Search results for ""author johanne""

Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world... a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world... a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Flexibilität ist in der betrieblichen Berufsausbildung in Großunternehmen als Reaktion auf sich im Wandel befindende Einflussfaktoren wie der Digitalisierung und dem demografischen Wandel unverzichtbar. Besonders hauptamtliche Ausbilder*innen können diese entscheidend prägen. Durch die Einnahme neuer Rollen wie zum Beispiel der des Lernprozessbegleiters wird ein flexibleres Handeln möglich, was wiederum die Anpassungsfähigkeit der Ausbildungsabteilung im Ganzen stärkt. Johanne F. Kitzler entwickelt im Verlauf des vorliegenden Buches ein ganzheitliches Konzept, durch das hauptamtliche Ausbilder*innen nachhaltig in der Ausübung neuer Rollen unterstützt werden. Sie leistet damit einen Beitrag zu einer Flexibilisierung der betrieblichen Berufsausbildung im Allgemeinen.

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world... a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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In this book, Johanne Stubbe Teglbjærg Kristensen analyses the relationship between body and hope. She critically investigates the eschatologies of Paul Tillich, Jürgen Moltmann and Wolfhart Pannenberg from the perspective of the phenomenology of the body represented by Maurice Merleau-Ponty. By focusing on the eschatological challenge of the body through a thematization of the issue of continuity, the author constructively interprets the classic eschatological themes of death, resurrection, judgement and the Second Coming. She shows how the classic eschatological issues of the relationship between time and eternity, as well as of the relationship between the individual and the community require new conceptions. By taking the phenomenology of the body into consideration, Teglbjærg Kristensen suggests both a new eschatological approach and a new conception of eschatology.

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The Far Shore (1976), made under the direction of celebrated visual artist and experimental filmmaker Joyce Wieland, is one of Canada's most innovative contributions to cinema. The film borrows elements from the life of Canadian painter Tom Thomson, who is represented by the character of Tom McLeod. The main character, however, is not Tom, but the fictional creation of Eulalie de Chicoutimi, the married Qu b coise woman who loves him. Using Eulalie's perspective, Wieland was able to re-frame Thomson's life and story as a romantic melodrama while infusing it with subversive commentary on gender, nature and nationalism, and ultimately, on the value of art. Here, Wieland specialist Johanne Sloan offers a fascinating new perspective on The Far Shore, making it more accessible by discussing Wieland's utopian fusion of art and politics, the importance of landscape within Canadian culture, and the on-going struggle over the meaning of the natural environment.

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By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art, opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text. In re-reading his own writings, Preziosi opens up alternatives to contemporary discourses on art history and visual culture. A critical commentary by critic, historian, and theorist Johanne Lamoureux complements the author's own introduction, mirroring the multiple interpretations within the essays themselves.

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There's demon-slaying action galore in this stylish update to a Japanese folktale from the creator of Miss Kobayashi's Dragon Maid! Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world... a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world, a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world, a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world, a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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There's demon-slaying action galore in this stylish update to a Japanese folktale from the creator of Miss Kobayashi's Dragon Maid! The rambunctious, teenage Princess Saltherine is fed up with being trapped behind high walls and engineers an escape. But this world is full of monsters both human and otherwise, and it could be Sally herself is one of them...

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world, a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Games and activities are a great way for children with special needs to learn important skills. This book provides inspiration and guidance for special education teachers, teaching assistants, parents and carers on how to use lively and engaging play ideas to foster learning and development.Targeting key skills including listening, self-awareness, movement, creative thinking and relaxation, each game has been developed with the capabilities of children with special needs in mind. The appropriate age group is clearly identified, and possible variations for different abilities are provided. All of the instructions are easy to follow and there are cheerful illustrations throughout. Using music, dance, art, word games and breathing exercises, this book is packed with creative and enjoyable games that make learning fun.This user-friendly activity book will be an ideal resource for use in special education schools, inclusive mainstream classrooms, day-care, residential and respite settings, or at home.

