilize our political traditions that renew freedom struggles. Reflecting on police violence, political movements, Black feminism, Erica Garner, Mumia Abu-Jamal, caretakers and compradors, Joy James analyzes the “Captive Maternal,” which emerges from legacies of colonialism, chattel slavery and predatory policing, to explore the stages of resistance and communal rebellion that manifest through war resistance. She recognizes a long line of gendered and ungendered freedom fighters, who, within a racialized and economically-stratified democracy, transform from coerced or conflicted caretakers into builders of movements, who realize the necessity of maroon spaces, and ultimately the inevitability of becoming war resisters that mobilize against genocide and state violence. New Bones Abolition weaves a narrative of a historically complex and engaged people seeking to quell state violence. James discusses the contributions of the mother Mamie Till-Mobley who held a 1955 open-casket funeral for her fourteen-year-old Emmett Till, murdered by white nationalists; the 1971 rebels at Attica prison; the resilience of political prisoners despite the surplus torture they endured; the emergence of Black feminists as political theorists; human rights advocates seeking abolition; and the radical intellectualism of Erica Garner, daughter of Eric Garner slain in 2014 by the NYPD. James positions the Captive Maternal within the evolution of contemporary abolition. Her meditation on, and theorizing of, Black radicals and revolutionaries works to honor Agape-driven communities and organizers that deter state/police predatory violence through love, caretaking, protest, movements, marronage, and war resistance.

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Mario Tronti was the principal theorist of the radical political movement of the 1960s known in Italy as operaismo and in the Anglophone world as Italian workerism, a current which went on to inform the development of autonomist Marxism. His “Copernican revolution”—the proposal that working class struggles against exploitation propel capitalist development, which can only be understood as a reaction that seeks to harness this antagonism—has inspired dissident leftists around the world. Tronti’s influence as a theorist thus already reaches far beyond Italy to activists and writers working in different sectors on different problems historically and geographically. While his imposing and acclaimed Workers and Capital has only recently appeared in English translation, Tronti has influenced many of the most creative social and political theorists of our time. Antonio Negri and Michael Hardt have long acknowledged the influence of Tronti on their thinking, drawing especially on his inversion of strategy and tactics in their influential collaborations. Tronti’s work in the 1960s also furnished important building blocks for a Marxist feminist critique of unwaged labor—as developed by Mariarosa dalla Costa, Silvia Federici, and many others working on social reproduction theory—as Tronti showed how capitalist control extends beyond the factory to all of society. Fred Moten and Stefano Harney have echoed Tronti’s calls for a radical antagonism “within and against” institutions and the state. The Weapon of Organization is a crucial introduction to Tronti, presenting a variety of never-before-translated texts—personal letters, public talks, published articles. With an incisive and provocative introduction that situates Tronti and highlights his relevance to contemporary political struggle, Anastasi translates and restores key writing from the birth of Italian operaismo—days of street fighting and theorizing for a renewed age of revolution.Tronti’s goal, Anastasi writes, was not to become a revered thinker but to participate in the destruction of capitalist society.

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From the fight against the AIDS crisis to the struggle for Black liberation and international solidarity, Graphic Liberation! digs deep into the history, present, and future of revolutionary political image making.What is the role of image and aesthetic in revolution? Through a series of interviews with some of the most accomplished designers, Josh MacPhee charts the importance of revolutionary aesthetics from the struggle for abolition by Black Panthers, the agitation during the AIDS crisis from ACT-UP, the fight against apartheid in South Africa and Palestine, as well as everyday organizing against nuclear power, for housing, and international solidarity in Germany, Japan, China, and beyond.In ten interviews, political designer and street artist Josh MacPhee talks to decorated graphic designers such as Avram Finkelstein, Emory Douglas, and more, focussing on each of their contributions to the field of political graphics, their relationships to social movements

