Search results for ""broadview press ltd""

As Americans began defining who was to be counted a citizen in their newly-established republic, Susanna Rowson’s comic opera Slaves in Algiers (1794) makes an earnest case that women be accorded the rights guaranteed to men, playfully turning sexual hierarchies on their head: “Women were born for universal sway; / Men to adore, be silent, and obey.” A fast-paced plot, engaging characterization, and rollicking songs ensured that Slaves in Algiers garnered success when it was first performed at the New Theater in Philadelphia. But Rowson’s play also engages in perpetuating racial stereotypes: set in Algiers at a time when Barbary pirates were seizing more and more U.S. ships in the Mediterranean Sea, Slaves in Algiers is written for a largely white audience driven by outrage at the enslavement of white people in the Barbary states. The play is critical of many aspects of North African cultures, particularly the practices of piracy and enslavement, while not acknowledging the moral and ethical taint of America’s own enslavement of African Americans. In recent years, critics have given increased attention to Slaves in Algiers, particularly to its interwoven feminist, nationalist, and imperialist themes, as well as to its treatment of Muslim and Jewish characters.This volume is one of a number of editions that have been drawn from the pages of the acclaimed Broadview Anthology of American Literature; like the others, it is designed to make a range of material from the anthology available in a format convenient for use in a wide variety of contexts.

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The Broadview Anthology of Medieval Arthurian Literature offers an up-to-date and student-friendly approach to teaching the literature of the Arthurian tradition. With a team of contributing editors creating new translations of classic texts, and a distinctive balance of familiar and lesser-known Arthur legends, the anthology is an authoritative and highly teachable resource. A companion website allows for greater flexibility without expanding the print book, and helpful introductions and notes support student readers throughout the anthology.

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The Essays Only You Can Write offers a perspective on essay writing that spotlights a writer’s uniqueness. Resisting the perception that personal and academic writing are at odds with one another, it treats the impulse to write “personally” as potential fuel for a variety of writing purposes.The book encourages students to think like academics--pursuing their enthusiasms, trusting their ideas, and questioning their conclusions--by leading them through three main writing assignments: a personal essay, an essay based on texts, and a research essay. Each chapter offers exercises and strategies for various stages in the pre-writing, drafting, and revision processes. Freewriting; extensive attention to planning; devising a structure and order of ideas that both promote and reflect engagement with a topic; developing rhetorical awareness and knowledge of conventions; and an advocacy for expressive, socially-responsible writing--all are central elements of the text’s instruction.By acknowledging the emotions inherent in the writing process, many of which can muddle thinking--I don’t want anyone to see this; what if I make mistakes?; what if the writing isn’t good?; I don’t want to be critiqued; etc.--Papoulis helps beginning college writers to navigate the psychological as well as the technical roadblocks that can get in the way of their best personal and academic writing.

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The first incarnation of this Broadview edition of Heart of Darkness appeared in 1995, the second in 1999; both were widely acclaimed, and the Goonetilleke Heart of Darkness remained for many years one of Broadview's best-selling titles. For the third edition the book has been completely revised and updated to take account of the scholarship of the most recent generation. The introduction has been extensively rewritten, and the appendices of contextual materials thoroughly overhauled.The two previous editions of the Goonetilleke Heart of Darkness included a substantial selection of documents on the history of Benin, ranging from excerpts taken from Olaudah Equiano's eighteenth-century narrative to documents concerning the Benin massacre of 1897. Those documents concerning a neighboring Bantu society were included in large part because of the paucity of known late nineteenth-century documents concerning the Congo by black Africans - or indeed by black observers of any nationality. In place of those Benin-related materials, this new edition includes substantial excerpts from George Washington Williams's Letter to Leopold II, as well as substantial excerpts from an extraordinary document not included in any other edition of Heart of Darkness (but discussed extensively in two ground-breaking twenty-first century works of scholarship, David Van Reybrouck's Congo: The Epic History of a People and Maya Jasanoff's The Dawn Watch: Joseph Conrad in a Global World): the autobiography of Disasi Makulo. Makulo grew up near the shore of the Congo River in the 1880s and early 1890s, was enslaved by notorious ivory dealer Tippu Tip, and then was taken under the wing of Henry Morgan Stanley. Makulo's account - substantial excerpts of which are here translated into English for the first time - opens an unprecedented window on life in the equatorial forest of the Congo in the late nineteenth century.