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Pharmacists frequently perform simple calculations as part of their professional practice. It is therefore vital that they are able to employ basic numeracy skills accurately so as not to compromise patient safety. The pharmaceutical societies of Great Britain and Northern Ireland (RPSGB and PSNI) have introduced a compulsory calculations element into the registration examinations. These sections must be passed independently of the rest of the examination. Many Schools of Pharmacy worldwide have also recently increased their emphasis on numeracy skills. MCQs in Pharmaceutical Calculations aims to help pre-registration trainees and pharmacy students with their revision enabling them to perform calculations accurately and with confidence. It includes: 360 calculations questions in three commonly used multiple choice formats; questions based on important areas in pharmaceutical science and practice: manipulation of formulae and dilutions: dosing; pharmacokinetics; formulation and dispensing; pharmaceutical chemistry; descriptive answers giving the reasoning behind the answers. MCQs in Pharmaceutical Calculations will be indispensable to pre-registration trainees and pharmacy students to help them prepare for their future career.

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The epic Valhalla saga continues as bloody power struggles sweep across the Nordic lands and a Viking queen’s daughter must forge her own destiny. Fearless Queen Sigrid wants her twin children to fulfill their destinies: her son, Olaf, to become heir to the kingdom of Svealand, and her gifted daughter, Estrid, to secure passage to the underworld as she is promised to Hel, the Norse goddess of death. But Olaf’s ascension to the throne depends on Sigrid’s former husband, King Erik the Victorious, who despises her and suspects the twins are not his but Sweyn Forkbeard’s, Denmark’s exiled king. As long as the Danish throne is in question, Christian kingdoms and pagan clans battle for control. As Sigrid and her people await Erik’s return from war, a cross-worshipper is taken captive, whose strange power over Estrid sways her to question her allegiance to the death goddess. When Estrid is kidnapped, Sigrid vows to rescue her—at any cost.

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In this savage saga of love, war, lust, and magic set in the tenth century, young Sigrid is destined to be the mother of the king of the Nordic lands that would become Sweden, Norway, Denmark, and England. A devout believer in the old Nordic gods, Sigrid is visited regularly in her dreams by the goddess Freya, who whispers to her of the future. Though Sigrid is beautiful, rich, arrogant, and matchlessly clever, her uncanny ability to foresee the future and manipulate the present guides her through dangerous politics as a bloody war between Vikings and Christians rages on. Sigrid’s father wants her to marry Erik, a local king, to secure the peace between the Goths and the Swedes. Thinking she is doing Freya’s will, she accepts the marriage offer, only to find that her destiny lies not with Erik but with Sweyn, a warrior who dreams of dethroning Harald Bluetooth, the legendary ruler of Denmark. Will Sigrid sacrifice her will for the greatest Viking kingdom of all time, or will she follow her heart at the risk of losing everything?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world. a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demonslayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world, a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

Read more less

There's demon-slaying action galore in this stylish update to a Japanese folktale from the creator of Miss Kobayashi's Dragon Maid! The rambunctious, teenage Princess Saltherine is fed up with being trapped behind high walls and engineers an escape. But this world is full of monsters both human and otherwise, and it could be Sally herself is one of them... Watch for the anime adaptation, coming July 2021!Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world...a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize...?

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Saltherine, princess of the Kingdom of Aldarake, dreams of traveling the world, a dangerous dream in a land where monsters roam the countryside! A chance meeting with a wanderer gives her hope that she might still find excitement in her life. But then she discovers the wanderer's true identity: Momotaro the Peach Boy, demon-slayer of legend! Though terrified by his bloody profession, Sally feels driven to follow Momotaro and learn more. But is this curiosity, or a magical connection that goes deeper than either of them realize?

