Search results for ""author michael j. seidlinger""

Hunter Warden just wants some peace and quiet. He wants to watch unboxing videos and be lulled to sleep by the monotone voices and smooth talking YouTube hosts. He wants his parents that are always working to either totally leave him alone or be around for once. After a few beers, Hunter decides to get away from it all and go for a run in Falter Kingdom. When you run the gauntlet at Falter Kingdom, a tunnel next to a park on the outskirts of suburbia where local high school kids go to drink and smoke, one of two things can happen -- nothing or you catch a demon. The cold spots, locked doors, scratches on the wall, and disappearing laptop immediately alert Hunter to the fact that a demon is haunting him. He knows the signs, he's seen the videos of people that are possessed, and everyone knows someone that has had to get an exorcism. Hunter knows that he should get rid of it, but he can't help but enjoy the company of "H," despite this demon's sinister intentions.

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What came first, the home or the desire to invade? A seasoned invader with multiple home invasions under their belt recounts their dark victories while offering tutelage to a new generation of ambitious home invaders eager to make their mark on the annals of criminal history. From initial canvasing to home entry, the reader is complicit in every strangling and shattered window. The fear is inescapable. Examining the sanctuary of the home and one of the horror genre's most frightening tropes, Anybody Home? points the camera lens onto the quiet suburbs and its unsuspecting abodes, any of which are potential stages for an invader ambitious enough to make it the scene of the next big crime sensation. Who knows? Their performance just might make it to the silver screen.

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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. When you are born, the first thing you do is scream. Be it a response to fear, anger, sadness, or happiness, the scream is a declaration of being alive. The metal vocalist cupping the microphone blares out a deafeningly harsh scream. The drill instructor screams out commands to their soldiers. And then there’s the bloodcurdling screams we know from horror films. A scream has many meanings, but it is an instinctive and reflexive action that, at its core, reveals raw emotion. Investigating popular and alternative cultures, art, and science, Michael J. Seidlinger tracks the resonance of the scream across media and literature and in his own voice. Object Lessons is published in partnership with an essay series in The Atlantic.

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