Search results for ""author wilson harris""

An unnamed narrator in 1960s London reflects on three periods of his life in Guyana which altered his understanding of the world. In 1948 he witnesses a march of workers protesting the killing of their comrades by police during a bitter strike; and so begins a radical revision of Wordsworth's strategy of exploring imagination, memory and event in The Prelude. Harris challenges the reader by removing the props of linear narrative and conventional characterisation, offering in their place a Proustian richness of sensuous associations – proof positive of his status as one of the Caribbean's most original and visionary writers.Wilson Harris was born in Guyana in 1921. Resident in the UK since 1959, since his retirement he has been in demand as visiting professor and writer in residence at many leading universities. He has twice won the Guyana Prize for Literature. In 2010 he was knighted in 2010 for his services to literature.

Read more less

In 1970 and 1971, Wilson Harris published two short story collections that explored the myths, fables and fragments of history of the Amerindian peoples of Guyana and the Caribbean. These are brought together in the current volume. The Sleepers of Roraima, subtitled "A Carib Trilogy" focuses on the ironic fate of the Caribs, the feared conquerors of other Amerindian peoples, the cannibals of European legend, but in the present the most vanished, almost extinct of all these groups. In The Age of the Rainmakers, each of the stories focuses on one of the groups still present in Guyana: the Macusi, Arecuna, Wapisiana and Arawaks. In the absence of reliable history, and in the face of the stereotypes attached to these people (such as stoicism or a propensity for laughter), Harris makes no attempt to write conventional fictional reconstructions of an ethnographic kind, but subjects the fragments of tribal lore to imaginative revision. His stories work towards the discovery of what is "original" in the sense of primordial in these narratives, in discovering such common patterns as the loss of innocence, the connections between sacrifice and transcendence, or even the shared identities of cannibal and Eucharistic consumption.

Read more less

This visionary novel follows the inner journey of Zechariah Stevenson, the son of a wealthy Georgetown businessman, while he works as the watchman at a timber depot deep within the interior. Isolated in the forest and having endured the suspicion of a fraud scandal, the mysterious death of his father, and the disappearance of his mistress, Zechariah begins a journey of self-discovery as he deconstructs previously held certainties about life by losing himself in nature. An immensely sensuous evocation of Guyanese flora and fauna and its potential impact on the imagination, this classic novel, first published in 1964, is a profound plea for an ecological vision of mankind's relationship to nature.

Read more less

In Ascent to Omai time and space are truly elastic, so that events in recent time become part of remote geological time and the boundaries between events and remembering, individual persons and different locations are fluid and permeable. Victor is in search of his father, Adam, once a revolutionary worker who was sent to prison many years ago for burning down the factory he works in. Since then Victor has lost touch with him, but suspects he is living as a pork-knocker (gold prospector) in the remote Cuyuni-Mazaruni district of Guyana – now the site of one of the largest open-cast goldmines in the world and the site of immense environmental degradation. Prophetically, the clash between the material/technological and the primordial/spiritual is one of the intercutting themes of the novel, connecting to the El Doradean myth so central to the Guyanese imagining.As he climbs in search of his father, Victor both revisits his past relationship with him and replays his father’s trial, which also becomes his own, in a way that echoes the "Nighttown" episode of Ulysses, though unlike Bloom’s. Victor’s offences are not sexual, but represent blockages in the openness of his thinking. Victor’s search is for spiritual grace, for the compensations of love and the glimmerings of a true understanding of the world he exists in, though Harris refuses to “impose a false coherency upon material one had to digest” and the reader is invited to share in Victor’s struggling ascent to consciousness, knowing that it can never be other than provisional.

Read more less

This epic masterpiece is a radical landmark in modern literature, reissued with a foreword by poet Ishion Hutchinson to mark Wilson Harris' centenary.'An exhilarating experience ... Genius.' Jamaica KincaidI dreamt I awoke with one dead seeing eye and one living closed eye ...Guyana. An ancient landscape of rainforests and swamplands, haunted by the legacy of slavery and colonial conquest. It is the site of dangerous journeys through the Amazonian interior, where riverboat crews embark on spiritual quests and government surveys are sabotaged by indigenous uprisings. It is a universe of complex moralities, where the conspiracies of a sinister money-lender and the faked death of a murderer question innocence and inheritance. It is a place where life and death, myth and history, philosophy and metaphysics blur. And it is the birthplace of an epic masterpiece. Wilson Harris' The Guyana Quartet consists of four incandescent novels: Palace of the Peacock, The Far Journey of Oudin, The Whole Armour and The Secret Ladder. It is a landmark of twentieth-century literature, as revolutionary today as it was over half a century ago.'The Guyanese William Blake . [Such] poetic intensity.' Angela Carter'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian'Amazing ... Masterly ... Near-miraculous.' Observer'Perhaps the most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar'An extraordinary writer ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville'Staggering ... Both brilliant and terrifying.' The Times

Read more less

I had been shot. A bullet in my back. I fell. Where did I fall? I fell from a great height, it seemed, into a painting in a gallery in a great City. I found myself returning across centuries and generations to the end of my age. I had been caught by the Artist in what seemed the womb of unexpected being in which one becomes sensitive to the end one has reached and to a new beginning. It was an end, it was a new beginning one was called upon to probe and discover.We may dream, while still alive, of dying. But the dream is soon forgotten as are the edges and corners of a re-lived life of which we dream. It is buried in the unconscious. We know that life fades into death but, in what degree, does life re-live itself as it dreams of dying?The Ghost of Memory is a novel about life and death or rather - to put it somewhat differently - about the close, almost indefinable cross-culturalities between moments of life and death. This is played out through a man who is mistakenly shot as a terrorist - he sees himself

Read more less

The visionary masterpiece, tracing a riverboat crew's dreamlike jungle voyage ...'My new all time favourite book ... A magnificent, breathtaking and terrifying novel.' Tsitsi Dangarembga'An exhilarating experience ... Makes visions real and reality visions ... Genius.' Jamaica Kincaid'A masterpiece: I love this book for its language, adventure and wisdoms.' Monique Roffey'Revel in the inviolate, ever-deepening mystery of Wilson Harris's work.' Jeet Thayil'The Guyanese William Blake . Such poetic intensity.' Angela CarterI dreamt I awoke with one dead seeing eye and one living closed eye ...A crew of men are embarking on a voyage up a turbulent river through the rainforests of Guyana. Their domineering leader, Donne, is the spirit of a conquistador, obsessed with hunting for a mysterious woman and exploiting indigenous people as plantation labour. But their expedition is plagued by tragedies, haunted by drowned ghosts: spectres of the crew themselves, inhabiting a blurred shadowland between life and death. As their journey into the interior - their own hearts of darkness - deepens, it assumes a spiritual dimension, guiding them towards a new destination: the Palace of the Peacock ... A modernist fever dream; prose poem; modern myth; elegy to victims of colonial conquest: Wilson Harris' masterpiece has defied definition for over sixty years, and is reissued for a new generation of readers.'One of the great originals ... Visionary ... Dazzlingly illuminating.' Guardian'Amazing ... Masterly ... Near-miraculous.' Observer'Staggering ... Both brilliant and terrifying.' The Times'The most inimitable [writer] produced in the English-speaking Caribbean.' Fred D'Aguiar'Extraordinary ... Courageous and visionary ... It speaks to us in tongues.' Pauline Melville

Read more less