Search results for ""broadview press ltd""

Western Visions, Western Futures explores the interplay between western alienation and western aspirations. Because of regional optimism, western Canadians often feel alienated from the rest of Canada or, more specifically, from the federal government: western Canadians are concerned that their aspirations are not shared by the rest of Canada and, worse, that conflicting "national"policy choices and political realities have and will work to undermine the interests of the West. The book is rich in both data and history. Combining strong analysis with graphs and illustrative quotations, it presents a comprehensive overview of key western Canadian trends and policy issues and places these within a national context. Western Visions, Western Futures outlines a number of process and policy options for federal and provincial governments both to help fulfill western aspirations and to address western alienation. The authors argue that the future prosperity and well-being of Canada are integrally tied to the future of the West, and leaving western alienation unaddressed for another 50 or 100 years will only serve to weaken or destroy the whole country. Western Visions, Western Futures is a revised, updated, and expanded edition of Western Visions by Roger Gibbins and Sonia Arrison (Broadview Press 1995), there is little in common between the two books. Many of the themes are the same, but the new book draws heavily on a wealth of Canada West Foundation data that has recently come available.

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Dreams is a work that defies conventional categorization; however, one might best capture its unique formal structure by construing it as a series of prose poems or narrative paintings, a starkly modern text inflected by the far older tradition of the medieval dream vision poem. Arthur Symons praised Dreams by saying, “The words seem to chant themselves to a music which we do not hear.” Though a work of prophecy, it proceeds with a light touch. The sequence of eleven dreams, loosely interlinked, leaves us to wrestle with our doubts; it takes up thorny questions that challenge a culture right where it may tend to be its proudest. The landscape of the work shifts as it moves among the African savannah, congested late-industrial London, and the olive tree-studded hillsides of Italy. The intersectionality of Schreiner’s writing—its concern with gender, sexual orientation, class, nation, and race—makes her a particularly salient voice for today’s students. The appendices to this edition provide an accessible representation of Schreiner’s key contexts, South African and British as well as American. The introduction provides a biographical overview of a writer wrestling with questions of social justice pertinent to her own era, yet relevant to our contemporary moment.

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Experiencing Philosophy begins with the assumption that philosophy is not merely something you know but also something you experience and participate in. The book presents philosophical theories and ideas with reference to their practical relevance to the lives of student readers. To this end, a number of engaging features and inserts are provided: Original Sources: Numerous primary readings are included, introducing students directly to the philosophical work of diverse thinkers ranging from Plato to Martin Luther King Jr. Each reading is thoughtfully excerpted and followed by reflective questions. Philosopher Profiles: Abstract ideas are connected to the lives of real historical figures through fascinating biographical profiles. Take It Personally: To illustrate how philosophy can be useful and relevant, each chapter begins by placing the material in a personal context. Know Thyself Diagnostics: This book takes seriously—as did Socrates—the Delphic Oracle’s dictum to “know thyself.” Students are given self-diagnostics to explore their own philosophical values, ideals, and beliefs. Philosophers in Action: Philosophy is something you do, not just something you know. Prompts are provided throughout the text inviting students to conduct thought experiments, analyze concepts, and discuss and debate controversial points. Thinking about Your Thinking: These metacognitive prompts require students to engage in higher-order thinking, not only about the presented readings and ideas but also with respect to their own values, assumptions, and beliefs. Plus: Built-in study guides, diagrams, famous philosophical quotations, comics, feature boxes, and more!

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Academic Writing has been widely acclaimed in all its editions as a superb textbook—and an important contribution to the pedagogy of introducing students to the conventions of academic writing. The book seeks to introduce student readers to the lively community of research and writing beyond the classroom, with its complex interactions, values, and goals. It presents writing from a range of disciplines in the humanities, social sciences, and natural sciences, cultivating students’ awareness of the subtle differences in genre.

