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This Norton Critical Edition includes: • The Second Quarto text, edited by Robert S. Miola and accompanied by his footnotes, headnotes, and introductory materials. • Eighteen illustrations from 1604 to 2008, three of them new to the Second Edition. • The Actors’ Gallery, presenting actors—from Sarah Bernhardt and Ellen Terry to Kenneth Branagh and David Tennant, two of them new to the Second Edition—reflecting on their roles in major productions of Hamlet. • Seventeen critical interpretations, representing a wide range of historical and scholarly commentary. • Afterlives, featuring fifteen reflections on Hamlet—from David Garrick and Mark Twain to Margaret Atwood and Jawad al-Assadi. • A Bibliography of print and online resources. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.

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The Norton Critical Edition is again based on the First Folio (1623), the only authoritative text of the play. The volume includes a revised introduction and new annotations and textual notes. The Second Edition also includes the innovative feature “The Actors’ Gallery,” which presents famous actors and actresses—among them David Garrick, Sarah Siddons, Ian McKellen, Hira Mikijirô, Patrick Stewart, and Kate Fleetwood—reflecting on their roles in major productions of Macbeth for stage and screen. “Sources and Contexts” provides readers with an understanding of Macbeth’s origins in earlier texts, specifically the works of the Roman playwright Seneca, the Tudor historian Raphael Holinshed, and the medieval drama The Slaughter of the Innocents and the Death of Herod. Contexts for the play include contemporary debates on predestination versus free will (Martin Luther versus Erasmus), witchcraft as fiction or fact (Reginald Scott versus King James I), the ethics of regicide (an Elizabethan homily versus Jan de Mariana, S.J.), and the ethics of equivocation (Henry Garnet, S.J., versus—new to the Second Edition—Sir Edward Coke). Eight carefully chosen essays represent four hundred years of critical and theatrical interpretation. Contributors include Simon Forman, Samuel Johnson, Samuel Taylor Coleridge, Thomas De Quincey, Harry Levin, Stephen Orgel, Peter Holland, and, presenting the latest arguments on the authorship controversy, Gary Taylor. Finally, an engaging new selection of Macbeth’s “Afterlives” includes excerpts from Giuseppi Verdi’s Macbeth and related letters, Eugene Ionesco’s Macbett (1972), Bill Cain’s Equivocation (2009), and more. This edition also provides a list of online and print resources.

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