Search results for ""author william dalrymple""

FROM THE AWARD-WINNING, BESTSELLING AUTHOR AND CO-HOST OF THE CHART-TOPPING EMPIRE PODCAST A REVOLUTIONARY NEW HISTORY OF INDIAA master storyteller' Sunday TimesIndia is the forgotten heart of the ancient worldFor a millennium and a half, India was a confident exporter of its diverse civilisation, creating around it a vast empire of ideas. Indian art, religions, technology, astronomy, music, dance, literature, mathematics and mythology blazed a trail across the world, along a Golden Road that stretched from the Red Sea to the Pacific.William Dalrymple draws from a lifetime of scholarship to highlight India's oft-forgotten position as the heart of ancient Eurasia. For the first time, he gives a name to this spread of Indian ideas that transformed the world. From the largest Hindu temple in the world at Angkor Wat to the Buddhism of Japan, from the trade that helped fund the Roman Empire to the creation of the numerals we use today (including zero), In

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On a dark evening in November 1862, a cheap coffin is buried in eerie silence. There are no lamentations or panegyrics, for the British Commissioner in charge has insisted, 'No vesting will remain to distinguish where the last of the Great Mughals rests.' This Mughal is Bahadur Shah Zafar II, one of the most tolerant and likeable of his remarkable dynasty who found himself leader of a violent and doomed uprising. The Siege of Delhi was the Raj's Stalingrad, the end of both Mughal power and a remarkable culture.

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SHORTLISTED FOR THE SAMUEL JOHNSON PRIZE 2013 'As taut and richly embroidered as a great novel . . . a masterpiece' Sunday Telegraph 'Dazzling' Sunday Times | 'Magnificent' Guardian | 'Sparkling' Daily Telegraph A towering history of the first Afghan War by bestselling historian William Dalrymple. In the spring of 1839, Britain invaded Afghanistan for the first time. Nearly 20,000 British and East India Company troops poured through the high mountain passes and re-established on the throne Shah Shuja ul-Mulk. On the way in, the British faced little resistance. But after two years of occupation, the Afghan people rose in answer to the call for jihad and the country exploded into violent rebellion. The First Anglo-Afghan War ended in Britain's greatest military humiliation of the nineteenth century: an entire army of the then most powerful nation in the world ambushed in retreat and utterly routed by poorly equipped tribesmen. Using a range of forgotten Afghan and Indian sources, William Dalrymple's masterful retelling of Britain's greatest imperial disaster is a powerful parable of colonial ambition and cultural collision, folly and hubris. Return of a King is history at its most urgent and important.

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From the author of the Samuel Johnson prize-shortlisted ‘Return of a King’, the romantic and ultimately tragic tale of a passionate love affair that transcended all the cultural, religious and political boundaries of its time. James Achilles Kirkpatrick was the British Resident at the court of Hyderabad when he met Khair un-Nissa – ‘Most Excellent among Women’ – the great-niece of the Prime Minister of Hyderabad. He fell in love with her and overcame many obstacles to marry her, converting to Islam and, according to Indian sources, becoming a double-agent working against the East India Company. It is a remarkable story, but such things were not unknown: from the early sixteenth century to the eve of the Indian Mutiny, the ‘white Mughals’ who wore local dress and adopted Indian ways were a source of embarrassment to successive colonial administrations. Dalrymple unearths such colourful figures as ‘Hindoo Stuart’, who travelled with his own team of Brahmins to maintain his temple of idols, and Sir David Auchterlony, who took all 13 of his Indian wives out for evening promenades, each on the back of her own elephant. In ‘White Mughals’, William Dalrymple discovers a world almost entirely unexplored by history, and places at its centre a compelling tale of seduction and betrayal.

