Search results for ""author paola malavassi""
Hatje Cantz Ruth Wolf-Rehfeldt (Bilingual edition): Nichts Neues
Employed as an office manager in the former GDR, and working as a self-taught artist, Ruth Wolf-Rehfeldt used her typewriter to create patterns and abstract compositions with characters and letters at the junction of Concrete Poetry, Dada, and Minimal Art. Her linguistic explorations that she developed further into collages later on, are often based on ambiguity. Published on the occasion of the large retrospective at MINSK Kunsthaus in Potsdam, NICHTS NEUES explores her typewritings, prints, collages, and paintings in thematic episodes. Although Wolf-Rehfeldt discontinued her artistic practice after the fall of the Berlin Wall, her art has lost none of its relevance. In a poetic, idiosyncratic, and often humorous way, the nonconformist artist explored themes such as environmental issues, intellectual freedom, community, and communication. Her sometimes subtle, sometimes more literal play with words, meanings, and forms continue to reveal the unexpected.
£30.60
Hatje Cantz Wolfgang Mattheuer / Stan Douglas (Bilingual edition)
DAS MINSK is the latest project of the Hasso Plattner Foundation. Located in Potsdam, southwest of Berlin, the new exhibition space presents modern and contemporary art, as well as art from the former GDR, in new contexts. This catalogue for the two inaugural exhibitions links two artists from the Hasso Plattner Collection: GDR painter Wolfgang Mattheuer and Canadian photographer and filmmaker Stan Douglas. As the exhibitions direct their gaze to nature and the urban landscape of Potsdam, the volume presents familiar and novel perspectives on their work, complemented by a wide range of viewpoints on the motifs of landscape and (allotment) gardening in art. Beyond art theoretical voices, the book also features numerous experts addressing the socio-political dimensions of the subject-matter.
£39.60
Hatje Cantz I’ve Seen the Wall (Bilingual edition): Louis Armstrong on tour in the GDR in 1965
On the Ambivalent Simultaneity of Things – Freedom and Oppression, Racism and Recognition In the midst of the Cold War, legendary African American jazz musician Louis Armstrong was the first US artist to tour through the GDR. Taking this historic event in 1965 as a starting point, DAS MINSK Kunsthaus in Potsdam examines the ambivalence of this official invitation against the backdrop of the Civil Rights Movement in the United States, the Vietnam War, and the Iron Curtain in Europe. While Armstrong avoided expressing forthright political opinions during his tour, he played (What Did I Do To Be So) Black and Blue, a composition he had not played in a decade, at every performance. Paintings, photographs, archival material, and installations by Terry Adkins, Louis Armstrong, Pina Bausch, Romare Bearden, Peter Brötzmann, Darol Olu Kae, Volkhard Kühl, Norman Lewis, Glenn Ligon, Jason Moran, Gordon Parks, Dan Perjovschi, Adrian Piper, Evelyn Richter, Lorna Simpson, Willi Sitte, Wadada Leo Smith, Rosemarie Trockel, Andy Warhol, Ruth Wolf-Rehfeldt, and others provide multiple perspectives on the complexity of politics, jazz music, and racism.
£40.00
