Search results for ""author nick rennison""

1922 was a year of great turbulence and upheaval. Its events reverberated throughout the rest of the twentieth century and still affect us today, 100 years later. Empires fell. The Ottoman Empire collapsed after more than six centuries. The British Empire had reached its greatest extent but its heyday was over. The Irish Free State was declared and demands for independence in India grew. New nations and new politics came into existence. The Soviet Union was officially created and Mussolini's Italy became the first Fascist state. In the USA, Prohibition was at its height. The Hollywood film industry, although rocked by a series of scandals, continued to grow. A new mass medium - radio - was making its presence felt and, in Britain, the BBC was founded. In literature it was the year of peak modernism. Both T. S. Eliot's The Waste Land and James Joyce's Ulysses were first published in full. In society, already changed by the trauma of war and pandemic, the morals of the past seemed increasingly outmoded; new ways of behaving were making their appearance. The Roaring Twenties had begun to roar and the Jazz Age had arrived. In a sequence of vividly written sketches, Nick Rennison conjures up all the drama and diversity of an extraordinary year.

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According to Apsley Cherry-Garrard, one of the men who went to Antarctica with Captain Scott, 'Polar exploration is at once the cleanest and most isolated way of having a bad time that has ever been devised.' Despite this there has never been a shortage of volunteers willing to endure the bad times in pursuit of the glory that polar exploration sometimes brings. Nick Rennison's compelling book tells the memorable stories of people who have risked their lives by entering the white wastelands of the Arctic and the Antarctic, from the compelling tales of Scott, Shackleton and Amundsen, to those of lesser known explorers such as Elisha Kent Kane and Douglas Mawson. A Short History of Polar Exploration also looks briefly at the hold that the polar regions have often had on the imaginations of artists and writers in the last two hundred years examining the paintings, films and literature that they have inspired.

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Robin Hood is England's greatest folk hero. Everyone knows the story of the outlaw who robbed from the rich and gave to the poor. Nick Rennison's highly entertaining book begins with the search for the historical Robin. Was there ever a real Robin Hood? Rennison looks at the candidates who have been proposed over the years, from petty thieves to Knights Templar, before moving on to examine the many ways in which Robin Hood has been portrayed in literature and on the screen. He began as the hero of dozens and dozens of late medieval ballads. He appeared in plays by contemporaries of Shakespeare. In the Romantic era Robin was reinvented by Walter Scott as a Saxon champion in the struggle against the Normans. During the nineteenth century, he emerged as a hero in children's literature. More recently he has been portrayed as everything from proto-socialist man of the people to anarchist thug. In the cinema he put in an appearance as early as 1908 and Douglas Fairbanks and then Errol Flynn turned him into the typical hero of Hollywood swashbucklers. In the last twenty years, Kevin Costner and Russell Crowe have provided their own very different interpretations of the character. On the small screen, Robin has been the hero of half-a-dozen TV shows from the 1950s series starring Richard Greene, which used many writers blacklisted by Hollywood, via the well-remembered Robin of Sherwood in the 1980s to the recent BBC series. As the twenty-first century marches through its second decade, Robin Hood is still very much with us. He is the subject of graphic novels and computer games. New films are in the offing. Robin is an archetypal hero who, it seems, can never die. This engaging book charts his life so far.

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1974 WAS A YEAR OF MAJOR CHANGE AROUND THE WORLD. Presidents resigned, emperors were deposed, and new governments came to power. On both sides of the Atlantic, major political figures left the scene, either through resignation or electoral defeat. Leaders of nations died. Regimes crumbled. In society, the second wave of feminism grew in strength and the rights of historically underrepresented groups were more powerfully asserted. The BBC aired the first lesbian kiss on British TV. In Italy, the right to divorce was protected in a landmark referendum. However, terrorism and the pursuit of political ends through violence became ever more commonplace. The arts and entertainment industries were in the midst of a period of great creativity and innovation. In America, Scorsese, Spielberg and Coppola were making their mark. Popular music was arguably at a low point but the first stirrings of the punk revolution to come could be heard in New York clubs. And a Swedish band that were to become a phenomenon won the Eurovision Song Contest. The roots of many aspects of today's society which we take for granted lie in the 1970s and particularly in this, the decade's pivotal year.

