Search results for ""author richard taylor""

A voyage of discovery into color, this comprehensive visual guide from renowned watercolor artist and teacher Richard Taylor opens the door to the world of watercolor paints, exploring their properties, color combinations and transformative potential, to inject vibrancy and life into your paintings.

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A comprehensive and practical guide full of advice and inspiration for anyone wishing to capture the beauty of the urban landscape. The wonderful thing about drawing buildings is that, wherever you travel around the globe, you will never be short of subjects to inspire you. From the most elaborate of Renaissance cathedrals, through to the humble garden shed, you will always be able to practise your skills and learn a few techniques in the process. This hands-on and inspirational book will encourage you to meet the exciting challenges of drawing and painting buildings using a variety of media and a wide range of techniques, including pencil, pen, graphite powder, watercolour, water-soluble pencils and Indian ink. As you work through this book, you will look at materials and their qualities then move on to explore how to put these materials to best use when drawing specific types of building. You will be led gently through levels of learning, with easy and more challenging exercises progressing your knowledge and developing your skills. As the book is divided into discrete sections, you can dip in to a particular type of building that you wish to draw, and use the information and illustration provided, while extended teaching exercises take you through the way the author approaches composing and completing a drawing. Fully annotated paintings, working drawings and extended projects reveal how each effect was achieved. Detailed artworks in a range of styles and media are thoroughly annotated to demonstrate key techniques and important details and there are invaluable exercises for understanding perspective, negative and positive space, tone, choosing details and constructing large-scale images. The book includes thorough studies of a wide range of different architectural styles, from town houses to rural cottages and barns, from churches and classical architecture to continental cafes and street scenes. Taylor's exquisite drawings and paintings demonstrate the quality of the results that can be achieved by following his helpful guidance and advice.

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A Thousand Fates explores the afterlife of medieval monasticism in England and Wales. A thousand years of monasticism came to an abrupt end in the mid-sixteenth century with the Dissolution of the Monasteries. At its peak two hundred years earlier, many people chose the contemplative life, while the rich sought salvation through the foundation or embellishment of religious houses. Much of the nation’s wealth was locked into these complexes through elaborate rebuilding, gifts of precious objects and flourishing libraries of rare books. Then in just four years all of the eight hundred plus houses were closed and ten thousand people dispersed, with the monastic fortune liquidated and passed to the crown. Today we are left with echoes of a time dominated by an enclosed elite, their homes repurposed or derelict or obliterated. Some of these foundations still thrive as churches, schools, homes or tourist attractions. Others have left little physical trace, the casual viewer ignorant of their existence. A Thousand Fates is not an account of why the monasteries closed or what happened to the people displaced. Instead it focuses on the monastic buildings and their numerous fates and brings life to their stories.

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On March 15, 1865, three weeks before the end of the Civil War, twenty-year-old M. Jerome Clarke was hanged as a Confederate guerrilla in Louisville, Kentucky, as a crowd of thousands looked on. In the official charges against him, Clarke's description included the alias "Sue Mundy." By the time of his execution, Sue Mundy had earned a reputation as the region's most dangerous and enigmatic female outlaw. Sue Mundy is the story of Jerome Clarke, a quiet orphan boy who follows a near relative into the ranks of the Confederate infantry. Following his capture by Union forces and his subsequent escape, Jerome joins John Hunt Morgan's notorious Raiders. After Morgan's death, Jerome becomes a Confederate ""irregular,"" one of the many guerrillas in Kentucky who ignored the rules of military engagement and the laws of the land. As stability and familiarity disappear from his and his compatriots' lives, Jerome is unwillingly transfigured by the chaos of war and the efforts of an ambitious journalist into Sue Mundy, she-scourge of Kentucky Unionists. Richard Taylor seamlessly joins narrative and history to tell the compelling story of the Civil War in a state dangerously divided, neighbor against neighbor. Meticulously researched and elegantly written, Sue Mundy reveals the psychology of one of the Civil War's most fascinating figures while providing an accurate account of this tumultuous period in American history.

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A light-hearted look at Jethro Tull. Each chapter is a musical journey through the song, looking at what was happening with the band at that time. There is also time to recognise the musician's intrinsic and fantastic contributions to the musical world of Jethro Tull.

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The book takes 45 chart toppers and writes their story. The music, the lyrics, the artists, producers and writers are all discussed, as well as any side or back stories to do with the single.