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When Alice is with Mathilde, her experience of the world shifts, as though Mathilde brings with her a force that charges everything around her: the park bench, the sticky linoleum floor of the supermarket, their interlocked hands, the buttons on a winter coat. But Mathilde is also mercurial and “perfectly” married to Alexander, and Alice is moving into a bigger flat with Simon who has just returned to her life. Alice’s precarious solution is to proceed into a quadrilateral relationship, impatient to define her own outline in the eyes of others.Elastic is a novel about being a woman. About being a woman among other women, among men, and about being alone with one’s female body. Alice doesn’t like being a woman. She feels estranged from her own body, from her gender. At the same time, Elastic is also a modern love story. About Alice’s silenced yet stormy crush on the enigmatic Mathilde. A crush that has no place neither in Alice's relationship with Simon, in Mathilde’s marriage, or even in Alice herself.Bille cleanly gleans the nebulous distinctions between love, sex and intimacy, exerting a softly fragmentary style that underpins Alice’s vacillations. She explores what it means to refuse settling – in a relationship, in society, and within oneself – and to want both love and community without being able to detach from the selfishness that brought us there in the first place. Praise for Elastic The tone of the novel is set from the very first page. Alice, a brilliantly honest main character, narrates the novel in a uniquely fragmented style. Bille uses creative imagery that is sometimes disturbing, but always poetic– Buzz MagazineAlice in Wonderland like you’ve never seen her before– Octavia BrightBille’s Alice has relatives or even sisters in Françoise Sagan’s 1950s novels – there is something Saganesque about Elastic and its depiction of open love affairs and the complicated triangulations, mirroring and conflicts they might entail– PolitikenA novel that speaks quietly and yet insistently of the loneliness of being in love and the feeling of being trapped in one’s own body– InformationElastic is difficult to let go of. It left me with the feeling of being seen. And not just seen: seen through– POV InternationalElastic is first and foremost a tale of Alice and her fumbling attempts to set love free. But it is the novel’s lonely, heartfelt voice and its unromantic depiction of love that gets stuck into your bones– ATLASJOHANNE BILLE (b.1993) is a Danish novelist based in Copenhagen. Elastic is her second novel, originally published in Danish by Forlaget Gladiator in 2018.SHERYLIN NICOLETTE HELLBERG is a literary translator. She has published translations of Tove Ditlevsen, Jonas Eika, and Ida Marie Hede. In 2018, she received an American-Scandinavian Foundation Award for her translation of Caspar Eric’s Nike.

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A great mind and a formidable personality, Brahe is also the world’s most illustrious noseless man of his time. Told by Brahe and his assistants—a filthy cast of characters—Sublunar is both novel and almanac. Alongside sexual deviancy, spankings, ruminations on a new nose—flesh, wood, or gold?—Brahe (a choleric and capricious character) and his peculiar helpers (“I would rather watch her globes tonight than icy stars”) take painstainking measurements that will revolutionize astronomy, long before the invention of the telescope. Meanwhile the plague rages in Europe... The second in Voetmann’s triptych of historical novels, Sublunar is as visceral, absurd, and tragic as its predecessor Awake, but with a special nocturnal glow and a lunatic-edged gaze trained on the moon and the stars.

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Harald Voetmann's eye-opening English debut, Awake, is the first book of his erudite and grotesque trilogy about humankind's inhuman will to conquer nature In a shuttered bedroom in ancient Italy, the sleepless Pliny the Elder lies in bed obsessively dictating new chapters of his Natural History to his slave Diocles. Wheezing, imperious, and prone to nosebleeds, Pliny doesn't believe in spending his evenings in repose. No - to be awake is to be alive. There's no time to waste if he is to classify every element of the natural world in a single work. By day, Pliny the Elder carries out his civic duties and gives the occasional disastrous public reading. But despite his astonishing ambition to catalogue everything from precious metals to the moon, Pliny the Elder still takes pleasure in the common rose. After rushing to an erupting Mount Vesuvius, Pliny perishes in the ash, and his nephew, Pliny the Younger, becomes custodian of his life's work. But where Pliny the Elder saw starlight, Pliny the Younger only sees fireflies. In masterfully honed prose, Voetmann brings the formidable Pliny the Elder (and his pompous nephew) to life. Awake is a comic delight about one of history's great minds and the not-so-great human body it was housed in.

