Search results for ""author michael walsh""

China’s constitution explicitly refers to its sovereign domain as “sacred territory.” Why does an avowedly secular state make such a claim, and what does this suggest about the relations between religion and the nation-state? Focusing primarily on China, Stating the Sacred offers a novel approach to nation-state formation, arguing that its most critical element is how the state sacralizes the nation.Michael J. Walsh explores the religious and political dimensions of Chinese state ideology, making the case that the sacred is a constitutive part of modern China. He examines the structural connection among texts (constitutions, legal codes, national histories), ostensibly universal and normative categories (race, religion, citizenship, freedom, human rights), and territoriality (the integrity of sovereignty and control over resources and people), showing how they are bound together by the sacred. Considering a variety of what he refers to as theopolitical techniques, Walsh argues that nation-states undertake sacralization in order to legitimate the violence of establishing and expanding their sovereignty. Ultimately, territorialization is a form of sacralization, and the foundational role of the sacred makes all nation-states religious states. Stating the Sacred offers new ways of understanding China’s approach to legality, control of the populace, religious freedom, human rights, and the structuring of international relations, and it raises existential questions about the fundamental nature of the nation-state.

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After the Oates family moves to Newfoundland, a dark creature kidnaps Beth, the youngest child. To find her, Beth’s siblings Ben and Lynn venture into a mystical world called the Elphyne.The Oates family moves to their ancestral home in Newfoundland following a pair of tragedies.They arrive at their grandmother’s house, where they reunite with their orphaned cousin. Shortly after arriving, Beth, the youngest sibling, is kidnapped by a dark, monstrous creature. Her older siblings set out to find her and bring her back, finding themselves in the Elphyne—a magical world that exists between the ordinary world and the afterlife, where the imagination of children has the power to shape everything around them. The Oates, along with some new allies, must travel through the Elphyne to confront The Dark King, a mysterious being whose arrival has started to corrupt the Elphyne in frightening and unexpected ways. For Ages 10+

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An anthology of queer nature poetry spanning three centuries. This anthology amplifies and centers LGBTQIA+ voices and perspectives in a collection of contemporary nature poetry. Showcasing over two hundred queer writers from the nineteenth to the twenty-first century, Queer Nature offers a new context for and expands upon the canon of nature poetry while also offering new lenses through which to view queerness and the natural world. In the introduction, editor Michael Walsh writes that the anthology is “concerned with poems that speak to and about nature as the term is applied in everyday language to queer and trans bodies and identities . . . Queer Nature remains interested in elements, flora, fauna, habitats, homes, and natural forces—literary aspects of the work that allow queer and trans people to speak within their specific cultural and literary histories of the abnormal, the animal, the elemental, and the unnatural.” The anthology features poets including Elizabeth Bishop, Richard Blanco, Kay Ryan, Jericho Brown, Allen Ginsberg, Natalie Diaz, and June Jordan, as well as emerging voices such as Jari Bradley, Alicia Mountain, Eric Tran, and Jim Whiteside.

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Features poems about the world of a closeted young man and his surreal garden.

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This anthology presents a series of new and important studies on an artist whose work is re-emerging to take its rightful place among the established icons of English modernism in the first half of the twentieth century. It is both timely, and in keeping with current scholarly re-reading of the era in general, through recent publications, conferences, and several key exhibitions. Some of the essays present a "first history" of the artist and his work within the literary and sociocultural context of contemporary London, Paris, Milan, and New York. The remaining essays emphasize a re-evaluative positioning of C. R. W. Nevinson's work within a modernist framework in literature and art in the first half of the twentieth century in northwest Europe. The title of the anthology draws attention, via this diverse character and his work, to debates surrounding modernism in London prior to, during, and in the aftermath of the Great War, and to the dilemma that artists experienced in these transitory years. Michael Walsh is an Assistant Professor of Art History at the Eastern Mediterranean University in North Cyprus.

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Michael Walsh’s poetry collection Creep Love explores a family contending with a complex and ongoing crisis, the aftermath of which creates a shockwave that reverberates through these poems. Stories, half-truths, and lies combine into disturbing fable: A young pregnant woman flees her abusive boyfriend only to discover with terror that he is focused on her younger sister. When her younger sister later gives birth to her abusive ex’s other sons, the unsettling presence of the child’s father becomes unavoidable, and the family soon forces the first son to become a family secret. We come to find out that the father carries a secret of his own. As tensions rise, attacks within the family escalate and finally culminate in an attempted murder. In Creep Love, Walsh captures the terror of this event, and these poems take us through the surprising outcomes. Near death, rather than floating into light due to hypoxia—a temporary release from the grip of compounding trauma—the speaker sinks into all-encompassing darkness. The anxiety of this moment returns him to his body from the edge of death. These poems give witness to the fallout, demonstrating how love can be charged with something ultimately unknowable.

