Search results for ""author nils f. schott""
Stanford University Press Fraud: The World of Ona'ah
We can calculate financial fraud, but how do we measure bad faith? How can we evaluate the words of the pharmaceutical industry or of eco-scientific ideologies, or the subtle deception found in political scheming? Henri Atlan sheds light on these questions through the concept of ona'ah, which in Hebrew refers to both fraud in financial transactions and the verbal injury inflicted by speech. The world of ona'ah is a world of an "in-between," where the impossible purity of absolute Platonic truth gives way to a more relative notion—the near-theft, the quasi-lie. Today it seems that no discourse is safe from fraudulent excesses, be they intentional or no. As both philosopher and biologist, Atlan works on several registers. He forges links between the Talmud, the Kabbalah, and the big questions of our time, multiplying the bridges between science, philosophy, and current ethical dilemmas. In a context of financial and moral crises that appear to be weakening our democracies, Henri Atlan's work allows us to rethink the status of fraud in the contemporary world.
£26.99
The University of Chicago Press Critique of Freedom: The Central Problem of Modernity
In this ambitious book, philosopher Otfried Höffe provides a sophisticated account of the principle of freedom and its role in the project of modernity. Höffe addresses a set of complex questions concerning the possibility of political justice and equity in the modern world, the destruction of nature, the dissolving of social cohesion, and the deregulation of uncontrollable markets. Through these considerations, he shows how the idea of freedom is central to modernity, and he assesses freedom’s influence in a number of cultural dimensions, including the natural, economic and social, artistic and scientific, political, ethical, and personal-metaphysical. Neither rejecting nor defending freedom and modernity, he instead explores both from a Kantian point of view, looking closely at the facets of freedom’s role and the fundamental position it has taken at the heart of modern life. Expanding beyond traditional philosophy, Critique of Freedom develops the building blocks of a critical theory of technology, environmental protection, economics, politics, medicine, and education. With a sophisticated yet straightforward style, Höffe draws on a range of disciplines in order to clearly distinguish and appreciate the many meanings of freedom and the indispensable role they play in liberal society.
£32.00
Duke University Press Horn, or The Counterside of Media
We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"—whether manifested as a rhinoceros horn or a musical instrument—to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his “rhinoceros phase” or examining the problem of tactility in Thomas Pynchon’s The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
£87.30
Fordham University Press The Helmholtz Curves: Tracing Lost Time
This book reconstructs the emergence of the phenomenon of “lost time” by engaging with two of the most significant time experts of the nineteenth century: the German physiologist Hermann von Helmholtz and the French writer Marcel Proust. Its starting point is the archival discovery of curve images that Helmholtz produced in the context of pathbreaking experiments on the temporality of the nervous system in 1851. With a “frog drawing machine,” Helmholtz established the temporal gap between stimulus and response that has remained a core issue in debates between neuroscientists and philosophers. When naming the recorded phenomena, Helmholtz introduced the term temps perdu, or lost time. Proust had excellent contacts with the biomedical world of late-nineteenth-century Paris, and he was familiar with this term and physiological tracing technologies behind it. Drawing on the machine philosophy of Deleuze, Schmidgen highlights the resemblance between the machinic assemblages and rhizomatic networks within which Helmholtz and Proust pursued their respective projects.
£24.99
Stanford University Press Fraud: The World of Ona'ah
We can calculate financial fraud, but how do we measure bad faith? How can we evaluate the words of the pharmaceutical industry or of eco-scientific ideologies, or the subtle deception found in political scheming? Henri Atlan sheds light on these questions through the concept of ona'ah, which in Hebrew refers to both fraud in financial transactions and the verbal injury inflicted by speech. The world of ona'ah is a world of an "in-between," where the impossible purity of absolute Platonic truth gives way to a more relative notion—the near-theft, the quasi-lie. Today it seems that no discourse is safe from fraudulent excesses, be they intentional or no. As both philosopher and biologist, Atlan works on several registers. He forges links between the Talmud, the Kabbalah, and the big questions of our time, multiplying the bridges between science, philosophy, and current ethical dilemmas. In a context of financial and moral crises that appear to be weakening our democracies, Henri Atlan's work allows us to rethink the status of fraud in the contemporary world.
£112.50
Stanford University Press Artificial Presence: Philosophical Studies in Image Theory
These collected studies on the philosophy of the image offer the fundamental insight that images alone make the artificial presence of things possible. Images present things as exclusively visible, released from the laws of physics. Taking this idea as his point of departure, Wiesing provides an overview of the fundamental positions in contemporary image studies. He describes the use of images as signs from a phenomenological perspective, reconstructs Plato's concept of mimesis by way of the canon of images it presupposes, and demonstrates the special relevance of extreme types of images— virtual reality, desktop windows, or abstract photography—for the philosophical labor of the concept of the image.
