Search results for ""author seneca""

Spectacular verse drama.Seneca is a figure of first importance in both Roman politics and literature: a leading adviser to Nero who attempted to restrain the emperor’s megalomania; a prolific moral philosopher; and the author of verse tragedies that strongly influenced Shakespeare and other Renaissance dramatists.Seneca’s plays depict intense passions and interactions in rhetoric that is equally strong. Their perspective is much bleaker than that adopted in his prose writings. His plots are based on mythical episodes, in keeping with classical tradition. But the political realities of imperial Rome are also reflected in an obsessive concern with power and dominion over others. The Octavia is our sole surviving example of a Roman historical play; set at Nero’s court, it was probably written by an admirer of Seneca as statesman and dramatist.John G. Fitch has thoroughly revised his two-volume edition of Seneca’s Tragedies to take account of the textual and interpretive scholarship that has appeared since its initial publication. His translation conveys the force of Seneca’s dramatic language and the lyric quality of his choral odes.

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Seneca the Younger was a playwright, essayist, lecturer (and tutor to the emperor Nero) who remains one of the most important Stoic philosophers.

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The story of Jason and the Argonauts and their quest for the Golden Fleece is one of the oldest and most familiar tales in classical literature. Apollonius of Rhodes wrote the best-known version, in Greek, in the third century B.C.E. The Latin poet Gaius Valerius Flaccus began his own interpretation of the story in the first century of the Christian era, but he died before completing it. With The Voyage of the "Argo," the acclaimed poet and translator David Slavitt recovers for modern readers the only surviving work of this little-known writer. The result is an engaging rendition of Jason's adventures, of particular interest when compared to the Greek version of the story. While Apollonius' tale offers a subtle psychological study of Medea, Valerius Flaccus' achievement is to present Jason as a more complete and compelling heroic figure. Slavitt, for one, enjoyed the rediscovery immensely-and he invites his readers to do the same. "I am content to let my rendition into English speak for Valerius, but for those whom I imagine standing in an aisle of a library or bookstore, trying to decide, I can offer some reassurance. This piece is playful, unpredictable, oddly contrarian, sometimes almost mannerist. Valerius' description in book 8 of Medea's putting the serpent to sleep so Jason can filch the fleece involves a gesture no other Latin poet I know would have thought to try-a brief moment in Medea's head when she allows herself to feel sorry for the snake...It is this kind of droll surprise that drew me to undertake the translation of a work that is not, I freely confess, well known."-David Slavitt

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Timeless advice on the art of living well, from the celebrated Penguin Great Ideas seriesThe writings of the ancient Roman philosopher Seneca offer powerful insights into stoicism, morality and the importance of reason, and continue to provide profound guidance to many through their eloquence, lucidity and wisdom.Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. The Penguin Great Ideas series brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization, and helped make us who we are.

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Selected from the Epistulae Morales ad Lucilium, Seneca's Letters from a Stoic are a set of 'essays in disguise' from one of the most insightful philosophers of the Silver Age of Roman literature. This Penguin Classics edition is translated from the Latin with an introduction by Robin Campbell.A philosophy that saw self-possession as the key to an existence lived 'in accordance with nature', Stoicism called for the restraint of animal instincts and the severing of emotional ties. These beliefs were formulated by the Athenian followers of Zeno in the fourth century BC, but it was in Seneca that the Stoics found their most eloquent advocate. Stoicism, as expressed in the Letters, helped ease pagan Rome's transition to Christianity, for it upholds upright ethical ideals and extols virtuous living, as well as expressing disgust for the harsh treatment of slaves and the inhumane slaughters witnessed in the Roman arenas. Seneca's major contribution to a seemingly unsympathetic creed was to transform it into a powerfully moving and inspiring declaration of the dignity of the individual mind.Robin Campbell's lucid translation captures Seneca's humour and tautly aphoristic style. In his introduction, he discusses the tensions between Seneca's philosophy and his turbulent career as adviser to the tyrannical emperor Nero.Lucius Annaeus Seneca (c.4BC - AD65) was born in Spain but was raised according to the traditional values of the republic of Rome. In AD48 he became tutor to the future emperor Nero and became his principal civil advisor when he took power. His death was eventually ordered by Nero in AD65, but Seneca anticipated the emperor's decree and committed suicide.If you enjoyed Letters from a Stoic, you might like Marcus Aurelius's Meditations, also available in Penguin Classics.