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Presidents resigned, emperors were deposed, and new governments came to power. On both sides of the Atlantic, major political figures left the scene, either through resignation or electoral defeat. Leaders of nations died. Regimes crumbled. In society, the second wave of feminism grew in strength and the rights of historically underrepresented groups were more powerfully asserted. The BBC aired the first lesbian kiss on British TV. In Italy, the right to divorce was protected in a landmark referendum. However, terrorism and the pursuit of political ends through violence became ever more commonplace. The arts and entertainment industries were in the midst of a period of great creativity and innovation. In America, Scorsese, Spielberg and Coppola were making their mark. Popular music was arguably at a low point but the first stirrings of the punk revolution to come could be heard in New York clubs. And a Swedish band that were to become a phenomenon won the Eurovision Song Contest. The r

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Sherlock Holmes is the most famous of all fictional detectives but, across the Atlantic, he had plenty of rivals. Between 1890 and 1920, American writers created dozens and dozens of crime-solvers. In this thrilling, unusual anthology, editor Nick Rennison gathers together 15 often neglected tales to highlight American crime fiction's early years. The detectives that feature include Professor Augustus SFX Van Dusen, 'The Thinking Machine', even more cerebral than Holmes; Craig Kennedy, the so-called 'scientific detective'; Uncle Abner, a shrewd backwoodsman in pre-Civil War Virginia; Violet Strange, New York debutante turned criminologist; and Nick Carter, the original pulp private eye.

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Sherlock Holmes remains the most famous of all fictional detectives. But he was not the only solver of crimes to patrol the gaslit streets of late Victorian and Edwardian London. The years between 1890 and 1914 were the heyday of the English (and American) story magazines and their pages were filled with platoons of private detectives, police officers and eccentric criminologists. These were the 'Rivals of Sherlock Holmes' and this second anthology of stories edited by Nick Rennison, author of Sherlock Holmes: An Unauthorised Biography, highlights fifteen of them: Mr Booth created by Herbert Keen Max Carrados created by Ernest Bramah Florence Cusack created by LT Meade and Robert Eustace John Dollar, 'The Crime Doctor' created by EW Hornung Dick Donovan created by JE Preston Muddock Horace Dorrington created by Arthur Morrison Martin Hewitt created by Arthur Morrison Judith Lee created by Richard Marsh Madelyn Mack created by Hugh Cosgro Weir Lady Molly of Scotland Yard created by Baroness Orczy Addington Peace created by Fletcher Robinson Mark Poignand and Kala Persad created by Headon Hill John Pym created by David Christie Murray Christopher Quarles created by Percy Brebner John Thorndyke created by R Austin Freeman

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Sherlock Holmes was the most famous detective to stride through the pages of late Victorian and Edwardian fiction, but he was not the only one. He had plenty of rivals. Some of the most memorable of these were women: they were 'Sherlock's Sisters'. This exciting, unusual anthology gathers together 15 stories written by women or featuring female detectives. They include Dorcas Dene, Lady Molly of Scotland Yard, Hagar the Gypsy, Judith Lee and Madelyn Mack. Editor Nick Rennison has already compiled several highly entertaining collections of stories from what he considers a golden age of crime fiction, including The Rivals of Sherlock Holmes, More Rivals of Sherlock Holmes and Supernatural Sherlocks. His latest anthology turns the spotlight on the women detectives who could more than match their male counterparts.

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Sherlock Holmes is the most famous fictional detective ever created. The supremely rational sleuth and his dependable companion, Dr Watson, will forever be associated with the gaslit and smog-filled streets of late nineteenth and early twentieth century London. Yet Holmes and Watson were not the only ones solving mysterious crimes and foiling the plans of villainous masterminds in Victorian and Edwardian England. The years between 1890 and 1914 were a golden age for English magazines and most of them published crime and detective fiction. The startling success of the Holmes stories that appeared in The Strand magazine spawned countless imitators. This volume highlights some of those 'Rivals of Sherlock Holmes'. In the fifteen tales which Nick Rennison has brought together in this anthology, readers can meet: THE THINKING MACHINE - Jacques Futrelle's dazzlingly intellectual genius Professor Augustus S. F. X. Van Dusen, aka the Thinking Machine, even more capable than Holmes himself of solving the most baffling of mysteries through brainpower alone CARNACKI THE GHOST FINDER - detective of the occult created by the legendary horror writer William Hope Hodgson, author of The House on the Borderlands EUGENE VALMONT - a sophisticated and urbane French detective, created by Robert Barr, who lives in exile in London and uses his Gallic wit and wisdom to learn the truth about the mysteries that regularly come his way NOVEMBER JOE - Hesketh Prichard's Canadian woodsman who uses his extraordinary powers of observation to track down villains and bring them to justice It may well be true that there never has been and never will be a detective quite like Sherlock Holmes but he did not stand alone. He did have his rivals and, as this collection of short stories shows, many of their adventures were as exciting and entertaining as those of the master himself.