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Knowing Reality is a guided introduction to metaphysics and epistemology. Each of the book's twelve chapters contains extended excerpts from influential historical and contemporary philosophers, as well as a guided exposition of their views and their locations within the logical space of the issues at play. Topics are introduced through engaging thought experiments, with relevant philosophical puzzles sprinkled throughout. Complex issues are explained using down-to-earth examples, with illustrations provided to connect with readers and assist them in understanding the sophisticated concepts under discussion.

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The world that William Shakespeare creates in The Tempest has many features that make it recognizably like the world we live in. There are bad, self-seeking people; brothers fall out with brothers; people who have power are reluctant to give it up; people fall in love; children love their fathers but want to break free. But there are elements in The Tempest's world that are very unlike the world we live in. There is a fairy-spirit; there is music in the very air of the island; and there is a powerful magician who can command the elements and even, he tells us, bring the dead back to life. Combining reality and magic, Shakespeare creates an uncanny but morally coherent world through the play's genre, design, themes, and characters. This edition features a variety of interleaved materials that expand upon allusions in the play and explore elements of its stagecraft. Appendices offer excerpts from Shakespeare's key sources and inspirations, along with historical materials on exploration and colonialism.

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This edition aims to make Margaret Cavendish’s most mature philosophical work more accessible to students and scholars of the period. Grounds of Natural Philosophy is important not only because it is Cavendish’s final articulation of her metaphysics but also because it succinctly outlines her fundamental views on “the nature of nature”—or the base substance and mechanics of all natural matter—and vividly demonstrates her probabilistic approach to philosophical enquiry. Moreover, Grounds spends considerable time discussing the human body, including the functions of the mind, a topic of growing interest to both historians of philosophy and literary scholars. This Broadview Edition opens to modern readers a vibrant, unique, and provocative voice of the past that challenges our standard view of seventeenth-century English philosophy.

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Herman Melville’s The Piazza Tales is the only collection of short fiction that he published in hislifetime, and it includes his two most famous short stories, Bartleby, the Scrivener and Benito Cerenoalong with the less well-known but deeply engaging sketches of the Galapagos Islands that make up TheEncantadas and three more short stories: The Piazza, The Bell-Tower, and The Lightning-Rod Man. This edition places these stories in the context of nineteenth-century debates over slavery, free willand determinism, science and technology, and the nature and value of literary artistry. The stories in ThePiazza Tales demonstrate the global range of Melville’s cultural and aesthetic concerns, as Melville sethis stories in locales ranging from rural western Massachusetts and Wall Street in the United States to thePacific coast of South America and southern Europe.This edition is especially concerned with Melville’s engagement with both political questions related toslavery and imperialism and aesthetic questions germane to the short story tradition as developed by hisnear contemporaries Nathaniel Hawthorne and Edgar Allan Poe.

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John Cleland’s Memoirs of a Woman of Pleasure has been described as the first erotic novel in English and is perhaps the greatest example of the genre. From the outset it was mired in disrepute. Cleland penned the novel to liberate himself from debtors’ prison, and the book’s manifestly lewd content led to its legal suppression within a year of publication. Though versions of the novel, nearly always abridged in some form, continued to find a way into print, the Memoirs remained an underground text until the 1960s. Only as that decade ushered in a culture less socially deferential and more sexually permissive was the moment opportune for the obscenity ban to be successfully challenged. Cleland’s novel is a triumph of literary style, resting on his invention of an entirely new, vividly metaphoric, terminology for describing sexual pleasure.This Broadview Edition provides extensive materials on Cleland’s biography and career, contemporary censorship, and pornography and prostitution in the eighteenth century.

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Straightforward, practical, and focused on real-world examples, Business and Professional Writing: A Basic Guide is an introduction to the basics of professional writing. The book emphasizes clarity, conciseness, and plain language. Guidelines and templates for business correspondence, formal and informal reports, and oral presentations are included.Exercises throughout the book guide readers through the process of creating each kind of writing discussed, and helpful mnemonics provide structure and guidance.

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A man awakens to find himself transformed into a giant vermin; a performer starves himself to death as a circus attraction; a fiendish engine of capital punishment engraves the letter of the law into the body of the condemned. Such are the nightmare scenarios that emerge in the short stories of Franz Kafka, one of the twentieth century’s most formative, mystifying literary figures. Though immediate in their impact, Kafka’s stories invite endless angles of interpretation, from Freudian psychology and existentialist philosophy to animal studies.This volume presents “The Metamorphosis”—together with several other of Kafka’s best and best-known stories—in a nuanced, clear, and powerful translation by Ian Johnston. The appendices provide philosophical, literary, and cultural context, as well as valuable selections from Kafka’s own letters and drawings.

