Search results for ""author stendhal""

In this account of a disillusioned soul failing to come to terms with reality, the novelist recreates the Byronic anti-hero in the context of post-revolutionary France where the church, politics and society itself are in upheaval.

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Se recoge en este volumen la práctica totalidad, exceptuando las llamadas Crónicas italianas, de los relatos de Stendhal. El lector podrá encontrar aquí cuentos bastante conocidos como Mina de Vanghel, El bebedizo o El cofre y el fantasma, pero sobre todo un buen número de piezas inéditas o que llevaban muchísimo tiempo sin ser traducidas en español. Rosa y verde, largo esbozo de una novela sobre una rica heredera que no quiere ser amada por sus millones, o Féder o el marido adinerado, historia de los amores de un joven pintor de miniaturas con la mujer de un pretencioso terrateniente de provincias, son textos brillantes y destacadísimos en la obra de su autor. María Teresa Gallego Urrutia ha reunido y traducido diecinueve Esbozos y narraciones en los que Stendhal desmenuza la pasión romántica y la exaltación típica de sus héroes y heroínas, cuya alma es demasiado ardiente para conformarse con la realidad de la vida. El ojo analítico, la trama desmesurada, la seducción de la impostura

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Nadie ignora la novela Rojo y Negro de este mismo autor, una de las más importantes de la literatura universal. Pero muy pocos son los que han leído Rojo y Blanco, que constituye una creación de Stendhal no menos interesante.

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Novela total, pues así puede llamarse a la novela que reúne en sus páginas novela romántica, de aventuras, histórica y de capa y espada, "La cartuja de Parma" entra sin duda en la categoría de las grandes obras de ayer, de hoy y de siempre. En esta afortunadísima síntesis literaria de recuerdos, experiencias decantadas, vida asimilada y genio creador, las aventuras, amores y peripecias que Stendhal teje alrededor de las parejas formadas por el romántico y aventurero Fabricio del Dongo y Clelia Conti, por un lado, y por el hábil y maquiavélico conde Mosca y la encantadora duquesa Sanseverina, por otro, dan espacio al lector para sumirse en una corriente de acción y de amores que dejará sin duda huella duradera en su memoria. La presente edición, traducida y anotada por Consuelo Berges, se completa con el estudio clásico de Balzac sobre esta gran novela.

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En "La Cartuja de Parma" Stendhal refleja el gozo existencial, el espíritu privilegiado, disponible, generoso y abierto de su autor, un hombre de cuarenta y ocho años que ha vivido mucho y que armoniza en un acto de recuerdo, sublimándolas, todas sus experiencias y emociones pasadas. Una novela de aventuras, de intrigas, de venganza, histórica y política, en la que el arte, la belleza, el amor y el deseo se entrecruzan bajo la sonrisa complaciente y melancólica del que sabe que nada merece la pomposa solemnidad.

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Headstrong and naïve, the young Italian aristocrat Fabrizio del Dongo is determined to defy the wrath of his right-wing father and go to war to fight for Napoleon. He stumbles on the Battle of Waterloo, ill-prepared, yet filled with enthusiasm for war and glory. Finally heeding advice, Fabrizio sneaks back to Milan, only to become embroiled in a series of amorous exploits, fuelled by his impetuous nature and the political chicanery of his aunt Gina and her wily lover. Judged by Balzac to be the most important French novel of its time, The Charterhouse of Parma is a compelling novel of extravagance and daring, blending the intrigues of the Italian court with the romance and excitement of youth.

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This major critical work by the great French novelist reveals Stendhal’s decisive role in the literary renaissance called Romanticism. Written sixteen years before ‘The Charterhouse of Parma’, it marked the beginning of his illustrious career and established him at the forefront of the French Romantic movement. The first part of ‘Racine and Shakespeare’ appeared as a pamphlet in 1823, when Waterloo was still bitterly alive in the French mind. In it, Stendhal vigorously championed the spontaneous vitality of Shakespeare while condemning the rigid imitators of Corneille and Racine. The second half of ‘Racine and Shakespeare’ appeared two years later in answer to a speech against Romanticism by the secretary of the Academie Francaise. It is a brilliant tour de force, an exchange of letters between an old classicist and a young Romanticiist, in which Stendhal defined Romanticism not only for his age but for all time.