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Much more than a collection of essays by eminent writers, Against the Great Reset is intended to kick off the intellectual resistance to the sweeping restructuring of the western world by globalist elites.In June 2020, prominent business and political leaders gathered for the 50th annual meeting of the World Economic Forum in Davos, Switzerland, under the rubric of “The Great Reset.” In the words of WEF founder Klaus Schwab, the Great Reset is a “unique window of opportunity” afforded by the worldwide COVID-19 panic to build “a new social contract” ushering in a utopian era of economic, social, and environmental justice. But beneath their lofty and inspiring words, what are their actual plans? In this timely and necessary book, Michael Walsh has gathered trenchant critical perspectives on the Great Reset from eighteen eminent writers and journalists from around the world. Victor Davis Hanson places the WEF’s prescriptions and goals in historical context and shows how American politicians justify destructive policies. Michael Anton explains the socialist history of woke capitalism. James Poulos looks at how Big Tech acts as informal government censors. John Tierney lays out the lack of accountability for the unjustified panic over the virus. David Goldman confronts the WEF’s ideas for a fourth industrial revolution with China’s commitment to being the leader of a post-western world. And there are many more. These writers see the goal of the Great Reset as not just a world without racism, disease, economic inequality, or fossil fuels—but rather, a world with no individual autonomy and power in which our betters rig the system for their own purposes. Find out what the Great Resetters ultimately have in store for you, and join the intellectual resistance—before it’s too late. Featuring Essays by: Michael Anton Salvatore Babones Conrad Black Jeremy Black Angelo Codevilla Janice Fiamengo Richard Fernandez David P. Goldman Victor Davis Hanson Martin Hutchinson Roger Kimball Alberto Mingardi Douglas Murray James Poulos Harry Stein John Tierney Michael Walsh

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In 1271, with the papal throne vacant for over two years, local officials locked the cardinals of the Catholic Church in a room, forcing them to select a new pope. From this inauspicious beginning arose the practice of the conclave, the highly secretive combination of rituals and politics designed to select a new leader for the world's Catholic population. With Pope John Paul II ailing, the time for a new conclave draws nearer, and Rome is preparing for over 6,000 journalists and innumerable interested onlookers to descend on the Eternal City to witness the election of the next leader of the Catholic Church. In The Conclave, prominent Catholic historian Michael Walsh takes readers through the history of conclaves past, highlighting the vendettas, feuds, and political intrigues that have colored the selection of a new pontiff. An entertaining history of the secret deliberations, colorful stories, and even bloody events that surround the making and unmaking of popes, The Conclave is a great story, a great history, and an important work for anyone interested in the papacy.

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For more than 300 years commercial fishermen working in the outer Thames estuary have recovered Roman pottery in their oyster dredgers and fishing nets from the seabed in the vicinity of Pudding Pan. However, despite numerous attempts to locate the source of the material, this elusive site has remained undiscovered beneath the waves. This book assesses the recovered assemblage from Pudding Pan to determine the nature and location of the site. Almost 700 artefacts have been retrieved from this area to date, the majority of which are complete plain samian wares, one of the key indicators of the widespread cultural reception of Rome, which were undoubtedly transported throughout the Empire in huge quantities. The exhaustive research presented in this book convincingly argues that the material represents an unknown proportion of a cargo from a Roman trading ship en route from northern France to London that was deposited on the seabed between AD 175 and 195; it is not yet clear whether the deposit represents a shipwreck or a jettisoned cargo. Such a site is extremely rare throughout the Roman Empire, particularly so in northern Europe, and its discovery could play a crucial role in our understanding of Roman trade. The search for the site continues, but this publication offers the first detailed study of a seemingly predominantly samian cargo in British waters and contributes a new perspective on the organisation of trade and consumption in the Roman era.

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What are we willing to die for? Michael Walsh restores the dignity of lost concepts like honor, duty, sacrifice and patriotism for our unheroic age in Last Stands.

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China’s constitution explicitly refers to its sovereign domain as “sacred territory.” Why does an avowedly secular state make such a claim, and what does this suggest about the relations between religion and the nation-state? Focusing primarily on China, Stating the Sacred offers a novel approach to nation-state formation, arguing that its most critical element is how the state sacralizes the nation.Michael J. Walsh explores the religious and political dimensions of Chinese state ideology, making the case that the sacred is a constitutive part of modern China. He examines the structural connection among texts (constitutions, legal codes, national histories), ostensibly universal and normative categories (race, religion, citizenship, freedom, human rights), and territoriality (the integrity of sovereignty and control over resources and people), showing how they are bound together by the sacred. Considering a variety of what he refers to as theopolitical techniques, Walsh argues that nation-states undertake sacralization in order to legitimate the violence of establishing and expanding their sovereignty. Ultimately, territorialization is a form of sacralization, and the foundational role of the sacred makes all nation-states religious states. Stating the Sacred offers new ways of understanding China’s approach to legality, control of the populace, religious freedom, human rights, and the structuring of international relations, and it raises existential questions about the fundamental nature of the nation-state.

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To refer to the private life of Charles II is to abuse the adjective. His personal life was anything but private. His amorous liaisons were largely conducted in royal palaces surrounded by friends, courtiers and literally hundreds of servants and soldiers. Gossip radiated throughout the kingdom. Charles spent most of his wealth and his intellect on gaining and keeping the company of women, from the lowest sections of society such as the actress Nell Gwyn to the aristocratic Louise de Kerouaille. Some of Charles' women played their part in the affairs of state, colouring the way the nation was run. Don Jordan and Michael Walsh take us inside Charles' palace, where we will meet court favourites, amusing confidants, advisors jockeying for political power, mistresses past and present as well as key figures in his inner circle such as his 'pimpmasters' and his personal pox doctor. The astonishing private life of Charles II reveals much about the man he was and why he lived and ruled as he did. The King's Bed tells the compelling story of a king ruled by his passion.

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When Charles I was executed, his son Charles II made it his role to search out retribution, producing the biggest manhunt Britain had ever seen, one that would span Europe and America and would last for thirty years.Men who had once been among the most powerful figures in England ended up on the scaffold, on the run, or in fear of the assassin's bullet. History has painted the regicides and their supporters as fanatical Puritans, but among them were remarkable men, including John Milton and Oliver Cromwell. Don Jordan and Michael Walsh bring these remarkable figures and this astonishing story vividly to life an engrossing, bloody tale of plots, spies, betrayal, fear and ambition.

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