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This free and eloquent translation skillfully reproduces the imagery, power, and frequent irony and sarcasm of Seneca's language.

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'It is philosophy that has the duty of protecting us ... without it no one can lead a life free of fear or worry'For several years of his turbulent life, in which he was dogged by ill health, exile and danger, Seneca was the guiding hand of the Roman Empire. This selection of Seneca's letters shows him upholding the ideals of Stoicism - the wisdom of the self-possessed person immune to life's setbacks - while valuing friendship and courage, and criticizing the harsh treatment of slaves and the cruelties in the gladiatorial arena. The humanity and wit revealed in Seneca's interpretation of Stoicism is a moving and inspiring declaration of the dignity of the individual mind.Selected and translated with an Introduction by Robin Campbell

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How ancient Stoicism can help teach us to treat others—and ourselves—more fairly and mercifully There are times when we’ve all felt that we haven’t been treated as we deserve—that we’ve been misjudged, shortchanged, or given a raw deal. And, at one time or another, other people have probably felt that we’ve treated them just as unfairly. How to Do the Right Thing draws on the principles of ancient Stoicism as articulated by the Roman statesman and philosopher Seneca to help readers better navigate one of the most important practical questions of daily life—how to do right by others.Starting from the virtue of magnanimity—the opposite of small-mindedness—How to Do the Right Thing draws together lessons from Seneca’s writings that stress the importance of calm and clear thinking, of judging oneself fairly before judging others, and of cutting people slack, with a bias toward mercy—all delivered in crisp and lively new translations, and with the original Latin on facing pages.

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'You ask what is the proper measure of wealth? The best measure is to have what is necessary, and next best, to have enough. Keep well!' The letters written by the Stoic philosopher and tragedian Seneca to his friend Lucilius are in effect moral essays, whose purpose is to reinforce Lucilius' struggle to achieve wisdom and serenity, uninfluenced by worldly emotions. Seneca advises his friend on how to do without what is superfluous, whether on the subject of happiness, riches, reputation, or the emotions. The letters include literary critical discussions, moral exhortation, exemplary heroes and episodes from Roman history, and a lurid picture of contemporary luxury. We learn about Seneca's household and estates and about life in the time of Nero; the topic of death is never far away. This readable new translation is the largest selection of Seneca's letters currently available. Accompanied by an invaluable introduction and notes, it opens a window on to Seneca's world. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Based on the legends used in Greek drama, Seneca's plays are notable for the exuberant ruthlessness with which disastrous events are foretold and then pursued to their tragic and often bloodthirsty ends. Thyestes depicts the menace of an ancestral curse hanging over two feuding brothers, while Phaedra portrays a woman tormented by fatal passion for her stepson. In The Trojan Women, the widowed Hecuba and Andromache await their fates at the hands of the conquering Greeks, and Oedipus follows the downfall of the royal House of Thebes. Octavia is a grim commentary on Nero's tyrannical rule and the execution of his wife, with Seneca himself appearing as an ineffective counsellor attempting to curb the atrocities of the emperor.

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Meditative missives.Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle. We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost. The 124 epistles are collected in Volumes IV–VI of the Loeb Classical Library’s ten-volume edition of Seneca.

