Search results for ""author katy derbyshire""

A big, ambitious, over-the-top masterpiece that was hailed an immediate classic upon first publication in German. Set in the East Friesia region of Germany in the mid-1970s, Against the World tells the story of Daniel Kuper, the nominal heir to a drugstore dynasty, and his struggle to free himself from the petty suspicions and violence of small-town life. A delicate, secretive boy with too much imagination and too few opportunities, he becomes the target of outrage and fear when strange phenomena convulse the town: snowfall in summer, inexplicable corn circles, a boy dead under the wheels of a train, swastikas crudely daubed on walls. Fingers point and they single out Kuper. The more he tries to prove his innocence, the more fierce the accusations are until his only option is open war against the village and its inhabitants. An unforgettable debut, Against the World is an epic account of growing up an outsider, and the pain, violence, and betrayal that accompany exclusion.

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Longlisted for the 2019 Portico Prize The extraordinary life of history's first modern lesbian who inspired the popular television series Gentleman Jack. Anne Lister's journals were so shocking that the first person to crack their secret code hid them behind a fake panel in his ancestral home. Anne Lister was a Regency landowner, an intrepid world traveller ... and an unabashed lover of other women. In this bold new biography, prizewinning author Angela Steidele uses the diaries to create a portrait of Anne Lister as we've never seen her before: a woman in some ways very much of her time and in others far ahead of it. Anne Lister recorded everything from the most intimate details of her numerous liaisons through to her plans to make her fortune by exploiting the coal seams under her family estate in Halifax and her reaction to the Peterloo massacre. She conducted a love life of labyrinthine complexity, all while searching for a girlfriend who could provide her with both financial security and true love. Anne Lister's rich and unconventional life is now the subject of the major BBC TV drama series Gentleman Jack.

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A fire broke out in the coal seams of their town years ago, and the flames are still smoldering underground. Margaret and Fritzi, the two sisters who are the heroines of Invitation to the Bold of Heart, the debut novel by Swiss writers Dorothee Elmiger, are the last remaining youth of this vanishing town. Their inheritance is nothing but an abandoned swathe of land ruled by devastation. But the sisters won’t accept this state of affairs—they set out on an expedition, determined to piece together the fragments of their family history. Only by learning their own story can they look to the future with hope. When they rediscover a long-forgotten river, Margaret and Fritzi can sense a new life ahead. Invitation to the Bold of Heart is a startling dystopian tale of hope and exploration and a testament to the timeless need of youth to rebel against authority. Praise for the German Edition “The reader, too, gets to be at the mercy of this text—I myself turned into an echo chamber when I read it.”— Hildegard Elisabeth Keller, author of My Secret Is Mine: Studies on Religion and Eros in the German Middle Ages

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Some of the most beautiful, era-defining music has been co-composed by Karl Bartos. 'The Robots', 'Computer Love', 'Neon Lights', 'Tour De France' and Kraftwerk's 1982 number one single 'The Model' all contain his deft musical touch. For the first time, in The Sound of the Machine, Bartos speaks candidly and with wit and humour about his life in Kraftwerk, a band widely acknowledged as being one of the most important in modern music. In The Sound of the Machine, Karl vividly recalls what it was like to be in the Kling Klang studios during recording, describing the process and perfectly capturing the joy and passion of three people composing and recording. Now, with a successful solo career of 30 years, Karl Bartos recalls his post-war childhood, the amazement he felt on first hearing The Beatles, his first bands, his parallel career as a musician and teacher, his years with Kraftwerk, and his hopes and fears for today's musical culture.

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Close to death, an old man collapses and struggles to his bed. The sounds of the endless night unsettle him, triggering images, questions, and memories. In What Darkness Was, Inka Parei, author of The Shadow-Boxing Woman, allows the reader to inhabit a singular German mind. Precise and observant—but uncomprehending and on the brink of hysteria—the old man wracks his brain as the questions flow like water: why did he inherit the building he now lives in? Why did he leave the city that was his home for so long? Is he even here voluntarily? And who was that suspicious stranger on the stairs? Lying in bed, the old man is aware that these questions may be the last puzzles he ever solves.Combining tight prose with a compulsive delight in detail, Parei’s second novel in English presents a dynamic portrait of the West German soul from World War II through the German Autumn of 1977.

