Search results for ""author jonathan brown""

In this lucid, witty book, the eminent art historian Jonathan Brown examines links between his personal life and his study of Hispanic art of the Golden Age. His adventures are offered as a model for understanding how art history is shaped by life experiences, and he describes the influence of his parents, Jean and Leonard Brown, noted collectors of documentation of 20th-century avant-garde movements.His turn to research on the Golden Age of Spanish art was motivated by a year in Madrid, 1958-59. Art history in Spain was modeled on the policies of the Franco regime, and Brown sought to find different ways to interpret Spanish painting. His approach is demonstrated by fresh insight into painters, including Velázquez. A new interpretation of Las Meninas is proposed and the perils of attribution are examined. Later in his career, Brown began to study the transformation of Spanish art in the Americas. The book originated as a series of six lectures delivered at the Museo Nacional del Prado in 2012.

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Art historians have often minimized the variety and complexity of seventeenth-century Spanish painting by concentrating on individual artists and their works and by stressing discovery of new information rather than interpretation. As a consequence, the painter emerges in isolation from the forces that shaped his work. Jonathan Brown offers another approach to the subject by relating important Spanish Baroque paintings and painters to their cultural milieu. A critical survey of the historiography of seventeenth-century Spanish painting introduces this two-part collection of essays. Part One provides the most detailed study to date of the artistic-literary academy of Francisco Pacheco, and Part Two contains original studies of four major painters and their works: Las Meninas of Velazquez, Zurbaran's decoration of the sacristy at Guadalupe, and the work by Murillo and Valdes Leal for the Brotherhood of Charity, Seville. The essays are unified by the author's intention to show how the artists interacted with and responded to the prevailing social, theological, and historical currents of the time. While this contextual approach is not uncommon in the study of European art, it is newly applied here to restore some of the diversity and substance that Spanish Baroque painting originally possessed.

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In this stimulating book, a leading authority on the Spanish master Diego Velázquez discusses this enigmatic artist and explores the mysteries presented by his paintings. The essays collected here, written over the course of Jonathan Brown’s distinguished career, include some which are published in English for the first time and one which has never before been published. Two themes unite them. The first concerns the changing relationship between Velázquez and his patron Philip IV, which provides a framework for Brown to interpret the painter’s career. The centerpiece of this relationship is Veláquez’s masterpiece, Las Meninas, and this painting is the subject of two essays. The second theme is the problem of attributions and the related issue of Velázquez’s innovative technique. Since Velázquez was not a prolific painter, questions of authenticity become increasingly contentious. Brown considers this matter in its widest dimensions and participates in the debate about individual attributions. Distributed for the Centro de Estudios Europa Hispánica

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A ride on a steam train is a popular family outing. More than 100 heritage railways cater for that demand, capturing the spirit of nostalgia while preserving the engines and equipment of past days of rail travel. Their interests even extend to the modern era of 1960s-70s diesels. Those heritage railways themselves have a long pedigree, back to 1951, when a group of enthusiasts saved the Talyllyn Railway in mid-Wales from closure. They ran this railway as volunteers, out of their love of the little trains and a desire to keep it going. Their example was followed by many more preservation societies who preserved and restored branch lines, country lines and industrial lines for our enjoyment now. Six decades have passed, and we are now beginning to realise what an impressive history the heritage railway movement has. This book traces that history, from the humble beginnings the hopes and ambitions of the pioneers on the different railway projects. There were times of failure and frustration, as some fell by the wayside, but others have made it through times of adversity to become the major heritage businesses of today.

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A vivid and exciting account of royal collectors, art dealers, connoisseurs, and the rise of old master paintingsOld master paintings are among the most valuable and prestigious of the visual arts, and the best examples command the highest prices of any luxury commodity. In Kings and Connoisseurs, Jonathan Brown tells the story of how painting rose to this exalted status. The transformation of painting from an inexpensive to a costly art form reached a crucial stage in the royal courts of Europe in the seventeenth century, where rulers and aristocrats assembled huge collections, often in short periods of time. By comparing collecting and collectors at these courts, Brown explains the formation of new attitudes toward pictures, as well as the mechanisms that supported the enterprise of collecting, including the emergence of the art dealer, the development of connoisseurship, and the publication of sumptuous picture books of various collections. The result is an exciting narrative of greed and passion, played out against a background of international politics and intrigue.