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Published posthumously in 1930, Stendhal’s travel notes on his 1838 journey to southern France contain descriptions of cities such as Bordeaux, Toulouse and Marseilles, peppered with numerous personal digressions, anecdotes and cultural musings. Both an addition to the Stendhalian canon and a pioneering work of the travel-writing genre, Travels in the South of France provides an illuminating perspective on this popular region and the phenomenon of tourism in general.

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Rossini’s success in Italy in the early 1820s was certainly not echoed in France, where he was regarded as “an ill-bred parvenu, whose cheap popularity was an insult to a great musical tradition”. Stendhal was the first of his contemporaries to recognize the genius of this important Italian composer. Besides being a fascinating and penetrating account of the Italian composer’s most creative years, and of contemporary musical events and opinions, this work is one of the finest items in the Stendhalian literary canon. Details of Rossini’s early life are followed by penetrating discussions of the operas, libretti, personalities of the period and Rossini’s own character.

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Charting the rise and fall of an ambitious young social climber in a cruel, monarchical society, Stendhal's The Red and the Black is translated with an introduction and notes by Roger Gard in Penguin Classics.Handsome, ambitious Julien Sorel is determined to rise above his humble provincial origins. Soon realizing that success can only be achieved by adopting the subtle code of hypocrisy by which society operates, he begins to achieve advancement through deceit and self-interest. His triumphant career takes him into the heart of glamorous Parisian society, along the way conquering the gentle, married Madame de Rênal, and the haughty Mathilde. But then Julien commits an unexpected, devastating crime - and brings about his own downfall. The Red and the Black is a lively, satirical portrayal of French society after Waterloo, riddled with corruption, greed and ennui, and Julien - the cold exploiter whose Machiavellian campaign is undercut by his own emotions - is one of the most intriguing characters in European literature.Roger Gard's fine translation remains faithful to the natural, conversational tone of the original, while his introduction elucidates the complexities of Julien's character. This edition also contains a chronology, further reading and an appendix on Stendhal's use of epigraphs.Stendhal (1783-1842) was the pseudonym of Henri Marie Beyle, born and raised in Grenoble. Offered a post in the Ministry of War, from 1800 onwards he followed Napoleon's campaigns throughout Europe before retiring to Italy. Here, as 'Stendhal', he began writing on art, music and travel. Though not well-received during his lifetime, his work, including The Red and the Black (1830) and The Charterhouse of Parma (1839), now places him among the pioneers of nineteenth-century literary realism.If you enjoyed The Red and the Black, you may like Guy de Maupassant's Bel-Ami, also available in Penguin Classics.

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A masterpiece of nineteenth-century literature in a fresh translation that fully captures the language, psychology, and social reach of Stendhal’s original Fueled with a combustible mix of ambition, naivete, and Napoleonic ideals, Julien Sorel sets his sights on the heights of French society. But for the son of a provincial carpenter in post-Napoleonic France, the prospects for advancement are vanishingly narrow, the chances for glory rarer yet. After securing a toehold as a tutor to a wealthy family, Julien proceeds through a series of misadventures, illicit affairs, and lucky reversals to breach the ranks of French aristocracy—only to be undone by treasonous schemes, cynical romantic calculations, and an unexpectedly genuine and ultimately disastrous passion.Shocking at the time of its original publication, startling in its relevance today, Stendhal’s masterpiece is a scorching social satire, a remarkably detailed portrait of a fraught moment in history and, as perhaps the first psychological novel, a brilliant precursor to modern literature at once comical and tragic, cerebral and passionate. This new translation faithfully reproduces the nimble wit, emotional depth, and social acuity of Stendhal’s text. Distinguished translator Raymond N. MacKenzie includes an extensive introduction to Stendhal’s world and time, as well as copious annotations that explain allusions and terms for the modern reader.

