Search results for ""author w. bamberger""

The Stairway to the Sun & Dance of the Comets brings together two short books, originally published in 1903, by the antierotic godfather of German science fiction, Paul Scheerbart. The Stairway to the Sun contains four fairy tales of sun, sea, animals and storm, each set in a different, fantastical locale, from the giant palace of an astral star to a dwarf’s underwater glass lair in the jellyfish kingdom. Scheerbart’s sad, whimsical tales provide gentle though unexpected morals that outline his work as a whole: treat animals as one would treat oneself, mutual admiration will never lead to harm and if one is able to remember that the world is grand, one will never be sad. Dance of the Comets, though published as an “Astral Pantomime,” was originally conceived as a scenario for a ballet, which Richard Strauss had planned to score in 1900 (and which Mahler accepted for the Vienna Opera). Though the project was never realized, Scheerbart’s written choreography of dance, gesture, costume, feather dusters, violet moon hair and a variety of stars and planets outlines a sequence of events in which everyone--enthusiastic maid, temperamental king, indifferent executioner, foolish poet--seeks, joins and, in some cases, becomes a celestial body: a staging of Scheerbart’s lifelong yearning for a home in the universe. Paul Scheerbart (1863–1915) was a novelist, playwright, poet, critic, draftsman, visionary, proponent of glass architecture and would-be inventor of perpetual motion.

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Two novellas from the inventor of perpetual motion and godfather of German science fiction. Rakkóx the Billionaire (1901), a "Protean Novel," tells the tale of a multibillionaire who abandons his militaristic aspirations (and such Quixotic fantasies dreamed up by his Department of Invention as the utilization of herring in submarine warfare) in favor of a plan to convert a cliff into a work of architectural art. The Great Race (1900), a "Development Novel in Eight Different Stories," describes an intergalactic competition among worm spirits who wish to separate from their stars and achieve true autonomy in a ferocious race of winged sleds, cannon-airships, sky-high wheel-shaped vehicles and 100-mile-tall stilt machines, whose winners will be transformed into gods. Veering from humorous, aggressive slapstick to ethereal visions of cosmic philosophy, Scheerbart's fiction offers something of a cartoon space odyssey, and resembles that of no other writer, either of his time or our own. Paul Scheerbart (1863-1915) was a novelist, playwright, poet, newspaper critic, draftsman, visionary, proponent of glass architecture and would-be inventor of perpetual motion. Dubbed the "wise clown" by his contemporaries, he opposed the naturalism of his day with fantastical fables and interplanetary satires that were to influence Expressionist authors and the German Dada movement, and which helped found German science fiction.

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