Search results for ""author raphael""

A revisionist account of African masquerade carnivals in transnational context that offers readers a unique perspective on the connecting threads between African cultural trends and African American cultural artifacts In recent decades, there has been an explosion of scholarly interest in African-styled traditions and the influence of these traditions upon the African diaspora. In this important new analysis, author Raphael Njoku explores the transnational connections between masquerade narratives and memory over the past four centuries to show how enslaved Africans became culture carriers of inherited African traditions. In doing so, he questions the scholarly predisposition toward ethnicization of African cultural artifacts in the Americas. As Njoku's research shows, the practices reenacted by the Igbo and Bight of Biafra modelers in the Americas were not exact replicas of the African prototypes. Cultural modeling is dynamic, and the inheritors of West African traditions often adapted their customs to their circumstances--altering and transforming the meaning and purpose of the customs they initially represented. With the Bantu migrations serving as a catalyst for ethnic mixing and change prior to the trans-Atlantic slave trade, African-themed cultural activities in the New World became dilutions of practices from several ethnic African and European nations. African cultures were already experiencing changes through Bantuization; in this well-researched and engagingly written scholarly work, the author explores the extension of this process beyond the African continent. This book is openly available in digital formats thanks to a generous grant from the Andrew W. Mellon Foundation.

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Our dreams can be wild, beautiful, and sometimes just bizarre, but what do they mean? First published in the 19th century, but now updated and revised for modern readers, The Dream Book is your guide to untangling the meaning of every midnight reverie. The Dream Book includes two ways to make sense of your dreams. First, guided by your intuition, you’ll learn to create a unique cipher that will guide you to the meaning of your dream. The second part of the book features a dictionary of symbols — from camels to kisses, kittens to coffee (don’t worry, your dream latte portends great happiness) — and their meanings. Beautiful and baffling, sacred and scary, The Dream Book is a lighthearted guide to deciphering the meaning of every dream.

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This book is recognised by astrologers as the most accurate and reliable ephemeris and aspectarian. It is being published annually since 1819. As interest in astrology grows, so too have the sales of this accurate working tool.Every astrologer preparing accurate birth charts needs the information in this book. It is widely recognised in its classic livery as a proven record of reliability and accuracy. "Raphael's Ephemeris" should be displayed in every astrology outlet, general bookshop and mind, body, spirit outlet for maximum sales. It contains daily longitudes of all the planets, tables of houses for London, Liverpool and New York, plus a complete lunar and planetary aspectarian.

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Mit dem Subjekt wird eine logisch nicht hintergehbare Entität benannt, die sich aus den Prämissen des Radikalen Konstruktivismus ableiten lässt. Damit ist jedoch wenig gesagt, weil ein reines Subjekt nicht mehr ist als ein Subjekt. Mit dem Fokus auf die Wissenschaft soll es daher auf die Gesellschaft bezogen werden. Die zentrale Frage ist dann, wie lässt sich eine Wissenschaft vor dem Hintergrund eines radikalen Subjektbegriffes konzipieren. Eingebettet sind diese Überlegungen in das Projekt einer Kritischen Theorie der Gesellschaft.

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Organise or Die? Democracy and Leadership in South Africa’s National Union of Mineworkers is the first in-depth study of one of the leading trade unions in the country. Founded in 1982, the trade union played a key role in the struggle against white minority rule, before turning into a central protagonist of the ruling Tripartite Alliance after apartheid. Deftly navigating through workerist, social movement and political terrains that shape the South African labour landscape, this book sheds light on the path that led to the unprecedented 2012 Marikana massacre, the dissolution of the Congress of South African Trade Unions (Cosatu) federation and to fractures within the African National Congress (ANC) itself.Working with the notions of organisational agency and strategic bureaucratisation, Raphaël Botiveau shows how the founding leadership of NUM built their union’s structures with a view to mirror those of the multinational mining companies NUM faced. Good leadership proved key to the union’s success in recruiting and uniting mineworkers and NUM became an impressive school for union and political cadres, producing a number of South Africa’s top post-apartheid leaders. An incisive analysis of leadership styles and strategies shows how the fragile balance between an increasingly distant leadership and an increasingly militant membership gradually broke down.Botiveau provides a compelling narrative of NUM’s powerful history and the legacy of its leadership. It will appeal to a broad readership – including journalists, students and social sciences scholars – interested in South Africa’s contemporary politics and labour history.

