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This striking, oversized book, designed to evoke encyclopedias, is a highly creative amalgam of collage with a political bent and poetry. From 2011 to 2012, American artist Mel Chin (b. 1951) extracted all of the images from a twenty-five-volume set of Funk & Wagnall’s Universal Standard Encyclopedia (ca. 1953–56) and began visually re-editing. Thousands of images rendered by photomechanical reproduction that served a populist, mid-century encyclopedia are reconfigured with 21st-century hindsight and idiosyncratic connections that convey social and artistic commentaries. Surrealism, humor, sarcasm, politics, history, and beauty permeate these sometimes raucous, often confounding, but consistently stunning images. Over 500 black-and-white collages are accompanied by twenty-five poems, one per encyclopedia volume, commissioned by Chin and author Nick Flynn specifically for this publication. Writers range from the well-known to the surprising. The Funk & Wag from A to Z offers mischievous fun with pointed commentary and hilarity.Distributed for The Menil Collection

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Low explores the jaggedness of memory and what is salvageable when the past is broken by loss, violence, and trauma. Punctuating Nick Flynn's signature lyric poems are prose pieces and sequences, veering toward essays, including "Notes on a Calendar Found in a Stranger's Apartment," a truly strange experience of cataloging a deceased neighbor's belongings and how quickly they become worthless; "Notes on Thorns & Blood," a study of time and wounds; and "Notes on a Year of Corona," a loose sonnet crown about the early stages of the pandemic and the unrest after racist police violence. Despite its existential reverberations, Low is a celebration of desire in all its forms-the desire for home, the desire to be held, the desire for people to be kind to one another, the desire to understand where we are from and what we can do to make the best of that. But how do we create a home, these poems ask, in a world of satellites and atom bombs and algorithms, those things designed to dehumanize and reduce us? To get low is to reconnect with the earth, to engage with the emotional state of the planet, to remember that "the cure all along grows beside us." Flynn's collection is a prismatic, even prophetic, experience, with new complexity and ardor at every turn.

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When Nick Flynn was seven years old, his mother set fire to their house. The event loomed large in his imagination for years, but it’s only after having a child of his own that he understands why. He returns with his young daughter to the landscape of his youth, reflecting on how his feral childhood has him still in its reins, and forms his memories into lyrical bedtime stories populated by the both sinister and wounded Mister Mann. With the spare lyricism and dark irony of his classic, Another Bullshit Night in Suck City, Flynn excavates the terrain of his traumatic upbringing and his mother’s suicide. This Is the Night Our House Will Catch Fire unravels the story of the fire that Flynn had to escape, and the ways in which, as an adult, he has carried that fire with him until it threatens to burn down his own house. Here Nick confronts his failings with fierce candor, even as they threaten to tear his family apart. His marriage in crisis, Flynn seeks answers from his therapist, who tells him he has “the ethics of a drowning man.” This Is the Night Our House Will Catch Fire takes us on the journey of a man struggling to hold himself together in prose that is raw and moving, sharp-edged and wry. Alternating literary analysis and philosophy with intimate memoir, Flynn probes his deepest ethical dilemmas.

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Stay brings together nearly thirty years of work (poetry, memoir, essays, interviews, plays, film), in a mixed-media retrospective that shows nothing is created in isolation. Threads in the artist's life are presented alongside many of the artistic collaborations that have led to-or come out of-his own work, including a selection of images from an ongoing daily collage practice, which Flynn considers a type of meditation. Like Flynn's life, Stay is populated by examples of his collaborations with artists he has worked with since the 1980s: Amy Arbus, John Baldessari, Guy Barash, William Blake, Robert De Niro (performance), Marilyn Minter (photograph), Josh Neufeld (comic art), Catherine Opie (photograph), Sarah Sentilles (drone alert sutras), Bill Shuck (installation), Paul Weitz (film). A full color, hardcover edition, Stay is a wide-ranging and personal journey through the public and private spaces of an artist at the peak of his powers.

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Nick Flynn met his father when he was twenty-seven years old, working as a caseworker in a homeless shelter in Boston. As a teenager he'd received letters from this mystery father - self-proclaimed poet (and greatest American novelist since Mark Twain), descendant of the Romanov dynasty, alcoholic, and con-man doing time for bank robbery - but there had been no contact. Another Bullshit Night in Suck City (a phrase Flynn senior uses to describe his life on the streets) tells the story of the eerie trajectory that led Nick and his father into that homeless shelter, onto those streets, and finally to each other. With a raw authenticity, telling honesty and a dark but necessary humour, Nick Flynn's memoir breathes new life and vigour into the form. In passionate and playful prose Another Bullshit Night in Suck City illuminates the emotional and physical consequences of a relationship between father and son that exists, if at all, in a void.

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Award-winning poet Nick Flynn takes readers into the dangerous and irresistible center of the hive I sit in a body & think of a body, I picture Burnens' hands, my words make them move. I say, plunge them into the hive, & his hands go in. -- from Blind Huber Blindness does not deter Franc ois Huber-- the eighteenth-century beekeeper-- in his quest to learn about bees through their behavior. Through an odd, but productive arrangement, Huber's assistant Burnens becomes his eyes, his narrator as he goes about his work. In Nick Flynn's extraordinary new collection, Huber and Burnens speak and so do the bees. The strongest virgin waits silently to kill the other virgins; drones are made of waiting; the swarm attempts to protect the queen. It is a cruel existence. Everyone sacrifices for the sweet honey, except the human hand that harvests it all in a single afternoon. Blind Huber is about the body, love, and devotion and also about the limits of what can be known and what will forever be

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Guernica is an award-winning online magazine of ideas, art, poetry and fiction published twice monthly. The contributors come from dozens of countries and write in nearly as many languages. This annual collects the best of Guernica's published features, interviews, fiction and poetry of 2015.

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