Search results for ""author roderick beaton""

The twelfth century was a time of cultural renewal and innovation in Byzantium, just as it was in the west. In literature, the long disused genres of epic, satire and the novel (or 'romance') took new forms during that century; at the same time, in language, the vernacular made its first tentative literary appearances. These developments continued uninterruptedly through the late Byzantine and early modern periods. Scholarship since the nineteenth century has been sharply divided over these texts: do they represent the first 'breakthrough' of an emergent 'Modern Greek' literature, or merely a footnote to the Byzantine learned tradition? What, in particular, do they have to tell us about the collective self-definition of the Greek-speakers who wrote them (roughly during the period 1100-1600)? And how has their subsequent reception contributed to defining and consolidating the national identity of the Modern Greeks, since the nation state was established in the 1820s? The papers collected in this book explore the relation between literary texts and collective consciousness, scrutinizing the evidence of the texts themselves in their late- or post-Byzantine context, and assessing how their reception both influenced and was influenced by the processes of nation-building in Modern Greece.

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It has been called the "age of revolution". The white heat of it came in the decades either side of the year 1800. But it lasted a full century: from the American Declaration of Independence in 1776 to the great national "unifications" of Germany and Italy during the 1860s. Right in the middle of this long "age of revolution" and, as it turns out, the pivotal point within it, comes the Greek Revolution that broke out in the spring of 1821. Historians have been slow to recognise the key role of the Greek uprising in 1821, and the international recognition of Greece as a sovereign, independent state nine years later, in 1830, in this process that did so much to shape the geopolitics of the European continent, and indeed of much of the world. This little book sets out to explain what happened during these nine years to bring about such far-reaching (and surely unanticipated) consequences, and why the full significance of these events is only now coming to be appreciated, two hundred years later.

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SHORTLISTED FOR THE CUNDILL HISTORY PRIZE 2020 AND THE RUNCIMAN AWARD 2021A FINANCIAL TIMES BOOK OF THE YEAR 'The best history of Greece around... Beautifully written and packed with insights about the culture and the people. I will be dipping into this book for the rest of my life' Victoria HislopWe think we know ancient Greece, the civilisation that shares the same name and gave us just about everything that defines 'western' culture today, in the arts, sciences, social sciences and politics. Yet, as Greece has been brought under repeated scrutiny during the financial crises that have convulsed the country since 2010, worldwide coverage has revealed just how poorly we grasp the modern nation. This book sets out to understand the modern Greeks on their own terms.How did Greece come to be so powerfully attached to the legacy of the ancients in the first place, and then define an identity for themselves that is at once Greek and modern? This book reveals the remarkable achievement, during the last 300 years, of building a modern nation on, sometimes literally, the ruins of a vanished civilisation. This is the story of the Greek nation-state but also, and perhaps more fundamentally, of the collective identity that goes with it. It is not only a history of events and high politics, it is also a history of culture, of the arts, of people and of ideas.

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Often compared during his lifetime to T.S. Eliot, whose work he translated and introduced to Greece, George Seferis is noted for his spare, laconic, dense and allusive verse in the Modernist idiom of the first half of the twentieth century. At once intensely Greek and a cosmopolitan of his time (he was a career-diplomat as well as a poet), Seferis better than any other writer expresses the dilemma experienced by his countrymen then and now: how to be at once Greek and modern. The translations that make up this volume are the fruit of more than forty years, and many are published here for the first time.

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