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Novels which transform our ideas about human possibilities, biographies which celebrate the achievements of extraordinary individuals, polemical works of non-fiction which oblige us to alter our views of the world or of human society: all of us can remember reading at least one book which made us think about the world anew. Here, the author of the popular Bloomsbury Good Reading Guide, selects the very best books which may or may not have changed the world, but which have certainly changed the lives of thousands of people who have read them. Some examples of titles included: Maya Angelou, I Know Why the Caged Bird Sings - a poignant recording of the author's triumph over the obstacles of being black and poor in a racist society. Paulo Coelho, The Alchemist. Santiago's meeting with the alchemist opens his eyes to the true values of life, love and suffering The Diary of Anne Frank Half a century later the story of a teenager coming to maturity in the most terrible of circumstances remains profoundly moving. Kahlil Gibran, The Prophet Gibran's poetic essays reveal his thoughts on everything in life from love and marriage to the enigmas of birth and death. Robert M. Pirsig, Zen and the Art of Motorcycle Maintenance Pirsig's narrator creates a philosophical masterpiece that has the power to change lives.

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Robin Hood is England's greatest folk hero. Everyone knows the story of the outlaw who robbed from the rich and gave to the poor. Nick Rennison's highly entertaining book begins with the search for the historical Robin. Was there ever a real Robin Hood? Rennison looks at the candidates who have been proposed over the years, from petty thieves to Knights Templar, before moving on to examine the many ways in which Robin Hood has been portrayed in literature and on the screen. He began as the hero of dozens of late medieval ballads. He appeared in plays by contemporaries of Shakespeare. In the Romantic era Robin was reinvented by Walter Scott as a Saxon champion in the struggle against the Normans. During the nineteenth century, he emerged as a hero in children's literature. More recently he has been portrayed as everything from proto-socialist man of the people to anarchist thug. In the cinema he put in an appearance as early as 1908 and Douglas Fairbanks and then Errol Flynn turned him into the typical hero of Hollywood swashbucklers. In the last twenty years, Kevin Costner and Russell Crowe have provided their own very different interpretations of the character. On the small screen, Robin has been the hero of half-a-dozen TV shows from the 1950s series starring Richard Greene, which used many writers blacklisted by Hollywood, via the well-remembered Robin of Sherwood in the 1980s to the recent BBC series. As the twenty-first century nears the end of its second decade, Robin Hood is still very much with us. He is the subject of graphic novels and computer games and films, including the new Lionsgate release in November 2018.

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It is 1870. When amateur archaeologist Adam Carver and his loyal but obdurate retainer Quint are visited in their lodgings in London's Doughty Street by an attractive young woman, their landlady is not pleased. The visitor's arrival pitches Carver and Quint headlong into an elaborate mystery which comes to centre on the existence (or not) of a lost text in Ancient Greek, one that may reveal the whereabouts of the treasure hoard of Philip II of Macedonia.Two deaths soon ensue as master and manservant follow what clues they can grasp in the roughest and most genteel parts of the teeming metropolis, with the whiff of cordite and blackmail never far from their nostrils. The scene shifts to Athens and the wilder fastness of a Greece gripped by political unrest as Carver and Quint join forces with Adam's former Cambridge tutor in an attempt to track down the elusive text. But nothing is quite what it seems, and no one involved is prepared for the final, shocking denouement amidst the extraordinary hilltop monasteries of Meteora...

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How well do you know London? Here are 400 provocative, curious and humorous questions to enlighten and entertain. Even the most devoted Londoner will learn something new from these fun and wide-ranging trivia questions about London's history, monuments, architecture, famous residents, place-names, notable events, and more. A delightful way to explore the city, this fun book is a perfect stocking filler, with history ranging from obscure lore to facts and fascinating, often humorous histories. Where is the only cross-eyed statue in London and who does it depict? a) Next to the Royal Exchange in the City of London; George Peabody, the nineteenth-century American-born philanthropist b) At the point where Fetter Lane and New Fetter Lane converge; John Wilkes, the eighteenth-century politician c) Islington Green; Sir Hugh Myddleton, the seventeenth-century entrepreneur Answer: b) John Wilkes really did have a severe squint, as reproduced in the statue, but despite his looks, he was a legendary and eloquent womanizer who once said that, when meeting an attractive woman, it took him only ten minutes "to talk away his face."

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London, 1871. Traveller, photographer and sometime intelligencer Adam Carver is asked by a friend from the Foreign Office to find Dolly Delaney, a West End dancing girl who has been involved with a diplomat and since disappeared.What seems a straightforward case soon proves otherwise. Carver is discomfited to come across alluring daguerreotypes of Dolly and he seeks answers from one of her fellow dancers, the feisty Hetty Gallant. Soon, Carver and his stoical manservant Quint are drawn north to York, where they are implicated in a shocking death. The pair flee across the Channel, but soon encounter new treacheries in Berlin, the imposing and dangerous capital of the nascent Germany.Carver's Truth is both a compelling murder mystery and a splendidly full-blooded portrait of mid-Victorian England.

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