Search results for ""canterbury university press""

In 1869, a businessman from China's Guangdong Province first set foot on New Zealand soil at Port Chalmers. It was the beginning of an illustrious career that would change the shape of commerce and industry in Otago and Southland. 'Merchant, Miner, Mandarin' depicts the fascinating life of Choie Sew Hoy - from his early days in China before emigrating to Australia and then New Zealand, to his death in 1901 as one of Dunedin's most prominent entrepreneurs. The store Choie Sew Hoy established in Dunedin's Stafford Street was a huge success, while his revolutionary gold-dredging technology improved the fortunes of the gold-mining industry in Otago and Southland. He backed dredging, quartz crushing and hydraulic sluicing ventures in the goldfields of Ophir, Macetown, Skippers, Nokomai and the Shotover. Sharp as a razor, Sew Hoy was a visionary, able to spot opportunities no one else could, whether sending vast amounts of unwanted scrap metal from New Zealand back to China, or joining famous Taranaki businessman Chew Chong's fungus export trade. Sew Hoy was also a local character, always elegantly dressed and with legendary success in horse racing. His self-assurance and charm gained him entry to the Chamber of Commerce, the Jockey Club, the Masons and even the Caledonian Society. A benefactor to many social causes, he supported hospitals and benevolent associations to help his fellow Chinese immigrants. When the success of the Chinese in New Zealand aroused hostility, he fought the prevalent racism and unfair government legislation of the day. A man of two worlds, Choie Sew Hoy was a success in both. Richly illustrated and deeply researched, 'Merchant, Miner, Mandarin' is both the compelling biography of one of the most distinguished figures of New Zealand business and an intriguing account of late 19th-century society, industry and race relations.

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There are many messages in this book: Never go drinking using your passport for ID. Make sure to apply lidocaine before ripping out your toenails. Magic might be real, but it never fixes the worst of your problems. Try to fall in love with bastards. You or someone you know may be gayer than previously thought. We’re not going to make it to Mars. A locked psychiatric ward needs more books than a single copy of Jane Eyre. Asking time travellers for advice on your exams is considered cheating. It’s not just human houses that become haunted. The key message is this: Life in the early 21st century is often very strange. So are these stories. With a crisp insouciance and gliding charm, Jack Cottrell’s fiery, fey, finely-tuned fictions leap from sci-fi to fantasy, comedy to horror, literary realism to romance, and to hybrids of all of these. Featuring sport, friendship, love, health, family, climate change, artificial intelligence, desire, magic, Greek gods, ghosts, peanut butter, cyber pranks, racial prejudice, and creepy medical advances, his stories play with the allure of the past, the disturbances of our own times, and the dangerous idealism of our future technologies – each one in fewer than 300 words. Jack is a writer and volunteer rugby referee who knows how to pack a lot into a small space, whether a story or an extremely organised sports bag. With ‘Ten Acceptable Acts of Arson’, has he worked out how to cram an entire universe into a pocket-sized capsule?

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In the place names of a country large parts of its history are embalmed … The names persist longer than the beings who gave them." —J.C. AndersenPlace names have great linguistic and cultural significance, vivifying the landscape and giving it deeper character and interest. Banks Peninsula, Lyttelton Harbour and the Port Hills of Christchurch offer a wonderfully diverse and kaleidoscopic array of names that speak of the area's Maori and colonial history and the people who have lived and worked there. Engagingly written, brimming with information and enriched with black and white photographs and stunning color plates, this substantial volume is an important addition to Gordon Ogilvie's popular and acclaimed histories of Banks Peninsula and the Port Hills.

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Until about 100 million years ago, New Zealand lay on the Pacific-facing edge of the ancient supercontinent of Gondwana; the formation of our sedimentary rocks provides a fascinating view of the tectonic activity and changes since that time. This volume is the culmination of a comprehensive survey of New Zealand’s Cretaceous–Cenozoic strata, begun in 1978, and presents an up-to-date synthesis and interpretation of regional sedimentary information from a variety of sources; the study has been expanded to include large areas of the continental shelf and beyond. Extensive references and indexing complete this essential work, a key resource for students, professional geologists and enthusiastic amateurs. Topics covered include: • sedimentary basins during the Cretaceous continental margin break-up; • the active tectonics of a ‘passive margin’; • Late Cenozoic sedimentary basins in a new, evolving plate boundary; • eustatic sea-level change in an active tectonic setting; • basin scale and facies change on the new and thin continent Zealandia.