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Known primarily as a great painter, Bartolomé Esteban Murillo (1617-1682) was also one of the best draftsmen of the 17th century. Although his devotional paintings seem to have been created effortlessly, they are the result of careful thought and study, a process that comes alive in the preparatory drawings. Murillo used a variety of techniques, favoring pen and ink and brown wash and red-and-black chalk. Like painters schooled in Italian Renaissance practice, the Spaniard developed his paintings in stages, starting with sketches of the full composition and then focusing on details that posed specific problems. Occasionally, Murillo used drawings as a medium for original compositions; these are highly finished pieces, usually enhanced by the use of wash and unmistakably stamped with the artist's personality. This sumptuous book is a thoroughly revised edition of the 1976 publication Murillo & His Drawings. Twenty sheets have been added to the catalogue of authentic works, the bibliography has been brought up to date, and the entries have been revised.Published in association with Centro de Estudios Europa Hispanica, Madrid

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The Tour de France Grand Depart of 2014 shone a light on Yorkshire as a world class cycling destination. But the triumph that was Le Tour was in many ways the latest encounter in a unique long distance love affair between the White Rose and the most challenging race on the planet. From the culture shock that working class Yorkshiremen experienced cycling alongside the continental greats of the 1950s and 60s to the golden triumphs of post-Millennial Olympic success, Cycle Yorkshire tells the region's cycling story through the eyes of the riders themselves. It delves into how the pit villages, steelworks, glorious landscapes and riding routes of Yorkshire have played their part in pioneering and sustaining British cycling at home and abroad. And it explores the stories of bravery, passion and heartbreak behind legends like Brian Robinson, Barry Hoban, Tom Simpson and Beryl Burton and the successes of modern day greats like Malcolm Elliott, Ed Clancy and Lizzie Deignan, while looking at what the future might hold for the sport in God's Own Country with its first Road World Championships on the horizon in 2019. There are exclusive interviews, first person musings from the centre of the action and informed guides on the region's best cycling climbs and top training routes along the way. It's the ultimate account of Yorkshire's cycling story.

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Nelson Glueck was born in 1900 to a struggling immigrant Jewish family in Cincinnati. By 1950, he had excavated remains of the civilization of the ancient Nabataeans in Transjordan, described a biblical copper-mining industry at the shore of the Red Sea, and shown how the Negev could support a large population if proper irrigation techniques were used. A personal friend of David Ben-Gurion, Abba Eban, Golda Meir, Henrietta Szold, and Judah Magnes, among other notables worldwide, this pioneer in the burgeoning field of biblical archaeology was known affectionately in the nascent state of Israel as "Ha-Professor" (the Professor). By 1950, Glueck was also well into his long tenure (1947-1971) as president of Hebrew Union College, the institution that had ordained him as a Reform rabbi in 1923 and supported his further studies toward the doctorate he earned in 1927 at the University of Jena in Germany. As president, Glueck oversaw the merger of HUC with the Jewish Institute of Religion. He expanded the Cincinnati-based institution to include schools in New York, Los Angeles, and Jerusalem. He encouraged the creation of the Schools of Jewish Communal Service and Jewish Education in California. And he founded and nurtured the School of Biblical and Archaeological Studies in Jerusalem, which now bears his name. Jonathan Brown and Laurence Kutler describe and document Nelson Glueck's many achievements and also record some of the fascinating adventures of this extraordinary charismatic man whose life straddled two distinct Jewish worlds.

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Painting in Latin America, 1550–1820: From Conquest to Independence surveys the diverse styles, subjects, and iconography of painting in Latin America between the 16th and 19th centuries. While European art forms were widely disseminated, copied, and adapted throughout Latin America, colonial painting is not a derivative extension of Europe. The ongoing debate over what to call it—mestizo, hybrid, creole, indo-hispanic, tequitqui—testifies to a fundamental yet unresolved question of identity. Comparing and contrasting the Viceroyalties of New Spain, with its center in modern-day Mexico, and Peru, the authors explore the very different ways the two regions responded to the influence of the Europeans and their art. A wide range of art and artists are considered, some for the first time. Rich with new photography and primary research, this book delivers a wealth of new insight into the history of images and the history of art. Published in association with Ediciones El Viso

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