Search results for ""author josephine ross""

To coincide with the bicentenary of Jane Austen’s death ( and her appearance on English banknotes ) in July 2017, this illuminating account of the novelist’s life is told with particular reference to the great men and women who inspired and influenced her, and whose portraits, along with her own, are now in the Collection of the National Portrait Gallery.

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The story of the many suitors of Elizabeth I - one of the most eligible brides in 16th century Europe.From her childhood, overshadowed by the marital upheavals of her father Henry VIII, and the tragic first encounter with courtship, to the fantastical flirtations of her old age, Elizabeth refused to commit herself to any man. During the marriage negotiations, which spanned half a century, romance blended with diplomacy as one illustrious suitor after another endeavoured to ally himself to her in the most intimate of treaties. Sought after by some of the most powerful men in Europe, she knew her marriageable status to be one of her greatest assets. She played one suitor against another, exploiting her situation to the full both for England's profit and her pleasure. By turns she encouraged and eluded her pursuers, keeping alive hopes which she would never fulfil. Yet one man did come close to winning her. Ambitious, devious Robert Dudley, Earl of Leicester, suspected by many of having murdered his wife, was the most persistent of the suitors to the Queen, and though he never attained the prize he longed for, he was dearly loved by Elizabeth all her life. This is a fascinating look at the many suitors of Elizabeth I.

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Cecil Beaton (1904–1980) was a man of dazzling charm and style, and his talents were many. In his twenties he recorded London and New York society in needle-sharp words and drawings, and then, at Condé Nast’s insistence, in photographs. The resulting work earned him a place among the great chroniclers of fashion. In this classic book, now in a sumptuous paperback edition after many years out of print, Josephine Ross selects and introduces articles, drawings and photographs by Beaton dating from the 1920s to the 1970s. It includes Beaton’s essays and vignettes on high society and its denizens, as well as such stars of the arts as Greta Garbo, Ralph Richardson, Pablo Picasso and David Hockney. It also reproduces Beaton’s war photographs, drawings and writings, from bombed London to China and the North Africa Desert. Beaton loved Vogue, and his contributions testify to the wit, imagination and professionalism that the man and the magazine always had in common.

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It is well established that children recognize themselves in mirrors by the end of infancy, showing awareness of the self as an object in the environment. However, the cognitive impact of objective self-awareness requires further elucidation. This gap in the literature is addressed in a series of 7 experiments exploring the role of self in 3- and 4-year-olds' event memory. A mnemonic bias for self-relevant material has been described in adults. This effect is thought to be based on the organizational properties of a highly elaborated self-concept, and so offers a clear route to study the child's developing sense of self. However, very few studies have investigated the ontogeny of this effect. New evidence is provided to suggest that preschool children, like adults, show a mnemonic advantage for material that has been physically linked with the self through performance of a depicted action (Experiment 1). Moreover, 3- and 4-year olds show a bias for material that has been visually and linguistically processed with the self-image (Experiments 2, 3, 4), and material that has been socio-cognitively linked to the self in terms of ownership (Experiments 5, 6, 7). The data imply that both bottom-up (kinesthetic feedback, self-concept) and top-down (attention) aspects of self reflection may play a supporting role in early event memory, perhaps representing a nascent form of autobiographical processing. Importantly, this research highlights a promising methodology for elucidating the executive role of the self in cognition. Following William James's (1890) influential conception of the self, it seems that in typical development, "I" is primed to remember "me."

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'What a fabulous book - a must for any royal watcher! It's elegant, stylish and gloriously illustrated. I didn't want it to end. I loved the original and innovative approach to the subject, and the new insights I gained. I cannot recommend it highly enough.' Alison Weir'Vogue, like the royal family, has been through many evolutions of its own, and to view Her Majesty's life though the record of our pages is truly a document of history.' - Edward Enninful, Editor-in-Chief of British VogueFive monarchs (crowned and uncrowned); one abdication; one royal investiture; a jewel box of jubilees and many, many royal marriages... British Vogue has borne witness to a century of royal history. As another reign begins, The Crown in Vogue is the magazine's 'special royal salute' to the House of Windsor. Vogue's first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen's sister and returned as Lord Snowdon. The Queen's cousin, Vogue's Lord Lichfield proved an insightful photographer of royal style along with many of Vogue's fashion photographers including Horst, Norman Parkinson and David Bailey. With visual treasures from Vogue's unrivalled archive and contributions through the decades from the most perceptive of royal commentators - from Evelyn Waugh to Zadie Smith - The Crown in Vogue is the definitive, authoritative portrait of Queen Elizabeth II's magnificent reign - and of royalty in the modern age.

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