Search results for ""author ziad elmarsafy""

This series, dedicated to the study of modern Arabic literature, is unique and unprecedented. it publishes contemporary, scholarly accounts of developments in the field in the past few decades, and will include modern genre studies; titles devoted to the works of both established and new and emerging writers, and to specific contemporary movements, trends, groupings, themes and periods in modern Arabic literature; and studies arranged by geographical regions. Books in the series are written by specialists for those who knovv little or nothing about the subject.

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Iconoclastic and fiercely rational, the European Enlightenment witnessed the birth of modern Western society and thought. Reason was sacrosanct and for the first time, religious belief and institutions were open to widespread criticism. In this groundbreaking book, Ziad Elmarsafy challenges this accepted wisdom to argue that religion was still hugely influential in the era. But the religion in question wasn’t Christianity – it was Islam. Charting the history of Qur’anic translations in Europe during the 18th and early 19th Centuries, Elmarsafy shows that a number of key enlightenment figures – including Voltaire, Rousseau, Goethe, and Napoleon – drew both inspiration and ideas from the Qur’an. Controversially placing Islam at the heart of the European Enlightenment, this lucid and well argued work is a valuable window into the interaction of East and West during this pivotal epoch in human history.

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Close readings of nine contemporary Arab novelists who use Sufism as a literary strategy. Although Sufi characters - saints, dervishes, wanderers - occur regularly in modern Arabic literature, a select group of novelists seeks to interrogate Sufism as a system of thought and language. In the work of writers like Naguib Mahfouz, Gamal Al-Ghitany, Tahar Ouettar, Ibrahim Al-Koni, Mahmud Al-Mas'adi and Tayeb Salih we see a strong intertextual relationship with the Sufi masters of the past, including Al-Hallaj, Ibn Arabi, Al-Niffari and Al-Suhrawardi. This relationship becomes a means of interrogating the limits of the creative self, individuality, rationality and the manifold possibilities offered by literature, seeking in a dialogue with the mystical heritage a way of preserving a self under siege from the overwhelming forces of oppression and reaction that have characterized the late 20th and early 21st centuries. It looks at works such as Ghitany's Kitab Al-Tajalliyat [The Book of Theophanies], where the title and style imitate Ibn 'Arabi; Ouettar's Al-Waliyy Al-Taher [The Holy Saint], where the protagonist allegorizes Algerian history, and multiple works by Ibrahim Al-Koni. It traces references and allusions to the mediaeval Sufis, including Junayd, Al-Niffari, Ibn 'Arabi, Rumi and 'Attar.

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A wide-ranging exploration of the relationship between history and literatureThis issue of Alif explores the relationship between literature and history. What do history and literature have to say to each other? What can literature say that history cannot, and vice versa? Do they work with or against each other? How does the literary dimension of history affect its status, and how does the historicity of literature, in turn, shape its being? What would it mean to speak of a “literariness of history” today? The terms “literature” and “history” in our title are intended to be construed in the broadest possible sense and to cover the widest possible range of genres and modalities of literary and historical writing. The recent proliferation of epithets and sub-disciplines in the study of both literature and history has fundamentally changed both fields while raising further questions about the possibility of scholarly debates that traverse them.Contributors- Balthazar I. Beckett, American University in Cairo, Cairo, Egypt- Mohamed Birairi, Beni-Suef University, Beni-Suef, Egypt, and the American University in Cairo, Cairo, Egypt- Ziad Dallal, Bard College, Annandale-on-Hudson, New York, USA- Karim Elsaiad, Cairo University, Cairo, Egypt- Itzea Goikolea-Amiano, SOAS, University of London, London, UK- Rebecca Ruth Gould, University of Birmingham, Birmingham, UK- Magdi Guirguis, Kafrelsheikh University, Kafr al-Sheikh, Egypt- Isabelle Hesse, University of Sydney, Sydney, Australia- Abdullah Ibrahim, literary critic- Madonna Kalousian, independent scholar- Céza Kassem, independent scholar- Ahmed F. Khaleel, University of York, York, UK- Tarif Khalidi, American University of Beirut, Beirut, Lebanon- Peter Kornicki, University of Cambridge, Cambridge, UK- Wen-chi Li, University of Zurich, Zurich, Switzerland- Azza Madian, Cairo Conservatoire and American University in Cairo, Cairo, Egypt- Francesca Orsini, SOAS, University of London, London, UK- Daniel Rivet, Université Paris 1 Panthéon-Sorbonne, Paris, France- Anne C. Vila, University of Wisconsin-Madison, Madison, Wisconsin, USA

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