Search results for ""author ottilie mulzet""

An unflinching narrative of family history in Hungary’s Jewish community and the nation’s deep complicity in the Holocaust “Gábor Schein is that rarest of elegists, endowed equally with a respect for history and an ecstasy of imagination.”—Joshua Cohen, Pulitzer Prize-winning author of The Netanyahus Born in 1723 in a small German town, Johann Klarfeld is thirteen when his father dies. He is taken in by a kind Italian painter to live with him and his daughter in The Hague. But the daughter, beautiful and blind, has a secret. Two centuries later, Berta Jósza is born during World War II in a village in northern Hungary. The daughter of a police officer, Berta watches chaos unfold through her father’s eyes, from the plundering of the possessions of murdered Jews to the carnage of the 1956 Revolution. When she happens upon an enigmatic autobiography in a secondhand bookshop, she can’t shake the sense that she somehow knows the author. Lyrical and haunting, this is an unforgettable story about the spirit of history and the individual fates that make up the whole—the entwinements of the past and their unshakable hold on the present.

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Shortlisted for The Man Booker International Prize 2018 A Hungarian interpreter obsessed with waterfalls, at the edge of the abyss in his own mind, wanders the chaotic streets of Shanghai. A traveller, reeling from the sights and sounds of Varanasi, encounters a giant of a man on the banks of the Ganges ranting on the nature of a single drop of water. A child labourer in a Portuguese marble quarry wanders off from work one day into a surreal realm utterly alien from his daily toils. In The World Goes On, a narrator first speaks directly, tells twenty-one unforgettable stories, then bids farewell ('for here I would leave this earth and these stars, because I would take nothing with me'). As László Krasznahorkai himself explains: 'Each text is about drawing our attention away from this world, speeding our body toward annihilation, and immersing ourselves in a current of thought or a narrative...' The World Goes On is another masterpiece by the winner of the 2015 Man Booker International Prize. 'The excitement of his writing,' Adam Thirlwell proclaimed in the New York Review of Books, 'is that he has come up with his own original forms-there is nothing else like it in contemporary literature.'

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Translated by George Szirtes From the winner of the Man Booker International Prize In the darkening embers of a Communist utopia, life in a desolate Hungarian town has come to a virtual standstill. Flies buzz, spiders weave, water drips and animals root desultorily in the barnyard of a collective farm. But when the charismatic Irimias - long-thought dead - returns, the villagers fall under his spell. Irimias sets about swindling the villagers out of a fortune that might allow them to escape the emptiness and futility of their existence. He soon attains a messianic aura as he plays on the fears of the townsfolk and a series of increasingly brutal events unfold.

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Winner of the 2015 Man Booker International Prize Beauty, in László Krasznahorkai's new novel, reflects, however fleeting, the sacred - even if we are mostly unable to bear it. In Seiobo There Below we see the Japanese goddess Seiobo returning to mortal realms in search of perfection. An ancient Buddha being restored; the Italian renaissance painter Perugino managing his workshop; a Japanese Noh actor rehearsing; a fanatic of Baroque music lecturing to a handful of old villagers; tourists intruding into the rituals of Japan's most sacred shrine; a heron as it gracefully hunts its prey. Told in chapters that sweep us across the world and through time, covering the furthest reaches of human experience, Krasznahorkai demands that we pause and ask ourselves these questions: What is sacred? How do we define beauty? What makes great art endure? Melancholic and mesmerisingly beautiful, this latest novel by the author of Satantango shows us how to glimpse the divine through extraordinary art and human endeavour. Winner of Best Translated Book of the Year Award 2014 Translated by Ottilie Mulzet

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An award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetrySzilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”

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An award-winning translator presents selections from the haunting final volumes of a leading voice in contemporary Hungarian poetrySzilárd Borbély, one of the most celebrated writers to emerge from post-Communist Hungary, received numerous literary awards in his native country. In this volume, acclaimed translator Ottilie Mulzet reveals the full range and force of Borbély’s verse by bringing together generous selections from his last two books, Final Matters and To the Body. The original Hungarian text is set on pages facing the English translations, and the book also features an afterword by Mulzet that places the poems in literary, historical, and biographical context.Restless, curious, learned, and alert, Borbély weaves into his work an unlikely mix of Hungarian folk songs, Christian and Jewish hymns, classical myths, police reports, and unsettling accounts of abortions. In her afterword, Mulzet calls this collection “a blasphemous and fragmentary prayer book … that challenges us to rethink the boundaries of victimhood, culpability, and our own religious and cultural definitions.”