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'An intricate and brilliantly written psychiatric perspective on the most perplexing of crimes' Kerry Daynes, author of The Dark Side of the Mind'Beautifully written and very dark' Nimco Ali OBE'Whodunnit' doesn't matter so much, not to a forensic psychiatrist. We're more interested in the 'why'.In his twenty-six years in the field, Richard Taylor has worked on well over a hundred murder cases, with victims and perpetrators from all walks of life. In this fascinating memoir, Taylor draws on some of the most tragic, horrific and illuminating of these cases - as well as dark secrets from his own family's past - to explore some of the questions he grapples with every day:Why do people kill? Does committing a monstrous act make someone a monster? Could any of us, in the wrong circumstances, become a killer?As Taylor helps us understand what lies inside the minds of those charged with murder - both prisoners he has assessed and patients he has treated - he presents us with the most important challenge of all: how can we even begin to comprehend the darkest of human deeds, and why it is so vital that we try?The Mind of a Murderer is a fascinating exploration into the psyche of killers, as well as a unique insight into the life and mind of the doctor who treats them. For fans of Unnatural Causes, The Examined Life and All That Remains.MORE PRAISE FOR THE MIND OF A MURDERER:'A fascinating insight into what drives criminality - and a punchy polemic against mental-health service cuts' Jake Kerridge, Sunday Telegraph'A fascinating, well-written and compelling account of the mental state in homicide' Alisdair Williamson, TLS'A dark, fascinating and often surprising glimpse into the minds of those who kill, from a forensic psychiatrist who's seen it all' Rob Williams, writer of BBC's The Victim'An excellent, engaging and honest book, full of interesting, powerful and important observations' Alison Liebling, Professor of Criminology and Criminal Justice, University of Cambridge

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When former Kentucky Poet Laureate Richard Taylor took a job at Kentucky State University in 1975, he purchased a fixer-upper - in need of a roof, a paint job, city water, and central heating - that became known to his friends as "Taylor's Folly." The historic Giltner-Holt House, which was built in 1859 and sits close by the Elkhorn Creek a few miles outside of Frankfort, became the poet's entrance into the area's history and culture, and the Elkhorn became a source of inspiration for his writing.Driven by topophilia (love of place), Taylor focuses on the eight-mile stretch of the creek from the Forks of the Elkhorn to Knight's Bridge to provide a glimpse into the economic, social, and cultural transformation of Kentucky from wilderness to its current landscape. He explores both the natural history of the region and the formation of the Forks community. Taylor recounts the Elkhorn Valley's inhabitants from the earliest surveyors and settlers to artist Paul Sawyier, who memorably documented the creek in watercolors, oils, and pastels. Interspersed with photographs and illustrations - contemporary and historic - and intermixed with short vignettes about historical figures of the region, Elkhorn: Evolution of a Kentucky Landscape delivers a history that is by turns a vibrant and meditative personal response to the creek and its many wonders.Flowing across four counties in central Kentucky, Elkhorn Creek is the second largest tributary of the Kentucky River. Known for its beauty and recreational opportunities, Elkhorn Creek has become an increasingly popular location for canoeing, kayaking, and camping and is one of the state's best-known streams for smallmouth bass, bluegills, and crawfish. Like Walden Pond for Henry David Thoreau, the Elkhorn has been a touchstone for Taylor. A beautiful blend of creative storytelling and historical exploration of one of the state's beloved waterways, Elkhorn celebrates a gem in the heart of central Kentucky.

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Richard Taylor asks to what extent the film can lay claim to authentic history. He then examines October's relationship to the politics of the period and explains the theory and its application, as well as placing October in the wider context of Eisenstein's career.

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The Greek hoplite and the phalanx formation in which he fought have been the subject of considerable academic debate over the past century. Dr Richard Taylor provides an overview of the current state of play in the hoplite debate in all its aspects, from fighting techniques to the social and economic background of the hoplite revolution', in a form that is accessible for the general reader and military history enthusiast. But the book goes further: offering a new perspective on the hoplite phalanx by putting it in the context of other military developments in the Mediterranean world in the middle of the first millennium BC. He argues that the Greek phalanx was different in degree but not in kind from other contemporary heavy infantry formations and that the hoplite debate, with its insistence on the unique nature of the hoplite phalanx, has obscured the similarities with other equivalent formations. The result is a fresh take on a perennially popular subject.