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Mental health care and its radical possibilities reimagined in the context of its global development under capitalism.The contemporary world is oversaturated with psychiatric programs, methods, and reforms promising to address any number of “crises” in mental health care. When these fail, alternatives to the alternatives simply pile up and seem to lead nowhere. In an original and compelling account of radical experimentation in psychiatry, Warren traces a double movement in the global development of mental health services throughout the 20th century: a radical current pushing totalizing and idealistic visions of care to their practical limits and a reactionary one content with managing or eliminating chronically idle surplus populations. Moral treatment is read in light of the utopian socialist movement; the theory of communication in the French Institutiona

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In this searing, honest memoir, a Black queer emergency-room nurse works the front lines of care during COVID-19.Britney Daniels is a Black, masculine-presenting, tattooed lesbian from a working-class background. For the last five years, she has been working as an emergency-room nurse. She began Journal of a Black Queer Nurse as a personal diary, a tool to heal from the day-to-day traumas of seeing too much and caring too much.Hilarious, gut-wrenching, and infuriating by turns, these stories are told from the perspective of a deeply empathetic, no-nonsense young nurse, who highlights the way race, inequality, and a profit-driven healthcare system make the hospital a place where systemic racism is lived. Whether it is giving one’s own clothes to a homeless patient, sticking up for patients of color in the face of indifference from white doctors and nurses, or nursing one’s own back pain accrued from transporting too many bodies as the morgues overflowed during the pandemic, Journal of a Black Queer Nurse reveals the ways in which care is much more than treating a physical body and how the commitment to real care—care that involves listening to and understanding patients in a deeper sense—demands nurses, especially nurses of color, must also be warriors.

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A sweeping and poignant history of community response to the violence of white supremacy and carceral systems in the US, told through interviews, archival reproductions, and narrative.In the summer of 2020, the deaths of George Floyd, Breonna Taylor, and Tony McDade ignited a movement that led to the largest street protests in American history. Abolitionist grassroots organizers around the country unified around a clear demand: defund the police and refund our communities. While the majority of the country supported the call to reform the police, what followed was a backlash from mainstream politicians and the press, all but defeating the movement to end the continued violence against Black Americans. Defend / Defund examines the history of how communities have responded to the violence of white supremacy and carceral systems in the United States and asks what lessons the modern abolitionist movement can draw from this past. Organized in a series of thematic sections from the use of self-defense by Black organizers, to queer resistance in urban spaces, the narrative is accompanied by over one hundred full-color images including archival materials produced by Emory Douglas, the Black Panther Party for Self-Defense and the Young Lords in the 1960s and 70s, CopWatch and the Stolen Lives Project in the 1980s and 1990s, and contemporary material from the Movement for Black Lives, Project NIA, and INCITE!, Defend / Defund shows how deep the struggles for abolition go and how urgent they remain. In addition to full-color reproduction of archival materials, the narrative includes transcripts of interviews with activists, scholars, and artists such as Mariame Kaba, Dread Scott, Dennis Flores, Dr. Joshua Myers, Jawanza Williams (VOCAL-NY and Free Black Radicals), Cheryl Rivera (NYC-DSA Racial Justice Working Group and Abolition Action), and Bianca Cunningham (Free Black Radicals). Each conversation dives into the history of specific struggles with, and organizing against, police and police brutality. In total, the publication shows how the modern Defund movement builds on powerful Black feminist and abolitionist movements past and imagines alternatives to policing for community safety for our present.

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A bridge that interrupts a legacy of pain with the honest sharing of stories.Sana, Sana is a witness to the multiple wounds etched into the landscape of Latinx experience and a testimonial to community efforts to heal them. A multi-genre anthology rooted in the deep desire to not only acknowledge and name the various forms of pain and trauma Latinx people experience regularly, but to do so in the service of imagining new futures and ways of being that prioritize healing and justice not just for Latinx people, but for Queer BIPOC communities and, ultimately, for all people. The book’s vision and understanding of Latinidad is broad and expansive. It centers Black, Indigenous, Queer, Trans, and Feminist Latinidades. By advancing an unapologetically radical antiracist, anticapitalist, feminist, and queer politic Sana, Sana holds creative and defiant space for identifying economic, social, political, emotional, and spiritual strategies to forge individual and collective healing and justice.