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King Lear is a play for our times. The central characters experience intense suffering in a hostile and unpredictable world. They face domestic cruelty, political defeat, and a stormy external environment that invades them 'to the skin.' They constantly question the meaning of their experiences as we watch their emotions range from despair to rage to unexpected tenderness and desperate hope as they are rejected, even tortured. Lear's daughters, as in a fairy tale, are three strong women. The elder two vie for sexual and political power, while the youngest, Cordelia, is initially banished because of her plain speaking, then returns in a doomed attempt to restore her father to his throne. King Lear has an unusual performance history. It was significantly revised, by Shakespeare or others, between its first two publications, and was then succeeded by an adaptation that softened the ending so that Lear and Cordelia survived. In our own times King Lear is performed around the world in productions that explore its relevance to contemporary political and environmental challenges. This edition offers a distinctive 'extended' text, taking the later Folio as a starting point and adding the lines that appear only in the Quarto, distinguished by a light gray background. Variations in individual words that are of critical interest are recorded in the margin.

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Freelancers make up one of the fastest-growing groups of workers in North America. But, in today’s fractured and quick-paced media industry, where do you start? This book is a guide for journalism students, recent graduates, and early-career journalists looking to better understand both the creative and business sides of freelance work in Canada and the US. Learn how to develop your personal brand, how to pitch to different types of publications and media outlets, and how to plan for your financial future as a freelancer (yes, it's possible!). Practical and easy to read, The New Journalist's Guide combines more than a decade of the author’s personal experience as a freelance journalist with the perspectives of freelancers and experts across Canada and the US in a range of fields.

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Academic Writing Now: A Brief Guide for Busy Students is a rhetoric designed to cover the basics of a college writing course in a concise, student-friendly format. Anything inessential to the business of college writing has been excluded. Each chapter concentrates on a crucial element of composing an academic essay and is capable of being read in a single sitting. The book is loaded with "timesaver tips," ideas for making the most of the student's time, along with occasional warnings to avoid common errors made by student writers. Each short chapter concludes with questions and suggestions designed to trigger class discussion.The second edition has been updated throughout, with special attention to making the book even better suited to accelerated and co-requisite composition courses.

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Philosophical Adventures is a clear, concise introduction to philosophy, covering an engaging set of topics: reasoning, free will, religious belief, ethics, well-being, politics, and education. Stylishly written and cogently argued, the book engages readers by using compelling examples to make complex ideas accessible. The book’s distinctive and engaging content provides a welcoming path to understanding the appeal of philosophical inquiry.

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Straightforward, practical, and focused on realistic examples, Business and Professional Writing: A Basic Guide for Americans is an introduction to the fundamentals of professional writing. The book emphasises clarity, conciseness, and plain language. Guidelines and templates for business correspondence, formal and informal reports, brochures and press releases, and oral presentations are included. Exercises guide readers through the process of creating and revising each genre, and helpful tips, reminders, and suggested resources beyond the book are provided throughout. The second edition includes new sections on information security and ethics in business writing. New formal proposal examples have been added, and the text has been updated throughout. Business and Professional Writing instructor site resources include PowerPoint lectures, suggested assignments, grading rubrics, and lesson plans, and suggested lecture notes. KEY FEATURES: Very concise—points are made as briefly and directly as possible Tone is friendly and encouraging rather than formal or academic Strong coverage of marketing and promotional writing: brochures, social media, and news releases are covered along with other kinds of workplace writing Readable layout, with many concrete examples, instructive images, and helpful tips throughout

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Bioethics: Legal and Clinical Case Studies is a case-based introduction to ethical issues in health care. Through seventy-eight compelling scenarios, the authors demonstrate the practical importance of ethics, showing how the concerns at issue bear on the lives of patients, health care providers, and others. A range of central topics are covered, including informed consent, medical futility, reproductive ethics, privacy, cultural competence, and clinical trials. Each chapter includes a selection of important legal cases as well as clinical case studies for critical analysis. The case studies are often presented as moral dilemmas, and are conducive to rich discussion. A companion website offers a curated collection of relevant legal precedents as well as additional case studies and other resources.