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The second volume in Dick Taylor's three-volume illustrated history of the evolution of armoured manoeuvre warfare in the British army covers the period of the Second World War, in which the tank came of age and developed into the principal land weapon of decision. He describes how, during the first half of the war, the British army came close to disaster from the armoured warfare perspective and how the bitter lessons of failure were learned in time to deliver success in 1944 and 1945. As well as providing a fascinating overview of the tactical use of armour during the main campaigns, he considers such much-neglected aspects as the role of training and organization, officer selection and recruitment, and the mechanization of other arms. His wide-ranging book also features extensive, well-laid-out tables giving key information about British armour during this period. This expert account quotes heavily from the vivid recollections of soldiers who served in armour, and is not afraid to criticize as well as praise.

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British Second World War tanks performed so badly that it is difficult to bring to mind any other British weapon of the period that provokes such a strong sense of failure. Unfortunately, many of the accusations appear to be true - British tanks were in many ways a disgrace. But why was Britain, the country that invented them, consistently unable to field tanks of the required quality or quantity throughout the conflict? This perceived failure has taken on the status of a myth, but, like all myths, it should not be accepted at face value - it should be questioned and analysed. And that is what Dick Taylor does in this closely researched and absorbing study. He looks at the flaws in British financial policy, tank doctrine, design, production and development before and throughout the war years which often had fatal consequences for the crews who were sent to fight and to be 'murdered' in 'mechanical abortions'. Their direct experience of the shortcomings of these machines is an important element of the story. He also considers how British tanks compared to those of the opposition and contrasts tank production for the army with the production of aircraft for the RAF during the same period. His clear-sighted account goes on to explain how, later in the conflict, British tank design improved to the point where their tanks were in many ways superior to those of the Americans and Germans and how they then produced the Centurion which was one of the best main battle tanks of the post-war era.

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This is the first volume in a three-volume illustrated history of the evolution of armoured manoeuvre warfare in the British army, covering the period from 1914 until 1939\. Author Dick Taylor's tour de force covers the evolution of the tank and armoured cars in response to the specific conditions created by trench warfare, the history of the use of tanks during the war, as well as the critical period between the wars in which the tank was both refined and neglected. He also looks in detail at the amalgamations and mechanization of the horsed cavalry which led to the formation of the Royal Armoured Corps in 1939. His detailed and absorbing narrative covers the social and human aspects of the story as well as the technology, and explains how the nation that invented and first fielded the tank in 1916 struggled to maintain the lead after the Armistice.

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In-depth investigation of the problems of British tank design in the interwar years and during the war.

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In this, the third volume in his comprehensive, highly illustrated three-volume history of the evolution of armoured manoeuvre warfare in the British army, Dick Taylor covers the post-war period, up to the present day. He explains how the Royal Armoured Corps contracted rapidly after 1945, then faced the twin challenges of National Service and heavy involvement in numerous wars and campaigns around the globe. He recounts how the RAC became a fully-professional organization by the early 1960s, and continues the tale of disbandments, down-sizing and amalgamations. In a narrative which is as much a social history as an operational one, the vivid personal accounts of soldiers feature heavily throughout. The story of the Cold War in Germany (BAOR) is told. Then, after the fall of the Berlin Wall, the book describes the role British armour played in conflicts in the Gulf, the Balkans and Afghanistan. Dick Taylor's thoroughgoing account concludes with an assessment of the RAC in 2021 in the immediate aftermath of another defence review.

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Along with Benedict Arnold, Simon Girty was one of the most hated men in early America. The son of an Irish immigrant, he was raised on the western Pennsylvania frontier but was captured by the Senecas as a teenager and lived among them for several years. This able frontiersman might be seen today as a defender of Native Americans, but in his own time he was branded as a traitor for siding with First Nations and the British during the Revolutionary War. He fought fiercely against Continental Army forces in the Ohio River Valley and was victorious in the bloody Battle of Blue Licks.In this classic work, Richard Taylor artfully assembles a collage of passages from diaries, travel accounts, and biographies to tell part of the notorious villain's story. Taylor uses the voice of Girty himself to unfold the rest of the narrative through a series of interior monologues, which take the form of both prose and poetry. Moments of torture and horrifying bloodshed stand starkly against passages celebrating beautiful landscapes and wildlife. Throughout, Taylor challenges perceptions of the man and the frontier, as well as notions of white settler innocence.Simon Girty's bloody exploits and legend made him hated and feared in Kentucky and the Ohio River Valley, but many who knew him respected him for his convictions, principles, and bravery. This evocative work brings to life a complex figure who must permanently dwell in the borderland between myth and fact, one foot in each domain.

