Search results for ""author martin millar""

'Undeniably brilliant' - Guardian 'The funniest writer in Britain today' - GQ 'A Hello Kitty-type brand dominating the global economy and bringing governments to heel feels chillingly plausible' Herald ScotlandMox and Mitsu are Supercute. They founded the global business Supercute Enterprises as teenagers, armed only with a phone, a collection of their favourite cuddly toys and a love of all things kawaii. Thanks to them, the Supercute aesthetic is now a way of life. In a world dominated by massive conglomerates, Supercute has continued to grow bigger and more powerful, morphing from an entertainment company to a ruthless organisation fighting for their right to the world's water.Now Mox and Mitsu face a choice. In a world that is tearing itself apart, who will win in the battle for ultimate control - and where will Supercute draw the line . . .Readers LOVE Martin Millar:'A bit like falling into Bladerunner via a manga cartoon. Like everything by Martin Millar it's both funny and sad.' Amazon review, verified purchase'One of the funniest books ever written' Amazon review, verified purchase'Oh my goodness, how I WISH it were real! Amazing, easy to read piece of fiction which will stay with me for a long time' Twitter user'Superb, hilarious, heartwarming, brilliant. A work of genius' Amazon review, verified purchase'I strongly recommend this book to anyone interested in Cyberpunk' Goodreads review'Sex, drugs and anarchy reign - definitely not your average fairy tale!' Amazon review, verified purchase'A very British strain of understated comedy . . . a finely honed sense of absurdist whims . . . delightful' Amazon review, verified purchase'As always, Millar aligns himself with life's eccentrics, misfits and innocents in the struggle against politicians, military leaders, financiers and other idiots' Amazon review, verified purchase'Had me laughing out loud on the tube' Amazon review, verified purchase'Five Star Fab! Buy it, borrow it, steal it - but DO read it' Twitter user

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'I owned it for five years before reading it, then lent my copy to someone I thought should read it, and never got it back. Do not make either of my mistakes. Read it now, and then make your friends buy their own copies. You'll thank me one day' Neil GaimanMorag and Heather, two eighteen-inch fairies with swords, green kilts and badly dyed hair fly through the window of the worst violinist in New York, an overweight and antisocial type named Dinnie, and vomit on his carpet. Who they are, how they came to New York and what this has to do with the lovely Kerry - who lives across the street, and has Crohn's Disease, and is making a flower alphabet - and what this has to do with the other fairies (of all nationalities) of New York, not to mention the poor repressed fairies of Britain, is the subject of this book. It has a war in it, and a most unusual production of Shakespeare's A Midsummer Night's Dream and Johnny Thunders' New York Dolls guitar solos. What more could anyone desire from a book?Why do readers love The Good Fairies of New York? 'Pure literary gold''I can't remember the last time a book gave me as many belly laughs as this one did' 'Hilarious' 'A fairy tale tale for the new kids on the block : irreverent, subversive, sexually liberated, rich in pop culture references''Page-turning . . . intelligent, but never overdone' 'Off-beat and quirky, but it's also a tale with a beating pulse and moral warmth. Martin Millar is an incredible addition to the paranormal scene - he dirties the genre, roughs it up and screams a story that rings in your ears long after the last page'

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A bold, witty and fresh adaptation of Jane Austen's novel which, while thoroughly modern, retains the spirit and much of the language of the original. It is night-time and an exhausted Jane Austen sleeps over the recently completed manuscript of her novel Emma. Her four nieces steal in and decide to act out the text and, after her initial anger on being wakened, Jane herself takes the role of Mr Knightley. The excitable teenage girls often try to take the story into their own realms of fantasy but are always brought back to the real text by Jane. This adaptation of Jane Austen's Emma, by Doon MacKichan and Martin Millar, was first performed at the Edinburgh Fringe Festival in August 1999, transferring to the Tricycle Theatre, London, in September.

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