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Mary Elizabeth Braddon’s shocking and suspenseful novel Lady Audley’s Secret was one of the most popular examples of the “sensation fiction” craze of the 1860s. Within a year of the novel appearing in book form, no less than three theatrical adaptations appeared on the London stage. Braddon took strong issue with two of these, but she approved of the adaptation by Robert Walters (writing under the pseudonym “George Roberts”); this edition presents that version, which enjoyed a two season run at the Royal St. James Theatre. Entertaining in itself, the play also provides a fascinating example of how the suspense and the powerful characterizations of sensation fiction were heightened still further for the stage.Together with the annotated text of the play itself, this edition includes an introduction addressing the life and work of Mary Elizabeth Braddon and placing Lady Audley’s Secret: A Drama in Two Acts in the context of the sensation fiction phenomenon. Appendices include a substantial selection of reviews of Lady Audley’s Secret—of the novel as well as of its dramatic adaptations—as well as a selection from the novel for comparison with the play.

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Henry IV, Part One has been one of Shakespeare’s most popular plays since it was first produced, and was reprinted several times during the playwright’s lifetime. The play encompasses the tragic pathos of Hotspur’s death, the thrill of Hal’s battlefield valor, the intrigue of power politics, and the broad humor of tavern scenes. It has been performed as a play that celebrates England and engenders national pride, but also as a play that thumbs its nose at patriotism and notions of empire.This Broadview Edition provides a discussion of the play’s performance history, and both the introduction and footnotes encourage readers to think about the play as a performance text. The appendices gather a selection of historical sources and contemporary philosophical and political writings from England and Europe, and interleaved pages throughout the play provide illustrations and extended discussion of key phrases, plot points, and allusions. Further historical and performance materials are available on the Internet Shakespeare Editions website.

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Long dismissed by critics as a novel of merely historical interest, Colonel Jack is one of Daniel Defoe’s most entertaining, revealing, and complex works. It is the supposed autobiography of an English gentleman who begins life as a child of the London streets. He and his brothers are brought up as pickpockets and highwaymen, but Jack seeks to improve himself. Kidnapped and taken to America, he becomes first a slave, then an overseer on plantations in Maryland. Jack’s story is one of dramatic turns of fortune that ultimately lead to a life of law-abiding prosperity as a plantation owner.Historical appendices relate to eighteenth-century Virginia and Maryland and to contemporary crime, punishment, and imprisonment.

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This book is unique in its treatment of critical thinking not as a body of knowledge but instead as a subject for critical reflection. The purpose of the anthology is to turn critical thinking classes into invitations to philosophical conversations. The collection introduces students to difficult philosophical questions that surround critical thinking, moving away from dogmatism and towards philosophical dialogue. In developing these discussions, the anthology introduces students to issues in the philosophy of science, epistemology, and philosophy of religion. Selections include works by Charles S. Peirce, Stephen Jay Gould, Elizabeth Anscombe, and Richard Dawkins.

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Thomas Hobbes's Leviathan is the greatest work of political philosophy in English and the first great work of philosophy in English. In addition, it presents the fundamentals of his beliefs about language, epistemology, and an extensive treatment of revealed religion and its relation to politics.Beginning with premises that were sometimes controversial, such as that every human action is caused by the agent's desire for his own good, Hobbes derived shocking conclusions, such as that the civil government enjoys absolute control over its citizens and that the sovereign has the right to determine which religion is to be practiced in a commonwealth. Hobbes's contemporaries recognized the power of the arguments in Leviathan and many of them wrote responses to it. Selections from books by John Bramhall, Robert Filmer, Edward Hyde, George Lawson, William Lucy, Samuel Pufendorf and Thomas Tenison are included in this edition. Leviathan is divided into four parts: In the first part, Of Man, Hobbes presents a view of human beings and of the natural world in general that is materialistic and mechanistic. In the second part, Of Commonwealth, he defends the theory of absolute sovereignty, the view that the government has all the political power and has the right to control any aspect of life. In the third part, Of a Christian Commonwealth, he critiques concepts like revelation, prophets, and miracles in such a way that it becomes doubtful whether they can be rationally justified. In the fourth part, Of the Kingdom of Darkness, he explains various ways in which priestly religion has corrupted religion and transgressed the rights of the sovereign. In this revised edition of Hobbes's classic work, A.P. Martinich improves Hobbes's punctuation for the sake of clarity. He has also added new notes for readers, extensive cross references, and substantial part of Hobbes's reply to Bramhall's The Catching of Leviathan.