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In a shuttered bedroom in ancient Italy, the sleepless Pliny the Elder lies in bed obsessively dictating new chapters of his Natural History to his slave Diocles. Fat, wheezing, imperious, and prone to nosebleeds, Pliny does not believe in spending his evenings in repose: No—to be awake is to be alive. There’s no time to waste if he is to classify every element of the natural world in a single work. By day Pliny the Elder carries out his many civic duties and gives the occasional disastrous public reading. But despite his astonishing ambition to catalog everything from precious metals to the moon, as well as a collection of exotic plants sourced from the farthest reaches of the world, Pliny the Elder still takes immense pleasure in the common rose. After he rushes to an erupting Mount Vesuvius and perishes in the ash, his nephew, Pliny the Younger, becomes custodian of his life’s work. But where Pliny the Elder saw starlight, Pliny the Younger only sees fireflies. In masterfully honed prose, Voetmann brings the formidable Pliny the Elder (and his pompous nephew) to life. Awake is a comic delight about one of history’s great minds and the not-so-great human body it was housed in.

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Expo 67, the world's fair held in Montreal during the summer of 1967, brought architecture, art, design, and technology together into a glittering modern package. Heralding the ideal city of the future to its visitors, the Expo site was perceived by critics as a laboratory for urban and architectural design as well as for cultural exchange, intended to enhance global understanding and international cooperation. This collection of essays brings new critical perspectives to Expo 67, an event that left behind a significant material and imaginative legacy. The contributors to this volume reflect a variety of interdisciplinary approaches and address Expo 67 across a broad spectrum ranging from architecture and film to more ephemeral markers such as postcards, menus, pavilion displays, or the uniforms of the hostesses employed on the site. Collectively, the essays explore issues of nationalism, the interplay of tradition and modernity, twentieth-century discourse about urban experience, and the enduring impact of Expo 67's technological experimentation. Expo 67: Not Just a Souvenir is a compelling examination of a world's fair that had a profound impact locally, nationally, and internationally.

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In the sixteenth century, on the island of Hven, the pioneering Danish astronomer, Tycho Brahe, is undertaking an elaborate study of the night skyA great mind and a formidable personality, Brahe is also the world’s most illustrious noseless man of his time. Told by Brahe and his assistants—a filthy cast of characters—Sublunar is both novel and almanac. Alongside sexual deviancy, spankings, ruminations on a new nose—flesh, wood, or gold?—Brahe (a choleric and capricious character) and his peculiar helpers (“I would rather watch her globes tonight than icy stars”) take painstaking measurements that will revolutionize astronomy, long before the invention of the telescope. Meanwhile the plague rages in Europe…The second in Voetmann’s triptych of historical novels, Sublunar is as visceral, absurd, and tragic as its predecessor, Awake, but with a special nocturnal glow and a lunatic-edged gaze trained on the moon and the stars.

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Let Secret Copenhagen guide you around the unusual and unfamiliar. Step off the beaten track with this fascinating Copenhagen guide book and let our local experts show you the well-hidden treasures of this amazing city. Ideal for local inhabitants, curious visitors and armchair travellers alike. A riding school in a former airship hangar, giant whale bones in a parking lot, a bunker under a school, an elevator that never stops, a vast network of tunnels in the bowels of a hospital, superb secret museums, little-known architectural wonders, hidden gardens... Whether you are living in Copenhagen or just visiting, the city offers a surprising wealth of sights away from the popular tourist tracks and all the cliches. This guide book is a must for those who think they Copenhagen and for those who just wanted to explore the city from a different perspective.

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The agency of photographs is a recurrent concern within the context of the city. Whether found in architectural records, social documentary, photojournalism, or artistic practice, photographic objects are embedded in urban contestation, aesthetically charged by artists, reinserted into social histories, and mobilized to imagine a future city. Photogenic Montreal takes a question initially posed by heritage debates – what does photography preserve? – and creates a rich conversation about the agency of the human actors before and behind the camera, and of the medium itself.The interplay of archives and activisms structures the book. Photographs that appear to be sealed off in newspapers, storage rooms, or archives accrue new meaning when they cross the threshold back into social spaces and circulate anew. It is through the reactivation of archival photographs that submerged traces of urban experience are discovered, and alternate histories of Montreal can be recounted. Multiple forms of activism and artistic expression complement this archival work. Beginning in the 1960s, community-minded and heritage groups responded to the tensions arising from urban reconstruction, gentrification, and the erasure of neighbourhoods; this activism also left its photographic traces.Attentive to the still-changing face of the city’s architecture, neighbourhoods, and street life, Photogenic Montreal participates in debates about who the city belongs to, who speaks on its behalf, and how to picture its past and present.