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The Lives of Haydn, Mozart and Metastasio – Stendhal’s first published work – owes its inspiration to the audacious pragmatism of its author. After the collapse of the Napoleonic empire, Henri Beyle was jobless, soon destined to become a refugee and in desperate need of money. His most abiding passion in life was music, so why not write about it? Unfortunately, however, he knew next to nothing about it. So, calmly and without the slightest pang of conscience, he resolved to plunder the works of other writers – in particular those of the musicologist Giuseppe Carpani, who was annoyed and said so vociferously. The result of Stendhal’s unscrupulous plagiarism is one of the most fascinating literary enigmas of all time. How is it that what started as a blatant act of piracy evolved into a work of enduring value? Despite its unpropitious beginnings, this work represents the wrong-headedness of a genius – and the singular Louis-Alexandre-César Bombet who signed the Lives was already, in everything that mattered, the man who was to be Stendhal, one of the most prominent literary figures of the nineteenth century.

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Few writers have known Italy better than Stendhal: he was only seventeen when he first rode south across the Alps in the wake of Napoleon’s armies, and he continued to travel and to live in Italy until a few months before his death. Some of his visits lasted only a few weeks, others continued for years, and he spent the last decade of his life as French Consul in Civitavecchia – yet he was never a tourist in the ordinary sense of the word. Italy, for Stendhal, was never a mere treasure trove of ruins, museums and galleries: it was the life of the country which fascinated him, its spirit, the inner workings of its heart and mind. This picture – or rather this living dream – of Italy he created is as fresh and tantalizing today as it was almost two centuries ago.

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The articles which Stendhal contributed as French correspondent for the ‘London Magazine’, ‘New Monthly Magazine’ and other English Marketing Reviews of the 1820s are here brought together in a single volume, the only edition available in English. In them Stendhal – defying fashion and giving proof of the bold originality of his creative writing – provides an illuminating and often entertaining commentary on the politics and mores of post-Napoleonic France and Italy, and reveals his outstanding and all too rarely acknowledged gifts as a reviewer and literary critic. Together with the articles from the English Marketing Reviews, this edition includes translations of articles, essays and notes on Cornielle, Scott and Lord Byron, who was on terms of close acquaintance with Stendhal during his stay in Milan in 1816.

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Nineteenth-century French writer Marie-Henri Beyle, better known by his pen name Stendhal, is one of the earliest leading practitioners of realism, his stories filled with sharp analyses of his characters’ psychology. This translation of Stendhal’s Chroniques italiennes is a collection of nine tales written between 1829 and 1840, many of which were published only after his death. Together these collected tales reveal a great novelist working with highly dramatic subject matter to forge a vision of life lived at its most intense.The setting for these tales is a romanticized Italy, a place Stendhal viewed as unpolluted by bourgeois inhibitions and conformism. From the hothouse atmosphere of aristocratic convents to the horrors of the Cenci family, the tales in Italian Chronicles all feature passionate, transgressive characters engaged in “la chasse au bonheur”—the quest for happiness. Most of the tragic, violent tales are based on historical events, with Stendhal using history to validate his characters’ extreme behaviors as they battle literal and figurative oppression and try to break through to freedom.Complete with revenge, bloody daggers, poisonings, and thick-walled nunneries, this new translation of Italian Chronicles includes four never-before-translated stories and a fascinating introduction detailing the origins of the book. It is sure to gratify established Stendhal fans as well as readers new to the writer.