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In 1898, Henry James wrote a novella that would become one of the most famous and critically discussed ghost stories ever written, The Turn of the Screw. Three other examples of James’s tales of the supernatural, “The Altar of the Dead,” “The Beast in the Jungle,” and “The Jolly Corner,” are included in this edition. These texts reveal on both the thematic and narrative levels James’s deepest concerns as a writer.The texts in this edition are all drawn from the New York Edition of James’s works. The introduction traces the extensive critical debate around The Turn of the Screw, and situates the texts in contemporary discussions of the supernatural. Appendices include material on the tales’ reception, James’s writings on the supernatural, and the study of the supernatural in the nineteenth century.

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The second volume of this comprehensive anthology covers the twentieth and early twenty-first centuries. The anthology is broad ranging both in its selection of material by figures traditionally acknowledged as being of central importance, and in the material it presents by a range of other figures. The material in this volume is presented in three sections. The first, “Power and the State,” includes selections by such figures as Goldman, Lenin, Weber, Schmitt, and Hayek. Among those included in the “Race, Gender, and Colonialism” section are de Beauvoir, Gandhi, Fanon, and Young. The third and by far the longest section, “Rights-Based Liberalism and its Critics,” focuses on the many interrelated directions that social and political philosophy has taken since the publication of John Rawls’s ground-breaking A Theory of Justice in 1971.In order to better meet the needs of today’s students, the editors have made every effort to include accurate and accessible translations of the readings. Additionally, every selection has been painstakingly annotated, and each figure is given a substantial introduction highlighting her or his major contributions within the tradition. For figures of central importance, the editors have included extended introductions that place the figure in the context of intellectual history as well as of political thought. In order to ensure the highest standards of accuracy and accessibility, the editors have consulted dozens of leading academics during the course of the volume’s development (many of whom have contributed introductory material as well as advice). The result is an anthology with unparalleled pedagogical benefits; The Broadview Anthology of Social and Political Thought sets the new standard for social and political philosophy instruction.

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The doctrine of intelligent design is often the subject of acrimonious debate. Seeking God in Science cuts through the rhetoric that distorts the debates between religious and secular camps. Bradley Monton, a philosopher of science and an atheist, carefully considers the arguments for intelligent design and argues that intelligent design deserves serious consideration as a scientific theory.Monton also gives a lucid account of the debate surrounding the inclusion of intelligent design in public schools and presents reason why students’ science education could benefit from a careful consideration of the arguments for and against it.

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An important sensation novel, Cometh Up as a Flower made Rhoda Broughton's reputation and fortune while also attracting harsh criticism. Nell LeStrange, the heroine, is torn between duty to her family and her own passion. What angered critics of the time was the heroine's frank discussion of her sexual attraction to her lover, and her dispassionate evaluation of loveless marriage as a form of self-sale. Broughton's lively, colloquial narrative voice, witty observations of contemporary manners, and sympathetic portrayal of the lives and feelings of young women, though no longer shocking, are as engaging now as they were to her readers of 1867.This Broadview Edition includes an extensive selection of appendices on the novel's reception (including a parody of Broughton), Victorian discourses on health and medicine, and contemporary attitudes towards women, marriage, and sexuality.

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Now available in three thematic volumes, the second edition of Moral Issues in Global Perspective is a collection of the newest and best articles on current moral issues by moral and political theorists from around the globe. Each volume seeks to challenge the standard approaches to morality and moral issues shaped by Western liberal theory and to extend the inquiry beyond the context of North America. Covering a broad range of issues and arguments, this collection includes critiques of traditional liberal accounts of rights, justice, and moral values, while raising questions about the treatment of disadvantaged groups within and across societies affected by globalization. Providing new perspectives on issues such as war and terrorism, reproduction, euthanasia, censorship, and the environment, each volume of Moral Issues in Global Perspective incorporates work by race, class, feminist, and disability theorists.Moral and Political Theory, the first of the three volumes, surveys a number of traditional Western liberal approaches to moral theory, human rights, justice, and democracy, as well as contemporary critiques of these approaches. With nineteen new essays, three of which were written especially for this edition, this volume covers the necessary theories for understanding moral issues in a global context.Moral Issues in Global Perspective is available in three separate volumes― Moral and Political Theory, Human Diversity and Equality, and Moral Issues.

