Search results for ""author jesmyn ward""

THE NEW YORK TIMES BESTSELLER Edited by two-time National Book Award winner and Women’s Prize shortlisted-author Jesmyn Ward, a timely and groundbreaking collection of essays and poems about race in America In this bestselling collection of essays and poems, Jesmyn Ward gathers a new generation of writers and thinkers to speak on race. From Claudia Rankine to Rachel Kaadzi Ghansah, Kiese Laymon to Carol Anderson, these voices shine a light on the darkest corners of American history, wrestle with the struggles the country faces today and imagine a better future. Envisioned as a response to The Fire Next Time, James Baldwin’s groundbreaking 1963 essay collection, The Fire This Time considers the black experience in modern America. Significant progress has been made in the fifty years since Baldwin's essays were published, but America is a long distance away from a post-racial society – a truth that must be confronted if the country is to continue to work towards change. Baldwin's 'fire next time' is now upon us, and it needs to be talked about. Sage, urgent and impassioned, this is an essential collection edited by one of America’s greatest writers.

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OPRAH’S BOOK CLUB PICK • Instant New York Times Bestseller • Named one of the best books of 2023 by The Washington Post, Vanity Fair, The Boston Globe, Time, The New Yorker, and more. “Nothing short of epic, magical, and intensely moving.” —Vogue • “A novel of triumph.” —The Washington Post • “Harrowing, immersive, and other-worldly.” —People From “one of America’s finest living writers” (San Francisco Chronicle) and “heir apparent to Toni Morrison” (LitHub)—comes a haunting masterpiece about an enslaved girl in the years before the Civil War that’s destined to become a classic.Let Us Descend describes a journey from the rice fields of the Carolinas to the slave markets of New Orleans and into the fearsome heart of a L

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_______________ 'A brilliantly pacy adventure story ... Ward writes like a dream' - The Times 'Fresh and urgent' - New York Times 'There’s something of Faulkner to Ward’s grand diction' - Guardian _______________ WINNER OF THE NATIONAL BOOK AWARD Hurricane Katrina is building over the Gulf of Mexico, threatening the coastal town of Bois Sauvage, Mississippi, and Esch's father is growing concerned. He's a hard drinker, largely absent, and it isn't often he worries about the family. Esch and her three brothers are stockpiling food, but there isn't much to save. Lately, Esch can't keep down what food she gets; at fifteen, she has just realized that she's pregnant. Her brother Skeetah is sneaking scraps for his prized pit bull's new litter, dying one by one. Meanwhile, brothers Randall and Junior try to stake their claim in a family long on child's play and short on parenting. As the novel progresses through twelve dramatic days, this unforgettable family - motherless children sacrificing for one another as they can, protecting and nurturing where love is scarce - pulls itself up to face another day. _______________ 'Masterful ... A palpable sense of desire and sorrow animates every page ... Salvage the Bones has the aura of a classic about it' - Washington Post 'Beautifully written ... A powerful depiction of grinding poverty, where somehow, amid the deprivation, the flame of filial affection survives and a genuine spirit of community is able to triumph over everything the system and nature can throw at it' - Daily Mail

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_______________ 'A brutal, moving memoir … Anyone who emerges from America’s black working-class youth with words as fine as Ward’s deserves a hearing' - Guardian 'Raw, beautiful and dangerous' - New York Times Book Review 'Lavishly endowed with literary craft and hard-earned wisdom' - Time _______________ The beautiful, haunting memoir from Jesmyn Ward, the first woman to win the National Book Award twice 'And then we heard the rain falling and that was the blood falling; and when we came to get in the crops, it was dead men that we reaped' - Harriet Tubman Jesmyn Ward’s acclaimed memoir shines a light on the community she comes from in the small town of DeLisle, Mississippi, a place of quiet beauty and fierce attachment. Here, in the space of four years, she lost five young black men dear to her, including her beloved brother – to accidents, murder and suicide. Their deaths were seemingly unconnected, yet their lives had been connected by identity and place. As Jesmyn dealt with these losses, she came to a staggering truth: the fates of these young men were predetermined by who they were and where they were from, because racism and economic struggle breed a certain kind of bad luck. The agonising reality brought Jesmyn to write, at last, their true stories and her own. _______________ 'Acute and often beautiful' - Financial Times 'Haunting' - Laurie Penny, New Statesman Books of the Year 'Elegiac, rage-filled, and uncommonly brave' - Vogue 'A brilliant book about beauty and death' - Los Angeles Times 'Essential' - San Francisco Chronicle 'Burns with brilliance' - Harper's Bazaar 'Unvarnished and penetrating' - Elle