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A vibrant new translation of Seneca’s “On the Shortness of Life,” a pointed reminder to make the most of our timeWho doesn’t worry sometimes that smart phones, the Internet, and TV are robbing us of time and preventing us from having a life? How can we make the most of our time on earth? In the first century AD, the Stoic philosopher Seneca the Younger offered one of the most famous answers to that question in his essay “On the Shortness of Life”—a work that has more to teach us today than ever before. In How to Have a Life, James Romm presents a vibrant new translation of Seneca’s brilliant essay, plus two Senecan letters on the same theme, complete with the original Latin on facing pages and an inviting introduction.With devastating satiric wit, skillfully captured in this translation, Seneca lampoons the ways we squander our time and fail to realize how precious it is. We don’t allow people to steal our money, yet we allow them to plunder our time, or else we give it away ourselves in useless, idle pursuits. Seneca also describes how we can make better use of our brief days and years. In the process, he argues, we can make our lives longer, or even everlasting, because to live a real life is to attain a kind of immortality.A counterweight to the time-sucking distractions of the modern world, How to Have a Life offers priceless wisdom about making our time—and our lives—count.

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Timeless wisdom on death and dying from the celebrated Stoic philosopher Seneca"It takes an entire lifetime to learn how to die," wrote the Roman Stoic philosopher Seneca (c. 4 BC–65 AD). He counseled readers to "study death always," and took his own advice, returning to the subject again and again in all his writings, yet he never treated it in a complete work. How to Die gathers in one volume, for the first time, Seneca's remarkable meditations on death and dying. Edited and translated by James S. Romm, How to Die reveals a provocative thinker and dazzling writer who speaks with a startling frankness about the need to accept death or even, under certain conditions, to seek it out. Seneca believed that life is only a journey toward death and that one must rehearse for death throughout life. Here, he tells us how to practice for death, how to die well, and how to understand the role of a good death in a good life. He stresses the universality of death, its importance as life's final rite of passage, and its ability to liberate us from pain, slavery, or political oppression. Featuring beautifully rendered new translations, How to Die also includes an enlightening introduction, notes, the original Latin texts, and an epilogue presenting Tacitus's description of Seneca's grim suicide.

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The volume includes Trojan Women, Thyestes, Phaedra, Medea, and Agamemnon, plus a preface.

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Seneca's dialogues--as his epistolary essays have traditionally been known--offer an ideal path into the philosophical thought of first-century Rome's most famous Stoic, whose compelled suicide in 65 CE (by order of his former pupil Emperor Nero) drew comparisons to the death of Socrates. Notable for, among other things, their portrait of a providential universe and defense of the life of virtue, the nine dialogues included in this volume illustrate the deeply intertwined cosmological and moral arguments of ancient Rome’s chief philosophical alternative to Epicureanism and Academic Skepticism. Peter J. Anderson's new translation conveys the distinctive character of Seneca's style, while striving for accuracy and consistency in its renderings of key terms. His Introduction discusses the dialogues as works of art and situates them in the context of ancient Stoic philosophy as well as the wider philosophical scene. Notes and a glossary are also included.

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Topics in Stoicism.Seneca, Lucius Annaeus, born at Corduba (Cordova) ca. 4 BC, of a prominent and wealthy family, spent an ailing childhood and youth at Rome in an aunt’s care. He became famous in rhetoric, philosophy, money-making, and imperial service. After some disgrace during Claudius’ reign he became tutor and then, in AD 54, advising minister to Nero, some of whose worst misdeeds he did not prevent. Involved (innocently?) in a conspiracy, he killed himself by order in 65. Wealthy, he preached indifference to wealth; evader of pain and death, he preached scorn of both; and there were other contrasts between practice and principle. We have Seneca’s philosophical or moral essays (ten of them traditionally called Dialogues)—on providence, steadfastness, the happy life, anger, leisure, tranquility, the brevity of life, gift-giving, forgiveness—and treatises on natural phenomena. Also extant are 124 epistles, in which he writes in a relaxed style about moral and ethical questions, relating them to personal experiences; a skit on the official deification of Claudius, Apocolocyntosis (in LCL 15); and nine rhetorical tragedies on ancient Greek themes. Many epistles and all his speeches are lost. His moral essays are collected in Volumes I–III of the Loeb Classical Library’s ten-volume edition of Seneca.

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John G. Fitch's new Latin text of Seneca's play, Hercules Furens, is based on a collation of the chief manuscripts, including the Paris manuscript T.

