Search results for ""author juan goytisolo""

Juan Goytisolo, con su pasión y maestría literaria características, abre en canal la sociedad del Estambul otomano, desde los sultanes hasta los jenízaros, apegada tenazmente a las tradiciones, igualitaria y móvil, y nos da a conocer las creencias, las tradiciones, las costumbres, en suma, la forma de vivir y de morir de las gentes que conformaron, desde su profundo apego a la naturaleza hasta sus rituales de tránsito, desde el hammam hasta el mazarlik, pasando por el Gran Bazar y los caravanserrallos. Asistimos, pues, a la exaltación y reivindicación de una sociedad mucho más libre de lo que se nos ha hecho creer, y sin cuya volubilidad cultural y artística sería imposible entender la literatura y artes occidentales.

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PREMIO MIGUEL DE CERVANTES DE LAS LETRAS 2014Publicado en 1985, ?Coto vedado? es, junto con su continuación ??En los reinos de taifa??, uno de los mejores textos que ha dado el género autobiográfico en España. A lo largo de sus páginas, Juan Goytisolo se entrega a un discurso en el que acontecimiento y vivencia se amoldan a la perfección, dando la medida exacta del itinerario de la evolución vital, el tono justo de un paisaje en el que espíritu y acción se complementan. Escrito con rigor transparente, este texto memorialístico constituye, en suma, aparte del valioso testimonio y evaluación de una época marcada por la Guerra Civil y la dictadura, una lúcida reflexión acerca de la existencia.

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PREMIO MIGUEL DE CERVANTES DE LAS LETRAS 2014Vinculada a ?Señas de identidad? tanto por lo que tiene de continuación de un proyecto literario y de exploración personal como por lo de ruptura con aquélla supone, ?Don Julián? ?publicada por primera vez en 1970 como ?Reivindicación del conde don Julián?? es una pieza clave en la obra de Juan Goytisolo. Centrada significativamente en torno a la mítica figura del conde godo que abrió la puerta de la Península a los árabes, la novela es a la vez instrumento y testimonio literario de una valiente toma de postura, de una ruptura con las referencias y mitos creadores de la propia experiencia orientada a clausurar una vía y emprender un nuevo camino tanto en el ámbito intelectual como en el de la creación.

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Juan Goytisolo's radical revision of his masterpiece Juan the Landless is the starting-point for this new translation by renowned translator Peter Bush. The new text focuses on Goytisolo's surreal exploration and rejection of his own roots, Catholic Spain's repression of Muslims, Jews and gays, his ancestors' exploitation of Cuban slaves and his own forging of a language at once poetic, politic and ironic that celebrates the erotic act of writing and and the anarchic joy of being the ultimate outsider. In Juan the Landless the greatest living novelist from Spain defiantly re-invents tradition and the world as a man without a home, without a country, in praise of pariahs.

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Voted one of the Top 25 Books of 1999 by the Village Voice. As a poet, translator, critic, and scholar, Ammiel Alcalay has written for The New York Times, The Village Voice, The New Republic, and Middle east Report, as well as for such literary journals as Grand Street, Conjunctions, and Paper Air. In Memories of Our Future, the unique intellectual and political path forged by Alcalay over the past fifteen years has now been collected in one volume. In a mix of personal narrative, political commentary, and literary criticism, Alcalay surveys diverse subjects, among them Mediterranean culture, Arabic literature, the destruction of Carthage, the Israeli/Palestinian conflict, and the war in Bosnia. "In the truest sense, the essays in Memories of Our Future bear witness to events and ideas that shape the world. Poet, translator, scholar, Ammiel Alcalay brings to any subject an acute sensitivity to writing and a sophisticated understanding of the way politics works to produce and maintain literature. Whether thinking about diaspora, memory, modernism, sacred texts, or Juan Goytisolo, he attends to voices that are excluded or silenced. Ammiel Alcalay is a unique and important figure in contemporary world literature." --Lynne Tillman, author of No Lease On Life "Few contemporary intellectuals can boast of as diverse a range of skills and talents as Ammiel Alcalay. His work is cosmopolitan in the best sense: in an epoch of superficial globalism his approach to the cultures he deals with is always rigorous, always meticulously respectful of particularities and differences. Unlike many contemporary literary theoreticians, he is also profoundly alive to the social and political realities that shape cultural production. There is no one better qualified to explore the meaning of today's 'culture wars', locally and globally." --Amitav Ghosh, author of The Glass Palace "An outstanding anthology of essays surveying the complexities of Mediterranean cultures; the diverse, changing space of the Balkans, Middle East, and North Africa--areas of diasporas, dislocations, and genocidal exterminations provoked by nationalism and religious fanaticism. Of special interest are his observations and analysis of the Israeli/Palestinian confrontation, Arab/Jewish poetics, and Jewish identity in America." --Midwest Book Review Ammiel Alcalay is poet, translator, critic, and scholar who teaches at Queens College and the CUNY Graduate Center. He is the author of, among other books, After Jews and Arabs (1993); The Cairo Notebooks (1993); Memories of Our Future (1999); From the Warring Factions (2002); Scrapmetal (2007), and A Little History (2010). He was one of the initiators of the Poetry Is News Coalition, and helped to organize the Olson Now project. He launched Lost & Found: The CUNY Poetics Document Initiative, a publishing venture whose mission is to retrieve and make available key texts falling widely under the rubric of the New American Poetry.