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In this vigorous and fast-moving novel of post-Napoleonic France, Julien Sorel's plans to reach the higher echelons of society through the priesthood are defelected by his realization that the attainment of happiness is of greater consequence than the pursuit of ambition. Subtitled `A Chronicle of 1830', Stendhal's depiction of a nation of smug hypocrites scandalized contemporary readers, who recognized themselves or their peers and felt uncomfortable with the energy, imagination, and sincerity of a hero so patently inspired by their lately deposed Emperor. Julien's restless energy is fully captured in this specially commissioned translation of one of the world's great novels. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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A timeless treatise on the unique power of human emotion, Stendhal's Love is translated by Gilbert and Suzanne Sale with an introduction by Jean Stewart and B.C.J.G. Knight in Penguin Classics.In 1818, when he was in his mid-thirties, Stendhal met and fell passionately in love with the beautiful Mathilde Dembowski. She, however, was quick to make it clear that she did not return his affections, and in his despair he turned to the written word to exorcise his love and explain his feelings. The result is an intensely personal dissection of the process of falling - and being - in love: a unique blend of poetry, anecdote, philosophy, psychology and social observation. Bringing together the conflicting sides of his nature, the deeply emotional and the coolly analytical, Stendhal created a work that is both acutely personal and universally applicable.This translation retains all the colour and passion of the original and is accompanied buy the author's original prefaces and appendices. In their introduction, Jean Stewart and B.C.J.G. Knight discuss the relationship between Stendhal and his beloved and explore his views on feminism, education and society.Stendhal (1783-1842) was the pseudonym of Henri Marie Beyle, born and raised in Grenoble. Offered a post in the Ministry of War, from 1800 onwards he followed Napoleon's campaigns throughout Europe before retiring to Italy. Here, as 'Stendhal', he began writing on art, music and travel. Though not well-received during his lifetime, his work, including The Red and the Black (1830) and The Charterhouse of Parma (1839), now places him among the pioneers of nineteenth-century literary realism.If you enjoyed Love, you might like Gustave Flaubert's Sentimental Education, also available in Penguin Classics.'The single most insightful book on the role of imagination on love'John Armstrong, author of Conditions of Love: The Philosophy of Intimacy

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The Charterhouse of Parma (1839) is a compelling novel of passion and daring, of prisons and heroic escape, of political chicanery and sublime personal courage. Set at the beginning of the nineteenth century, amidst the golden landscapes of northern Italy, it traces the joyous but ill-starred amorous exploits of a handsome young aristocrat called Fabrice del Dongo, and of his incomparable aunt Gina, her suitor Prime Minister Mosca, and Clélia, a heroine of ethereal beauty and earthly passion. These characters are rendered unforgettable by Stendhal's remarkable gift for psychological insight. `Never before have the hearts of princes, ministers, courtiers, and women been depicted like this,' wrote Honoré de Balzac. `Stendhal's tableau has the dimensions of a fresco but the precision of the Dutch masters.' The great achievement of The Charterhouse of Parma is to conjure up the excitement and romance of youth while never losing sight of the harsh realities which beset the pursuit of happiness, nor the humour and patient irony with which these must be viewed. This new translation captures Stendhal's narrative verve, while the Introduction explores the novel's reception and the reasons for its enduring popularity and power. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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An extensively revised “Backgrounds and Contexts” section provides geographical and political insights into mid-nineteenth century France and places the novel in the context of contemporary authors and works. A map of 1830s France, political and literary chronologies, an account of the trial of Antoine Berthet, and related writings by Stendhal, Paul Valéry, and Jules Janin are included. “Criticism” collects nine essays, seven of which are new to this edition, by Erich Auerbach, René Girard, Victor Brombert, Shoshana Felman, Peter Brooks, Sandy Petrey, Alison Finch, Lisa G. Algazi, and Susanna Lee. A Chronology of Stendhal’s life and work, also new to the Second Edition, and an updated Selected Bibliography are included.

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No city but Florence contains such an intense concentration of art produced in such a short span of time. The sheer number and proximity of works of painting, sculpture, and architecture in Florence can be so overwhelming that Florentine hospitals treat hundreds of visitors each year for symptoms brought on by trying to see them all, an illness famously identified with the French author Stendhal. While most guidebooks offer only brief descriptions of a large number of works, with little discussion of the historical background, Judith Testa gives a fresh perspective on the rich and brilliant art of the Florentine Renaissance in An Art Lover's Guide to Florence. Concentrating on a number of the greatest works, by such masters as Botticelli and Michelangelo, Testa explains each piece in terms of what it meant to the people who produced it and for whom they made it, deftly treating the complex interplay of politics, sex, and religion that were involved in the creation of those works. With Testa as a guide, armchair travelers and tourists alike will delight in the fascinating world of Florentine art and history.

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