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Hatred, Lies, and Violence in the World of Islam examines the torrential flood of anti-Israeli, anti-Jewish, and anti-Zionist propaganda that permeates many Muslim societies. Raphael Israeli locates the source of this anti-Semitic sentiment in the inadequacies and insecurities of Muslim states. By demonizing and delegitimizing Israel and Jews, they seek to eliminate a successful counterexample of their own failures, thus putting an end to their own "humiliation."Beyond mapping the distribution of anti-Israel and anti-Jewish propaganda in the Arab and Islamic worlds, Israeli uses case-studies to illustrate the premises of this study: the Palestinians, who have a direct stake in battling Israel; Turkey, which now claims leadership of the Arab and Sunni Muslim worlds; and Shi'ite Iran, which provides a more extreme example of both hatred and disregard for fact and history while threatening to destroy Israel.Israeli documents the worldwide collaboration between Jew-haters of all sorts, explaining the exponential growth of Jew-hatred on the Internet, with thousands of new hate sites added every year, outpacing Jew-hatred in the traditional media. He places anti-Semitism in a broader tradition of political lies and political deceit. In the final chapter, Israeli considers the possibility of reversing anti-Jewish agitation in Muslim countries, which he finds unlikely because so many of the region's regimes are built on foundations of anti-Semitism.

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Globalization is characterised by persistent poverty and growing inequality. Conventional wisdom has it that this global poverty is residual – as globalization deepens, the poor will be lifted out of destitution. The policies of the World Bank, the IMF and the WTO echo this belief and push developing countries ever deeper into the global economy. Globalization, Poverty and Inequality provides an alternative viewpoint. It argues that for many – particularly for those living in Latin America, Asia and Central Europe – poverty and globalization are relational. It is the very workings of the global system which condemn many to poverty. In particular the mobility of investment, and the large pool of increasingly skilled workers in China and other parts of Asia, are driving down global wages. This poses challenges for policy makers in firms and countries throughout the world. It also challenges the very sustainability of globalisation itself. Are we about to witness the implosion of globalisation, as occurred between 1913 and 1950? Using a variety of theoretical frameworks and drawing on a vast amount of original research, this book will be an invaluable resource for all students of globalization and its effects.

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Globalization is characterised by persistent poverty and growing inequality. Conventional wisdom has it that this global poverty is residual – as globalization deepens, the poor will be lifted out of destitution. The policies of the World Bank, the IMF and the WTO echo this belief and push developing countries ever deeper into the global economy. Globalization, Poverty and Inequality provides an alternative viewpoint. It argues that for many – particularly for those living in Latin America, Asia and Central Europe – poverty and globalization are relational. It is the very workings of the global system which condemn many to poverty. In particular the mobility of investment, and the large pool of increasingly skilled workers in China and other parts of Asia, are driving down global wages. This poses challenges for policy makers in firms and countries throughout the world. It also challenges the very sustainability of globalisation itself. Are we about to witness the implosion of globalisation, as occurred between 1913 and 1950? Using a variety of theoretical frameworks and drawing on a vast amount of original research, this book will be an invaluable resource for all students of globalization and its effects.

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The literary establishment tends to regard Bob Dylan as an intriguing, if baffling, outsider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international literary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tradition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post-Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process borrows from and creatively expands the methods used by classical and Renaissance authors. Drawing on numerous examples, including Dylan’s previously unseen manuscript excerpts and archival materials, Raphael Falco illuminates how the ancient process of poetic imitation, handed down from Greco-Roman antiquity, allows us to make sense of Dylan’s musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylan’s songs and allows us to celebrate him as what he truly is: a great writer.