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Eight essays on literature, language, art, Europe and life from one of Germany's most revered living writers. After a visit to Putin's old postbox, the reader is taken to Dresden and Brixton, Gdansk and Minsk, diverted to birds, bees, stray cats and pet dogs, confronted with Stasi and KGB, Proust and Jah Shaka, puzzled by overcoats and anoraks, Francis Bacon and Vermeer, and lost (then found) in service stations and memorial centres. Throughout, Marcel Beyer forges unexpected links and makes unpredictable leaps. "I work from the margins, partly very literally as I build my sentences, for instance when I start with the name of a colour rather than a noun, to explore how the sentence might be steered from there to a subject. In my reading, I am drawn to the outliers or, as malicious claims would have it, to the obscure. Central books: that is, those everyone can agree on, have never much interested me. I am rarely tempted to explore the centre of my world in writing, and even if I did want to encroach upon a centre, I would have to choose a path from the outside. But outside, too, one advances to the heart of things." Inspired by the great W. G. Sebald, Beyer's playful literary investigations wend through the high points and horrors of Europe's artistic history, towards a profoundly personal conclusion. "Reading Beyer, you begin to look more closely at the things around you and to be more patient in trusting your own associations and digressions." Literarische Welt; "In the geographical movement eastwards, the decades after 1989 take shape in a wealth of acoustic, visual and atmospheric perceptions: fonts, posters, buildings, modes of transport are witnesses as important as the people themselves." Suddeutsche Zeitung; "Beyer traces similarities, adjacencies, succeeding over and over in interrelating ostensibly disparate themes and objects, words and images." Deutschlandfunk; "Marcel Beyer is a wonderfully clear- sighted storyteller. His writing is breezy and intelligent and always carries its double and deeper meaning with it." Bayern 2 Radio

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A man bets all he has on a horserace to pay for an expensive operation for his dog. A young refugee wants to box her way straight off the boat to the top of the sport. Old friends talk all night after meeting up by chance. She imagines their future together...Stories about people who have lost out in life and in love, and about their hopes for one really big win, the chance to make something of their lives. In silent apartments, desolate warehouses, prisons and down by the river, Meyer strikes the tone of our harsh times, and finds the grace notes, the bright lights shining in the dark.

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Rico, Mark, Paul and Daniel were 13 when the Berlin Wall fell in autumn 1989. Growing up in Leipzig at the time of reunification, they dream of a better life somewhere beyond the brewery quarter. Every night they roam the streets, partying, rioting, running away from their fears, their parents and the future, fighting to exist, killing time. They drink, steal cars, feel wrecked, play it cool, longing for real love and true freedom. Startlingly raw and deeply moving, While We Were Dreaming is the extraordinary debut novel by one of Germany’s most ambitious writers, full of passion, hope and despair.

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A poignant story of three young adults trying to make a future for themselves in war-torn Damascus Syria - a country at war. Amal, Hammoudi and Youssef are young and ambitious, the face of modern Syria. But when civil war tears through their homeland, they are left with a horrifying choice: risk death by staying in the country they love, or flee in search of a new life elsewhere? From one of Germany's most talented literary voices comes this intricately woven story of brutality, loss, and how hope can shine through when darkness feels overwhelming.

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Now in paperback, a biography of the German scientist who came up with the idea of continental drift, telling of how he ended up journeying to Greenland in the winter of 1930—and died there. How, in 1930, did Alfred Wegener, the son of a minister from Berlin, find himself in the most isolated spot on earth, attempting to survive an unthinkably cold winter in the middle of Greenland? In All the Land, Jo Lendle sets out to chronicle Wegener’s extraordinary journey from his childhood in Germany to the most unforgiving corner of the planet. As Lendle shows, Wegener’s life was anything but ordinary. Surrounded by children at the orphanage his parents ran, Wegener was driven by his scientific spirit in search not only of answers to big questions but of solitude. Though Wegener’s life ended in tragedy during his long winter in Greenland, he left us with a scientific legacy: the theory of continental drift, mocked by his peers and only recognized decades after his death. Lendle gives us the story of this great adventurer, of the experiences that shaped him, resulting in a tale that is both thrilling and tender.

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During a 1960 interview, East German writer Christa Wolf was asked a curious question: would she describe in detail what she did on September 27th? Fascinated by considering the significance of a single day over many years, Wolf began keeping a detailed diary of September 27th, a practice which she carried on for more than fifty years until her death in 2011. The first volume of these notes covered 1960 through 2000 was published to great acclaim more than a decade ago. Now translator Katy Derbyshire is bringing the September 27th collection up to date with One Day a Year a collection of Wolf's notes from the last decade of her life. The book is both a personal record and a unique document of our times. With her characteristic precision and transparency, Wolf examines the interplay of the private, subjective, and major contemporary historical events. She writes about Germany after 9/11, about her work on her last great book City of Angels, and also about her exhausting confrontation with old age. One Day a Year is a compelling and personal glimpse into the life of one of the world's greatest writers.

