Search results for ""author philip gefter""

'Well-researched ... I was fascinated' Roger Lewis, Daily MailFrom its debut in 1962, Edward Albee's Who's Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalised critics but magnetised audiences. Then, Hollywood took a colossal gamble on Albee's sophisticated play and won. Co-starring Elizabeth Taylor and Richard Burton, the sensational 1966 film won five Oscars. How this scorching play became a movie classic-surviving censorship attempts, its creators' inexperience, and its stars' own tumultuous marriage, is one of the most riveting stories in all of cinema. Acclaimed author Philip Gefter traces Woolf from its hushed origins in Greenwich Village, through its tormented production process, to its explosion onto scree

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Recalled as the lover and patron of Robert Mapplethorpe, Sam Wagstaff here takes centre stage as a leading American intellectual and cultural visionary. Philip Gefter traces Wagstaff’s evolution from society "bachelor" of the 1940s to his emergence as rebellious curator. In 1972, his meeting with twenty-five-year-old Mapplethorpe, would lead to his legacy as world-class photography collector and cultural arbiter. Positioning Wagstaff’s personal life against the rise of photography as a major art form and the simultaneous formation of the gay rights movement, Gefter’s absorbing biography provides a searing portrait of New York just before and during the age of AIDS. The result is a definitive and memorable portrait of a man and an era.

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George Dureau, The Photographs is an album of the great photographic portraits made throughout the forty years of Dureau’s artistic career—a New Orleans romance between the photographer and his subjects. All of Dureau’s exquisite photographs, many of them nudes, were made in his studio in the French Quarter of New Orleans, or on the city’s streets. He began photography for the pleasure of photographing his lovers, and as research material for his paintings. Only later on did he begin to take his photographs seriously as works of art in their own right. Many of his subjects became part of Dureau’s “extended family,” whom he photographed on different occasions over many years. Surprisingly, only one book of Dureau’s photographs has been published: New Orleans, 1985, a modest paperback long out of print. This Aperture book is possible now because of the commitment of the community of Dureau’s supporters to see it happen. George Dureau, The Photographs is edited by Chris Boot, with a text by Philip Gefter.

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