Search results for ""author marguerite miller""

Among Rudolf Steiner's many initiatives that evoked visible, sustained impulses, there was one that did not develop as planned - his so-called 'endowment' of 1911. This was his attempt to create a 'Society for a Theosophical Art and Way of Life', that would work 'under the protectorate of Christian Rosenkreutz'. Rudolf Steiner envisaged a grouping of individuals who were '...deeply moved by a spiritual power like the one that lived earlier in Christianity'. Through the forming of such a Society, he sought to enable a true spiritual culture to arise on earth - a culture that would 'engender artists in every domain of life'. Virginia Sease's reflections - a century after Rudolf Steiner's attempt - place a special emphasis on three considerations. Firstly, that the Endowment impulse allows us to experience the art of 'interpreting' in the Rosicrucian way. Secondly, that the best initiative, even one undertaken by a great individuality, is doomed to failure if the participants are unable to overcome their personal ambitions. And finally, that we may live with the fact that, despite the passing of time, the seeds dormant in Rudolf Steiner's attempt still have the possibility to come to fruition in the future.

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Over the past decades there has been an upsurge of interest in 'the Camino', the pilgrim's route to Santiago de Compostela in northern Spain. But where does this fascination in the spiritual exploration of the Middle Ages come from, and what is its significance? Rudolf Steiner stated that people have a need to live not only with external history but also with the esoteric, hidden narrative that lies behind it. Now, at the beginning of the twenty-first century, it is increasingly necessary for us to live consciously with this veiled history of humanity's search for communion with the divine world. It is within this context that the Camino's historic importance is re-echoed in many souls today. Based on lifelong research and contemplation, Paths of the Christian Mysteries presents a survey of extraordinary breadth and depth, taking us from the cosmic origin of the Grail Mysteries to the supersensible Michael Cultus and the Being Anthroposophia. The intervening chapters present studies of the School of Athens, early Christian art and its Gnostic impulses, the Grail Initiation in northern Spain, the role of the Cathars and Troubadours in the Manichaean stream, the Camino to Santiago de Compostela and the esoteric aspect of music for the pilgrims, the Music of the Spheres and the Elders of the Apocalypse, the Templars as emissaries of the Holy Grail, the initiations of Christian Rosenkreutz and his relation to anthroposophical art, and the early Rosicrucian impulses in America and Europe.

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