Search results for ""author philip callow""

There are many Stevensons behind the initials RLS, but the one that has endeared him to readers for so long is surely the fighter, battling to stay alive. Jorge Luis Borges described his brief life as courageous and heroic. In Philip Callow’s absorbing new biography, one can see why. Doctors, called repeatedly to what should have been his deathbed, would find a scarecrow, twitching and alive. A sickly child, Louis became in turn a bohemian dandy, a literary gypsy traipsing through the mountains of France with a donkey, and at twenty-eight the lover of an American woman ten years his senior, the fabulous Fanny. He escaped his Scottish town, his family, his friends who had mapped out a literary career for him in London, and instead went chaotically across the Atlantic and overland to California in poverty and despair to reach his beloved, whereupon he escaped into marriage and committed himself to being a nomad. He sailed the Pacific and dreamed of being an explorer; his restlessness was Victorian. With the power of a novelist and the grace of a poet (of which he is both), Philip Callow captures this great writer and his many contradictions. He was a born exile longing for home; a northerner who thrived on tropic sunshine; a near atheist who organized Sunday services for his Samoan workers. He has been called Scotland's finest writer of English prose, a more economical Walter Scott. As an essayist he equaled Hazlitt. In emotional crises he wept openly, to the embarrassment of his wife. “His feelings are always his reasons,” said Henry James, and caught in a sentence the secret of Stevenson’s popularity as one of the last of the classic storytellers. Louis brings him alive. With 8 pages of black-and-white photographs.

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In November 1919 D. H. Lawrence arrived in Venice, thirty-four years old, a big name with a banned book behind him, scraping by on very little but with a zest for life undiminished by shaky health. He had had a bleak war—hounded out of Cornwall, humiliated in army medicals—and was now overjoyed to be free and on the move, a twentieth-century English exile who would remain passionately English to the end of his days. Philip Callow's account of Lawrence's last years and his almost relentless travels between New Mexico, Europe, and England brings the great writer to life in intimate detail. As Lawrence's disgust with the Western world grew more intense, his rage ebbed and flowed erratically, but between the rages he knew rapture. He relished his workingman's aptitude, but what sustained him was his writing. "Without it," he once said, "I would have been dead long ago." His anger finally found an outlet that earned him money: he wrote Lady Chatterley's Lover and broke the taboo against explicit sex in literature. In poetry, novellas, travel writing, and the painting of visceral canvases, Lawrence continued to respond to the demands of his art. And, to the end, he clung to his wife, the fundamentally married man he had always been. In Body of Truth, Philip Callow gives us a poignant and revealing story of the artist at life's end.

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In From Noon to Starry Night, published on the 100th anniversary of Walt Whitman's death, the great poet of democracy has at last found his biographer. Philip Callow brings to Whitman's extraordinary life the skills and sensitivities of novelist, poet, and biographer. Here is the life of America's poet—beguiling, surprising, in some ways magical—a wonderfully detailed portrait, lyrically told. More successfully than any earlier biography, Callow's has captured Whitman's elusive truth. Drawing upon a broad range of sources, and quoting liberally from Whitman's poems, Callow has re-created the poet's life in all its roundness and intricate corners, "smiling evasively in his thicket of identities." Tradesman, teacher, buccaneer journalist, suddenly a poet; a man who loved crowds yet was fundamentally a solitary, with a sexual fluidity that remains a riddle to this day, Whitman was, Callow observes, a democrat who set out to imagine the life of the average man in average circumstances changed into something grand and heroic. "The sheer certainty of his voice can still astonish us,'' the author writes. He has brought Whitman alive again in this perceptive and evocative biography. With 8 pages of photographs.

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