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The prize-winning entry in a national competition for distinctively Canadian fiction, Winona was serialised in a Montreal story paper in 1873. The novel focuses on the lives of two foster-sisters raised in the northern Ontario wilderness: Androsia Howard, daughter of a retired military officer, and Winona, the daughter of a Huron chief. As the story begins, both have come under the sway of the mysterious and powerful Andrew Farmer, who has proposed to Androsia while secretly pursuing Winona. With the arrival of Archie Frazer, the son of an old military friend, there is a violent crisis, and the scene shifts southward as Archie takes the foster-sisters via Toronto to his family's estate in the Thousand Islands region of the St. Lawrence River. Farmer follows, and the narrative moves towards a sensational climax.The critical introduction and appendices to this edition place Winona in the contexts of Crawford's career, the contemporary market for serialized fiction, the sensation novel of the 1860s, nineteenth-century representations of women and North American indigenous peoples, and the emergence of Canadian literary nationalism in the era following Confederation.

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The Second Mrs. Tanqueray was the theatrical sensation of the London stage in 1893. It established Pinero as the leading English dramatist of serious social issues, and created a star out of Mrs. Patrick Campbell in the title role. The play recounts the marriage of a "woman with a past" and how it fails because of the double standard of morality applied unequally and hypocritically by Victorian society to men and women.This Broadview edition includes a thoroughly revised text based on the author's manuscript, the prompt copy for the first production, and the published first edition; it also incorporates pertinent stage directions from the first production. The critical introduction examines all facets of the play and its production, and the appendices make accessible a wide variety of hard-to-find contemporary contextual materials related to the play.

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Ruthless and predatory, Edith Wharton’s seductive young heroine Undine Spragg exploits a series of husbands from the American west to New York and France in her search for one with the ideal combination of social power, money, and material possessions—something “more luxurious, more exciting, more worthy of her!” Wharton’s criticism of the leisure-class marriage market becomes a brilliant satire on the nature of desire, as the novel links marriage and divorce with selfish ambition and the culture of consumerism. This Broadview edition provides a critical introduction and appendices that include Wharton’s outline for and correspondence about The Custom of the Country, excerpts from Friedrich de la Motte Fouqué’s novella Undine, and passages from works by Charles Darwin, Emma Goldman, Henry James, and Thorstein Veblen, among others.

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Hamel, the Obeah Man is set against the backdrop of early nineteenth-century Jamaica, and tells the story of a slave rebellion planned in the ruins of a plantation. Though the novel is sympathetic to white slaveholders and hostile to anti-slavery missionaries, it presents a complex picture of the culture and resistance of the island’s black majority. Hamel, the spiritual leader of the rebels, becomes more and more central to the story, and is a surprisingly powerful and ultimately ambiguous figure.This Broadview Edition includes a new foreword by Kamau Brathwaite, as well as a critical introduction and appendices. The extensive appendices include contemporary reviews of the novel, other authors’ and travellers’ descriptions of Jamaica, and historical documents related to slave insurrections and the debate over slavery.

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Du Maurier’s Trilby was the novel sensation of the 1890s. Du Maurier had spent a good deal of his life as a child and later as an art student in Paris; when he turned from his career in journalism and magazine illustration to novel writing he found enormous success with a novel divided as his own life had been between Paris and London. Billee, an English artist living the Bohemian life abroad, meets and falls in love with Trilby, a Parisian model. Differences in social class doom their romance, but Trilby, taught by the mysterious hypnotist Svengali to sing like “some enchanted princess” becomes a famous entertainer. As it turns out, however, her talent and her possession of her own mind have become dependent on Svengali maintaining his spell over her. Originally serialized in Harper’s Monthly in 1894, Trilby was published with 120 illustrations by the author (who was also a celebrated caricaturist for Punch). All 120 illustrations were included in the Harper and Brothers New York edition of 1894, and in a British edition published the following year in London. The first British publication in book form, however, (by Osgood & McIlvaine in 1894) did not include any of Du Maurier’s illustrations, and many editions since that time have included no illustrations or reproduced only a selection of the illustrations. Particularly given that many of the illustrations are integrated into the page of text in which they appear, Trilby is ideally suited to be made available again in a facsimile reprint.In its first year of publication, the book sold over 200,000 copies, and before long it had also been adapted for the stage. The name “Svengali” came to be applied to any hypnotist and the image of Svengali carved a lasting place in the popular imagination. Perhaps the most important expression of 1890s Bohemianism, Trilby has also attracted interest in recent years on account of its presentation of hypnosis and split personality, and for the conflicted but often anti-Semitic presentation of the mysterious Svengali.This is one of a series from Broadview Press of facsimile reprint editions—editions that provide readers with a direct sense of these works as the Victorians themselves experienced them.