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Drawing on an ethnographic study of novel readers in Denmark and the UK during the Covid-19 pandemic, this book provides a snapshot of a phenomenal moment in modern history. The ethnographic approach shows what no historical account of books published during the pandemic will be able to capture, namely the movement of readers between new purchases and books long kept in their collections. The book follows readers who have tuned into novels about plague, apocalypse, and racial violence, but also readers whose taste for older novels, and for re-reading novels they knew earlier in their lives, has grown. Alternating between chapters that analyse single texts that were popular (Albert Camus's The Plague, Ali Smith's Summer, Charlotte Brönte's Jane Eyre) and others that describe clusters of, for example, dystopian fiction and nature writing, this work brings out the diverse quality of the Covid-19 bookshelf. Time is of central importance to this study, both in terms of the time of lockdown and the temporality of reading itself within this wider disrupted sense of time. By exploring these varied experiences, this book investigates the larger question of how the consumption of novels depends on and shapes people's experience of non-work time, providing a specific lens through which to examine the phenomenology of reading more generally. This timely work also negotiates debates in the study of reading that distinguish theoretically between critical reading and reading for pleasure, between professional and lay reading. All sides of the sociological and literary debate must be brought to bear in understanding what readers tell us about what novels have meant to them in this complex historical moment.

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Obwohl Praktiken des Lektorats und des Mentorats zum alltäglichen Bestandteil schriftstellerischer Tätigkeiten gehören, wurden sie von den Literaturwissenschaften bislang kaum untersucht.Der bilinguale Band versammelt Akteure aus dem literarischen Feld sowie der Autorschafts- und Schreibprozesstheorie, welche die Öffnung des Schreibprozesses grundlegend reflektieren. Ihre Beiträge umfassen nicht nur Erfahrungsberichte von Autor_innen, Lektor_innen und Mentor_innen sowie Einblicke in Lehrmethoden des literarischen Schreibens an Hochschulen in verschiedenen Ländern Europas, sondern auch theoretische Ansätze zu einer intersubjektiven literarischen Praxis sowie Entwürfe für dialogische Literaturbegriffe im Zeitalter des Publizierens im Internet.Although practices of editing and mentoring are part of an author's daily activities, they have previously been largely neglected by the literary studies.The bilingual volume therefore assembles players from the fields of literary production and theories of authorship and the writing process, who discuss the development towards an opening up of the creative writing process. Their contributions encompass not only reports of experiences made by authors, editors, and mentors and insights into teaching methods applied in creative writing classes at higher education institutions in different European countries. They also explore theoretical approaches to an intersubjective literary practice as well as suggestions for the definition of a dialogic notion of literature in the age of online publishing.

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Johanne Durocher fights to free her daughter and four grandchildren from a nightmarish life of abuse and poverty in Saudi Arabia. In 2001, Nathalie Morin was just seventeen when she met Saeed, a Saudi man who claimed to be studying in Montreal. She fell in love with him and then became pregnant, but soon afterward Saeed was deported back to his country of origin. Nathalie decided to join him in Saudi Arabia with her baby, Samir, confident that she would be able to return to Canada whenever she wanted. But a trap was closing around her: her partner turned out to be violent and authoritarian.According to Saudi law, Nathalie was considered married and thus under Saeed’s legal authority. All too often she was shut away in her own house, a place of hellish poverty. In 2005, Johanne Durocher, Nathalie’s mother, began her struggle to get Nathalie back home to Canada with her four children: Samir, Abdullah, Sarah, and Fowaz. While Nathalie is allowed to return on her own, her children cannot leave Saudi Arabia without their father’s consent. And Nathalie will not leave without them.Johanne has left no stone unturned in her efforts to fight her daughter’s case: she has approached governments, embassies, NGOs, media, politicians, and more. Although her hopes have been raised several times, nothing has led to bringing her family home.This book tells the story of her fight.

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