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This Spring issue of Hinterland celebrates the limitless reach of life writing. Between them, our writers explore adoption, suicide, sexual assault, the AIDS crisis, conscription, grandparents, trauma, and the enduring influence of Elizabeth Bishop. Headlining this issue we celebrate a work seminal to the genre of life writing: Lorna Sage’s Bad Blood, with a collection of exclusive-to-Hinterland pieces by Christopher Bigsby, Victor Sage and Sharon Tolaini-Sage, with a foreword by Kathryn Hughes, that illuminate and respond to the legacy of Sage’s memoir, now entering its third decade of continuous publication.

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This Summer issue of Hinterland indulges in all of the delights food-writing has to offer. Headlining this issue we have new writing from Kate Young who anticipates sharing meals once more, and Pragya Agarwal, who uses memories of food to explore the promise and pain of emigration. We also sit down to chat with celebrated cook Anna Jones about how she writes her award-winning cookbooks.Also featuring writing by Noah Birksted-Breen, Amy Cotler, Sally Gander, Hester Van Hensbergen, Sue Hann, Connor Harrison, Andrew Kenrick, Edward Little, Maya Osman-Krinsky, Kimmo Rosenthal and Sarah Young.

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Hinterland is a quarterly, print and digital magazine dedicated to creative non-fiction. Hinterland's fourth issue celebrates the art of a beautifully turned piece of flash writing, with our Flash Non-Fiction Special: 40 pages of the best bite-sized writing around. Mark Cocker leads with a piece on the army ant, others consider topics as varied as migrant youth, New York through the decades, the troubling life of pets, inter-racial relationships, and the fall of dictators. Inside a stunning cover, created exclusively for Hinterland by artist Mia Hague, is an outstanding line-up of new creative non-fiction plus all our great regular features, including a beautiful photo essay by Lily Bungay and an interview with Tessa McWatt.

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We have dubbed Hinterland Issue 6 our ‘non-fiction fiction special’, in which we explore the curious space where fiction and non-fiction intersect and interact. To that end Heather Martin (The Reacher Guy) recalls how she came to write the biography of Lee Child, author of the Jack Reacher series; Nick Bradley (The Cat and The City) shares some of the photographs taken on his commute in Tokyo, an experience later tapped into for his debut novel; Ashley Hickson-Lovence (The 392) tells the true story of how Ruel Fox (nearly) led Norwich City to football greatness; we explore Tash Aw’s literary archive; and share a conversation with Helen Smith (The Uncommon Reader) about renowned editor Edward Garnett, all alongside a stand-out selection of reportage, memoir, essay and flash non-fiction.

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