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Dame Ngaio Marsh (1895–1982) was one of the greatest crime writers of the twentieth century. Marsh was also a gifted Shakespearean director, establishing her reputation in 1943 with the Canterbury University Drama Society modern-dress production of 'Hamlet'. Fast-paced, with a deftly-cut script, and featuring especially commissioned incidental music by Douglas Lilburn, Ngaio Marsh’s production of 'Hamlet' was a hit with wartime audiences. Marsh’s 1943 'Hamlet' production typescript is reproduced here for the first time, together with Lilburn’s previously unpublished music and a selection of archival photographs. An introductory essay by Polly Hoskins examines the staging of the production and the wartime context in which the play was performed, offering broader reflection on Marsh’s compositional approach, and a note from Robert Hoskins introduces Lilburn’s music. This edition makes the perfect starting point for enriching our understanding of Ngaio Marsh as a Shakespearean director and producer, and presents a fresh perspective on New Zealand’s theatre history.

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The Ngāi Tahu settlement, like all other Treaty of Waitangi settlements in Aotearoa New Zealand, was more a product of political compromise and expediency than measured justice. The Ngāi Tahu claim, Te Kerēme, spanned two centuries, from the first letter of protest to the Crown in 1849 to the final hearing by the Waitangi Tribunal between 1987 and 1989, and then the settlement in 1998. Generation after generation carried on the fight with hard work and persistence and yet, for nearly all Ngāi Tahu, the result could not be called fair. The intense negotiations between the two parties, Ngāi Tahu and the Crown, were led by a pair of intelligent, hard-nosed rangatira, who had a constructive but often acrimonious relationship – Tipene O’Regan and the Minister of Treaty Negotiations Doug Graham – but things were never that simple. The Ngāi Tahu team had to answer to the communities back home and iwi members around the country. Most were strongly supportive, but others attacked them at hui, on the marae and in the media, courts and Parliament. Graham and his officials, too, had to answer to their political masters. And the general public – interested Pākehā, conservationists, farmers and others – had their own opinions. In this measured, comprehensive and readable account, Martin Fisher shows how, amid such strong internal and external pressures, the two sides somehow managed to negotiate one of the country’s longest legal documents. 'A Long Time Coming' tells the extraordinary, complex and compelling story of Ngāi Tahu’s treaty settlement negotiations with the Crown. But it also shines a light, for both Māori and Pākehā, on a crucial part of this country’s history that has not, until now, been widely enough known.

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The second of three volumes, this account charts the progress of a scientific inventory of New Zealand's living and fossilized biodiversity. An intriguing guide, it focuses on Ecdysozoa (molting animals), the enigmatic phylum Chaetognatha (arrow worms), and the fossil traces of ancient animal activities. The project is an international effort involving more than 220 New Zealand specialists and, when completed, will include the almost 55,000 known species of animals, plants, fungi, and microorganisms in the country. To date, only New Zealand has compiled a checklist of its entire biota.

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Remaking the Tasman World explores New Zealand's most important and extensive relationship - with Australia - on a variety of levels over the past century. The authors present a combined narrative about a 'Tasman world', a working region defined by a history of traffic in ideas, policies, objects and people. This wide-ranging, fresh analysis focuses on myriad 'communities of interest' that have spanned the Tasman Sea for over a hundred years, yet have largely been ignored by national histories. The concept of Australasia - the British world south of Asia - may have become old hat, but a Tasman world still operated, and in an increasing rush from the 1960s. From early maps of Australasia to accounts of shared state experiments, of a trans-Tasman business world, sport and Anzac bonds, the authors unearth a common past and reorder it in a history infused with wit and insight. They also look forward, envisioning a fresh start for a trans-Tasman community facing the 21st century.

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Darkly comic, surreal and full of perceptiveness about human vulnerability and eccentricity, Frankie McMillan’s small fictions often duck and dive away from the reader’s expectations. With a poet’s sense of how single words or phrases ripple out with alternate meanings, and a dramatist’s feeling for how apparently small gestures reveal character, and how sudden, cataclysmic change can wrench us out of comfort, routine and unthinking assumptions, the author leaves us ransacking the language for finer genre definitions. This collection teems with both the animal world and a vivid circus of quirky human individuals. The pieces globe-trot all over the planet: from Russia to America to New Zealand; and yet often their piquant wisdom comes from how they bear down into `micro-geography’ of intimate relationships: the troughs, peaks, cliff-sides, the warm, still pools of recognition. Frankie McMillan is like a quietly outrageous Zen master, showing us human folly and idiocy, steering us carefully over the dark river of vulnerability that swells under it all. `The Father of Octopus Wrestling, and other small fictions’ is an artisan production, designed and printed by Ilam Press, Ilam School of Fine Arts.

