Search results for ""author marie howe""

Informed by the death of a beloved brother, here are the stories of childhood, its thicket of sex and sorrow and joy, boys and girls growing into men and women, stories of a brother who in his dying could teach how to be most alive. What the Living Do reflects "a new form of confessional poetry, one shared to some degree by other women poets such as Sharon Olds and Jane Kenyon. Unlike the earlier confessional poetry of Plath, Lowell, Sexton et al., Howe's writing is not so much a moan or a shriek as a song. It is a genuinely feminine form . . . a poetry of intimacy, witness, honesty, and relation" (Boston Globe).

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Hurrying through errands, attending a dying mother, helping her own child down the playground slide, the speaker in these poems wonders: what is the difference between the self and the soul? The secular and the sacred? Where is the kingdom of heaven? And how does one live in Ordinary Time—during those apparently unmiraculous periods of everyday trouble and joy?

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Magdalene imagines the biblical figure of Mary Magdalene as a woman who embodies the spiritual and sensual, alive in a contemporary landscape—hailing a cab, raising a child, listening to news on the radio. Between facing the traumas of her past and navigating daily life, the narrator of Magdalene yearns for the guidance of her spiritual teacher, a Christ figure, whose death she continues to grieve. Erotic, spirited, and searching for meaning, she is a woman striving to be the subject of her own life, fully human and alive to the sacred in the mortal world.

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Selected by Marie Howe for the 2011 Kathryn A. Morton Prize, Easy Math is anxious and exuberant both. Lauren Shapiro’s poems are Aesop stood on end, wry fables that defy our instinct to find a moral to the story. Instead, she offers us a gimlet eye to the disappointments of the world, tall tale-telling by turns rickety, defiant, and brave. “There are an infinite number of ways to torture the soul with hopefulness” Shapiro says, so we settle for ways to survive—crooked grins, twisted logic, and equations of jello shots, amusement parks, and post-it notes that never add up. “Everyone has something to say / about love and impermanence and waste.” She says it better than most. "Shapiro specializes in snappy, poignant retorts to the problems of pop culture. Joan Rivers, Lindsay Lohan, and even the wily Jersey Shore crew inhabit her crackling new volume of poems, winner of the Kathryn A. Morton Prize in Poetry.... Shapiro guides readers into uncomfortable but evocative settings, from a surreal ESL classroom and plague-ridden Marseilles to a hotel workout room. Imagination does not just take flight here; it rides the airport shuttle bus and connects travelers from different continents." --Booklist "Lauren Shapiro can downshift from the sublime to the profane and back again in less than five seconds. Energy and joy create these metaphors, and if they are in discourse with postmodern malaise, they almost win the argument." —Marie Howe

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