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Published in the bicentenary year of Frederick Douglass’s birth in 2018 and in a Black Lives Matter era,this anniversary edition of Narrative of the Life of Frederick Douglass, an American Slave, presents newresearch into his life as an activist and as an author. As a revolutionary reformer who traveled in Scotland,Ireland, England, and Wales as well as the US, Douglass published foreign language editions of hisNarrative. While there have been many Douglasses over the decades and even centuries, the FrederickDouglass we need now is no representative, iconic, mythic or legendary self-made man but a fallible,mortal, and human individual: a husband, father, brother, and son. His rallying cry lives on to inspiretoday’s activism: “Agitate! Agitate! Agitate!”Recognizing that Douglass was bought and sold on the northern abolitionist podium no less than on thesouthern auction block, this edition introduces readers to Douglass’s multiple declarations ofindependence. Douglass’s Narrative appears alongside his private correspondence as well as his earlyspeeches and writings in which he relied on powerful language to do justice to the “grim horrors ofslavery.” For the first time, this volume also traces the activism and authorship of Frederick Douglass notin isolation but in the context of the reformist work of his wife, Anna Murray, and his daughters and sons.

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In recent decades the contested areas of English usage have grown both larger and more numerous. We may argue rather less frequently than was once the case over issues of grammar and usage. But we argue more frequently than ever overwhether to use man or humanity, fisher or fisherman; whether to say Indians or Native Peoples (or First Nations, or Chippewa or Cree or Snuneymuxw, as the case may be); whether to speak of a person being disabled, or challenged, or differently abled; whether it's acceptable to say that's so gay. These are all issues that some would lump together as controversies of political correctness (itself in some ways a problematic expression). Certainly they are all issues that involve ethics as well as the conventions of grammar or of English usage - though they are often intimately intertwined with those conventions.This volume offers a concise and user-friendly guide to these large issues. Can we use language in ways that avoid giving expression to prejudices embedded within it? Can the words we use help us point a way towards a better world? Can we take these issues with appropriate seriousness while remaining open-minded - and still retaining our sense of humor? To all these questions this little book answers yes, while offering clear-headed discussions of many of the key issues.

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This new anthology of early modern philosophy enriches the possibilities for teaching this period by highlighting not only metaphysics and epistemology but also new themes such as virtue, equality and difference, education, the passions, and love. It contains the works of 43 philosophers, including traditionally taught figures such as Descartes, Spinoza, Leibniz, Locke, Berkeley, Hume, Kant, as well as less familiar writers such as Lord Shaftesbury, Anton Amo, Julien Offray de La Mettrie, and Denis Diderot. It also highlights the contributions of women philosophers, including Margaret Cavendish, Anne Conway, Gabrielle Suchon, Sor Juana Inéz de la Cruz, and Emilie Du Châtelet.

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The two narratives published together in The Tragedy of Pudd’nhead Wilson and the Comedy of Those Extraordinary Twins are overflowing with spectacular events. Twain shows us conjoined twins, babies exchanged in the cradle, acts of cross-dressing and racial masquerade, duels, a lynching, and a murder mystery. Pudd’nhead Wilson tells the story of babies, one of mixed race and the other white, exchanged in their cradles, while Those Extraordinary Twins is a farcical tale of conjoined twins. Although the stories were long viewed as flawed narratives, their very incongruities offer a fascinating portrait of key issues—race, disability, and immigration—facing the United States in the final decades of the nineteenth century.Hsuan Hsu’s introduction traces the history of literary critics’ response to these works, from the confusion of Twain’s contemporaries to the keen interest of current scholars. Extensive historical appendices provide contemporary materials on race discourse, legal contexts, and the composition and initial reception of the texts.

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Jack of Newbury is an incisive yet remarkably entertaining work of narrative prose—and one that was extremely popular when it was published in the 1590s. The title character, an apprentice weaver, marries his former master’s wife, expands her cloth business into an enormous enterprise, refuses Henry VIII’s offer of a knighthood, and confronts Cardinal Wolsey; meanwhile, his servants find themselves in a range of comic situations. While amusing, Jack of Newbury also carries a serious and subversive political message: as Peter C. Herman puts it in his introduction to the volume, “the truly valuable subjects” in Deloney’s narrative “are not the nobility, but the merchant class.” The range of contextual materials included with this edition help to set it in the broader context of its economic and political as well as literary culture.

