Search results for ""author trevor rowley""

Odo of Conteville, the younger half-brother of William the Conqueror, was ordained Bishop of Bayeux while still in his teens. A larger than life character, he is best known for commissioning the Bayeaux Tapestry, in which he makes a dashing appearance at the height of the Battle of Hastings. He also played a pivotal role in the planning and implementation of the Conquest of England, after which, as Earl of Kent, he was second only to William in wealth and power. The popular impression of Odo is of a not so loveable rogue, who typified the worst excesses of the Norman conquerors. He was the first Chief Justice of England and on occasion also acted as regent when the king was in Normandy. After allegedly defrauding both Crown and Church, however, Odo was disgraced and his plans to raise an unauthorised army for a campaign in Italy, possibly in order to gain the papacy, saw him imprisoned for five years. He was released by the dying William in 1087, but soon rebelled against the new king, his nephew William Rufus. Yet Odo was far from being a loutish philistine. The bishop recognised the value of education and the arts and amongst his less well-known activities was his generous patronage of both. Trevor Rowley’s book is the first full-length biography of Odo, which also seeks to redress this balance and to make Bishop Odo’s extraordinary life story known.

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An Archaeological Study of the Bayeux Tapestry provides a unique re-examination of this famous piece of work through the historical geography and archaeology of the tapestry. Trevor Rowley is the first author to have analysed the tapestry through the landscapes, buildings and structures shown, such as towns and castles, while comparing them to the landscapes, buildings, ruins and earthworks which can be seen today. By comparing illustrated extracts from the tapestry to historical and contemporary illustrations, maps and reconstructions Rowley is able to provide the reader with a unique visual setting against which they are able to place the events on the tapestry. This approach allows Rowley to challenge a number of generally accepted assumptions regarding the location of several scenes in the tapestry, most controversially suggesting that William may never have gone to Hastings at all. Finally, Rowley tackles the missing end of the tapestry, suggesting the places and events which would have been depicted on this portion of Williams journey to Westminster.

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From prehistoric times to the Middle Ages, the Welsh Borders were the scene of continual strife, as can be seen from the Iron Age and Roman forts, Offa's Dyke and the wealth of medieval castles to be found here. For a short time the Marches formed in the north-western boundary of the Roman Empire. In the Middle Ages there was bitter fighting between the Norman conquerors and the Welth, and in-fighting among feuding barons. Later the dissolution of the monasteries, the imposistion of enclosures, the creation of parkland, the mining of the Shropshire coalfield and the coming of the Industrial Revolution all made their impact on the landscape. Today the Marches are under threat from various forces which are discussed in the final chapter. The distinguished landscape archaeologist Trevor Rowley (who was born and educated in Shrewsbury) looks at the countryside, villages and towns of this area, and reveals the clues that they provide to the history of its people over the centuries. Under the author's condident guidance, there are many hidden treasures to be found in this relatively unknown region of Britain - whether forgotten Saxon churches or lost medieval boroughs. With its numerous illustrations, this is a book that will inform and delight both local residents and visitors to the border counties.

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For a long time, the Norman Conquest has been viewed as a turning point in English history; an event which transformed English identity, sovereignty, kingship, and culture. The years between 1066 and 1086 saw the largest transfer of property ever seen in English History, comparable in scale, if not greater, than the revolutions in France in 1789 and Russia in 1917. This transfer and the means to achieve it had a profound effect upon the English and Welsh landscape, an impact that is clearly visible almost 1,000 years afterwards. Although there have been numerous books examining different aspects of the British landscape, this is the first to look specifically at the way in which the Normans shaped our towns and countryside. The castles, abbeys, churches and cathedrals built in the new Norman Romanesque style after 1066 represent the most obvious legacy of what was effectively a colonial take-over of England. Such phenomena furnished a broader landscape that was fashioned to intimidate and demonstrate the Norman dominance of towns and villages. The devastation that followed the Conquest, characterised by the Harrying of the North', had a long-term impact in the form of new planned settlements and agriculture. The imposition of Forest Laws, restricting hunting to the Norman king and the establishment of a military landscape in areas such as the Welsh Marches, had a similar impact on the countryside.

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The Normans were a relatively short-lived cultural and political phenomenon. The emerged early in the tenth century and had disappeared off the map by the mid-thirteenth century. Yet in that time they had conquered England, southern Italy and Sicily, and had established outposts in North Africa and in Levant. Having traced the formation of the Duchy of Normandy, Trevor Rowley draws on the latest archaeological and historical evidence to examine how the Normans were able to conquer and dominate significant parts of Europe.In particular he looks at their achievements in England and Italy and their claim to a permanent legacy, as witnessed in feudalism, in castles, churches and settlement and in place-names. But equally from the political stage. The reality is that, even within this short time-span, the Normans changed as time and place dictated from Norse invaders to Frankish crusaders to Byzantine monarchs to Feudal overlords. In the end their contribution to medieval culture was largely as a catalyst for other, older traditions.

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