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A posthumously published Hungarian masterpiece that reflects on fragmented lives. Born in 1963, Szilárd Borbély emerged as one of the most important poets of post-communist Europe, exploring the themes of grief, memory, and trauma in his critically acclaimed work. Following the murder of his mother during a burglary in 2000, and the subsequent breakdown and death of his father, Borbély suffered from post-traumatic depression and tragically ended his own life in 2014. Among the manuscripts that Borbély left behind was Kafka’s Son, a fragmentary work, rendered still more fragmented through the author’s death. Through a series of haunting passages that explore early twentieth-century Prague, including the ruins of the ancient Jewish ghetto during the time of its demolition, Borbély inscribes the story of Franz Kafka and his father onto the city. We are used to hearing from Franz; here Hermann Kafka is also given a voice. “The son,” he tells us, “is the life of the father. The father is the death of the son.” By extension, then, this book is also an indirect telling of the story of Borbély and his father, and about sons and fathers in the Habsburg empire and the culture of brutality that defined Eastern Europe. A posthumously published Hungarian masterpiece, Kafka’s Son now appears in English in award-winning translator Ottilie Mulzet’s sensitive translation, a fragmentary yet iridescent work inviting us to reflect on our fragmented lives.

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An exemplary collection of work from one of the world’s leading scholars of intellectual history “Földényi . . . stage[s] a broad metaphysical melodrama between opposites that he pursues throughout this fierce, provoking collection (expertly translated by Ottilie Mulzet). . . . He proves himself a brilliant interpreter of the dark underside of Enlightenment ambition.”—James Wood, New Yorker László Földényi’s work, in the long tradition of public intellectual and cultural criticism, resonates with the writings of Montaigne, Walter Benjamin, and Thomas Mann. In this new essay collection, Földényi considers the continuing fallout from the collapse of religion, exploring how Enlightenment traditions have not replaced basic elements of previously held religious mythologies—neither their metaphysical completeness nor their comforting purpose. Realizing beautiful writing through empathy, imagination, fascination, and a fierce sense of justice, Földényi covers a wide range of topics including a meditation on the metaphysical unity of a sculpture group and an analysis of fear as a window into our relationship with time.

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An inventive collection of stories by one of the most prominent and acclaimed writers in Hungary today. The Birth of Emma K., a collection of twelve short stories rich with magic, introduces English-language readers to one of the most vibrant and original voices in contemporary Hungarian literature. Zsolt Lang's new collection opens with God sitting on a bench looking over Budapest; later, a Hungarian man who has stumbled into a Romanian music theory class suddenly finds he is able to speak expertly about Hungarian composer Bela Bartok-and in perfect Romanian; and even later, against all odds, the embryo of Emma fights for her future life from within the womb. Drifting between melancholic and witty, in sentences that are winding, subtle, and colloquial, Lang's stories are deeply rooted in Transylvanian culture and history. Reminiscent of the best writings of Irish modernist masters such as Samuel Beckett and Flann O'Brien, The Birth of Emma K. presents an unforgettable collage of human nature.

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The Book of Mordechai and Lazarus are the first and the second novels by Hungarian writer Gabor Schein. Published together in one volume, they comprise the first in Seagull Books's new Hungarian List series. Both novels trace the legacy of the Holocaust in Hungary. The Book of Mordechai tells the story of three generations in a Hungarian Jewish family, interwoven with the biblical narrative of Esther. Lazarus relates the relationship between a son, growing up in the in the final decades of late-communist Hungary, and his father, who survived the depredations of Hungarian fascists during the Second World War. Mordechai is an act of recovery an attempt to seize a coherent story from a historical maelstrom. By contrast, Lazarus, like Kafka's unsent letter to his own father, is an act of defiance. Against his father's wish to never be the subject of his son's writing, the narrator goes on to place his father at the center of his story. Together, both novels speak to a contemporary Hungarian society which remains all too silent towards the crimes of the past.

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