Search results for ""author laurie simmons""

This surreally lyrical, sexually charged book collects Jimmy DeSana’s earlier work, made from 1980 to 1983. For his series Suburban, DeSana staged photos of nude subjects in various evocative poses, entwined with everyday objects and lit with gel-covered tungsten lights. Rather than constructing a space, the “suburban” was a place of examining stereotypes and norms. Of this series, DeSana told Laurie Simmons, his contemporary and longtime roommate, “I don’t really think of that work as erotic. I think of the body almost as an object. I attempted to use the body but without the eroticism that some photographers use frequently. I think I de-eroticized a lot of it. Particularly in that period, but that is the way the suburbs are in a sense.” Interest in DeSana is at a renewed high: Salon 94 represents his estate and mounted a well-received exhibition in 2012, and art and photography from the early 1980s is enjoying a renaissance across all media. There is a special interest now in queer artists and the legacy of a generation destroyed by AIDS, with regard to contemporary photography and queer culture and Jimmy DeSana: Suburban is an essential contribution to this evolving canon.

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Throughout her career, photographer Laurie Simmons (1949) has staged scenes with dolls, dummies and occasionally people for her camera. In the fall of 2009, Simmons opened a new chapter to her work and ordered a customized, high-end “Love Doll” from Japan. The surrogate sex partner arrived in a crate, clothed in a transparent slip and accompanied by a separate box containing an engagement ring and genitalia. Simmons documented her photographic relationship with this human scale “girl,” depicting the lifelike, latex doll in an ongoing series of “actions”--each shown and titled chronologically from the day Simmons received the doll up to the present, describing the relationship she developed with her model. The first days of somewhat formal and shy poses give way to an ever-increasing familiarity and comfort level as time passes. A second doll arrived one year later. This new character, and the interaction between the two, reveal yet another dynamic in composition, both formal and psychological. In search of a stage for her Love Doll, Simmons turned to her own home, transforming it into an artfully staged, color coordinated, oversized dollhouse. A tale of disquieting adult fantasy, desire and regret, The Love Doll accompanies the complete photographic series with the artist’s diary entries and is printed on a special paper to evoke the touch of a Love Doll’s skin.

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