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Regarded by Bernard Shaw as a master of the theatre, Dion Boucicault was arguably the most important figure in drama in North America and in Britain during the second half of the nineteenth century. He was largely forgotten during the twentieth century—though he continued to influence popular culture (the iconic image of a woman tied to railway tracks as a train rushes towards her, for example, originates in a Boucicault melodrama). In the twenty-first century the gripping nature of his plays is being discovered afresh; when The Octoroon was produced as a BBC Radio play in 2012, director and playwright Mark Ravenhill described Boucicault’s dramas as “the precursors to Hollywood cinema.”In The Octoroon—the most controversial play of his career—Boucicault addresses the sensitive topic of race and slavery. George Peyton inherits a plantation, and falls in love with an octoroon—a person one-eighth African American, and thus, in 1859 Louisiana, legally a slave. The Octoroon opened in 1859 in New York City, just two years prior to the American Civil War, and created a sensation—as it did in its subsequent British production.This new edition includes a wide range of background contextual materials, an informative introduction, and extensive annotation.

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The Spanish Tragedy became one of the most successful plays on the Elizabethan English stage and laid the foundation of the revenge tragedy, a genre that playwrights returned to throughout the early modern era and that endures even today. The story surrounds the civil servant Hieronimo who joins Bel-imperia of the royal family to take revenge on her own brother for murdering Hieronimo's son, the object of her affection. The work goes far beyond a story of intrigue and brings up questions about aristocratic privilege, the moral hazards of revenge, the spectacle of violence, and the agency of women at court.This Broadview Edition includes a freshly edited text based on the 1592 edition, notes designed to help first-time readers understand and enjoy the work, an extensive introduction that situates the play in its literary and historical context, and extensive historical documents. The documents open up avenues of inquiry for students interested in the life and work of Thomas Kyd, the construction of women at court, the question of revenge, violence and entertainment in Elizabethan England, and Spain in the Elizabethan imagination.

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Kant’s landmark essay “On Perpetual Peace” is as timely, relevant, and inspiring today as when it was first written over 200 years ago. In it we find a forward-looking vision of a world respectful of human rights, dominated by liberal democracies, and united in a cosmopolitan federation of diverse peoples. The essay is an expression of global idealism that remains an enduring antidote to the violence and cynicism that are all too often on display in international relations and foreign affairs.This book features a fresh and vigorous translation of Kant’s essay by Ian Johnston, and it includes an extended introduction by philosopher Brian Orend. The introduction situates Kant’s essay in its historical context and offers a substantial analysis, section by section, of the essay itself. In doing so, Orend not only discusses Kant’s personal life and the history of the perpetual peace tradition, he also shows how Kant’s provocative ideas have inspired and infused our own time, especially the concept of a global alliance of free societies committed to respecting human rights.

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The Logic of Our Language teaches the practical and everyday application of formal logic. Rather than overwhelming the reader with abstract theory, Jackson and McLeod show how the skills developed through the practice of logic can help us to better understand our own language and reasoning processes.The authors’ goal is to draw attention to the patterns and logical structures inherent in our spoken and written language by teaching the reader how to translate English sentences into formal symbols. Other logical tools, including truth tables, truth trees, and natural deduction, are then introduced as techniques for examining the properties of symbolized sentences and assessing the validity of arguments. A substantial number of practice questions are offered both within the book itself and as interactive activities on a companion website.

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An Introduction to Metalogic is a uniquely accessible introduction to the metatheory of first-order predicate logic. No background knowledge of logic is presupposed, as the book is entirely self-contained and clearly defines all of the technical terms it employs. Yaqub begins with an introduction to predicate logic and ends with detailed outlines of the proofs of the incompleteness, undecidability, and indefinability theorems, covering many related topics in between.

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Arguably no medieval English literary work has had as far and wide a reach as Sir Thomas Malory’s Le Morte Darthur; among the many adaptations are Tennyson’s Idylls of the King, T.H. White’s The Once and Future King, and the Lerner and Loewe musical Camelot. It might also be argued that the late twentieth- and early twenty-first-century tradition of fantasy literature—from Tolkien’s Lord of the Rings to George Lucas’s Star Wars and beyond—owes much to the Arthurian tradition, rooted in English most strongly in Malory’s Morte Darthur. Yet there has been no edition that draws on the results of the past generation’s scholarship while presenting Malory’s work in a form that is at once true to the original and accessible to the modern reader.This new edition, which expands on the revised and expanded selection of Malory material that will be included in the third edition of The Broadview Anthology of British Literature, is all of those things. The extensive selections include most of the material concerning Launcelot, and all of the Morte’s two final tales; the language has been partially modernized to make the text accessible to the modern reader, while retaining the flavor of the original; the text has been carefully prepared from the Winchester manuscript; and the annotations are extensive.