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Kim tells the story of Kimball O’Hara, an orphaned Irish boy growing up in late nineteenth-century India, and his quest for identity as he strives to reconcile his Western inheritance with the Indian life he has always known. This edition sets the novel in the context of the historical period and addresses Kipling’s ambivalent relationship with India, the Empire’s treatment of the “other” classes and races who worked to maintain the British presence in India, and the place of Kim in Kipling’s career as a writer.Appendices include contemporary reviews of the novel and historical documents on Britain’s and Russia’s struggle for control of Asia, Indian colonization, and the writing of Kim.

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International law makes it explicit that states shall not intervene militarily or otherwise in the affairs of other states; it is a central principle of the charter of the United Nations. But international law also provides an exception; when a conflict within a state poses a threat to international peace, military intervention by the UN may be warranted. (Indeed, the UN Charter provides for an international police force, though nothing has ever come of this provision). The Charter and other UN documents also assert that human rights are to be protected—but in the past the responsibility for the protection of human rights has for the most part been allowed to rest on the government of the state where the violation of rights occurs. Not surprisingly in this context, the question of what protection (if any) should be provided by the UN or otherwise to individuals when their human rights are violated by their governments or with the complicity of their governments remains a contentious issue. Should the principle of respect for state sovereignty trump the principle of respect for human rights? Historically it has been allowed to do so, but recently it has been more and more widely argued that when states fail to respect the human rights of their citizens (or of others who reside within their boundaries), they may be held accountable for their actions. Is military humanitarian intervention justifiable? And if so, under what circumstances? Those are the questions addressed in this collection of essays.The focus of the volume is on the abstract principles involved; though reference is sometimes made to specific cases, the essays here consist primarily of philosophical reflection on the abstract issues. (A companion volume on the specific issues surrounding a particular case, Lessons of Kosovo, is being published simultaneously.)

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This classic novel tells the story, in letters, of the beautiful and virtuous Clarissa Harlowe's pursuit by the brilliant, unscrupulous rake Robert Lovelace. The epistolary structure allows Richardson to create layered and fully realized characters, as well as an intriguing uncertainty about the reliability of the various "narrators." Clarissa emerges as a heroine at once rational and passionate, self-sacrificing and defiant, and her story has gripped readers since the novel's first publication in 1747-1748.This new abridgment is designed to retain the novel's rich characterizations and relationships, and reproduces individual letters in their entirety whenever possible. This Broadview Edition provides a uniquely accessible entry point for readers, while retaining much of the powerful reading experience of the complete novel.

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This text offers an innovative approach to the teaching of logic, which is rigorous but entirely non-symbolic. By introducing students to deductive inferences in natural language, the book breaks new ground pedagogically. Cannon focuses on such topics as using a tableaux technique to assess inconsistency; using generative grammar; employing logical analyses of sentences; and dealing with quantifier expressions and syllogisms. An appendix covers truth-functional logic.

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This parallel text edition of Felicia Hemans’s important dramatic poem presents the 1823 publication alongside a transcription of the original manuscript, offering a unique glimpse at her compositional process. Situated in medieval Spain, in the heat of Moorish-Christian conflicts, this complex political tragedy is both a rich historical narrative and a commentary by the poet on her own post-Napoleonic world.The Broadview edition also includes selections of related poetry, excerpts from source texts, and contemporary reviews.

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This concise text treats logic as a tool, “generated so that half the work involved in thinking is done for you by somebody else (the rules and laws of the logic).” Gabbay explains in a clear and careful manner how formal features of, and formal relations between, ordinary declarative sentences are captured by the systems of propositional and predicate logic.

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Libertarianism is both a philosophy and a political view. The key concepts defining Libertarianism are: Individual Rights as inherent to human beings, not granted by government; a Spontaneous Order through which people conduct their daily interactions and through which society is organized independent of central (government) direction; the Rule of Law which dictates that everyone is free to do as they please so long as they do not infringe upon the rights of others; a Divided and Limited Government, checked by written constitution; Free Markets in which price and exchange is agreed upon mutually by individuals; Virtue of Production whereby the productive labour of the individual and any translation of that labour into earnings belongs, by right, to the individual who should not have to sacrifice those earnings to taxes; and Peace which has, throughout history, most commonly been disrupted by the interests of the ruling class or centralized government.