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Modern economies are described as ‘knowledge based’. This book investigates the meaning of such a statement, assessing the relevance of knowledge and the channels through which knowledge is exchanged, both from a theoretical and an empirical perspective. Moving within the realm of complexity theory, the authors provide a methodological assessment of the knowledge diffusion debate as well as presenting theoretical and applied models of knowledge diffusion and innovation. They illustrate how geography plays a role in shaping innovative patterns and how dense networks generally result in more innovative environments. The book concludes that establishing the right connections within such dense networks appears to be more crucial than any other factor, thus highlighting the importance of linkages (or the effects of their absence) within innovation systems.Proposing a taxonomy of knowledge-sharing patterns, this book will be warmly welcomed by academics, researchers and postgraduate students in the areas of the economics of innovation, evolutionary economics and knowledge economics.

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The long-running Gallipoli: The Scale of Our War is one of Te Papas most popular exhibitions, attracting over three million visitors since it opened in 2015. There is still strong visitor interest in the story of the disastrous Gallipoli campaign in which almost 3000 New Zealanders lost their lives. Just as the exhibition does so compellingly, so this book deploys Weta Workshops artistry to tell the story of the Gallipoli campaign through eight ordinary New Zealanders, the giants of the exhibition. With fold-out images, behind the scenes detail of how the giants were built and essays by those involved in the exhibition, this book is both a souvenir of Scale of Our War and an engaging way for readers to revisit the Gallipoli campaign.

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KinoSputniks closely analyse some key films from the history of Russian and Soviet cinema. Written by international experts in the field, they are intended for film enthusiasts and students, combining scholarship with an accessible style of writing. Ira Österberg's KinoSputnik on Aleksei Balabanov's cult film Brother (1997) examines the production history, context and reception of the film, and offers a detailed reading of its key themes. Balabanov’s Brother made a mark on the new Russia’s film history as its hero Danila Bagrov quickly gained cult status and the nostalgic rock soundtrack hit the nerve of the young post-Soviet generation. This study unravels the film’s effective and ingenious mixture of genre elements, art narration and almost documentary-style realism, which would become trademarks for Balabanov’s oeuvre. Primary readership will be among film studies students and film enthusiasts, but will also be of interest to anyone researching or studying film soundtracking. A list of all books in the series is here on the Intellect website on the series page KinoSputnik

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Contract law is a core first or second year module on all undergraduate law degrees in the UK. It is a core module on law conversion courses (GDL) and LLM. A considered balance of depth, detail, context, and critique, Contract Law Directions offers the most student-friendly guide to the subject; empowering students to evaluate the law, understand its practical application, and approach assessments with confidence. The Directions series has been written with students in mind. Contract Law Directions is the ideal guide as they approach the subject for the first time, this book will help them: - Gain a complete understanding of the topic: we won't overload or leave students short, just the right amount of detail conveyed clearly - Understand the law in context: with scene-setting introductions and highlighted case extracts, the practical importance of the law becomes clear - Identify when and how to evaluate the law critically: students will be introduced to the key areas of debate and given the confidence to question the law - Deepen and test knowledge: visually engaging learning and self-testing features aid understanding and help students tackle assessments with confidence - Elevate their learning: with the ground-work in place, your students can aspire to take their learning to the next level, with direction provided on how to go further, each chapter now has a 'digging deeper' feature to further develop understanding New to this Edition - This edition has been fully revised and incorporates a number of new cases at Supreme Court, Privy Council, Court of Appeal and High Court level, including the following: TRW v Panasonic (CA) (battle of forms), Pakistan International Airlines v Times Travel (Supreme Court) (lawful act duress), Billy Graham Evangelistic Association v Scottish Event Campus (Sheriff Court) (force majeure-triggered by Covid), Triple Point Technology v PTT (Supreme Court) (liquidated damages and termination), A-G Virgin Islands v Global Water Associates (Privy Council) (remoteness of damages), and many others. - The opportunity was taken at proof stage to incorporate a discussion of the important 2023 decision of the Supreme Court in Barton v Morris (in place of Gwyn-Jones) (unilateral contracts). Digital formats and resources The ninth edition is available for students and institutions to purchase in a variety of formats, and is supported by online resources. The e-book offers a mobile experience and convenient access, along with functionality tools, navigation features, and links that offer extra learning support: www.oxfordtextbooks.co.uk/ebooks The text is also supported by online resources, which include: - Self-test questions - Guidance on answering essay and problem questions - Web links - Flashcard glossary Additional lecturer resources include: - Diagrams from the book