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The continuation of Paul Nogier's findings Auriculotherapy is based on proven correspondences between locations on the external ear and the internal organs and systems of the body. The ear acts like an input/output terminal in direct contact with the central nervous system. Information on viscerosomatic states can be accessed via visual clues, skin electro-conductivity, and pressure sensitivity at specific points. The first part of Raphael Nogier's Auriculotherapy shows how acupuncture needles are used in sophisticated and powerful therapeutic interventions. The second part introduces the principles and practice of auriculomedicine, a true frequency medicine that evolved from Dr. Paul Nogier's auriculotherapy, his discovery of the VAS (Vascular Autonomic Signal) in the pulse and his consequent observations of the diagnostic and therapeutic properties of radiant light frequencies on the skin. The material presented here builds on and updates the work of the author's father, Dr. Paul Nogier, who scientifically explored and charted the auricular microsystems in the 1950s. A serviceable, contemporary work for students of acupuncture as well as practitioners, offering clear and practical information to be applied directly for the benefit of patients.

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As the first person of mixed race with dreadlocks to be a reporter for the British Broadcasting Corporation, on both television and radio (Today Programme, Six O'clock News, Panorama and The One Show) I helped re-write the rules on what makes an international BBC correspondent. I am an experienced undercover and investigative journalist and presenter on both prime-time television and international platforms such as Netflix. Yet it is being an inspiration to an under-served and diverse audience across the globe that inspires me. I broke the mold on what an international reporter looks like, sounds like and has as a background; I am proud of the fact that in doing so I inspire others. Less than a year later I began a new career as a journalist and broadcast reporter for the BBC, starting at the Today programme, the pinnacle of BBC Radio 4. I had a voice, and I was lucky enough to be allowed to use it. There were many other reporters, but none were ex prisoners, non had dreadlocks and non were mixed race. From this most prestigious and influential show I moved to television reporting in 2003 for BBC1's The Six O'Clock News. This is the pinnacle of prime-time television, and here I was, dreadlocks and mixed race, with a long stretch of my life lost to incarceration and fighting to prove my innocence. Not exactly the stereotypical BBC reporter! However, it was precisely this that propelled my career even further and between 2004 and 2006 I made hard hitting documentaries for BBC2 and BBC3, covering issues such as serial killers, knife crime, drugs, corrupt UN peacekeepers, enviromental crime and terrorism. One of my investigations played a pivotal part in freeing a man convicted of the assasination of a high profile BBC celebrity. The BBC recognised that I have tenacity, courage and the life experience that most investigative journalists can only read about, and I became a correspondent for the prestigious Panorama show. This is World's longest running current affairs TV series and once again I was the first ex-prisoner and person of colour, with dreadlocks, to have achieved such a position. This was a far cry from those years in prison cells, fighting to prove I did not commit the crimes of which I was accused. I was now able to use that experience and the skills it taught me of patience and perseverance to become a recognised household name. My work has taken me to some of the world's most dangerous places, but I thrive on it. At times I had to operate undercover to expose injustice and crime. I smuggled conflict diamonds to show how the system was corrupted, secretly filmed Congolese militia rebels to expose their ruthless tactics and threw light on the illegal international logging and deforestation of some of the World's most precious resources. In undertaking that particular assignment I risked my own life to save the life of an orangutan and I would do it again in a heartbeat. I currently host Inside the World's Toughest Prisons on Netflix. Even with my experiences of life inside behind me, and my position as a free and innocent man confirmed, it has been one hell of a discovery. People ask me why go back into maximum security prisons, as an innocent man, after fighting for so many years to get out? "I am scarred by my life experience but I have not allowed it to hold me back."