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Did it matter then, she asked herself, walking towards Bond Street, did it matter that she must inevitably cease completely? All this must go on without her; did she resent it; or did it not somehow become consoling to believe that death ended absolutely? But that somehow in the streets of London, on the ebb and flow of things, here, there, she survived.Virginia Woolf (1882-1941) is now generally recognised as the author of two of the twentieth century’s greatest literary works, To the Lighthouse and Mrs. Dalloway, both of which employ a style of narration that has come to be known as ""stream of consciousness,"" which focuses on the interior—and not always logical—movement of thoughts that make up the better part of most people's psyches.Woolf's 1925 novel, Mrs. Dalloway, is about the casualties of early twentieth-century life, and she explores the gendered forms of mental illness, and the social repercussions of feminism, homosexuality, and colonialism. The central consciousness is that of the title character, Clarissa Dalloway, on the day of a dinner party that she is giving. Moving through the relatively uneventful preparations, the arrival of the guests, and the rituals of hosting a party, Clarissa's thoughts wander across past, present, and into the future. Throughout the relatively mundane actions through which the book follows her, she is slowly revealed by means of her interior monologues of memory and reflection to be a most interesting person who has been squeezed by society into a rather ordinary role. The narrative broadens to include others in her life, most notably Septimus Warren Smith, a shell-shock victim whose life has had no direct connection to Clarissa's, but who in many ways can be read as a male parallel.This Broadview edition provides a reliable text at a very reasonable price. It contains textual notes but no appendices or introduction.

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First published in 1799, George Walker’s The Vagabond was an immediate popular success. Offering a vitriolic critique of post-Bastille Jacobinism and sansculotte-style mob rule, its true-to-life satirical portraits of many of the radical men and women who fought in the forefront of the “British Revolution” are nonetheless full of playful banter and farce. With swipes at Hume, Rousseau, Godwin, Wollstonecraft, and Paine; the French Revolution; and the ideas of the noble savage, natural virtue, liberty, equality, and romantic primitivism, The Vagabond offers a unique cross-section of 1790s radicalism. This Broadview edition contains a critical introduction and a wide selection of primary source materials that situate the novel in the context of the revolutionary debate of the 1790s. Appendices include contemporary reviews of the novel and excerpts from the writings of a variety of radicals and reactionaries engaged in the debate, such as Hume, Rousseau, Paine, Thelwall, Wollstonecraft, Godwin, Burke, Playfair, Malthus, and Cobbett, among many others.

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In June, 1860, Browning purchased an “old yellow book” from a bookstall in Florence. The book contained legal briefs, pamphlets, and letters relating to a case that had been tried in 1698 involving a child bride, a disguised priest, a triple murder, four hangings and the beheading of a nobleman. Browning resolved to use it as the source for a poem. The result, The Ring and the Book, is certainly one of the most important long poems of the Victorian era and is arguably Browning’s greatest work.Basing their edition on the 1888–89 version of the poem, Altick and Collins include the last corrections Browning intended before his death. In addition to a substantial introduction, this Broadview Literary Texts edition also includes selections from Browning’s correspondence, and contemporary reviews and reactions to the work.

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This volume of The Subjection of Women provides a reliable text in an inexpensive edition, with explanatory notes but no additional editorial apparatus.

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This Broadview edition pairs the first Gothic novel with the first Gothic drama, both by Horace Walpole.Published on Christmas Eve, 1764, on Walpole's private press at Strawberry Hill, his Gothicized country house, The Castle of Otranto became an instant and immediate classic of the Gothic genre as well as the prototype for Gothic fiction for the next two hundred years. Walpole's brooding and intense drama, The Mysterious Mother, focuses on the protagonist's angst over an act of incest with his mother, and includes the appearance of Father Benedict, Gothic literature's first evil monk.Appendices in this edition include selections from Walpole’s letters, contemporary responses, and writings illustrating the aesthetic and intellectual climate of the period. Also included is Sir Walter Scott’s introduction to the 1811 edition of The Castle of Otranto.

