Search results for ""author susan pickford""

Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, MichaËl Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe’s Uncle Tom’s Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were “fugitive texts” apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as “the slave narrative.”

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Identifying gaps in knowledge is the first duty of any historian who sets out to understand the past. It is impossible fully to understand our forebears without some idea of what they did not know: the history of ignorance is an indispensable part of history itself. Here Alain Corbin focuses on our planet, exploring its mysteries past and present, and the intensity and eventual decline of the modes of terror and wonder it aroused. For thousands of years, humans knew nearly nothing about the earth. Certain locations on the map simply read ‘Terra Incognita’. Corbin recounts the many errors and uncertainties that littered the paths we followed in the attempt to discover the secrets of our blue planet, with a particular focus on the eighteenth and nineteenth centuries when the mysteries of volcanoes, the polar regions, glaciers, the stratosphere and the oceans began to be uncovered. While ignorance stimulated our ancestors’ imagination, Corbin’s history of ignorance reawakens our thirst for knowledge and changes our view of the world.

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Identifying gaps in knowledge is the first duty of any historian who sets out to understand the past. It is impossible fully to understand our forebears without some idea of what they did not know: the history of ignorance is an indispensable part of history itself. Here Alain Corbin focuses on our planet, exploring its mysteries past and present, and the intensity and eventual decline of the modes of terror and wonder it aroused. For thousands of years, humans knew nearly nothing about the earth. Certain locations on the map simply read ‘Terra Incognita’. Corbin recounts the many errors and uncertainties that littered the paths we followed in the attempt to discover the secrets of our blue planet, with a particular focus on the eighteenth and nineteenth centuries when the mysteries of volcanoes, the polar regions, glaciers, the stratosphere and the oceans began to be uncovered. While ignorance stimulated our ancestors’ imagination, Corbin’s history of ignorance reawakens our thirst for knowledge and changes our view of the world.

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Why is our sense of smell so under-appreciated? We tend to think of smell as a vestigial remnant of our pre-human past, doomed to gradual extinction, and we go to great lengths to eliminate smells from our environment, suppressing body odour, bad breath and other smells. Living in a relatively odour-free environment has numbed us to the importance that smells have always had in human history and culture. In this major new book Robert Muchembled restores smell to its rightful place as one of our most important senses and examines the transformation of smells in the West from the Renaissance to the beginning of the 19th century. He shows that in earlier centuries, the air in towns and cities was often saturated with nauseating emissions and dangerous pollution. Having little choice but to see and smell faeces and urine on a daily basis, people showed little revulsion; until the 1620s, literature and poetry delighted in excreta which now disgust us. The smell of excrement and body odours were formative aspects of eroticism and sexuality, for the social elite and the popular classes alike. At the same time, medicine explained outbreaks of plague by Satan's poisonous breath corrupting the air. Amber, musk and civet came to be seen as vital bulwarks against the devil's breath: scents were worn like armour against the plague. The disappearance of the plague after 1720 and the sharp decline in fear of the devil meant there was no longer any point in using perfumes to fight the forces of evil, paving the way for the olfactory revolution of the 18th century when softer, sweeter perfumes, often with floral and fruity scents, came into fashion, reflecting new norms of femininity and a gentler vision of nature. This rich cultural history of an under-appreciated sense will be appeal to a wide readership.

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Why is our sense of smell so under-appreciated? We tend to think of smell as a vestigial remnant of our pre-human past, doomed to gradual extinction, and we go to great lengths to eliminate smells from our environment, suppressing body odour, bad breath and other smells. Living in a relatively odour-free environment has numbed us to the importance that smells have always had in human history and culture. In this major new book Robert Muchembled restores smell to its rightful place as one of our most important senses and examines the transformation of smells in the West from the Renaissance to the beginning of the 19th century. He shows that in earlier centuries, the air in towns and cities was often saturated with nauseating emissions and dangerous pollution. Having little choice but to see and smell faeces and urine on a daily basis, people showed little revulsion; until the 1620s, literature and poetry delighted in excreta which now disgust us. The smell of excrement and body odours were formative aspects of eroticism and sexuality, for the social elite and the popular classes alike. At the same time, medicine explained outbreaks of plague by Satan's poisonous breath corrupting the air. Amber, musk and civet came to be seen as vital bulwarks against the devil's breath: scents were worn like armour against the plague. The disappearance of the plague after 1720 and the sharp decline in fear of the devil meant there was no longer any point in using perfumes to fight the forces of evil, paving the way for the olfactory revolution of the 18th century when softer, sweeter perfumes, often with floral and fruity scents, came into fashion, reflecting new norms of femininity and a gentler vision of nature. This rich cultural history of an under-appreciated sense will be appeal to a wide readership.

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Soon to be a major US motion picture starring Anne Hathaway and Jessica Chastain, Mothers’ Instinct is a dark, twisty domestic thriller in which the bond between two couples—best friends and next-door neighbors—mutates in dangerous and deadly ways in the wake of a tragic accident.David and Laetitia Brunelle and Sylvain and Tiphaine Geniot are inseparable friends and next-door neighbors in a pretty, tranquil suburb. Their sons Milo and Maxime, born in the same year, grow up together as close as brothers. But when Maxime is killed in an accident, their idyllic world shatters. Maxime's parents, Sylvain and Tiphaine, are consumed by grief and bitterness, while David and Laetitia are wracked with guilt for their role in the tragedy. Soon the couples are barely speaking, although they maintain a polite façade.Then a mysterious series of “accidents” begins to happen to Milo, raising Laetitia’s suspicions. Are their former best friends trying to punish them by threatening their son? As an increasingly paranoid Laetitia frantically tries to protect Milo from harm, the little civility left between the two families curdles into outward hostility. Is Laetitia just imagining things? Or are Sylvain and Tiphaine secretly conspiring to exact their revenge . . . and if so, who will pay?In her American debut, blockbuster Belgian author Barbara Abel plunges into the deepest, darkest corners of her characters’ hearts and minds to explore the limits of friendship, the overwhelming power of maternal love, and how far hate, fear, and vengeance can drive us. Tense and blood-chilling, with a surprising final twist, Mothers' Instinct will keep you on edge until the final page.Translated from the French by Susan Pickford

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