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Timeless wisdom on controlling anger in personal life and politics from the Roman Stoic philosopher and statesman SenecaIn his essay “On Anger” (De Ira), the Roman Stoic thinker Seneca (c. 4 BC–65 AD) argues that anger is the most destructive passion: “No plague has cost the human race more dear.” This was proved by his own life, which he barely preserved under one wrathful emperor, Caligula, and lost under a second, Nero. This splendid new translation of essential selections from “On Anger,” presented with an enlightening introduction and the original Latin on facing pages, offers readers a timeless guide to avoiding and managing anger. It vividly illustrates why the emotion is so dangerous and why controlling it would bring vast benefits to individuals and society.Drawing on his great arsenal of rhetoric, including historical examples (especially from Caligula’s horrific reign), anecdotes, quips, and soaring flights of eloquence, Seneca builds his case against anger with mounting intensity. Like a fire-and-brimstone preacher, he paints a grim picture of the moral perils to which anger exposes us, tracing nearly all the world’s evils to this one toxic source. But he then uplifts us with a beatific vision of the alternate path, a path of forgiveness and compassion that resonates with Christian and Buddhist ethics.Seneca’s thoughts on anger have never been more relevant than today, when uncivil discourse has increasingly infected public debate. Whether seeking personal growth or political renewal, readers will find, in Seneca’s wisdom, a valuable antidote to the ills of an angry age.

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Ahl's translations of three Senecan tragedies will gratify and challenge readers and performers. With stage performance specifically in mind, Ah1 renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies. Here is a moving and accomplished translation of this complex play dealing the the violent passions stirred by innocence and beauty and the terrible power of ideology, hatred, and misunderstanding.

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Ahl's translations of three Senecan tragedies will gratify and challenge readers and performers. With stage performance specifically in mind, Ahl renders Seneca's dramatic force in a modern idiom and style that move easily between formality and colloquialism as the text demands, and he strives to reproduce the richness of the original Latin, to retain the poetic form, images, wordplays, enigmas, paradoxes, and dark humor of Seneca's tragedies. In this powerful and imaginative translation of Medea, Frederick Ahl retains the compelling effects of the monologues, as well as the special feeling and pacing of Seneca's choruses.

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A major writer and a leading figure in the public life of Rome, Seneca (c. 4BC-AD 65) ranks among the most eloquent and influential masters of Latin prose. This selection explores his thoughts on philosophy and the trials of life. In the Consolation to Helvia he strives to offer solace to his mother, following his exile in AD 41, while On the Shortness of Life and On Tranquillity of Mind are lucid and compelling explorations of Stoic thought. Witty and self-critical, the Letters - written to his young friend Lucilius - explore Seneca's struggle to acquire philosophical wisdom. A fascinating insight into one of the greatest minds of Ancient Rome, these works inspired writers and thinkers including Montaigne, Rousseau, and Bacon, and continue to intrigue and enlighten.

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A violent tragedy by a contemporary of Nero, in a faithful and uncut translation by one of our leading dramatists. Atreus, Agamemnon's father, takes revenge on his brother Thyestes by murdering Thyestes' sons and serving their flesh up for their father's dinner. Caryl Churchill's version of Seneca's play Thyestes was first staged at the Royal Court Theatre Upstairs, London, in June 1994, in a production directed by James Macdonald.

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Phaedra * Oedipus * Medea * Trojan Women * Hercules Furens * Thyestes Seneca's plays are the product of a sensational, frightening, and oppressive period of history. Tutor to the emperor Nero, Seneca lived through uncertain and violent times, and his dramas depict the extremes of human behaviour. Rape, suicide, child-killing, incestuous love, madness and mutilation afflict the characters, who are obsessed and destroyed by their feelings. Passion is constantly set against reason, and passion wins out. Seneca forces us to think about the difference between compromise and hypocrisy, about what happens when emotions overwhelm judgement, and about how, if at all, a person can be good, calm, or happy in a corrupt society and under constant threat of death. Seneca was one of the most prolific, versatile, and influential of all classical Latin writers, and the only tragic playwright from ancient Rome whose work survives. This new edition of his six best plays captures Seneca's style in a verse translation that is both lively and accurate. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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