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* AN OPRAH'S BOOK CLUB PICK * ‘A spectacular achievement’ ANTHONY DOERR ‘Extravagantly beautiful’ DAILY MAIL ‘One of the greatest writers of all time’ JACQUELINE WOODSON ‘Extraordinary’ GUARDIAN ‘The best book I’ve read in years’ LOUISE KENNEDY ----------------------- The first weapon I ever held was my mother's hand. On a slave plantation in the Carolinas, Annis has survived in the light of her mother’s resilience, comforted by stories of her African warrior grandmother. Everything she knows, she learned from her mother – how to fight, how to be strong, how to grow up in a world shrouded in darkness. When she is sold south by the white enslaver who fathered her, Annis must venture onward through the rich but unforgiving landscapes of the American South alone: from the rice fields of the Carolinas to the slave markets of New Orleans, and into the fearsome heart of a Louisiana sugar plantation. Searching for relief in memories of her mother, she opens herself to a world beyond her own, teeming with spirits of earth, water, history and myth. A reimagining of American slavery as beautifully rendered as it is heart-wrenching, Let Us Descend offers a magnificent portrait of the strength of the human spirit and its ability to emerge from darkness into light. This is a story of beauty, love, rebirth and reclamation – a masterwork for the ages. Praise for Sing, Unburied, Sing ‘A must’ Margaret Atwood ‘One of the most important writers in America today’ Ann Patchett ‘Ward is a lyrical, visceral storyteller’ Daily Mail ‘A searing, urgent read’ Celeste Ng ‘Plays out like a grand epic … Staggering’ Marlon James

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* AN OPRAH''S BOOK CLUB PICK *A spectacular achievement' ANTHONY DOERRExtravagantly beautiful' DAILY MAILOne of the greatest writers of all time' JACQUELINE WOODSONExtraordinary' GUARDIANThe best book I've read in years' LOUISE KENNEDY-----------------------The first weapon I ever held was my mother''s hand.On a slave plantation in the Carolinas, Annis has survived in the light of her mother's resilience, comforted by stories of her African warrior grandmother. Everything she knows, she learned from her mother how to fight, how to be strong, how to grow up in a world shrouded in darkness.When she is sold south by the white enslaver who fathered her, Annis must venture onward through the rich but unforgiving landscapes of the American South alone: from the rice fields of the Carolinas to the slave markets of New Orleans, and into the fearsome heart of a Louisiana sugar plantation. Searching for relief in memo

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* AN OPRAH'S BOOK CLUB PICK * ‘A spectacular achievement’ ANTHONY DOERR ‘Extravagantly beautiful’ DAILY MAIL ‘One of the greatest writers of all time’ JACQUELINE WOODSON ‘Extraordinary’ GUARDIAN ‘The best book I’ve read in years’ LOUISE KENNEDY ----------------------- The first weapon I ever held was my mother's hand. On a slave plantation in the Carolinas, Annis has survived in the light of her mother’s resilience, comforted by stories of her African warrior grandmother. Everything she knows, she learned from her mother – how to fight, how to be strong, how to grow up in a world shrouded in darkness. When she is sold south by the white enslaver who fathered her, Annis must venture onward through the rich but unforgiving landscapes of the American South alone: from the rice fields of the Carolinas to the slave markets of New Orleans, and into the fearsome heart of a Louisiana sugar plantation. Searching for relief in memories of her mother, she opens herself to a world beyond her own, teeming with spirits of earth, water, history and myth. A reimagining of American slavery as beautifully rendered as it is heart-wrenching, Let Us Descend offers a magnificent portrait of the strength of the human spirit and its ability to emerge from darkness into light. This is a story of beauty, love, rebirth and reclamation – a masterwork for the ages. Praise for Sing, Unburied, Sing ‘A must’ Margaret Atwood ‘One of the most important writers in America today’ Ann Patchett ‘Ward is a lyrical, visceral storyteller’ Daily Mail ‘A searing, urgent read’ Celeste Ng ‘Plays out like a grand epic … Staggering’ Marlon James