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A fragmentary work that stands as a testament to Wolf's skill as a thinker, storyteller, and memorializer of humanity’s greatest struggles. Christa Wolf tried for years to find a way to write about her childhood in Nazi Germany. In her 1976 book Patterns of Childhood, she explained why it was so difficult: “Gradually, over a period of months, the dilemma has emerged: to remain speechless or to live in the third person, these seem to be the options. One is impossible, the other sinister.” During 1971 and 1972 she made thirty-three attempts to start the novel, abandoning each manuscript only pages in. Eulogy for the Living, written over the course of four weeks, is the longest of those fragments. In its pages, Wolf recalls with crystalline precision the everyday details of her life as a middle-class grocer’s daughter, and the struggles within the family—struggles common to most families, but exacerbated by the rise of Nazism. And as Nazism fell, the Wolfs fled west, trying to stay ahead of the rampaging Red Army.

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"...particularly peculiar, breath-taking and worth telling." Alexander Solloch, NDR Kultur. Francis Nenik's thrilling slice of narrative non-fiction is about the life of the forgotten writer Hasso Grabner, told with great joy in language and love of absurdity. The journey takes us from the Young Communists in 1920s Leipzig to wartime Crete, with Grabner falling from steelworks director to a vilified author banned from publishing his work in the GDR.

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"Sandra Hoffmann is one of Germany's most exciting contemporary writers. [...] An incredibly dense, finely woven text that immediately grabs you and pulls you mercilessly in." Brigitte Woman. Sandra Hoffmann's "Paula" is a moving piece of autofiction about the writer's relationship to her grandmother, a devout Swabian Catholic who refused to reveal who fathered her child in 1946. Growing up in a family where silence reigns, Hoffmann asks: What kind of person, what kind of writer, does this environment produce?

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A poignant story of three young adults trying to make a future for themselves in war-torn Damascus Syria - a country at war. Amal, Hammoudi and Youssef are young and ambitious, the face of modern Syria. But when civil war tears through their homeland, they are left with a horrifying choice: risk death by staying in the country they love, or flee in search of a new life elsewhere? From one of Germany's most talented literary voices comes this intricately woven story of brutality, loss, and how hope can shine through when darkness feels overwhelming.

Read more less

During a 1960 interview, East German writer Christa Wolf was asked a curious question: would she describe in detail what she did on September 27th? Fascinated by considering the significance of a single day over many years, Wolf began keeping a detailed diary of September 27th, a practice which she carried on for more than fifty years until her death in 2011. The first volume of these notes covered 1960 through 2000 was published to great acclaim more than a decade ago. Now translator Katy Derbyshire is bringing the September 27th collection up to date with One Day a Year—a collection of Wolf’s notes from the last decade of her life. The book is both a personal record and a unique document of our times. With her characteristic precision and transparency, Wolf examines the interplay of the private, subjective, and major contemporary historical events. She writes about Germany after 9/11, about her work on her last great book City of Angels, and also about her exhausting confrontation with old age. One Day a Year is a compelling and personal glimpse into the life of one of the world’s greatest writers.

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Christa Wolf was arguably the best-known and most influential writer in the former East Germany. Having grown up during the Nazi regime, she and her family were forced to flee their home like many others, nearly starving to death in the process. Her earliest novels were controversial because they contained veiled criticisms of the Communist regime which landed her on government watch lists. Her past continued to permeate her work and her life, as she said, “You can only fight sorrow when you look it in the eye.” August is Christa Wolf’s last piece of fiction, written in a single sitting as an anniversary gift to her husband. In it, she revisits her stay at a tuberculosis hospital in the winter of 1946, a real life event that was the inspiration for the closing scenes of her 1976 novel Patterns of Childhood. This time, however, her fictional perspective is very different. The story unfolds through the eyes of August, a young patient who has lost both his parents to the war. He adores an older girl, Lilo, a rebellious teenager who controls the wards. Sixty years later, August reflects on his life and the things that she taught him. Written in taut, affectionate prose, August offers a new entry into Christa Wolf’s work and, incidentally, her first and only male protagonist. More than a literary artifact, this new novel is a perfectly constructed story of a quiet life well lived. For both August and Christa Wolf, the past never dies.

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Madgermanes is what the Mozambican workers once contracted out to East Germany are called today. At the end of the 1970s, some 20,000 of them were sent from the People's Republic of Mozambique to the GDR to labour for their socialist sister country. After the Berlin Wall fell, almost all of them lost their residency status. Decades later, they are still waiting for most of their wages to be paid. Birgit Weyhe depicts their search for belonging and a place to call home, caught between two cultures and two states that no longer exist. Based on extensive interviews, she creates three fictitious narrators and transforms their stories into a visual language that skilfully interweaves African and European narrative traditions. "Birgit Weyhe traces emotions and situations, translating them into overwhelming images by entering into an artistic dialogue between European and African culture." Max and Moritz Prize; "This book is a great document and a monument to the injustice that befell me and other contract workers in East Germany." Emiliano Chaimite

