Search results for ""author janis mink""

When is a urinal no longer a urinal? When Marcel Duchamp (1887–1968) declared it to be art. The uproar that greeted the French artist’s Fountain (1917), a porcelain urinal installed in a gallery, sent shock waves through the art world establishment that reverberate right through to today. This essential introduction distills all the daring and the scandal of Duchamp’s practice into one essential overview not only of a pioneering creative but also of a critical moment in Western culture. From his groundbreaking blend of abstraction, Cubism, and Futurism in Nude Descending a Staircase (1912) to his forays into the now-iconic “readymades” such as Bicycle Wheel (1913) and Bottle Rack (1914) we explore how Duchamp consistently challenged the notion of what art is and, in so doing, opened up a world of conceptual possibilities beyond the “retinal” experience.

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With a career spanning seven decades, Catalan-born Joan Miró (1893–1983) was a polymath giant of modern art, producing masterworks across painting, sculpture, art books, tapestry, and ceramics, and embracing ideologies as varied as Fauvism, Surrealism, Dada, Magic Realism, Cubism, and abstraction. Over the course of his prodigious output, Miró evolved constantly, seeking to eschew categorization and the approval of “bourgeois” art critics as much as he pursued his own dreamlike worlds. Emerging into the public spotlight in the early 1920s, he first experimented with Fauvism and Cubism before developing a distinctive style of symbols and pictograms, arranged in elusive visual narratives, with frequent reference to Catalan life. As his career progressed, Miró moved towards Surrealism, and, despite never fully identifying with the movement, emerged as one of its most celebrated practitioners with techniques including automated drawing, Lyrical Abstraction, and Color Field painting. In later years, he diversified his media further, working with ceramics, textiles, and even proposing sculptures made of gas. Through his vivid colors, dreamlike fantasies, and enigmatic symbols, this book brings together the numerous strands of Miró’s kaleidoscopic oeuvre to introduce his fascinating career, its interaction with major modernist movements, and how it made him into a modernist legend.

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