Search results for ""author john f deane""

The poems in this new collection combine a lyrical grace with a fiercely questing intelligence, pushing against the mysteries of faith in a fractured world, paying tribute to the value of human life and love.

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"Eye of the Hare" affirms a spirituality for healing a shattered world. In a richly textured collection, layered with Biblical echoes and the music of "The Psalms", John F. Deane explores the possibilities of poetry to redress the failures of care towards the planet and the needs of society. Deane revives the language of sacrament and celebration with raw and tender grace; in sonnets, narratives and lyrics Eye of the Hare advances towards redemption. In the book's final section. Deane honours the places and landscapes of Achill, that beautiful, demanding island off the west coast of Ireland.

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These poems of religiously shaped place and passion follow three offices of the church, leading toward a world blessed by reason. The voice is that of an Everyman fallen from grace who has the boldness to trust in the possibility of belief. Single poems and sequences, metered and free verse, make up this collection, in which the Psalms have taken flesh with the passion that King David knew and the grace that the Catholic mystics attest to.

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With `Crocus: a brief history’, John F. Deane sets his Dear Pilgrims in motion, a series of brief histories of time, a time that is rich in incident and in redemption. In a decisively secular age, Deane’s is a poetry of Christian belief. It explores renewal, alive with and to the kinds of witness he has learned from George Herbert, Gerard Manley Hopkins and R.S. Thomas. His `I’, like theirs, makes space for a reluctant `us’. Dear Pilgrims includes actual pilgrimages. The poet moves through England (East Anglia in particular), Israel and Palestine, disclosing a `new testament’ that revisions the Christian faith through the eyes of an unknown female disciple of Christ. He vividly adapts the Middle English poem Pearl and realises it for our time. He is also a master of the sonnet as an instrument of love, doubt and faith. The poet’s voice, perhaps because of the timeless wisdom it carries, is vital and contemporary. It is no surprise that the founder of Poetry Ireland and Dedalus Press is a poet of wide reading and vision. The clarity of his verse and purpose makes his voice unique. Rowan Williams celebrates his `Music, a stony, damp and deeply alive landscape (both Ireland and the Holy Land), a passionate and searching engagement with God’.

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The poems in Naming of the Bones touch on Christian values and work towards a significant faith, at the same time focusing on the wonders of an evolving cosmos. The poems delight in the things of the earth, suggesting a secular Christianity. They hope justice will overcome human greed and violence, while they assent to the seasons developing of our landscapes and the beauty and dangers of our place in creation. The sequence 'Like the Dewfall' works with the music of the French composer Olivier Messiaen and his double piano masterpiece, 'Visions de l’Amen', a suite of seven pieces for two pianos, composed in 1943 during the Nazi Occupation of Paris. Other poems connect the 'landscape, sea-scape and sky-scape' of the Achill of Deane's formative years to the 'wonders of the Christian faith' with a sacramental awareness that is a striking feature of many of the poems. Fiona Sampson wrote in the Financial Times, 'The poetry here is always beautiful, and always high stakes because infused with spirituality.' And the theologian Cyril O'Regan comments, 'if Deane is not a prophetic poet by most modern standards – that is, we have to strain to hear denunciation – nonetheless, precisely as a poet he understands himself to be a witness: Poetry tells the truth that we would not tell, lifts the veil on the human condition that we would prefer not to be lifted.'

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The Instruments of Art uses poetry to explore the lives and works of Edvard Munch, Vincent Van Gogh and others, the personal sacrifice involved, the singular vision and inspiration that set them in motion. God's creation, some argue, is a work of art, and Christ's life and death an expression of it. Deane follows this thread in a series of sonnets based on the Stations of the Cross. Another series of poems takes John the Evangelist, 'the one whom Christ loved', as the voice of a poet expressing the hard love and personal commitment demanded by Christ; Deane conducts this exploration experimentally, contrasting and complimenting it with his personal experience of faith through suffering and love. The Old Testament story of Jacob's search for meaning is retold through the poet's own memories of family and becomes an emblem of the universal search for truth and peace. This is a collection written by the light of faith yet shadowed by doubt; it develops an instinctive approach to art that offers an understanding in terms of the highest reaches of suffering humanity.

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John F. Deane opted for a Selected and New rather than the tombstone of a Collected to mark his eightieth year before heaven. He is still a living force, in physical and spiritual space: a Selected Poems (Snow Falling on Chestnut Hill, 2012) already exists. With substantial new work to share, it seemed timely to produce an essential volume, with compelling new work added to underline his witness. Deane's poems explore the beauty of the island where he was born, on the west coast of Ireland, and the wonders of natural creation everywhere. His imagination is most at home in rural Ireland, where the long centuries of scholarship and faith have retained their focus and shape. Music is present everywhere in his selection, in the poems' lyricism and in their reference to composers and compositions, particularly Beethoven and Olivier Messiaen. The poems move from a childhood encounter with a basking shark off his Achill Island home, to an elderly gentleman climbing the stairs to bed. A love of the landscape of his home island is developed in poems that combine an awareness of beauty and fragility with the spiritual significance the physical world offers those who are open to it. A 'rewilding' of old certainties of faith and worship, a movement through the gifts of spirit and Spirit occur. A new sequence, 'For the Times and Seasons', completes this generous celebration of a long life spent, and still spending, in poetry and faith.

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In setting the poets side by side, this volume also highlights the two main faith traditions of the West: Deane with his Roman Catholic background, rooted in the landscape of Mayo; and Harpur with his Protestant (Church of Ireland and Quaker) heritage, influenced by myth, medieval history and mystics. Their two approaches to everyday life and ultimate reality – including nature, saints and mystics, music, art, prayer, and issues of faith and doubt – combine to make a single volume full of lyrical beauty and powerful witness. In addition, an afterword consisting of an informal dialogue between the two poets complements in prose the themes their poems explore. This is a book to challenge, console, delight and make its readers think again about their own journeys through this “vale of soul-making”.

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A gypsy king dies, and a group of villagers seek to save him from the dishonour of a pauper’s grave. The dispute over the inheritance of a well-field becomes a struggle between the ‘old stock’ and the ‘new people’ for the very ownership of their town. A terrier pup reveals the truth of the relationship between a poacher and gamekeeper. A seasoned drinker subverts the ‘dry’ policy of a train chartered by a Pioneer pilgrimage. An old man puts on his best suit for this own wake, telling his family he will be dead by nightfall. And a blind woman only truly realizes her blindness when forced to abandon her home. Stories of enduring friendships and close family ties form the heart of Death of a King. Often hilarious, and as fresh as the day they were written, these stories delicately but potently reveal their characters’ lives in all their toughness and tenderness

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