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Adah Isaacs Menken was the most highly paid and most scandalous stage performer of the 1860s. She is also one of the most fascinating and unconventional writers in American literary history, and the first to follow the revolution in poetry started by Whitman’s Leaves of Grass. This edition presents, for the first time, a generous selection of Menken’s uncollected poems and essays, along with the first edition of Infelicia (1868), her only book.Also included is a range of carefully selected appendices that help contextualize Menken’s writings in terms of theater, Judaism, Bohemianism, women’s rights, and women writers.

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The Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa, the African. Written by Himself was the first work that influenced the nineteenth-century genre of slave narrative autobiographies. Written and published by Equiano, a former slave, it became a prototype for those that followed.Kidnapped in Africa as a child, Equiano was transported to the Caribbean and then to Virginia, bought by a Quaker shipowner, and placed in service at sea. Aboard various American and British ships, he sailed throughout the world, and he continued to do so after having purchased his freedom in 1766. Once settled in London, he fought tirelessly to end slavery.This edition of Equiano's Narrative places the text in the center of abolitionist activity in the late eighteenth century. Equiano knew many of the leading abolitionist figures of his time, and this edition allows readers to trace the common ideas and cross-influences in the works of the political and literary figures who fought for the end of slavery in America and England. The original 1789 text of the narrative has been used for the Broadview edition with Equiano's subsequent emendations included in the appendices.

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This concise and affordable anthology is designed for use as a textbook in both undergraduate and graduate courses in philosophy of language. It aims to provide a core of essential primary sources and may be used either on its own, or in conjunction with a secondary source.

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Joseph Andrews, first published in 1742, is in part a parody of Samuel Richardson’s Pamela. But whereas Richardson’s novel is marked by the virtues of female chastity and the triumph of steadfast morality, Fielding’s Joseph Andrews is peopled with lascivious women, thieves, hypocrites, and general fools. As we follow the characters in their travels, what unfolds is a lively panoramic satire of mid-Georgian England.

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Moral Matters is a concise and accessible look at such ethical issues as euthanasia, animal rights, abortion, and pornography. It provides a focused set of views from the unified perspective of one of North America’s leading libertarian thinkers, and aims to provoke thought and discussion as well as to enrich understanding.For the new edition the text has been revised throughout, the introduction has been greatly expanded, and a new chapter on environmental issues has been added.

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Native Poetry in Canada: A Contemporary Anthology is the only collection of its kind. It brings together the poetry of many authors whose work has not previously been published in book form alongside that of critically-acclaimed poets, thus offering a record of Native cultural revival as it emerged through poetry from the 1960s to the present. The poets included here adapt English oratory and, above all, a sense of play. Native Poetry in Canada suggests both a history of struggle to be heard and the wealth of Native cultures in Canada today.

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Marcella, young and with a new-womanly independence, has a yearning to help the poor. When a gamekeeper is murdered near where she lives, Marcella finds herself at odds with her wealthy fiancé over beliefs about property and justice. The discovery leads Marcella to pursue—among other things—a career in nursing. In settings ranging from village cottages, London slums and hospital wards to fashionable drawing rooms and the Ladies’ Gallery of the Houses of Parliament, the book combines a gripping story with serious issues—socialism, rural and urban poverty, poaching laws, journalistic ethics, the Woman Question—inspiring critics to liken Marcella to George Eliot’s novels.The Broadview Literary Texts edition records the substantive differences between the two major editions published during Ward’s lifetime, and included among the many appendices are news accounts of the murder trial and executions that inspired the novel, and previously unpublished letters by Ward.NB: Mary Augusta Ward has traditionally been known as Mrs. Humphry Ward.

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Little Women, Louisa May Alcott’s masterpiece of Children’s literature, is the story of the March sisters, Meg, Jo, Beth and Amy. Living in a small Massachusetts town, the girls and Mrs. March must make do while Mr. March is away serving as an Army Chaplain during the Civil War. At the story’s center lies Jo who, as she approaches adulthood, must reconcile her duties to her family with her desire to become a successful writer.The many appendices in this Broadview edition include materials on the early women’s movement, the novel’s composition, and Alcott’s literary influences.

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Haywood’s novel is the story of the beautiful Princess Eovaai. Groomed for the throne by her father, who teaches her Lockean notions of liberty, she is overthrown, enmeshed in civil war, and then magically transported to a foreign land by an evil man. Part magician, part politician, he plots to marry her for political reasons. The fascinating reflexive structure of The Adventures of Eovaai incorporates argumentative intrusions (by the Translator, an Historian, etc.), interweaves political and amatory storylines, and blends a wild mix of genres.

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