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William Dalrymple, who wrote so magically about India in ‘City of Djinns’, returns to the country in a series of remarkable essays. Featured in its pages are 15-year-old guerrilla girls and dowager Maharanis; flashy Bombay drinks parties and violent village blood feuds; a group of vegetarian terrorists intent on destroying India’s first Kentucky Fried Chicken outlet; and a palace where port and cigars are still carried to guests on a miniature silver steam train. Dalrymple meets such figures as Imran Khan and Benazir Bhutto; he witnesses the macabre nightly offering to the bloodthirsty goddess Parashakti – She Who Is Seated on a Throne of Five Corpses; he experiences caste massacres in the badlands of Bihar and dines with a drug baron on the North-West Frontier; he discovers such oddities as the terrorist apes of Jaipur and the shrine where Lord Krishna is said to make love every night to his 16,108 wives and 64,732 milkmaids. ‘The Age of Kali’ is the fourth fascinating volume from the author of ‘In Xanadu’, ‘City of Djinns’ and ‘From the Holy Mountain’.

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A rich blend of history and spirituality, adventure and politics, laced with the thread of black comedy familiar to readers of William Dalrymple’s previous work. In AD 587, two monks, John Moschos and Sophronius the Sophist, embarked on an extraordinary journey across the Byzantine world, from the shores of the Bosphorus to the sand dunes of Egypt. Their aim: to collect the wisdom of the sages and mystics of the Byzantine East before their fragile world shattered under the eruption of Islam. Almost 1500 years later, using the writings of John Moschos as his guide, William Dalrymple set off to retrace their footsteps. Taking in a civil war in Turkey, the ruins of Beirut, the tensions of the West Bank and a fundamentalist uprising in Egypt, William Dalrymple’s account is a stirring elegy to the dying civilisation of Eastern Christianity.

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‘Could you show me a djinn?’ I asked. ‘Certainly,’ replied the Sufi. ‘But you would run away.’ From the author of the Samuel Johnson prize shortlisted ‘The Return of a King’, this is William Dalrymple’s captivating memoir of a year spent in Delhi, a city watched over and protected by the mischievous invisible djinns. Lodging with the beady-eyed Mrs Puri and encountering an extraordinary array of characters – from elusive eunuchs to the last remnants of the Raj – William Dalrymple comes to know the bewildering city intimately. He pursues Delhi’s interlacing layers of history along narrow alleys and broad boulevards, brilliantly conveying its intoxicating mix of mysticism and mayhem. ‘City of Djinns’ is an astonishing and sensitive portrait of a city, and confirms William Dalrymple as one of the most compelling explorers of India’s past and present.

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THE TOP 5 SUNDAY TIMES BESTSELLER ONE OF BARACK OBAMA'S BEST BOOKS OF 2019 THE TIMES HISTORY BOOK OF THE YEAR FINALIST FOR THE CUNDILL HISTORY PRIZE 2020 LONGLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTION 2019 A FINANCIAL TIMES, OBSERVER, DAILY TELEGRAPH, WALL STREET JOURNAL AND TIMES BOOK OF THE YEAR ‘Dalrymple is a superb historian with a visceral understanding of India … A book of beauty’ – Gerard DeGroot, The Times In August 1765 the East India Company defeated the young Mughal emperor and forced him to establish a new administration in his richest provinces. Run by English merchants who collected taxes using a ruthless private army, this new regime saw the East India Company transform itself from an international trading corporation into something much more unusual: an aggressive colonial power in the guise of a multinational business. William Dalrymple tells the remarkable story of the East India Company as it has never been told before, unfolding a timely cautionary tale of the first global corporate power.

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A highly entertaining and moving journal chronicling J. R. Ackerley's time in IndiaIn the 1920s, the young J. R. Ackerley spent several months in India as the Private Secretary to the Maharajah of Chhokrapur. Knowing almost nothing of India, he discovers Hindu culture, festivals and language, and reveals the fascinating attitudes of the Palace staff on women, marriage. the caste system and death. At the heart of Hindoo Holiday is the wonderfully unpredictable figure of his Highness the Maharajah Sahib who, ultimately, just wants 'someone to love him'.

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LONGLISTED FOR THE SAMUEL JOHNSON PRIZE ‘Beautifully written, ridiculously erudite, warm and open-hearted’ The Times ‘Compelling and poignant’ Guardian ‘This is travel writing at its best’ Observer Internationally bestselling William Dalrymple takes us to the heart of an undiscovered India. A Buddhist monk takes up arms to resist the Chinese invasion of Tibet - then spends the rest of his life trying to atone for the violence by hand printing the best prayer flags in India. A Jain nun tests her powers of detachment as she watches her best friend ritually starve herself to death. Nine people, nine lives; each one taking a different religious path, each one an unforgettable story. William Dalrymple delves deep into the heart of a nation torn between the relentless onslaught of modernity and the ancient traditions that endure to this day.