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A Strategic Guide to Technical Communication incorporates useful and specific strategies for writers, to enable them to create aesthetically appealing and usable technical documentation. These strategies have been developed and tested on a thousand students from a number of different disciplines over twelve years and three institutions. The second edition adds a chapter on business communication, reworks the discussion on technical style, and expands the information on visual communication and ethics into free-standing chapters.The text is accompanied by a passcode-protected website containing materials for instructors (PowerPoint lectures, lesson plans, sample student work, and helpful links).

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Frances Trollope’s Domestic Manners of the Americans, complemented by Auguste Hervieu’s satiric illustrations, took the transatlantic world by storm in 1832. An unusual combination of realism, visual satire, and novelistic detail, Domestic Manners recounts Trollope’s three years as an Englishwoman living in America. Trollope makes the civility of an entire nation the subject of her keen scrutiny, a strategy that would earn her, in the words of the critic Michael Sadleir, “more anger and applause than almost any writer of her day.”Auguste Hervieu’s twenty-four original illustrations, placed and scaled as in the first edition, are included in this Broadview Edition, inviting readers to experience the original relationship of image and text.

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Who is a victim? Considerations of innocence typically figure in our notions of victimhood, as do judgments about causation, responsibility, and harm. Those identified as victims are sometimes silenced or blamed for their misfortune—responses that are typically mistaken and often damaging. However, other problems arise when we defer too much to victims, being reluctant to criticize their judgments or testimony. Reaching a sensitive and yet critical stand on victims’ credibility is a difficult matter.In this book, Trudy Govier carefully examines the concept of victimhood and considers the practical implications of the various attitudes with which we may respond to victims. These issues are explored with reference to a range of complex examples, including child victims of institutional abuse and the famed Rigoberta Menchú controversy. Further topics include the authority of personal experience, restorative justice, restitution, forgiveness, and closure.

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This new anthology offers a wide selection of readings addressing the contemporary moral issues that arise from the division between the Global North and South—“the problem of the color-line” that W.E.B. Du Bois identified at the beginning of the twentieth century and which, on a scale that Du Bois could not have foreseen, is the problem of the twenty-first. The book is interdisciplinary in scope. In addition to standard topical essays in ethical theory by philosophers such as Anthony Appiah, Martha Nussbaum, and Peter Singer, it contains essays from economists such as Amartya Sen, Joseph Stiglitz, and Thomas DeGregori, as well as current empirical data from the World Bank, IMF, United Nations, and other sources.

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These volumes provide an overview of British literature in its social and historical context from the Anglo-Saxon period through to the twenty-first century. They trace literary developments and touch on key developments in the history of the language of print culture. Additionally, they provide essential background for those unfamiliar with the unfolding of British political, social, economic, and cultural history during each of the six periods into which the study of British literature is commonly divided. The material for British Literature: A Historical Overview has been drawn from the general introductions to the six volumes of the acclaimed Broadview Anthology of British Literature.

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Charlotte Perkins Gilman’s provocative utopian novel Herland, first published in 1915, tells its story through the observations of three male explorers who discover a land inhabited solely by women; the women reproduce through parthenogenesis (asexual reproduction). Initially skeptical, the explorers come to realize that Herland has evolved into an ideal, cooperative, matriarchal society—fertile, peaceful, and clean—by selectively reproducing the women’s best attributes. As the explorers study Herland culture, they also rethink their own.This edition reproduces the text originally published in The Forerunner in 1915, including several passages omitted from other editions. Stories, poetry, and nonfiction writing by Gilman on topics such as birth control, capital punishment, and eugenics provide a rich context for the novel. Materials originally published alongside Herland in 1915, many of which have never before been republished, are also included, as is an excerpt from the sequel, With Her in Ourland.