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The manifesto that launched the Situationist International (SI) into the public eye and sparked an uprising is back—with the story of its creation and the histories of its publication told like never before.When the Situationist International was a little known revolutionary art group, before Guy Debord’s philosophical masterpiece Society of the Spectacle was published, and before Paris’ universities were occupied in May ’68, a pamphlet titled On the Poverty of Student Life spurred a scandal that would turn into a global revolt. On the Poverty of Student Life was a match that recognized and described student and youth alienation, and the way it was printed and distributed spread that fire. For the first edition, supporters of the SI (mis)appropriated school funds to create and distribute 10,000 copies of the pamphlet. From there, dozens of editions were produced by worker- and student-run printing presses around the world, from Paris to East London, from Tokyo to Detroit. This new edition highlights this global underground circulation and brings attention to the common conditions of students, workers, and anti-imperialist resistance in the world of the sixties—bringing that historic reckoning to the present.Featuring the original English adaptation by former SI member and celebrated translator Donald Nicholson-Smith, an interview with primary author Mustapha Khayati where he traces his map from colonial Algeria to imperial France to the university and the streets, and essays about the political relevance of the manifesto (then and now)—an edition like this has never before existed. With beautiful photographs of nearly one hundred different editions this book provides a cartography of a world uprisings.

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In an uprising heard around the world, people in Argentina took to the streets on December 19th & 20th, 2001, shouting “¡Qué se vayan todos!” These words (All of them out!), and the thousands of people banging pots and pans, opened a period of intense social unrest and political creativity that led to the collapse of government after government. Neighborhoods organized themselves into hundreds of popular assemblies across the country, the unemployed workers movement acquired a new visibility, workers took over factories and businesses. Deeply involved in these movements were the activists who made up Colectivo Situaciones. With the embers of that December’s aftermath still burning, Colectivo Situaciones militantly researched and wrote 19 and 20. Locating themselves among the “horizontally organized subjectivities that insisted on not being represented by politicians but maintaining and developing their own powers of political expression” that Micheal Hardt notes in his introduction, Colectivo Situaciones gathers, interrogates, and offers forth the words of unemployed workers, factory occupiers, insurgent intellectuals, and children of the disappeared. From their investigations is revealed the birth of a new social protagonism and the de-institutional power (potencia) they wield. 19 and 20 has been praised as this generation's 18th Brumaire and as Marx’s analysis of that struggle helped set the stage for, twenty years later, the Paris Commune we find ourselves here. Revisiting and exploring the forms of counterpower that emerged from the shadow of neoliberal rule we find the book's potencia has only grown. In the intervening years the analysis of Colectivo Situaciones has been passed from hand to hand and multitudes of citizens from different countries have learned their own ways to chant ¡Qué se vayan todos!, from Iceland to Tunisia, from Spain to Greece, from Tahrir Square to Black Lives Matter. Colectivo Situaciones’ practice of militant research--of engaging with movements’ own thought processes--resonates with everyone seeking to think current events and movements, and through that to gather the foundation of a commune for the 21st century.