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Published to coincide with the first UK exhibition of these masterworks at The Wallace Collection, Forgotten Masters celebrates the work of a series of extraordinary Indian artists. As the East India Company extended its sway across India in the late eighteenth century, many remarkable artworks were commissioned by Company officials from Indian painters who had previously worked for the Mughals. Each had their own style, tastes and agency, and all of them worked for British patrons between the 1770s and the bloody end of the Mughal rule in 1857. Edited by writer and historian William Dalrymple, these hybrid paintings explore both the beauty of the Indian natural world and the social realities of the time in one hundred masterpieces, often of astonishing brilliance and originality. They shed light on a forgotten moment in Anglo-Indian history during which Indian artists responded to European influences while keeping intact their own artistic visions and styles. These artists represent the last phase of Indian artistic genius before the onset of the twin assaults - photography and the influence of western colonial art schools - ended an unbroken tradition of painting going back two thousand years. As these masterworks show, the greatest of these painters deserve to be remembered as among the most remarkable Indian artists of all time.

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‘Riveting. This highly readable and entertaining book ... finally sets the record straight on the history of the Koh-i-Noor’ Tarquin Hall, Sunday Times ‘Dynamic, original and supremely readable’ Maya Jasanoff, Guardian The first comprehensive and authoritative history of the Koh-i-Noor, arguably the most celebrated and mythologised jewel in the world. On 29 March 1849, the ten-year-old maharaja of the Punjab was ushered into the magnificent Mirrored Hall at the centre of the great fort in Lahore. There, in a public ceremony, the frightened but dignified child handed over great swathes of the richest country in India in a formal Act of Submission to a private corporation, the East India Company. He was also compelled to hand over to the British monarch, Queen Victoria, perhaps the single most valuable object on the subcontinent: the celebrated Koh-i-Noor diamond. The Mountain of Light. The history of the Koh-i-Noor may have been one woven together from gossip of Delhi bazaars, but it was to become the accepted version. Only now is it finally challenged, freeing the diamond from the fog of mythology that has clung to it for so long. The resulting history is one of greed, murder, torture, colonialism and appropriation told through an impressive slice of south and central Asian history. It ends with the jewel in its current controversial setting: in the crown of Queen Elizabeth the Queen Mother, which was deemed too contentious to be used by Camilla, the Queen Consort, in King Charles’s coronation. Masterly, powerful and erudite, this is history at its most compelling and invigorating.

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'Benoy K. Behl’s remarkable photographs, painstakingly gathered and digitally restored over thirty years of hard labour, are probably the best and truest record of these fabulous treasures that will ever be created.' William Dalrymple A revised edition of a classic title, now with digitally restored photographs, showcasing the finest surviving examples of ancient Buddhist art. Since their chance re-discovery in 1819, the breathtaking paintings and sculptures of the Ajanta caves have inspired and delighted experts and amateurs alike. Ranging in date from the second century BCE to the sixth century CE, these ancient Buddhist artworks rank among the world’s most important cultural treasures. Benoy K. Behl captured the beauty and luminosity of these works using long exposures and only natural light and now presents them here digitally restored to show the paintings closer to their original glory than ever before. The exquisite murals, depicting the tales of previous incarnations of Buddha, scenes of princely processions and fantastical birds and beasts, provide virtually the only evidence of painting styles that first developed in India and remain crucially important to the understanding of Buddhist art throughout Asia. On UNESCO’s list of World Heritage Sites, the Ajanta caves survive as a potent symbol of the great beauty of India’s rich artistic past. This new edition provides for the first time a view of some of the masterpieces of Ajanta painstakingly digitally restored by Behl. Sensitively carried out, the restoration makes the paintings clearer without interfering with their original grace and nuance, leading to a deeper appreciation of their artistry. Accompanied by expert commentaries to fully immerse the reader in the cultural context of the murals, this book will help preserve the legacy of the glorious art of Ajanta for years to come.