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This collection provides a representative set of theatrical performances popular on the nineteenth-century British stage. All are newly edited critical editions that account for variant sources reflecting the process of rehearsal, licensing, and production. Detailed introductions and extensive notes explain the texts’ relationship to repertoires, the circulating discourses of intelligibility that constantly recombine in performance. The plays address the topical concerns of slavery, imperial conquest, capitalism, interculturalism, uprisings at home and abroad, modernist aesthetic innovation, and the celebration of collective identities. Adaptations from novels, travelogues, and other plays are discussed along with the theatrical history that sustained these works on the stage.

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Edgar Allan Poe’s only long fiction has provoked intense scholarly discussions about its meaning since its first publication. The novel relates the adventures of Pym after he stows away on a whaling ship, where he endures starvation, encounters with cannibals, a whirlpool, and finally a journey to an Antarctic sea. It draws on the conventions of travel writing and science fiction, and on Poe’s own experiences at sea, but is ultimately in a category of its own.Appendices include virtually all of the contemporary sources of exploration and south polar navigation that Poe consulted and adapted to the narrative, together with reviews and notices of Pym and a sampling of responses to the novel from a wide array of authors, from Herman Melville to Jules Verne. Seven illustrations are also included.

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Over a series of elegantly written, engaging essays, the Enquiry examines the experiential and psychological sources of meaning and knowledge, the foundations of reasoning about matters that lie beyond the scope of our sensory experience and memory, the nature of belief, and the limitations of our knowledge. The positions Hume takes on these topics have been described as paradigmatically empiricist, sceptical, and naturalist and have been widely influential and even more widely decried. The introduction to this edition discusses the Enquiry’s origin, evolution, and critical reception, while appendices provide examples of contemporary responses to Hume.

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The Victorian Art of Fiction presents important Victorian statements on the form and function of fiction. The essays in this anthology address questions of genre, such as realism and sensationalism; questions of gender and authorship; questions of form, such as characterization, plot construction, and narration; and questions about the morality of fiction. The editor discusses where Victorian writing on the novel has been placed in accounts of the history of criticism and then suggests some reasons for reconsidering this conventional evaluation. Among the featured essayists and critics are John Ruskin, Walter Bagehot, George Henry Lewes, Leslie Stephen, Anthony Trollope, and Robert Louis Stevenson; the classic essays include George Eliot’s “Silly Novels by Lady Novelists” and Henry James’s “The Art of Fiction.”

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The Modern English Structures Workbook parallels the text, Modern English Structures, and provides useful training both in memorization and in higher-order thinking skills.

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“Michael Field” was the literary pseudonym of two women, Katharine Bradley (1846-1914) and her niece Edith Cooper (1862-1913). The women were poets, playwrights, diarist, and lovers who lived and wrote together during the final decades of the nineteenth century up to World War I. Their arresting poetry has recently gained them a place in the canon, and their extensive engagement with other writers puts them at the centre of fin de siècle literary culture.This Broadview Edition offers selections from all published books of poetry by Michael Field, and a substantial section of transcriptions from largely unpublished manuscript letters and diaries that gives insight into the extraordinary life and work of the authors. A critical introduction, bibliography, and selection of contemporary reviews are also included.

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Vernon Lee writes in the Preface to Hauntings, "My ghosts are what you call spurious ghosts... of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own." First published in 1890, Lee's most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee's predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee's brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.

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During the British women's suffrage campaign of the late nineteenth and early twentieth centuries, women wrote plays to convert others to their cause; they wrote essays to justify their militant actions; and they wrote fiction and poetry about their prison experiences.This volume is a diverse collection of these writings, focused on the women's suffrage campaign in England and written primarily during the brief period between the New Woman writers of the 1890s and the modernists of the twentieth century. Many of these works have not been reprinted since they were first published.This important collection includes essays reflecting a variety of opinions and political positions; excerpts from autobiographies by women involved in the movement; suffrage poetry; the song that became the official song of the British suffrage movement; several one-act plays that were written and performed specifically to advance the suffrage cause; and short stories and excerpts from novels about suffrage.