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_______________ SHORTLISTED FOR THE WOMEN'S PRIZE FOR FICTION 2018 WINNER OF THE NATIONAL BOOK AWARD 2017 ONE OF BARACK OBAMA'S BEST BOOKS OF 2017 SELECTED AS A BOOK OF THE YEAR BY THE NEW YORK TIMES, THE NEW STATESMAN, THE FINANCIAL TIMES, THE NEW YORK TIMES BOOK REVIEW, TIME AND THE BBC _______________ 'A must' - Margaret Atwood 'A searing, urgent read' - Celeste Ng 'Staggering' - Marlon James 'Disarmingly beautiful' - Spectator 'Blazing with power, grief and tenderness' - Financial Times _______________ An intimate portrait of a family and an epic tale of hope and struggle, Sing, Unburied, Sing examines the ugly truths at the heart of the American story and the power – and limitations – of family bonds. Jojo is thirteen years old and trying to understand what it means to be a man. His mother, Leonie, is in constant conflict with herself and those around her. She is black and her children’s father is white. Embattled in ways that reflect the brutal reality of her circumstances, she wants to be a better mother, but can’t put her children above her own needs, especially her drug use. When the children’s father is released from prison, Leonie packs her kids and a friend into her car and drives north to the heart of Mississippi and Parchman Farm, the State Penitentiary. At Parchman, there is another boy, the ghost of a dead inmate who carries all of the ugly history of the South with him in his wandering. He too has something to teach Jojo about fathers and sons, about legacies, about violence, about love. Rich with Ward’s distinctive, lyrical language, Sing, Unburied, Sing brings the archetypal road novel into rural twenty-first century America.

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As an adult, I learned this: persist. Work hard. Face rejection, weather the setbacks, until you meet the gatekeeper who will open a door for you. Jesmyn Ward grew up in a poor, rural community in Mississippi. Today, as the first woman to win the National Book Award twice, she is celebrated as one of America’s greatest living writers. Navigate Your Stars is a stirring reflection on the value of hard work and the importance of respect for oneself and others. First delivered as a 2018 commencement address at Tulane University, it captures Ward’s inimitable voice as she reflects on her experiences as a Southern black woman, addressing the themes of grit, adversity and the importance of family bonds. Beautifully illustrated in full colour, this is a meditative and profound book that will inspire all readers preparing for the next chapter in their lives.

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The first novel from two-time National Book Award winner Jesmyn Ward, a timeless Southern fable of brotherly love and familial conflict Joshua and Christophe are twins, raised by a blind grandmother and a large extended family in a rural town on Mississippi’s Gulf Coast. Over the course of a single, life-changing summer, as they struggle to find work and contend with the reappearance of their parents – Cille, who left town for a better job, and Sandman, a dangerous addict – the brothers are forced into a series of decisions that will ultimately damn or save them. A delicate and closely observed portrait of fraternal love and strife and the bonds that can sustain and torment us, Where the Line Bleeds marks the beginning of Jesmyn Ward’s extraordinary career in fiction.

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BY ONE OF THE MOST INFLUENTIAL WRITERS OF THE TWENTIETH CENTURY With a new introduction by JESMYN WARD 'Fierce, insightful and often devilishly funny' COLIN GRANT, GUARDIAN 'One of the greatest writers of our time' TONI MORRISON 'A bold and beautiful book' CARL SANDBURG Born on the wrong side of the creek, John Buddy Pearson, the son of a slave, has come a long way since his shoeless days. With some schooling, a job and marriage to clever Lucy Potts, his fortunes are looking up. But, unable to resist the lure of women or a fight, he's forced to flee town or face life on the chain gang.John finds himself in Sanford, Florida, and sends for Lucy and the children. There, he discovers a talent for preaching, and, with the support of his wife, becomes pastor of Zion Hope Church, rousing his congregation with his fervent sermons. He is now a pillar of the community, respected and popular. Before long, though, he is praying for his own sins - for his powers of persuasion aren't limited to the pulpit and the town won't stand for his philandering ways.Originally published in 1934, this is Zora Neale Hurston's first novel.

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Guernica is an award-winning online magazine of ideas, art, poetry and fiction published twice monthly. The contributors come from dozens of countries and write in nearly as many languages. This annual collects the best of Guernica's published features, interviews, fiction and poetry of 2015.

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With a new introduction by JESMYN WARD'Warm, witty, imaginative . . . A rich and winning book' NEW YORKER 'Devilishly funny and academically solid: delicious mixture' MAYA ANGELOU'One of the greatest writers of our time' TONI MORRISONFirst published in 1942 at the height of her popularity, Dust Tracks on a Road is Zora Neale Hurston's candid, exuberant account of her rise from childhood poverty in the rural South to a prominent place among the leading artists and intellectuals of the Harlem Renaissance. As compelling as her acclaimed fiction, Hurston's literary self-portrait offers a revealing, often audacious glimpse into the life - public and private - of an extraordinary artist, anthropologist, chronicler and champion of the black experience in America. Full of the wit and wisdom of a proud, spirited woman who started off low and climbed high: 'I have been in Sorrow's kitchen and licked out all the pots. Then I have stood on the peaky mountain wrapped in rainbows with a harp and a sword in my hands'.

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