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We are told we are living in the middle of a climate crisis of unprecedented proportions. As doomsday scenarios mount, hope collapses. Even as more and more people around the planet experience climate disaster as immediate and urgent, our imagination and programs for transformation lag. The disasters are already here, and the crises, longstanding, are ongoing. In Hope Against Hope, the Out of the Woods collective investigates the critical relation between climate change and capitalism and calls for the expansion of our conceptual toolbox to organize within and against ecological crisis characterized by deepening inequality, rising far-right movements, and—relatedly—more frequent and devastating disasters. While much of environmentalist and leftist discourse in this political moment remain oriented toward horizons that repeat and renew racist, anti-migrant, nationalist, and capitalist assumptions, Out of the Woods charts a revolutionary course adequate to our times. At the center of the renewed political orientation Hope Against Hope expounds is an abolitionist approach to border imperialism, reactionary ecology, and state violence that underpins many green solutions and modes of understanding nature. It reminds us of the frequent moments and movements of solidarity emerging in the ruins all around us. Their stunning conclusion to the disarray of politics in our seemingly end times is the urgency of creating what Out of the Woods calls “disaster communism”—the collective power to transform our future political horizons from the ruins and establish a climate future based in common life.

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“Every entry opens a window onto a different story of creativity and resistance and I couldn’t stop hopscotching around from page to page, each one sparking off vectors for further thought and exploration. A totally mind-blowing accomplishment.”—Guy Picciotto, Fugazi An Encyclopedia of Political Record Labels is a compendium of information about political music and radical cultural production. Focusing on vinyl records and the labels that released them, this groundbreaking book traces the parallel rise of social movements in the second half of the twentieth century and the vinyl record as the dominant form of music distribution. Just as the Civil Rights Movement leaps onto mainstream headlines in the early 1960s, the 33rpm “Long Player” and 45rpm single invade people’s stereos. All the major Civil Rights organizations release vinyl records of speeches, movement songs, and field recordings—setting the pace for the intertwining of social movements and easily distributed sound recordings. This relationship continues through the end of the twentieth century, which marked both the end of apartheid in South Africa and the dominance of the vinyl format. From A-Disc (the record label of the Swedish Labor Movement) to Zulu Records (the label of free jazz pioneer Phil Choran), An Encyclopedia of Political Record Labels is a compelling panorama of political sound and action, including over 750 record labels that produced political music. Each entry features the logo of the label, a brief synopsis of its history, and additional interesting information. Truly international in scope, over two dozen countries and territories are represented, as well as a myriad of musical styles and forms.

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Making Abolitionist Worlds gathers key insights and interventions from today’s international abolitionist movement to pose the question: what does an abolitionist world look like? The Abolition Collective investigates the core challenges to social justice and the liberatory potential of social movements today from a range of personal, political, and analytical points of view, underscoring the urgency of an abolitionist politics that places prisons at the center of its critique and actions. In addition to centering and amplifying the continual struggles of incarcerated people who are actively working to transform prisons from the inside, Making Abolitionist Worlds animates the idea of abolitionist democracy and demands a radical re-imagining of the meaning and practice of democracy. The Abolition Collective brings us to an Israeli prison for a Palestinian feminist reflection on incarceration within settler colonialism; to protest movements in Hong Kong and elsewhere, that use “abolition democracy” to advocate for the abolition of the police; to the growing culture of “aggrieved whiteness” in the United States, which trucks in fear, anger, victimhood, and a demand for vengeance to maintain white supremacy; to the punitive landscapes that extend from the incarceration of political prisoners to the mass deportations and detentions along the U.S. southern border. Making Abolitionist Worlds shows us that the paths forged today for a world in formation are rooted in antiracism, decolonization, anticapitalism, abolitionist feminism, and queer liberation.

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We are fed up with working for free. We must force capital, which profits from our work, to pay for our schoolwork. Only in this way can we seize more power to use in our dealings with capital.Wages for Students was published anonymously by three activists in the fall of 1975. It was written as “a pamphlet in the form of a blue book” by activists linked to the journal Zerowork during student strikes in Massachusetts and New York.Deeply influenced by the Wages for Housework Campaign’s analysis of capitalism, and relating to struggles such as Black Power, anticolonial resistance, and the antiwar movements, the authors fought against the role of universities as conceived by capital and its state. The pamphlet debates the strategies of the student movement at the time and denounces the regime of forced unpaid work imposed every day upon millions of students. Wages for Students was an affront to and a campaign