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In "Exiled from Almost Everywhere," Juan Goytisolo's perverse mutant protagonist--the Parisian "Monster of Le Sentier"--is blown up by an extremist bomber and finds himself in the cyberspace of the Thereafter with an infinite collection of computer monitors. His curiosity piqued, he uses the screens at hand to explore the multiple ways war and terrorism are hyped in the Hereafter of his old life where he once happily cruised bathrooms and accosted children. Ricocheting from life to death and back again, meeting various colorful demagogues along the way--the imam "Alice," a pedophile Monsignor, and a Rastafarian rabbi--our "Monster" revisits seedy democracies that are a welter of shopping-cities and righteous violence voted in by an eternally duped citizenry and defended by the infamous erogenous bomb. At once fantastical and cruelly real, "Exiled from Almost Everywhere" hurtles the reader through our troubled times in a Swiftian series of grisly cartoon screenshots.

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In Makbara, Juan Goytisolo—widely considered Spain’s greatest living writer—again dazzles the reader with his energetic, stylistic prose, which he himself compares to a snake: cunning, sly, sinuous. But the themes in Makbara are perhaps more universal than in his earlier works. Makbara is full of its own kind of warmth, humor, and love. After all, makbara is an Arab word referring to the spot in North African cemeteries where young couples meet for romantic encounters. Sex, for Goytisolo, is clearly the greatest cosmic joke, the great leveller. “Sex,” he says, “is above all freedom.”

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Exiled in Tangiers, cut off from home and country, the narrator of Count Julian rants against the homeland he was forced to leave: Spain. The second novel in Juan Goytisolo's trilogy (including Marks of Identity and Juan the Landless), this story of an exiled Spaniard confronts all of Goytisolo's own worst fears about fascist Spain.

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A traveler looks out his hotel window on a war-torn city. A mortar explodes in his room and, when the police arrive, the corpse has disappeared and only a notebook of apocryphal writings and poems is found. These enigmas lead into a labyrinth, where blind and barbarous forces lay siege to individual lives and diverse cultures. "State of Siege is a novel of pure fiction, but infinitely more powerful than all the big speeches about Bosnia."-Le Nouvel Observateur "A passionate dialogue with the reader, a reflection on privacy and commitment [engagement], with the steady vigilant presence of a great literary voice."-Le Monde "The reader is thrown into the unreality of a besieged city, as if a firm hand had rudely pushed him out of the tank that brought him from the airport."-L'Express "For the Spaniard Juan Goytisolo, writing is a dangerous adventure." -Lire "Dreams, reminiscences of the war in Spain, thoughts on the novel, borrowings from mystery and detective fiction, references to ancient cultures and Arabic culture, numerous allusions to the narrative structure of Don Quixote-these make up the form of this novel that, as the author says in an ironic and provocative way, isn't written 'according to the rules.'"-Fayard Presse Juan Goytisolo was born in Barcelona in 1931 and lives in Marrakech. In 1993, he was awarded the Nelly Sachs Prize for his literary achievement and contribution to world culture. His translated works include a two-volume autobiography, Forbidden Territory and Realms of Strife, the novels Marks of Identity, Count Julian, Juan the Landless, Quarantine, Virtues of a Solitary Bird, The Marx Family Saga, and The Garden of Secrets, and the essays Saracen Chronicles and Landscapes of War.

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These poems by Carlos Fuentes Lemus (1973-1999), son of the author of Terra Nostra and Christopher Unborn, are an introduction to the unique voice of a sensitive but unsentimental young poet who became aware of his mortality at a very early age. A hemophiliac who as a child contracted HIV from contaminated blood products, he struggled to come to terms with his condition through the practice of art while paying homage to those artists from the Western canon (and from the Rock & Roll Hall of Fame) whose work inspired and shaped his own, such as Keats, Van Gogh, Wilde, Rimbaud, Schiele, Kerouac, Elvis, Hendrix, and Dylan. 4:56's heartbreaking "songs and visions" record his fleeting passage through our world.From the Afterword by Juan Goytisolo: "Beautiful, startling lines, without the least self-complacency, imbued with a hidden and unsettling pain. I have always been enchanted by the magic of English poetry, and its ability to express more in fewer words than can other languages that I know. Carlos Fuentes Lemus moved within its sphere almost on tiptoe, oblivious to any rhetoric and easy sentimentalism, with the delicacy and weightlessness with which he fleetingly traced his path through life."

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