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Have you ever stopped to consider what goes into a painting beyond what you can see? Welcome to a fascinating journey of discovery... The Geometry of the Last Supper skilfully blends the worlds of Renaissance art, geometry and symbolism, allowing the reader to uncover, for the very first time, the simple and delicate geometry at play in the composition of Leonardo da Vinci’s masterpiece. Never before has a single and unified solution been proposed to explain the making of the Last Supper. During the Renaissance, symbolic significance was ascribed to geometrical shapes. These symbols, such as those encountered in The Geometry of the Last Supper, have an ancient history, deeply rooted in a tradition that goes back to Pythagoras and beyond. Thanks to them, the geometry presented in this book comes to life as the inner message of the Last Supper is revealed. Once the meaning of the geometry becomes clear, you will be left with the feeling of having been let into a priceless secret. Ideal for any art-lovers or any reader who enjoys looking behind the layers.

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The definitive biography of Jurgen Klopp.Jürgen Klopp was confirmed as manager of Liverpool FC in October 2015 to a rapturous reception. His super-sized personality and all-or-nothing style of football and management made him the perfect choice to pump up the volume at Anfield and lift Liverpool out of a slump.Fans and club officials were delighted to get the coach they'd long admired from afar and eager to see the impact he would have on the club and the Premier League.Klopp is the manager to turn players into winners. He's authentic, approachable and funny, charming media and fans alike. He's also merciless and exceptionally driven, his quick temper bubbling away barely under the surface. Klopp's pitch-side passion has enthralled fans, leading to 2019's triumphant Champions League win and culminating in 2020 Premier League victoryWith exclusive access to Klopp's friends, family, colleagues and players, Raphael Honigstein goes behind-the-scenes at Liverpool to tell the definitive story of Klopp's career and how he brought Liverpool to victory.

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The totalizing scope of the combined effects of computerization and the worldwide network are the subject of the essays in The Digital Nexus, a volume that responds to McLuhan’s request for a “special study” of the tsunami-like transformation of the communication landscape. These critical excursions provide analysis of and insight into the way new media technologies change the workings of social engagement for personal expression, social interaction, and political engagement. The contributors investigate the terms and conditions under which our digital society is unfolding and provide compelling arguments for the need to develop an accurate grasp of the architecture of the Web and the challenges that ubiquitous connectivity undoubtedly delivers to both public and private life.

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1920s Cairo: singers were pressing hit records, dramatic troupes were springing up and cabarets were packed - a counterculture was on the rise. In bars, hash-dens and music halls, people of all backgrounds came together as a passionate group of artists captivated Egyptian society. Of these performers, Cairo's biggest stars were female, and they asserted themselves on the stage like never before. Two of the most famous troupes were run by women; Badia Masabni's dancehall became the hottest nightspot in town; pioneer of Egyptian cinema Aziza Amir made her stage debut; and legendary singer Oum Kalthoum first rose to fame. It is these women, who knew both the opportunities and prejudices that this world offered, who best reveal this cosmopolitan and raucous city's secrets. Midnight in Cairo tells the thrilling story of Egypt's interwar nightlife and entertainment industry through the lives of its pioneering women. Introducing an eccentric cast of characters, it brings to life a world of revolutionary ideas and provocative art - one which laid the foundations of Arab popular culture today. It is a story of modern Cairo as we have never heard it before.

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Early one morning among the magnificent honey-coloured buildings of the Sorbonne, the tranquillity of the university is shattered by a death. But why would Albert Cadas, a quiet, crumpled professor of medieval literature, have any reason to kill himself? Meanwhile in another part of Paris, Valentine Savi, a talented young restorer, receives a visit in her studio from an enigmatic elderly gentleman with a unique commission: to restore a priceless medieval palimpsest whose timeworn pages promise to reveal the truth of a mystery that has fascinated scholars and writers for hundreds of years. Valentine soon learns that the shadowy figures who seek to possess the secrets of the manuscript are far darker and more ruthless than she could ever have imagined...Together with her friend Hugo Vermeer -- aristocrat, epicure and incorrigible wheeler-dealer -- and David Scotto, Cadas's doctoral student, Valentine finds herself on a terrifying and thrilling adventure through the narrow streets and gloomily palatial mansions of the Latin Quarter.

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