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A powerful elixir of hope and determination, Zapantera Negra provides a galvanizing presentation of interviews, militant artwork, and original documents from two movements’ struggle for dignity and liberation. When Emory Douglas, former Minister of Culture of the Black Panther Party, accepted an invitation from the art collective EDELO and Rigo 23 to meet with autonomous Indigenous and Zapatista communities in Chiapas, Mexico, they explored the role of revolutionary art in times of distress. Zapantera Negra is the result of their encounter. It unites the bold aesthetics, revolutionary dreams, and dignified declarations of two leading movements that redefine emancipatory politics in the twentieth and twenty-first century. The artists of the Black Panthers and the Zapatistas were born into a centuries-long struggle against racial capitalism and colonialism, state repression and international war and plunder. Not only did these two movements offer the world an enduring image of freedom and dignified rebellion, they did so with rebellious style, putting culture and aesthetics at the forefront of political life.

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The Shape of Spirituality brings together leading sociologists to challenge common notions that spirituality is individualistic, privatized, and apoliticaland to make the definitive case for its social and political significance.

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The Shape of Spirituality brings together leading sociologists to challenge common notions that spirituality is individualistic, privatized, and apoliticaland to make the definitive case for its social and political significance.

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This open access book revisits common notions on how to select and recruit the right employees. It reveals that the secret of successful individuals and teams lies in a combination of talent and four important performance indicators, offering an innovative approach that companies can fruitfully adopt. Bas Kodden has studied key performance indicators among over 1,100 executives, senior staff and professionals, including 50 CEOs from leading Dutch companies. His findings put the present recruitment and selection procedures used by many prominent companies in a new light. Moreover, the book not only addresses theory; it also offers a practically applicable model for recruitment, selection and professional development. In closing, the book includes a variety of questionnaires and checklists for HR professionals and executives whose goal is to build sustainable and successful teams and organizations.

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A young dead woman in a dream triggers a memory in our unnamed narrator. Through an intimate monologue, we learn of her past fascination for a man inherently violent that made her constantly feel guilty of his failures and insecurities. A damaged, unhappy and destructive lover that in a brutal scene, brings back yet another memory: a surprise rape in a public park 25 years ago. The narrator's superb approach to these events will not leave anyone indifferent. With a refreshing female perspective, The Memory of the Air challenges common notions of victimhood. Leaving no room for stereotypes and expectations, this book explores a universal experience of gender and sexual violence from a distinctive and unique approach. Sophisticated, poetic and permeated with irony, The Memory of the Air is an extremely elegant piece that navigates emotional abuse and rape in a way that empowers the female reader like never before.

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If you want to be the best, focus on your most valuable asset: the power of your creative mindAs competition and the pace of change intensify, companies and individuals need to harness their creativity to stay ahead of the field. Under pressure, people often think they can't be creative; many more are convinced they are not creative at all because they have never been 'arty'. Creative genius Edward de Bono debunks these common notions in this remarkable book. He shows how creativity is a learnable skill - one that everyone can use to improve their performance. He then explains how you can unlock your own creativity to reap the personal and professional rewards it will bring. Learn how to:be creative on demand with de Bono's step-by-step approach add value to ideas and turn them into financial assets boost creativity with the power of lateral thinking break free from old ways of thinking with creative challenging

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The Everyday Nationalism of Workers upends common notions about how European nationalism is lived and experienced by ordinary people—and the bottom-up impact these everyday expressions of nationalism exert on institutionalized nationalism writ large. Drawing on sources from the major urban and working-class centers of Belgium, Maarten Van Ginderachter uncovers the everyday nationalism of the rank and file of the socialist Belgian Workers Party between 1880 and World War I, a period in which Europe experienced the concurrent rise of nationalism and socialism as mass movements. Analyzing sources from—not just about—ordinary workers, Van Ginderachter reveals the limits of nation-building from above and the potential of agency from below. With a rich and diverse base of sources (including workers' "propaganda pence" ads that reveal a Twitter-like transcript of proletarian consciousness), the book shows all the complexity of socialist workers' ambivalent engagement with nationhood, patriotism, ethnicity and language. By comparing the Belgian case with the rise of nationalism across Europe, Van Ginderachter sheds new light on how multilingual societies fared in the age of mass politics and ethnic nationalism.