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A lost inheritance, a rags-to-riches journey from vagabondage in the mountains of central Asia to an imperial throne in India, warrior-poet Babur's life was one of adventure and endurance against the odds. Descended from both Genghis Khan and Timur, Babur came to the throne of a small principality at the age of eleven; ten years of warfare later, he would lose it for ever to Uzbek invaders. A lucky break led to the capture of Kabul, from which he carved out a new state for himself in Afghanistan. Just over twenty years later, he was ready for the biggest throw of all - no less than an invasion of India. He recorded his own story pretty much as it happened with startling immediacy and a winning frankness: it was the crowning achievement of a rich tradition of Islamic autobiography.There is history and politics here aplenty, but what is most striking about Babur's memoirs is the man they reveal - ambitious but modest and self-critical, deeply attached to friends and family, homesick amongst the treasures of India, sensitive to the beauties of nature and extremely fond of a party. He paints a fascinating portrait of a sophisticated and cultured Persian-Turkic society. As violent for political ends as many a European Renaissance ruler, Babur could order a massacre and return home to write a ghazal. Everywhere he went he created beautiful gardens. There are insights into the role of women in such a society; of Babur's several wives, but particularly the older women of his family, who commanded respect and exercised considerable influence. Four years after his Indian conquest, Babur swore to give his own life if his eldest son recovered from a dangerous illness. Humayun pulled through, and in a few months Babur was dead. But he had laid the foundations of the greatest, wealthiest and most populous of the world's Muslim-ruled empires.

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How are great turning points in history experienced by individuals?As Britain pulls away from Europe great British writers come together to give voice to their innermost feelings. These writers include novelists, writers of books for children, of comic books, humourists, historians, biographers, nature writers, film writers, travel writers, writers young and old and from an extraordinary range of backgrounds. Most are famous perhaps because they have won the Booker or other literary prizes, written bestsellers, changed the face of popular culture or sold millions of records. Others are not yet household names but write with depth of insight and feeling.There is some extraordinary writing in this book. Some of these pieces are expressions of love of particular places in Europe. Some are true stories, some nostalgic, some hopeful. Some are cries of pain. There are hilarious pieces. There are cries of pain and regret. Some pieces are quietly devastating. All are passionate.Conceived as a love letter to Europe, this book may also help reawaken love for Britain. It shows the unique richness and diversity of British cultures, a multitude of voices in harmony.Contributors include:Hugh Aldersey-Williams, Philip Ardagh, Jake Arnott, Patricia Atkinson, Paul Atterbury, Richard Beard, Mary Beard, Don Boyd, Melvyn Bragg, Gyles Brandreth, Kathleen Burke, James Buxton, Philip Carr, Brian Catling, Shami Chakrabarti, Chris Cleave, Mark Cocker, Peter Conradi , Heather Cooper, Frank Cottrell-Boyce, Roger Crowley, David Crystal, William Dalrymple, Lindsey Davies, Margaret Drabble, Mark Ellen, Richard Evans, Michel Faber, Sebastian Faulks, Ranulph Fiennes, Robert Fox, James Fox, Neil Gaiman, Evelyn Glennie, James Hanning, Nick Hayes, Alan Hollinghurst, Gabby Hutchinson-Crouch, Will Hutton, Robert Irwin, Holly Johnson , Liane Jones, Ruth Jones, Sam Jordison, Kapka Kassabova, AL Kennedy, Hermione Lee, Prue Leith, Patrick Lenox, Roger Lewis, David Lindo, Penelope Lively, Beth Lync, Richard Mabey, Sue MacGregor, Ian Martin, Frank McDonough, Jonathan Meades, Andrew Miller, Deborah Moggach, Ben Moor, Alan Moore, Paul Morley, Jackie Morris, Charles Nicholl, Richard Overy, Chris Riddell, Adam Roberts, Tony Robinson, Lee Rourke, Sophie Sabbage, Marcus Sedgwick, Richard Shirreff, Paul Stanford, Isy Suttie, Sandi Toksvig, Colin Tudge, Ed Vulliamy, Anna Whitelock, Kate Williams, Michael Wood, Louisa Young

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