Search results for ""author steven earnshaw""

This is the inspirational resource for tutors, students and other creative writing professionals, now in a new edition. 54 chapters cover the three central pillars of writing creatively: theories of creativity, the craft of writing and creative writing as a business. With contributions from over 50 experts - poets, novelists, dramatists, publishers, editors, tutors, critics and scholars - from the United Kingdom, the United States, Canada and Australia, this is the essential guide to writing, and getting published, in the English-speaking world. New for this edition: chapters: on 'indie publishing', 'social media', 'flash fiction', 'song lyrics and poetry', 'creative critical hybrids', 'collaboration in the theatre', Inclusion of additional genres and activities; chapters updated to reflect changes in teaching, copyright & earning a living as a writer; and, updated Glossary of Terms.

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Realism is an essential concept in literary studies, yet for a variety of reasons it has not received the attention and clarity it deserves, often being dismissed as ‘too slippery’ to be of use. This accessible study remedies that failing for students and scholars of English Literature and Literary Theory alike, plainly setting out what realism is, the issues surrounding it, and its role in other major literary modes such as modernism and postmodernism. Beginning Realism gives detailed coverage of the nineteenth-century realist novel through its focus on novels by Gaskell, Eliot, Trollope, Dickens, Mrs Oliphant, Thackeray and Zola. As well as discussing ‘the novel’, the book also includes chapters on the use of realism in drama and poetry and a chapter on ‘the language of realism’, another aspect often overlooked in analysis of the concept.

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Drinking to excess has been a striking problem for industrial and post-industrial societies – who is responsible when an individual opts for a slow suicide? The causes of such drinking have often been blamed on genes, moral weakness, ‘disease’ (addiction), hedonism, and Romantic illusion. Yet there is another reason: the drinker may act with sincere philosophical intent, exploring the edges of self, consciousness, will, ethics, authenticity and finitude. Beginning with Jack London’s John Barleycorn: alcoholic memoirs the book goes on to cover novels such as Jean Rhys’s Good morning, midnight, Malcolm Lowry’s Under the volcano, Charles Jackson’s The lost weekend and John O’Brien’s Leaving Las Vegas, and less familiar works such as Frederick Exley’s A fan’s notes, Venedikt Yerofeev’s Moscow-Petushki, and A. L. Kennedy’s Paradise.

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'Realism' is a term which is key to understanding, amongst other things: the novel genre, Victorian literature, modernism, and postmodernism. It thus provides the conceptual basis for much literary study yet continues to be regarded as too 'slippery' to be of use, or can be undervalued as a literary mode, failing to receive the critical attention that more 'glamorous' artistic movements have attracted. "Beginning Realism" addresses that gap and offers an accessible guide for students and scholars to get to grips with this most fundamental of categories. It offers a clear exposition of the importance of realism for literary studies, the different ways in which realism has been understood, and continues to be understood, by authors, critics and readers. This study recognises that realism is every bit as complex as other modes of representation and requires a similar level of critique. Beginning Realism's initial focus is on the nineteenth-century novel, the period and genre which defined literary realism, using a set number of works from Gaskell, Eliot, Trollope, Dickens, Mrs Oliphant, Thackeray and Zola. Having firmly established what literary realism is, the book then looks at poetry and drama - genres often omitted from other studies of realism- while other chapters fully explore modernism and postmodernism - modes which lean heavily upon an idea of realism for their operations. The book also includes chapters on the theories and theorists of realism (e.g. Watt, Auerbach, Lukacs, and Belsey), as well as a chapter on the language of realism. A separate chapter deals with realism in its philosophical and scientific aspects, and concludes by discussing the current status of realism.

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