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The Everyday Nationalism of Workers upends common notions about how European nationalism is lived and experienced by ordinary people—and the bottom-up impact these everyday expressions of nationalism exert on institutionalized nationalism writ large. Drawing on sources from the major urban and working-class centers of Belgium, Maarten Van Ginderachter uncovers the everyday nationalism of the rank and file of the socialist Belgian Workers Party between 1880 and World War I, a period in which Europe experienced the concurrent rise of nationalism and socialism as mass movements. Analyzing sources from—not just about—ordinary workers, Van Ginderachter reveals the limits of nation-building from above and the potential of agency from below. With a rich and diverse base of sources (including workers' "propaganda pence" ads that reveal a Twitter-like transcript of proletarian consciousness), the book shows all the complexity of socialist workers' ambivalent engagement with nationhood, patriotism, ethnicity and language. By comparing the Belgian case with the rise of nationalism across Europe, Van Ginderachter sheds new light on how multilingual societies fared in the age of mass politics and ethnic nationalism.

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Devising and performing a scientific experiment is an art, and it is common to hear scientists talk about the 'beauty' of an experiment. What does this mean in chemistry, the experimental science par excellence? And what are the most beautiful chemical experiments of all time? This book offers ten suggestions for where beauty might reside in experimental chemistry. In some cases the beauty lies in the clarity of conception; sometimes it is a feature of the instrumental design. But for chemistry, there can also be a unique beauty in the way atoms are put together to make new molecules, substances not known in nature. The ten experiments described here offer a window into the way that chemists think and work, and how what they do affects the rest of science and the wider world. This book aims to stimulate the reader to think anew about some of the relationships and differences between science and art, and to challenge some of the common notions about particular 'famous experiments'. Elegant Solutions: Ten Beautiful Experiments in Chemistry is accessible to all readers, including those without a scientific background and can provide an unusual point of entry into some of the basic concepts of chemistry. Phillip Ball is a renowned, prolific, award winning science writer.

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A fresh account of early American religious history that argues for a new understanding of ritual. In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals, Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America’s Revolution. Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution.

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Each year, thousands of Chinese children, primarily abandoned infant girls, are adopted by Americans. Yet we know very little about the local and transnational processes that characterize this new migration. Transnational Adoption is a unique ethnographic study of China/U.S. adoption, the largest contemporary intercountry adoption program. Sara K. Dorow begins by situating the popularity of the China/U.S. adoption process within a broader history of immigration and adoption. She then follows the path of the adoption process: the institutions and bureaucracies in both China and the United States that prepare children and parents for each other; the stories and practices that legitimate them coming together as transnational families; the strains placed upon our common notions of what motherhood means; and ways in which parents then construct the cultural and racial identities of adopted children. Based on rich ethnographic evidence, including interviews with and observation of people on both sides of the Pacific—from orphanages, government officials, and adoption agencies to advocacy groups and adoptive families themselves—this is a fascinating look at the latest chapter in Chinese-American migration.