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John Hellemans looks back on his long career in triathlon, initially as a successful competitor, and subsequently as a coach and sports medicine doctor for some of New Zealand’s best-performing triathletes. Hellemans won six national titles and represented New Zealand at several world championship events and the 1990 Commonwealth Games. As an amateur he has won eight age-group world championship titles. Erin Baker, Jenny Rose, Craig Watson, Ben Bright, Kris Gemmell, Rachel Klamer, Maaike Caelers and Andrea Hewitt figure amongst the many triathletes he has coached at world championship and Olympic level. In this frank, entertaining and often poignant account he provides a fascinating insight into the professional triathlon world and its personalities. His exploration of the compulsive attraction of one of the toughest sports, which has kept him hooked into his 60s, will appeal to anyone with an interest in human nature as well as to sports enthusiasts. Hellemans relives significant episodes from his family life in Holland where he grew up under the threat of the Cold War, and recounts his adventures as a young doctor in rural New Zealand, adjusting to a different culture and its customs. As well as relating his own trials, triumphs and tribulations in the sport, Hellemans describes the courage and determination of athletes he has coached, as they overcame injury and other setbacks to compete at world level and he shares the excruciating intensity of watching when they sometimes came to grief. 'Never, Ever Give Up?' explores the motivation that kept Hellemans going back for more and that saw him complete the gruelling Hawaii Ironman in searing heat at the age of 60. Less than two years later, he suffered an exercise-induced cardiac event after a local cross-country run. Was his body telling him that it was time to give up?

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The 2019 re-opening of the Christchurch Town Hall is celebrated in this richly illustrated volume. Threatened with demolition following earthquake damage in 2011, the building has been renewed through seismic strengthening, restoration and repair. With contributions from those who shaped its original design, along with accounts of the renewal project and the story of the hall’s Rieger organ, this book explains why the Christchurch Town Hall is of both national and international significance. It will appeal to a diverse range of readers, from architects and acousticians, to musicians and those who seek a better understanding of what makes it such an outstanding performance venue, as well as to citizens who take pride in their town hall. Opened in 1972, the Christchurch Town Hall was acclaimed for its architectural excellence and established the national reputation of its designers, Warren & Mahoney. Harold Marshall’s acoustic design brought international recognition and helped to transform the way concert halls were designed around the world. Serving as the city’s leading concert venue for almost forty years, the Christchurch Town Hall has been acclaimed by performers as diverse as Leonard Bernstein, Kiri Te Kanawa and Carlos Santana. Yet it was always more than just a performance venue, becoming the focus for many of the city’s civic, social, cultural and educational rituals. In 2019 the renewed town hall became, once more, Christchurch’s `public living room’.

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Although for many of us violence is something observed from the safety of our living spaces where we try to make sense of what appears to be senseless violence toward innocent victims, many human service workers and social workers confront violence-related issues every day in situations arising across every stratum of our society. This book takes a multidisciplinary perspective towards understanding and developing effective responses to violence, its prevention, and its management. It encompasses a variety of fields of practice and offers sound analysis of theories that underpin these fields along with their practice implications. Understanding Violence: Context and Practice in the Human Services is a reference for professionals, an essential resource for students and will be of interest to the wider community in explaining community responses to violence.

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On a drizzly Monday morning, 16 August 1886, the inhabitants of Timaru woke to astounding news. Tom Hall junior, a well-known local businessman and man about town, nephew of former New Zealand Premier Sir John Hall, had been arrested for attempting to murder his wife, Kitty, by poisoning. Also charged was Margaret Houston, Kitty Hall's lady-help. It was without doubt the most extraordinary thing that had ever happened in Timaru, if not the whole colony...So begins Vile Crimes, a riveting and fast-paced examination of one of New Zealand's most sensational court cases.

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Revised and expanded to include up-to-date information, this new edition describes the Chatham Islands with emphasis on their geology, flora, fauna, habitats, and extinct and endangered species on land, in freshwater, and in the sea. Beginning with an introduction to the human history of the islands, this guide enumerates the many reserves and covenants that have been established to protect and conserve the islands' heritage. The nonscientific approach makes this an easily accessible, comprehensive overview of the islands supplemented by beautiful color photography. Visitors, residents, conservationists, and scientists will find this a practical guide to the natural habitat of the Chatham Islands.

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