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Completely revised and updated from recently discovered archive material, Lewis Foreman's classic biography is the essential handbook to Bax and his contemporaries. Lewis Foreman's classic biography of the composer Arnold Bax (1883-1953) was first published in 1983. Documenting the life and times of a remarkable figure whose life touched a wide circle in England and Ireland, it was notable for having many of Bax's friends and contemporaries as sources, most of whom have since died. It also informed the remarkable revival of Bax's music and reputation which has taken place over the last twenty years. Now completely revised in the light of much new material including the huge archive of the pianist Harriet Cohen, Bax's mistress, which has only just become available for research, it is a notable portrait of a unique musical milieu. Bax's extensive musical output is now comprehensively recorded and widely known and here all the music is discussed from first hand acquaintance with all the revivals and recordings. This is the essential handbook to Bax and his period. LEWIS FOREMAN is a freelance author and advisor to record companies.

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The essential companion to musical London This compact and convenient guide to music in London features the sites where music has flourished and where leading musicians have lived or performed in the city—from Handel’s house to Berlioz’s rooms, from cathedrals and churches to recording studios and concert halls. It provides historical information on auditoriums and opera houses, theatres, conservatories, museums, libraries, galleries, graves, memorials and statues, orchestras, music publishers, auction houses, and places of musical interest in the greater London area. The book includes biographical accounts of some 125 composers and musicians who inhabited or visited London. The book offers interesting musical walks, a historical overview, and the most thorough account yet published of musical compositions evoking London. Boxes within the text present information on such topics as the music Wagner conducted in London in 1855, the organists and choirmasters of the cathedrals, and Gershwin’s recording sessions. With maps, bibliography, web addresses, information on transport and access, and an extensive index, this unique compilation is enhanced with many striking illustrations.

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Published to coincide with the 50th anniversary of his death, this book presents new articles by leading authorities on John Ireland and his music, together with transcriptions of his broadcast talks and of interviews with the composer. John Ireland [1879-1962] was one of the most distinctive and distinguished of a generation of exceptional British composers that included Vaughan Williams, Gustav Holst, Frank Bridge and Arnold Bax. They emerged in the decade before the First World War and, in the inter-war years, produced a remarkable body of music. In Ireland's case his was not only the most popular British Piano Concerto of its time, but he also composed a splendid repertoire of songs,piano music, chamber music and orchestral and choral scores. This richly illustrated Companion will be essential for all admirers of the composer. Not only for the performer - pianist, singer, conductor - but for thewider musical public, record collectors and music historians, academics and anyone interested in British music of the earlier twentieth century. Lewis Foreman has drawn on his extensive research into Ireland's life and letters over many years, and, in association with the John Ireland Charitable Trust, has not only commissioned a wide range of chapters from leading performers and writers of today, but has brought together in one convenient format Ireland's own writings on music, the memories of his friends and students (including Britten, Moeran and Arnell) and a selection of important earlier articles. The Companion also includes a complete list of works and themost comprehensive discography of Ireland ever compiled. The accompanying CD contains historical recordings featuring the voice of John Ireland, with two of his broadcast talks, as well as otherwise unobtainable performances of Ireland's music from the composer himself and from other well-known performers of the past. LEWIS FOREMAN is author of Bax: A Composer and His Time [Boydell, 2007] and London: a Musical Gazetteer [Yale 2005]. Contributors: FELIX APRAHAMIAN, RICHARD ARNELL, BENJAMIN BRITTEN, JOCELYN BROOKE, ALAN BUSH, GEOFFREY BUSH, GEORGE DANNATT, JULIE DELLER, JEREMY DIBBLE, EDWIN EVANS, LEWIS FOREMAN, NORAH KIRBY, FREDERICK LAMOND, PHILIP LANCASTER, STEPHEN LE PROVOST, STEPHEN LLOYD, CHARLES MARKES, ROBERT MATTHEW-WALKER, E.J. MOERAN, ANGUS MORRISON, ERIC PARKIN, BRUCE PHILLIPS, C. B. REES, FIONA RICHARDS, ALAN ROWLANDS, R. MURRAY SCHAFER, MARION SCOTT, COLIN SCOTT-SUTHERLAND, HUMPHREY SEARLE, FREDA SWAIN, KENNETH THOMPSON, RODERICK WILLIAMS, KENNETH A. WRIGHT

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This Companion provides a comprehensive analysis and appraisal of all of Scott's available (published and unpublished) music and a broad picture of his entire output in literary, dramatic and philosophical genres. Cyril Scott (1879-1970) was an English composer, writer and poet. He was a prolific composer-pianist writing over 400 works including four symphonies, three operas and concerti for piano, violin, cello, oboe and harpsichord. Oftenperforming his own compositions he became a pioneer of British piano music, and his music was admired by composers as diverse as Debussy, Strauss, Stravinsky and Percy Grainger, the last a lifelong friend. A true polymath, Scottwas also the author of forty-one books, including two autobiographies and one unpublished memoir, on subjects ranging from music, alternative medicine and humour to occultism, theosophy and Christianity. In addition, he wrote poems and plays and painted watercolours. This Companion explores the life and work of this remarkably creative man. It provides a comprehensive analysis and appraisal of all the available music and includes a complete catalogue of his musical works, along with a discography. Several works completely unknown to the musical world, both music and literary (such as the memoir 'Near the End of Life'), are here newly catalogued and discussed. Altogether, thevolume gives a broad picture of Scott's entire output in literary, dramatic and philosophical genres. LEWIS FOREMAN has published many books and articles on music. His Boydell titles include Bax: A Composer and hisTimes (2007), The John Ireland Companion (2011) and with Susan Foreman Felix Aprahamian (2015). DESMOND SCOTT is the son of Cyril Scott. He was an actor, theatre director and TV writer. He is also a sculptor and past-President of the Sculptors Society of Canada. He has contributed to The New Percy Grainger Companion (Boydell Press, 2010) and has published articles in musical journals on Cyril Scott. LESLIE DE'ATH isProfessor, Faculty of Music, Wilfrid Laurier University, Waterloo, Canada. He is Associate Editor of the Journal of Singing, a pianist, conductor and opera director. He has recorded Scott's complete solo piano music for Dutton. Contributors: PETER ATKINSON, MARTYN BRABBINS, LESLIE DE'ATH, PETER DICKINSON, LEWIS FOREMAN, KATHERINE HUDSON, VALERIE LANGFIELD , KURT LELAND, STEPHEN LLOYD, STEVEN MARTIN, ROHINTEN DADDY MAZDA, RICHARD PRICE, EDMUND RUBBRA, DESMOND SCOTT, MARTIN YATES

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