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The Aesthetics of Natural Environments is a collection of essays investigating philosophical and aesthetics issues that arise in our appreciation of natural environments. The introduction gives an historical and conceptual overview of the rapidly developing field of study known as environmental aesthetics. The essays consist of classic pieces as well as new contributions by some of the most prominent individuals now working in the field and range from theoretical to applied approaches.The topics covered include the nature and value of natural beauty, the relationship between art appreciation and nature appreciation, the role of knowledge in the aesthetic appreciation of nature, the importance of environmental participation to the appreciation of environments, and the connections between the aesthetic appreciation of nature and our ethical obligations concerning its maintenance and preservation.This volume is for scholars and students focussed on nature, landscapes, and environments, individuals in areas such as aesthetics, environmental ethics, geography, environmental studies, landscape architecture, landscape ecology, and the planning and design disciplines. It is also for any reader interested in and concerned about the aesthetic quality of the world in which we live.

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The publication of The Broadview Anthology of Seventeenth-Century Verse and Prose is a literary event; this comprehensive volume is the first anthology of the period to reflect the breadth of seventeenth-century studies in recent decades. Over one hundred writers are included, from John Chamberlain at the beginning of the century to Elisabeth Singer Rowe at its end. There are generous selections from the work of all major writers, and a representation of the work of virtually every writer of significance. The work of women writers figures prominently, with extensive selections not only from canonical writers such as Behn and Bradstreet, but also from other writers (such as Katherine Philips and Margaret Cavendish) who have been receiving considerable scholarly attention in recent years.The anthology is broadly inclusive, with writing from America as well as from the British Isles. Memoirs, letters, political texts, travel writing, prophetic literature, street ballads, and pamphlet literature are all here, as is a full representation of the literary poetry and prose of the period, including the poetry of Jonson; the prose of Bacon; the metaphysical poetry of Donne, Herbert, Marvell, and others; the lyric verse of Herrick; and substantial selections from the poetry and prose of Milton and Dryden. (While Samson Agonistes is included in its entirety, Milton’s epic poems have been excluded, in order to allow space for other works not so readily accessible elsewhere.)The editors have included complete works wherever possible. A headnote by the editors introduces each author, and each selection has been newly annotated.

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Winner of the 2003 Silver Medal for Gay/Lesbian Fiction, ForeWord MagazineImre is one of the first openly gay American novels without a tragic ending. Described by the author as “a little psychological romance,” the narrative follows two men who meet by chance in a café; in Budapest, where they forge a friendship that leads to a series of mutual revelations and gradual disclosures. With its sympathetic characterizations of homosexual men, Imre’s 1906 publication marked a turning point in English literature. This edition includes material relating to the novels origins, contemporary writings on homosexuality, other writings by Prime-Stevenson, and a contemporary review.

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The concept and values of wilderness, along with the practice of wilderness preservation, have been under attack for the past several decades. In Rethinking Wilderness, Mark Woods responds to seven prominent anti-wilderness arguments. Woods offers a rethinking of the received concept of wilderness, developing a positive account of wilderness as a significant location for the other-than-human value-adding properties of naturalness, wildness, and freedom. Interdisciplinary in approach, the book combines environmental philosophy, environmental history, environmental social sciences, the science of ecology, and the science of conservation biology.

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Logical Options introduces the extensions and alternatives to classical logic which are most discussed in the philosophical literature: many-sorted logic, second-order logic, modal logics, intuitionistic logic, three-valued logic, fuzzy logic, and free logic. Each logic is introduced with a brief description of some aspect of its philosophical significance, and wherever possible semantic and proof methods are employed to facilitate comparison of the various systems. The book is designed to be useful for philosophy students and professional philosophers who have learned some classical first-order logic and would like to learn about other logics important to their philosophical work.

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The Rebel of the Family (1880) is the first New Woman novel by Eliza Lynn Linton. Perdita Winstanley, the novel’s protagonist, struggles to balance the competing demands of her snobbish, conservative mother and sisters, her radical friends in the women’s rights movement, and an admirable but low-born chemist and his family. The Rebel of the Family also includes what is perhaps the first literary portrait of the late-Victorian lesbian community in London, featuring Bell Blount and her “little wife” Connie. This Broadview edition includes a critical introduction and appendices that help to set the work in its historical and literary contexts.