£81.00
Duke University Press Horn, or The Counterside of Media
We regularly touch and handle media devices. At the same time, media devices such as body scanners, car seat pressure sensors, and smart phones scan and touch us. In Horn, Henning Schmidgen reflects on the bidirectional nature of touch and the ways in which surfaces constitute sites of mediation between interior and exterior. Schmidgen uses the concept of "horn"—whether manifested as a rhinoceros horn or a musical instrument—to stand for both natural substances and artificial objects as spaces of tactility. He enters into creative dialogue with artists, scientists, and philosophers, ranging from Salvador Dalí, William Kentridge, and Rebecca Horn to Sigmund Freud, Walter Benjamin, and Marshall McLuhan, who plumb the complex interplay between tactility and technological and biological surfaces. Whether analyzing how Dalí conceived of images as tactile entities during his “rhinoceros phase” or examining the problem of tactility in Thomas Pynchon’s The Crying of Lot 49, Schmidgen reconfigures understandings of the dynamic phenomena of touch in media.
£24.99
Stanford University Press Artificial Presence: Philosophical Studies in Image Theory
These collected studies on the philosophy of the image offer the fundamental insight that images alone make the artificial presence of things possible. Images present things as exclusively visible, released from the laws of physics. Taking this idea as his point of departure, Wiesing provides an overview of the fundamental positions in contemporary image studies. He describes the use of images as signs from a phenomenological perspective, reconstructs Plato's concept of mimesis by way of the canon of images it presupposes, and demonstrates the special relevance of extreme types of images— virtual reality, desktop windows, or abstract photography—for the philosophical labor of the concept of the image.
£21.99
Duke University Press Henri Bergson
Appearing here in English for the first time, Vladimir Jankélévitch's Henri Bergson is one of the two great commentaries written on Henri Bergson. Gilles Deleuze's Bergsonism renewed interest in the great French philosopher but failed to consider Bergson's experiential and religious perspectives. Here Jankélévitch covers all aspects of Bergson's thought, emphasizing the concepts of time and duration, memory, evolution, simplicity, love, and joy. A friend of Bergson's, Jankélévitch first published this book in 1931 and revised it in 1959 to treat Bergson's later works. This unabridged translation of the 1959 edition includes an editor's introduction, which contextualizes and outlines Jankélévitch's reading of Bergson, additional essays on Bergson by Jankélévitch, and Bergson's letters to Jankélévitch.
£23.39
Duke University Press Henri Bergson
Appearing here in English for the first time, Vladimir Jankélévitch's Henri Bergson is one of the two great commentaries written on Henri Bergson. Gilles Deleuze's Bergsonism renewed interest in the great French philosopher but failed to consider Bergson's experiential and religious perspectives. Here Jankélévitch covers all aspects of Bergson's thought, emphasizing the concepts of time and duration, memory, evolution, simplicity, love, and joy. A friend of Bergson's, Jankélévitch first published this book in 1931 and revised it in 1959 to treat Bergson's later works. This unabridged translation of the 1959 edition includes an editor's introduction, which contextualizes and outlines Jankélévitch's reading of Bergson, additional essays on Bergson by Jankélévitch, and Bergson's letters to Jankélévitch.
£87.30
Fordham University Press Figures of Medicine: Blood, Face Transplants, Parasites
What does the infamous face transplant in France in 2005 share with the examination of “swollen faces” in Latin America in the 1930s? What does blood transfusion in Europe during the 17th century have in common with the discovery of mosquitoes as parasitic vectors in China at the close of the 19th century? And, last, how does the reconstruction of noses using skin flaps in Bologna in the 16th century relate to the opening of a forehead cyst in Guatemala in 1916? The six essays that form Figures of Medicine present a wealth of symmetries. François Delaporte shows that each epistemological concern demands its own mode of engagement; problems reside not only in their objects but also in the historical situations in which they emerge. Focusing on efforts to resolve medical problems that are particular and nonetheless exemplary, Delaporte unpacks these separate cases to show how multiple actors—over long periods of time and across different geographies—must be taken into account to remove epistemological blockages that stand in the way of understanding. A remarkable contribution to the history of science and medicine, this book shows the value of historical epistemology from philosophical, historical, and anthropological perspectives.
£24.29