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Discover why privacy is a counterproductive, if not obsolete, concept in this startling new book It's only a matter of time-- the modern notion of privacy is quickly evaporating because of technological advancement and social engagement. Whether we like it or not, all our actions and communications are going to be revealed for everyone to see. Exposed: How Revealing Your Data and Eliminating Privacy Increases Trust and Liberates Humanity takes a controversial and insightful look at the concept of privacy and persuasively argues that preparing for a post-private future is better than exacerbating the painful transition by attempting to delay the inevitable. Security expert and author Ben Malisow systematically dismantles common notions of privacy and explains how: Most arguments in favor of increased privacy are wrong Privacy in our personal lives leaves us more susceptible to being bullied or blackmailed Governmental and military privacy leads to an imbalance of power between citizen and state Military supremacy based on privacy is an obsolete concept Perfect for anyone interested in the currently raging debates about governmental, institutional, corporate, and personal privacy, and the proper balance between the public and the private, Exposed also belongs on the shelves of security practitioners and policymakers everywhere.

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A fresh account of early American religious history that argues for a new understanding of ritual. In the years between the American Revolution and the Civil War, there was an awkward persistence of sovereign rituals, vestiges of a monarchical past that were not easy to shed. In Awkward Rituals, Dana Logan focuses our attention on these performances, revealing the ways in which governance in the early republic was characterized by white Protestants reenacting the hierarchical authority of a seemingly rejected king. With her unique focus on embodied action, rather than the more common focus on discourse or law, Logan makes an original contribution to debates about the relative completeness of America’s Revolution. Awkward Rituals theorizes an under-examined form of action: rituals that do not feel natural even if they sometimes feel good. This account challenges common notions of ritual as a force that binds society and synthesizes the self. Ranging from Freemason initiations to evangelical societies to missionaries posing as sailors, Logan shows how white Protestants promoted a class-based society while simultaneously trumpeting egalitarianism. She thus redescribes ritual as a box to check, a chore to complete, an embarrassing display of theatrical verve. In Awkward Rituals, Logan emphasizes how ritual distinctively captures what does not change through revolution.

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A central problem for the non-specialist reader over the works of Hume today is that his ellifluous 18th century prose appears strange to our eyes and ears... What follows, therefore, is what the present editors did about it. The central purpose is to open to Hume’s original target audience his writings on religious affairs; a subject which was of central importance to him – and which remains of perennial interest to humankind. David Hume’s writings on history, politics and philosophy have shaped thought to this day. His bold scepticism ranged from common notions of the ‘self’ to criticism of standard theistic proofs. He insisted on grounding understandings of popular religious beliefs in human psychology rather than divine revelation, and he aimed to disentangle philosophy from religion in order to allow the former to pursue its own ends. In this book, Professors David W Purdie and Peter S Fosl decipher some of Hume’s most challenging texts for the modern reader, while preserving the sharp intellect and undaunted nerve for which Hume is famous. Hume’s spirit is brought alive for contemporary times and his writing is made accessible for its intended audience: the general public.

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A fascinating account of how the railway influenced more than a century of art in Europe and America Steam locomotives gripped the imagination when they first appeared in 19th-century Europe and America. Aboard these great machines, passengers traveled at faster speeds than ever before while watching the scenery transform itself and take on new forms. Common notions of time and space were forever changed.Through vivid illustrations and engaging texts, The Railway: Art in the Age of Steam captures both the fear and excitement of early train travel as it probes the artistic response to steam locomotion within its social setting. Featuring paintings, photography, prints, and posters, the book includes numerous masterpieces by 19th- and 20th-century artists, including J. M. W. Turner, Claude Monet, Camille Pissarro, Charles Sheeler, and Edward Hopper.With its wide variety of themes—landscape painting, the conquest of the West, Impressionism, issues of social class, Modernism, the aesthetics of the machine, and environmental concerns—this work promises an exhilarating journey for both train and art enthusiasts and for anyone interested in one of the industrial age’s defining achievements.Published in association with The Nelson-Atkins Museum of Art, Kansas City, and Walker Art Gallery, National Museums LiverpoolExhibition Schedule:Walker Art Gallery, National Museums Liverpool (April 18 – August 10, 2008)The Nelson-Atkins Museum of Art, Kansas City (September 13, 2008 – January 18, 2009)

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