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The Monk is the most sensational of Gothic novels. The main plot concerns Ambrosio, an abbot of irreproachable holiness, who is seduced by a woman (or perhaps a demon) disguised as a novice, and who goes on to sell his soul to the Devil. An extravagant blend of sex, death, politics, Satanism, and poetry, the work greatly appealed to the Marquis de Sade.The Broadview edition includes a critical introduction and appendices of historical materials that address the novel's literary sources (in English, German, and Greek literature), historical contexts (the French Revolution, slavery and abolition debates, sexuality), critical reception, and influence.

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One of Joseph Conrad’s greatest novels, Lord Jim brilliantly combines adventure and analysis. Haunted by the memory of a moment of lost nerve during a disastrous voyage, Jim submits to condemnation by a Court of Inquiry. In the wake of his disgrace he travels to the exotic region of Patusan, and as the agent at this remote trading post comes to be revered as ‘Tuan Jim.’ Here he finds a measure of serenity and respect within himself. However, when a gang of thieves arrives on the island, the memory of his earlier disgrace comes again to the fore, and his relationship with the people of the island is jeopardized.This new Broadview edition is based on the first British edition of 1900, which provides the historical basis for the accompanying critical and contextual discussions. The appendices include a wide variety of Conrad’s source material, documents concerning the scandal of the Jeddah, along with other materials such as a substantial selection of early critical comments.

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There are numerous introductions to poetry and prosody available, but none at once so comprehensive and so accessible as this. With the increasing emphasis on free verse, the past generation has developed a widespread impression that the study of poetic meter is old fashioned—or even that form ‘doesn’t matter’ in poetry. It is an impression that has not been dispelled by the emphasis of some of the existing texts in the area on forms that are now rare or outmoded. The irony is that simultaneously in the past decade interest in formal matters among many poets and literary scholars has been on the increase; the reality is that prosody is today on the cutting edge of literary studies.Stephen Adams’ text provides a full treatment of traditional topics, from the iambic pentameter through other accentual-syllabic rhythms (trochaic, dactylic and so on) and covering as well other metrical types, stanza structure, the sonnet and other standard forms. Adams also includes a variety of topics not covered in most other introductions to the topic; perhaps most significantly, he provides a full chapter on form in free verse. Moreover, he treats rhyme extensively and includes a comprehensive chapter on literary figures. Poetic Designs is thus much more that an introduction to prosody; it is a concise but comprehensive introduction to the nature of poetry in English. It is a book for the general reader and the aspiring writer as well as for the student, a book intended (in the words of the author) to help ‘heighten the experience of poetry.’

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The Broadview Anthology of Victorian Poetry and Poetic Theory is the most comprehensive collection of poetry from the period ever published. Included are generous selections from the work of all major poets, and a representation of the work of virtually every poet of significance, from Thomas Ashe at the beginning of the era to Charlotte Mew at its end. The work of Victorian women poets features very prominently, with extensive selections not only from canonical poets such as Elizabeth Barrett Browning and Christina Rossetti, but also from poets such as Augusta Webster for which high claims have recently been made by critics. The anthology reflects (and will contribute to) the ongoing reassessment of the canon that is central to English Studies today; in all, sixty-six poets are represented.The editors have included complete works wherever feasible — including the complete texts of Tennyson’s In Memoriam and of a number of other long poems. A headnote by the editors introduces the work of each poet, and each selection has been newly annotated.The inclusion of twenty-five selections of the poetic theory from the period is an important feature rounding out the anthology.This anthology is also available in a concise edition.

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In 1906, two years after the appearance of her best-known novel, The Imperialist, Duncan published its darker twin, an Anglo-Indian novel which returns to political themes but with a deeper and more clinical irony than in her previous work. Set in Authority is about illusions: the imperial illusions of those who rule and are ruled; the illusions of families about their members; the illusions of men and women about each other. The setting moves between the political drawing rooms of London and the English station at Pilaghur in the province of Ghoom, where the murder of a native by an English soldier changes the lives of a cast of ruthlessly observed characters.Duncan, who grew up in Ontario, led a remarkably varied life, working as a political correspondent (writing for the Washington Post, the Toronto Globe and the Montreal Star) and living in India for over twenty years. She is increasingly being regarded as deserving of a place among the first rank of nineteenth- and early twentieth-century novelists; the re-publication of Set in Authority will do nothing to dispel that view.

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