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KinoSputniks closely analyse some key films from the history of Russian and Soviet cinema. Written by international experts in the field, they are intended for film enthusiasts and students, combining scholarship with an accessible style of writing. This KinoSputnik about Fedor Bondarchuk's megahit Stalingrad (2013) examines the production, context and reception of the film, whilst offering a detailed reading of its key themes. Fedor Bondarchuk’s 2013 blockbuster film Stalingrad shattered box-office records and dazzled viewers with its use of special effects, enhanced by its 3D IMAX format. The film transported viewers back to 1942 and the bloody battle that would turn the tide of the Second World War. This new study situates the film within the context of ongoing debates about the meanings of the Second World War in Russia and previous films about the Battle of Stalingrad. Primary readership will be among film studies students and film enthusiasts, but will also be of interest to anyone researching or studying the Battle of Stalingrad and the course of the Second World War. A list of all books in the series is here on the Intellect website on the series page KinoSputnik

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The Cambridge AS & A Level Complete Economics Student Book provides a comprehensive, easy-to-follow approach to the syllabus that builds advanced understanding and prepares students for success in their assessments. It is fully matched to the Cambridge AS & A Level Economics syllabus, for first teaching 2021. The Student Book develops analysis, application and evaluation skills, laying foundations for future study. Current and international case studies help students understand how theory links to real life. The clear, accessible style, including appealing visuals and user-friendly explanations, engages learners. Complete Economics provides an international approach from a team of experienced authors, led by Cambridge Examiner, Terry Cook. It is reviewed by subject experts globally to help meet teachers' needs. The Student Book is supported by an Exam Success Guide, which offers targeted activities, examiner feedback and tips to ensure students reach their full potential and achieve their best grades in exams.

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Few figures in cinema history are as towering as Russian filmmaker and theorist Sergei Mikhailovitch Eisenstein (1898-1948). Not only did Eisenstein direct some of the most important and lasting works of the silent era, including Strike, October, and Battleship Potemkin, as well as, in the sound era, the historical epics Alexander Nevsky and Ivan the Terrible he also was a theorist whose insights into the workings of film were so powerful that they remain influential for both filmmakers and scholars today. Seagull Books is embarking on a series of translations of key works by Eisenstein into English. A fascinating memoir in two volumes, Beyond the Stars first published by Seagull in 1995 and now available again. Begun as Eisenstein approached fifty, it is full of the famous names of his era, including Charlie Chaplin, Mary Pickford, John Dos Passos, Jean Cocteau, and many more; at the same time, it is a serious book of inquiry about film as a medium, offering countless reflections by Eisenstein on his own work and that of other movie pioneers.

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Early Cinema in Russia chronicles one of the great lost periods in cinema history, that of Pre-Revolutionary Russia. In contrast to standard film histories, Yuri Tsivian focuses on reflected images: it features the historical film-goer and early writings on film as well as examining the physical elements of cinematic performance. "Tsivian casts a probing beam of illumination into some of the most obscure areas of film history. And the terrain he lights up with his careful assembly and insightful reading of the records of early film viewing in Russia not only changes our sense of the history of this period but also ...causes us to re-evaluate some of our most basic theoretical and historical assumptions about what a film is and how it affects its audiences."--Tom Gunning, from the Foreword "Early Cinema in Russia ...reveals Tsivian's strengths very well and demonstrates why he is ...the finest film historian of his generation in the former Soviet Union."--Denise Y. Youngblood, Historical Journal of Film, Radio, and Television "A work of fundamental importance."--Julian Graffy, Recent Studies of Russian and Soviet Cinema

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KinoSputniks closely analyse some key films from the history of Russian and Soviet cinema. Written by international experts in the field, they are intended for film enthusiasts and students, combining scholarship with an accessible style of writing. This KinoSputnik on Andrei Tarkovsky's debut feature Ivan's Childhood examines the production, context and reception of the film, whilst offering a detailed reading of its key themes. Through a close examination of its intricate narrative structure, unique stylistic approach and deep philosophical underpinnings, this KinoSputnik provides a thorough analysis of a truly remarkable debut film, from an artist now considered a towering figure of Russian culture. Primary readership will be among film studies students and film enthusiasts. A list of all books in the series is here on the Intellect website on the series page KinoSputnik

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