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"You'll live out your lives in a foreign country," Gul is warned. But the whole world is foreign when you're far from your loved ones. The train ride to Germany ushers in the days of long-awaited letters, night-time telephone calls and blissful summers back home. The years of hard work will flow like water before her house in Turkey is built and she can return. Until then, there will be fireworks, young love, and the cassette tapes of the summer played on repeat. In these years, Gul will learn all kinds of longing: for her two daughters, for her father the blacksmith, for scents and colours and fruit. Yet imperceptibly, Factory Lane in this cold, incomprehensible country becomes a different kind of home. A novel about how home is found in many places and yet still eludes us. "A modern-day fairy tale." NDR "An absolutely recommended novel that quietly stimulates the reader's thoughts and portrays the hard work behind seeing a new country as home." migazin "A unique novel about the losses, sacrifices and determination of generations of migrant women; as important as it is moving." Preti Taneja

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Rage and obstinacy are close relatives--and fundamental categories in the work of both Georg Baselitz and Alexander Kluge. In World-Changing Rage, these two accomplished German creators explore links and fractures between two cultures through two media: ink and watercolour on paper, and the written word. The long history of humankind is also a history of rage, fury, wrath. In this book, Baselitz and Kluge explore the dynamism of rage and its potential to rapidly grow and erupt into blazing protests, revolution, and war. The authors also reflect the melancholy archetype of the Western hero (and his deconstruction) against the very different heroic ethos of the Japanese antipodes. More powerful than rage, they argue, is wit, as displayed in the work of Japanese master painter Katsushika Hokusai. In this volume, Baselitz repeatedly draws an image of Hokusai, depicting him with an outstretched finger, as if pointing towards Europe in a mixture of rage, wrath, irony and laughter, all-too-fleetingly evident in his expression. A unique collaboration between two of the world's leading intellectuals, World-Changing Rage will leave every reader with a deeper appreciation of the human condition.

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"There are three ways to face life: put up with it, fight or flee." After eight years in Turkey, Gul leaves her native Anatolia and returns to Germany. Reunited with her husband Fuat, she observes life there from the margins. As age gives her ever deeper insight, she sees society change rapidly, and yet her ability to connect to the people around her remains constant. Gul's life is shaped by the melancholy of separation, but with her warm-hearted and accepting outlook she has learned to endure homesickness and longing. Full of emotions and poetry but told without sentimentality, Selim OEzdogan's account of Gul's journey is a tender and moving novel about home, cultural identity and a life between two worlds. "Selim Oezdogan's latest novel is an affectionate testament to a whole generation of women who are often overlooked. Gul has many names and many faces." Steffen Radlmaier, Nurnberger Nachrichten "A luminous conclusion to a trilogy that has no equal in any language. Through the story of one woman who insists, against the odds, on meeting the world with an open heart, it brings grace and dignity to the many unsung millions whose lives have followed the same zigzagging paths between Turkey and Germany over three generations." Maureen Freely, author of Sailing Through Byzantium and translator of Orhan Pamuk

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Told with great affection for his characters, Selim Özdoğan’s trilogy traces out the life of Gül, a Turkish girl who grows up in rural 1950s Anatolia and then moves to Germany as a migrant worker. Book one details her initially idyllic childhood, ruptured by her mother’s early death. Ever close to her loving father, Gül grows into a warm-hearted, hard-working young woman. The Blacksmith’s Daughter is a novel full of carefree summers and hard winters, old wives’ tales and young people’s ambitions – the melancholy beauty and pain of an ordinary life. ‘Reading it was like falling in love. If everyone read this book, the world would be a better place – more considerate, more liveable, more tolerant.’ 
Fatih Akın, director of The Edge of Heaven; ‘The book’s muted poetry all the way to its quiet ending warms the soul like later summer wind gently stroking through hair.’ Sächsische Zeitung; ‘The novel enchants its readers with the sincerity and love with which it assesses the weight of the simple things in life.’ Fachdienst Germanistik; ‘A mature, light, wise book.’ Kreuzer magazine

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Christa Wolf tried for years to find a way to write about her childhood in Nazi Germany. In her 1976 book Patterns of Childhood, she explained why it was so difficult: "Gradually, over a period of months, the dilemma has emerged: to remain speechless or to live in the third person, these seem to be the options. One is impossible, the other sinister." During 1971 and 1972 she made thirty-three attempts to start the novel, abandoning each manuscript only pages in. Eulogy for the Living, written over the course of four weeks, is the longest of those fragments. In its pages, Wolf recalls with crystalline precision the everyday details of her life as a middle-class grocer's daughter, and the struggles within the family--struggles common to most families, but exacerbated by the rise of Nazism. And as Nazism fell, the Wolfs fled west, trying to stay ahead of the rampaging Red Army. Though Wolf abandoned this account, it stands, in fragmentary form, as a testament to her skill as a thinker, storyteller, and memorializer of humanity's greatest struggles.

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